Letzte Suchanfragen
Ergebnisse für *
Zeige Ergebnisse 1 bis 25 von 322.
-
Johnson's and Lessing's dramatic critical theories and practice with a consideration of Lessing's affinities with Johnson
-
The enigma of Emilia Galotti
-
"Seeing" speech
illusion and the transformation of dramatic writing in Diderot and Lessing -
A companion to the works of Gotthold Ephraim Lessing
-
Lessing in heutiger Sicht
Beiträge zur Internationalen Lessing-Konferenz, Cincinnati, Ohio, 1976 -
The disciplines of interpretation
Lessing, Herder, Schlegel and hermeneutics in Germany, 1750-1800 -
Lessing
the founder of modern German literature -
Lessing's Aesthetica in Nuce
An Analysis of the May 26, 1769, Letter to Nicolai -
Literary conclusions
the poetics of ending in Lessing, Goethe, and Kleist -
The enigma of Emilia Galotti
-
Lessing's aesthetica in nuce
an analysis of the May 26, 1769, letter to Nicolai -
Literary conclusions
the poetics of ending in Lessing, Goethe, and Kleist -
Klopstock, Lessing, and Wieland
A treatise on German literature -
The disciplines of interpretation
Lessing, Herder, Schlegel and hermeneutics in Germany :1750-1800 -
Lessing and the Sturm und Drang
a reappraisal revisited -
G.E. Lessing: poetic constellations between the visual and the verbal
-
The disciplines of interpretation
Lessing, Herder, Schlegel and hermeneutics in Germany 1750 - 1800 -
Absent mothers and orphaned fathers
narcissism and abjection in Lessing's aesthetic and dramatic production -
Projects of enlightenment
the work of Gotthold Ephraim Lessing ; cultural, intercultural, and transcultural perspectives -
Proceedings of the Tucson Lessing Conference 2007
-
A companion to the works of Gotthold Ephraim Lessing
-
Lessing, the European enlightenment, and the first sexual revolution
= Lessing, die europäische Aufklärung und die erste sexuelle Revolution -
Rethinking Lessing's Laocoon
antiquity, enlightenment, and the "limits" of painting and poetry -
Lessing, Goethe, Kleist, and the transformation of gender
from hermaphrodite to amazon -
"Seeing" speech
illusion and the transformation of dramatic writing in Diderot and Lessing