Robert Walser und die Neue Zeit. Politische Kurzdramen der Zwanziger Jahre. ; Modern Times and Robert Walser. The political plays
Abstract ; Der Text beschäftigt sich mit Walsers seit der Jahrhundertwende entwickelten Methoden der Thematisierung von Alltagsmythen in Märchenspielen. Mayr stellt besonders die politisch gefärbten Arbeiten der Zwanziger Jahre heraus und sucht sie...
mehr
|
Volltext:
|
|
|
Zitierfähiger Link:
|
|
|
Abstract ; Der Text beschäftigt sich mit Walsers seit der Jahrhundertwende entwickelten Methoden der Thematisierung von Alltagsmythen in Märchenspielen. Mayr stellt besonders die politisch gefärbten Arbeiten der Zwanziger Jahre heraus und sucht sie als Bruchstücke einer universalen Geschichtsphilosophie zu begreifen, die den tragischen Gehalt geistiger Klischees aufspürt und hinter den Erscheinungen der Geschichte die gnadenlose Mechanik des Märchens vermutet. Ein weiteres Ziel der Arbeit besteht in der Rehabilitation Walsers als politischer Autor. ; Abstract ; This thesis deals with Robert Walser´s attempts to create a new method of myth- destruction in short plays. Developed since 1900, his plays, based on german fairy-tales and every-day-myths, reached a technical standard in the field of analysing politics that can only be compared with the one of Brecht´s works. Mayr tries to show that Walser was one of the most intelligent political authors of his time.
|
| Export in Literaturverwaltung |
|
Analysis of Edward Bond's war plays
Abstract: The War Plays'trilogy (Red, Black and Ignorant, The Tin Can People and Great Peace) presents the scenario of a waste land ‘with apocalyptical shades. The post nuclear environment of the plays reflects the Atmosphere of the historical period...
mehr
|
Volltext:
|
|
|
Zitierfähiger Link:
|
|
|
Abstract: The War Plays'trilogy (Red, Black and Ignorant, The Tin Can People and Great Peace) presents the scenario of a waste land ‘with apocalyptical shades. The post nuclear environment of the plays reflects the Atmosphere of the historical period when it was written. The beginning of the eighties saw the debate about nuclear weapons and strong discussions about the Thatcher administration in this respect. Edward Bond emerged from a group of left-wing writers who joined the experimental fringe theatre in the 1970s. To make sense of this literature, we turn to content analysis to examine the trends and categorize the burgeoning management research of the past 25 years that uses content analysis. In Red Black and Ignorant characters confront the paradox. Society uses dramatists to create the drama it needs but a dramatist is not a conduit. He is responsible for what he writes, not out of duty but because discerning anything means evaluating it and this requires desire and commitment. What a
|
| Export in Literaturverwaltung |
|
Heteroglossia: Bakhtinian dialogism within a play's monologue
Abstract: This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical...
mehr
|
Volltext:
|
|
|
Zitierfähiger Link:
|
|
|
Abstract: This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical poetics" mainly in the form of a novel accentuating the constitution of a social ideology besides an individual one while gesturing dialogically in the interaction between representation in its textual form and particularities of its proper probable forces in their socio-historical stratifications within notions such as dialogism, intertextuality, heteroglossia and polyphony. To do so a successful Irish play of exuberance is invited to be served by a thinker from the past Soviet. Since the references are written in an artistic language, a language near to a poetic one tries to tinker rationality to irrationality. In the light of O’Halloran's eccentric nostalgia which tries to handle a play all in all monologically from the voice of just a single char
|
| Export in Literaturverwaltung |
|
Political culture and television fiction: the amazing Mrs Pritchard
Abstract: "Recently, the study of politics has expanded its scope by recognizing the constitutive power of `political culture' at the same time as cultural studies has become more interested in formal political processes and their relationship to...
mehr
|
Volltext:
|
|
|
Zitierfähiger Link:
|
|
|
Abstract: "Recently, the study of politics has expanded its scope by recognizing the constitutive power of `political culture' at the same time as cultural studies has become more interested in formal political processes and their relationship to popular culture. This article is a case study of political culture in the United Kingdom, focusing on one example of fictional expression, a television drama series broadcast in 2006: The Amazing Mrs Pritchard . The premise of the article is that the imaginative work of political fiction provides an opportunity to explore the cultural mediation of uncertainties and tensions in contemporary politics and political values. The framing of the series involves a generic mixture of realism and fantasy unusual in the British context and the key themes, which include political trust and the limits of political action, are discussed in relation both to their fictional articulation and their wider reference." [author's abstract]
|
| Export in Literaturverwaltung |
|
