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  1. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Preliminary Material /William S. Haney -- Integral Drama: Culture, Consciousness and Identity Introduction /William S. Haney -- The Fall of Private Man in Harold Pinter’s The Birthday Party /William S. Haney -- Eugène Ionesco’s Rhinoceros: Defiance... mehr

    Zugang:
    Universitätsbibliothek Leipzig
    keine Fernleihe

     

    Preliminary Material /William S. Haney -- Integral Drama: Culture, Consciousness and Identity Introduction /William S. Haney -- The Fall of Private Man in Harold Pinter’s The Birthday Party /William S. Haney -- Eugène Ionesco’s Rhinoceros: Defiance vs. Conformity /William S. Haney -- Tom Stoppard’s Arcadia: Orderly Disorder /William S. Haney -- Discovering Happiness in Harold Pinter’s The Homecoming /William S. Haney -- Luigi Pirandello’s Six Characters in Search of an Author: Being vs. having Form /William S. Haney -- The Reality of Illusion in Jean Genet’s The Balcony /William S. Haney -- Soyinka’s Integral Drama: Unity and the Mistake of the Intellect /William S. Haney -- Bibliography /William S. Haney -- Index of Names /William S. Haney. Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K. C. Forman, Jonathan Shear, Daniel Meyer-Dinkgräfe, Ralph Yarrow and others. Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama , moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401205788
    Weitere Identifier:
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Consciousness in literature; Culture in literature
    Umfang: 1 Online-Ressource (184 pages)
    Bemerkung(en):

    Includes bibliographical references (p. 177-182) and index

  2. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam ; Brill, New York, NY

    Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced... mehr

    Universität Mainz, Zentralbibliothek
    keine Fernleihe

     

    Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K. C. Forman, Jonathan Shear, Daniel Meyer-Dinkgräfe, Ralph Yarrow and others. Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama , moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401205788
    Weitere Identifier:
    Schriftenreihe: Consciousness, literature & the arts, ; 15
    Schlagworte: Drama; Kulturelle Identität; Theater; Wahrnehmung; Ästhetik
    Umfang: 1 Online-Ressource (184 pages)
    Bemerkung(en):

    Includes bibliographical references (p. 177-182) and index.

  3. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    88.551.92
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Kulturelle Identität; Theater; Wahrnehmung; Ästhetik
    Umfang: 184 S., 23 cm
  4. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781435641105; 1435641108; 9042023899; 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Kulturelle Identität; Theater; Wahrnehmung; Ästhetik
    Umfang: 1 Online-Ressource (184 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-182) and index

  5. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1435641108; 9042023899; 9781435641105; 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Literatur; Drama; Consciousness in literature; Culture in literature; Drama; Ästhetik; Kulturelle Identität; Wahrnehmung; Theater
    Umfang: 1 Online-Ressource (184 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-182) and index

    Introduction -- The fall of private man in Harold Pinter's The birthday party -- Eugene Ionesco's Rhinoceros: defiance vs. conformity -- Tom Stoppard's Arcadia: orderly disorder -- Discovering happiness in Harold Pinter's The homecoming -- Luigi Pirandello's Six characters in search of an author: being vs. having form -- The reality of illusion in Jean Genet's The balcony -- Soyinka's integral drama: unity and the mistake of the intellect -- Bibliography -- Index of names

    "Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation between modern theatre and higher states of mind and demonstrates that one of the key purposes of theatre is to help the spectator experience the pure consciousness event described in consciousness studies by theorists such as Anna Bonshek, Ken Wilber, Robert K.C. Forman, Jonathan Shear, Daniel Meyer-Dinkgrafe, Ralph Yarrow and others." "Integral Drama will appeal not only to drama theorists but also to teachers and students of acting, as well as an educated general audience interested in understanding the aesthetic experience of theatre. Integral Drama, moreover, can be used as a textbook for acting and drama theory classes and would also appeal to university and public libraries. The book serves as a bridge between the ideas and experiences long understood through Indian philosophy and the many questions raised by modern theatre studies."--Jacket

  6. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Consciousness in literature; Culture in literature
    Umfang: 184 S., 23 cm
  7. Postmodern theater and the void of conceptions
    Erschienen: 2006
    Verlag:  Cambridge Scholars Press, Newcastle

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    88.308.99
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 190430365X
    Schlagworte: Englisch; Drama; Postmoderne
    Umfang: viii, 160 S., 22 cm
    Bemerkung(en):

    Literaturverz. S. [145] - 154

  8. Literary theory and Sanskrit poetics
    language, consciousness, and meaning
    Erschienen: 1993
    Verlag:  Mellen, Lewiston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    85.453.54
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0773493794
    RVK Klassifikation: EC 1660
    Schlagworte: Drama; Dekonstruktion; Lyriktheorie; Sanskrit
    Weitere Schlagworte: Joyce, James (1882-1941): Ulysses; Pynchon, Thomas (1937-): The crying of lot 49; Soyinka, Wole (1934-); Faulkner, William (1897-1962): As I lay dying
    Umfang: X, 190 S.
    Bemerkung(en):

    Literaturverz. S. [177] - 188

  9. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2009 A 11560
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Hildesheim
    20 : 51337
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Consciousness in literature; Culture in literature; Drama
    Umfang: 184 S
    Bemerkung(en):

    Includes bibliographical references (p. [177]-182) and index

  10. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.]

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Consciousness in literature; Culture in literature; Drama; Ästhetik; Theater; Wahrnehmung; Drama; Kulturelle Identität
    Umfang: 184 S., 23 cm
  11. Literary theory and Sanskrit poetics
    language, consciousness, and meaning
    Erschienen: 1993
    Verlag:  Mellen, Lewiston [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    85.453.54
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Zentralbibliothek
    178.697
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0773493794
    RVK Klassifikation: EC 1660
    Schlagworte: Drama; Dekonstruktion; Lyriktheorie; Sanskrit
    Weitere Schlagworte: Joyce, James (1882-1941): Ulysses; Pynchon, Thomas (1937-): The crying of lot 49; Soyinka, Wole (1934-); Faulkner, William (1897-1962): As I lay dying
    Umfang: X, 190 S.
    Bemerkung(en):

    Literaturverz. S. [177] - 188

  12. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042023899; 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Consciousness in literature; Culture in literature; Drama; Wahrnehmung; Drama; Ästhetik; Theater; Kulturelle Identität
    Umfang: 184 p
    Bemerkung(en):

    Includes bibliographical references and index

  13. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to which this has promoted the development of higher consciousness in actors and audience. According to Indian aesthetics, rasa or aesthetic rapture is refers to bliss innate in the Self that manifests even in the absence of external sources of happiness. Overall, this book explores the relation betwee

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042023899; 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Consciousness in literature; Culture in literature
    Umfang: Online-Ressource (184 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Integral Drama; Contents; Integral Drama: Culture, Consciousness and Identity Introduction; The Fall of Private Man in Harold Pinter's The Birthday Party; Eugène Ionesco's Rhinoceros: Defiance vs. Conformity; Tom Stoppard's Arcadia: Orderly Disorder; Discovering Happiness in Harold Pinter's The Homecoming; Luigi Pirandello's Six Characters in Search of an Author: Being vs. having Form; The Reality of Illusion in Jean Genet's The Balcony; Soyinka's Integral Drama: Unity and the Mistake of the Intellect; Bibliography; Index of Names

  14. Integral drama
    culture, consciousness and identity
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    88.551.92
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789042023895
    Schriftenreihe: Consciousness, literature & the arts ; 15
    Schlagworte: Drama; Kulturelle Identität; Theater; Wahrnehmung; Ästhetik
    Umfang: 184 S., 23 cm