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<<The>> Fate of Art
Aesthetic Alienation from Kant to Derrida and Adorno -
Against voluptuous bodies
late modernism and the meaning of painting -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
Art and aesthetics after Adorno
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The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
Against voluptuous bodies
late modernism and the meaning of painting -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
<<The>> fate of art
aesthetic alienation from Kant to Derrida and Adorno -
Classic and romantic German aesthetics
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The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
Against voluptuous bodies
late modernism and the meaning of painting -
Art and aesthetics after Adorno
-
Aesthetic alienation
Heidegger, Adorno, and the truth at the end of art -
Republican beauty, sublime democracy
civic humanism in Gadamer and Rawls -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno -
The fate of art
aesthetic alienation from Kant to Derrida and Adorno