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  1. Brechts "Lukullus" und seine Vertonungen durch Paul Dessau und Roger Sessions
    Werk und Ideologie
    Erschienen: c 2007
    Verlag:  Ergon Verl., Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3899135393; 9783899135398
    Weitere Identifier:
    9783899135398
    RVK Klassifikation: LQ 89300 ; GM 2660 ; LP 91748 ; LP 95900
    Schriftenreihe: Literatura ; 18
    Schlagworte: Brecht, Bertolt; Vertonung; ; Brecht, Bertolt; Dessau, Paul; Sessions, Roger;
    Umfang: 532 S., Notenbeisp., 225 mm x 155 mm
    Bemerkung(en):

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 2005

  2. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: [2019]; © 2019
    Verlag:  Oxford University Press, New York, NY

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and... mehr

    Hochschule für Musik Detmold, Bibliothek
    BM 540:4
    Ausleihe von Bänden möglich, keine Kopien

     

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and repulsion-through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. 0W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how0Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190072704
    RVK Klassifikation: LQ 94000 ; LQ 89300
    Schlagworte: Music / United States / Japanese influences; Music / United States / History and criticism; Orientalism in music / History; Exotismus; Musik; Japan <Motiv>; Kulturkontakt
    Umfang: xiv, 623 Seiten, Illustrationen, Notenbeispiele
  3. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: 2019
    Verlag:  Oxford University Press, New York, NY

    'Extreme Exoticism' offers a detailed and wide-ranging documentation and investigation of the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in... mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    'Extreme Exoticism' offers a detailed and wide-ranging documentation and investigation of the role of music in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. This text covers over 150 years of American musical history, from the first American encounters with the Japanese in the mid nineteenth-century to today, as it reveals the central role of music in American Japonisme.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780190072735
    Weitere Identifier:
    RVK Klassifikation: LQ 89300 ; LQ 94000
    Schriftenreihe: Oxford scholarship online
    Schlagworte: Musik; Exotismus; Japan <Motiv>; Kulturkontakt
    Umfang: 1 Online-Ressource, Illustrations (black and white).
    Bemerkung(en):

    Also issued in print: 2019

    Includes bibliographical references and index

  4. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: [2019]; © 2019
    Verlag:  Oxford University Press, New York

    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    780.9730952 SHE
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Sprache: Englisch
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    Format: Druck
    ISBN: 9780190072704
    RVK Klassifikation: LQ 89300 ; LQ 94000
    Schlagworte: Musik; Exotismus; Japan <Motiv>; Kulturkontakt
    Umfang: xiv, 623 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    Bibliography Seite 559-606

  5. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Autor*in: Bauch, Marc
    Erschienen: 2003
    Verlag:  Tectum-Verl., Marburg

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    /LR 54130 B337
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    87.425.39
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    2004/143
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Gießen, Zweigbibliothek im Philosophikum II
    009 LR 54130 B337 A512
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kassel, Standort Brüder-Grimm-Platz, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    35 2003 A 1
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    782.140973 BAU
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Marburg, Universitätsbibliothek
    U 2003/0076
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    60 07 A 4944
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 382888458X; 9783828884588
    RVK Klassifikation: AP 64983 ; LQ 89300 ; LR 54130 ; LR 54137
    Schlagworte: Musical; Stoff <Literatur>
    Weitere Schlagworte: Hammerstein, Oscar (1895-1960); Rodgers, Richard (1902-1979); Bernstein, Leonard (1918-1990): West Side story; Sondheim, Stephen (1930-2021): Sunday in the park with George
    Umfang: XI, 175 S.
    Bemerkung(en):

    Literaturverz. S. 167 - 173

  6. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: [2019]; © 2019
    Verlag:  Oxford University Press, New York, NY

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and repulsion-through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. 0W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how0Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190072704
    RVK Klassifikation: LQ 89300 ; LQ 94000
    Schlagworte: Music / United States / Japanese influences; Music / United States / History and criticism; Orientalism in music / History; Exotismus; Japan <Motiv>; Einfluss; Kulturkontakt; Musik
    Umfang: xiv, 623 Seiten, Illustrationen, Notenbeispiele
  7. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: [2019]; © 2019
    Verlag:  Oxford University Press, New York, NY

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and... mehr

    Hochschule für Musik Detmold, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and repulsion-through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. 0W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how0Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780190072704
    RVK Klassifikation: LQ 89300 ; LQ 94000
    Schlagworte: Music / United States / Japanese influences; Music / United States / History and criticism; Orientalism in music / History
    Umfang: xiv, 623 Seiten, Illustrationen, Notenbeispiele
  8. Mystery Train
    der Traum von Amerika in Liedern der Rockmusik
    Autor*in: Marcus, Greil
    Erschienen: 1992
    Verlag:  Rogner & Bernhard bei Zweitausendeins, Hamburg

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 3807702555
    RVK Klassifikation: LQ 89300 ; LS 48000 ; LS 48635
    Auflage/Ausgabe: 1. Aufl.
    Schlagworte: Geschichte; American dream; Rockmusik; Rock 'n' Roll
    Umfang: 349 S.
  9. The great white way
    race and the Broadway musical
    Autor*in: Hoffman, Warren
    Erschienen: 2014
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?"The Great White Way" is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from "Show Boat" (1927) to "The Scottsboro Boys" (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.Presented chronologically, "The Great White Way" shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon--"Show Boat" (1927), "Oklahoma!" (1943), "Annie Get Your""Gun" (1946), "The Music Man" (1957), "West Side Story" (1957), "A Chorus Line" (1975), and "42nd Street" (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

     

    Export in Literaturverwaltung   RIS-Format
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  10. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Autor*in: Bauch, Marc
    Erschienen: 2003
    Verlag:  Tectum-Verl., Marburg

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    87.425.39
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 382888458X; 9783828884588
    RVK Klassifikation: AP 64983 ; LQ 89300 ; LR 54130 ; LR 54137
    Schlagworte: Musical; Stoff <Literatur>
    Weitere Schlagworte: Hammerstein, Oscar (1895-1960); Rodgers, Richard (1902-1979); Bernstein, Leonard (1918-1990): West Side story; Sondheim, Stephen (1930-2021): Sunday in the park with George
    Umfang: XI, 175 S.
    Bemerkung(en):

    Literaturverz. S. 167 - 173

  11. Brechts "Lukullus" und seine Vertonungen durch Paul Dessau und Roger Sessions
    Werk und Ideologie
    Erschienen: c 2007
    Verlag:  Ergon Verl., Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 576624
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Bremen
    a ger 794.9 luk/18
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2007/2551
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    TM 2007/1682
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    W-BR 20 7/169
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2007/11080
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2008 A 8858
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Hildesheim
    18 : 50239
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Badische Landesbibliothek
    108 A 228
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
    keine Fernleihe
    Deutsches Literaturarchiv Marbach, Bibliothek
    LL (Brecht,Ber.)
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    57/13641
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    47 A 4914
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    Hochschule für Musik Franz Liszt, Hochschulbibliothek
    T 39.965
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3899135393; 9783899135398
    Weitere Identifier:
    9783899135398
    RVK Klassifikation: LQ 89300 ; GM 2660 ; LP 91748 ; LP 95900
    Schriftenreihe: Literatura ; 18
    Schlagworte: Brecht, Bertolt; Vertonung; ; Brecht, Bertolt; Dessau, Paul; Sessions, Roger;
    Umfang: 532 S., Notenbeisp., 225 mm x 155 mm
    Bemerkung(en):

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 2005

  12. Opera-in-English
    the popularization of foreign opera in America
    Erschienen: 1988

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Unbestimmt
    Medientyp: Buch (Monographie)
    RVK Klassifikation: LQ 89300
    Schlagworte: Übersetzung; Libretto
    Umfang: IV, 190 S.
    Bemerkung(en):

    Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. - Evaston, Ill., Northwestern Univ., Diss.

  13. Prima donnas and soubrettes of light opera and musical comedy in America
    Erschienen: 1900
    Verlag:  Page, Boston

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: LQ 89300
    Schriftenreihe: Grand opera in America.
    Schlagworte: Actresses, American; Operetta; Revues; Singers; Oper; Sängerin; Musical
    Umfang: XIV, 270 S.: 1 Portr., Ill.
  14. The great white way
    race and the Broadway musical
    Autor*in: Hoffman, Warren
    Erschienen: 2014
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?"The Great White Way" is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from "Show Boat" (1927) to "The Scottsboro Boys" (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.Presented chronologically, "The Great White Way" shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon--"Show Boat" (1927), "Oklahoma!" (1943), "Annie Get Your""Gun" (1946), "The Music Man" (1957), "West Side Story" (1957), "A Chorus Line" (1975), and "42nd Street" (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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  15. Extreme exoticism
    Japan in the American musical imagination
    Erschienen: [2019]; © 2019
    Verlag:  Oxford University Press, New York, NY

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and repulsion-through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. 0W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how0Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190072704
    RVK Klassifikation: LQ 89300 ; LQ 94000
    Schlagworte: Music / United States / Japanese influences; Music / United States / History and criticism; Orientalism in music / History; Exotismus; Japan <Motiv>; Einfluss; Kulturkontakt; Musik
    Umfang: xiv, 623 Seiten, Illustrationen, Notenbeispiele