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  1. Samuel Beckett and cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London, England ; Bloomsbury Publishing

    1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance. In 1936... mehr

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    Resolving-System (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance. In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474219280; 9781472524980; 1472524985; 9781350081611; 1350081612; 9781472527370; 9781472533234
    Weitere Identifier:
    Schriftenreihe: Historicizing modernism
    Schlagworte: Motion pictures and literature; Film criticism; Films, cinema
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (195 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 176-188) and index

    Also published in print.
  2. The speech-gesture complex
    modernism, theatre, cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: [2013]
    Verlag:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748684908; 9780748684915
    RVK Klassifikation: ES 172
    Schriftenreihe: Edinburgh critical studies in modernism, drama and performance
    Schlagworte: Geste <Motiv>; Sprache <Motiv>; Drama; Film
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Lewis, Wyndham (1882-1957); Joyce, James (1882-1941)
    Umfang: 1 Online-Ressource (vi, 199 Seiten)
  3. The speech-gesture complex
    modernism, theatre, cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    This study examines the representation of gesture in modernist writing, performance, and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This study examines the representation of gesture in modernist writing, performance, and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748695249
    Weitere Identifier:
    RVK Klassifikation: ES 172
    Schriftenreihe: Edinburgh critical studies in modernism, drama and performance
    Schlagworte: Geste <Motiv>; Sprache <Motiv>; Drama; Film; Gesture in literature; Modernism (Literature); Gesture in motion pictures; Speech and gesture; Theater
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Lewis, Wyndham (1882-1957); Joyce, James (1882-1941)
    Umfang: 1 Online-Ressource (vi, 199 pages).
    Bemerkung(en):

    Includes bibliographical references and index
  4. The speech-gesture complex
    modernism, theatre, cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.149.73
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0748684891; 9780748684892
    RVK Klassifikation: ES 172
    Schriftenreihe: Edinburgh critical studies in modernism, drama and performance
    Schlagworte: Geste <Motiv>; Sprache <Motiv>; Drama; Film
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Lewis, Wyndham (1882-1957); Joyce, James (1882-1941)
    Umfang: VI, 199 S.
    Bemerkung(en):

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

    Literaturverz. S. 172 - 191
  5. Samuel Beckett and cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- 1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. 'texte théâtre film':... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- 1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. 'texte théâtre film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogénie, the Close-Up, Gender Performance -- Bibliography -- Index. In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1472533232; 1472527372; 9781472533234; 9781472527370
    Schriftenreihe: Historicizing Modernism
    Schlagworte: Motion pictures and literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Motion pictures and literature; Films, cinema; Literary studies: from c 1900 -; Criticism, interpretation, etc
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Beckett, Samuel
    Umfang: 1 Online-Ressource (224 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  6. The speech-gesture complex
    modernism, theatre, cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.149.73
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB327358890
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0748684891; 9780748684892
    RVK Klassifikation: ES 172
    Schriftenreihe: Edinburgh critical studies in modernism, drama and performance
    Schlagworte: Geste <Motiv>; Sprache <Motiv>; Drama; Film
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Lewis, Wyndham (1882-1957); Joyce, James (1882-1941)
    Umfang: VI, 199 S.
    Bemerkung(en):

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

    Literaturverz. S. 172 - 191
  7. Samuel Beckett and cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London

    In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350081611; 1472524985; 9781472524980
    Weitere Identifier:
    9781472524980
    RVK Klassifikation: IH 15721
    Auflage/Ausgabe: First published
    Schriftenreihe: Historicizing modernism
    Schlagworte: Motion pictures; Motion pictures and literature
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 195 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 176-188
  8. Samuel Beckett and cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London, England ; Bloomsbury Publishing

    1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance. In 1936... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    1. Late Keaton, Docufiction, the Nouvelle Vague -- 2. Self-Perception and Asynchronous Sound: Godard, Hitchcock, Resnais -- 3. `Texte Theatre Film': Auteurism, Meyerhold/Eisenstein, Duras -- 4. Photogenie, the Close-Up, Gender Performance. In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474219280; 9781472524980; 1472524985; 9781350081611; 1350081612; 9781472527370; 9781472533234
    Weitere Identifier:
    Schriftenreihe: Historicizing modernism
    Schlagworte: Motion pictures and literature; Film criticism; Films, cinema
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (195 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 176-188) and index

    Also published in print.
  9. Samuel Beckett and cinema
    Autor*in: Paraskeva, Anthony
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London

    In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 12844
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2019 A 3828
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2018/4491
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Anglistisches Seminar der Universität, Bibliothek
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    O BEC 1426
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bx 7121
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitätsbibliothek Mannheim
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    2017 A 1661
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Württembergische Landesbibliothek
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    67/850
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    Cf BeckSam/10
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1936 Samuel Beckett wrote a letter to Sergei Eisenstein - the legendary director of such films as Battleship Potemkin - expressing his own desire to work in the lost tradition of silent film. Drawing on substantial archival material, this is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. Examining his writing on second wave modernist cinema, including the work of directors such as Eisenstein, Godard, Griffith and Bresson as well as performers such as Buster Keaton, Charlie Chaplin and Greta Garbo, the book reveals film art to be central to Beckett's modernist aesthetic. In this way, Beckett is revealed to be part of a wider modernist theatrical tradition that stood as an inheritor of early 20th century cinema, alongside Meyerhold, Brecht and Artaud

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350081611; 1472524985; 9781472524980
    Weitere Identifier:
    9781472524980
    RVK Klassifikation: IH 15721
    Auflage/Ausgabe: First published
    Schriftenreihe: Historicizing modernism
    Schlagworte: Motion pictures; Motion pictures and literature
    Weitere Schlagworte: Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 195 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 176-188