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  1. Dichtung als Tanz
    zu Klopstocks Poetik der Wortbewegung
    Autor*in: Menninghaus, Winfried
    Erschienen: 1991

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    Übergeordneter Titel: In: Comparatio; Torino : Meynier, 1990-1991; Heft N.2/3 (1991), Seite 129/150

    Schlagworte: Poetik
    Weitere Schlagworte: Klopstock, Friedrich Gottlieb (1724-1803)
  2. Meridian des Schmerzes
    zum Briefwechsel Paul Celan/Nelly Sachs
    Autor*in: Menninghaus, Winfried
    Erschienen: 1994

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    Übergeordneter Titel: In: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 26, Heft H.1/2 (1994), Seite 169/179; 23 cm

    Weitere Schlagworte: Sachs, Nelly (1891-1970); Celan, Paul (1920-1970)
  3. Ekel-Tabu und Omnipräsenz des "Ekel" in der ästhetischen Theorie (1740 - 1790)
    Autor*in: Menninghaus, Winfried
    Erschienen: 1997

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    Übergeordneter Titel: In: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 29, Heft H.3/4 (1997), Seite 405/431; 23 cm

    Schlagworte: Ästhetik
  4. "Wo er vorbei dir glänzt"
    poetische Sprache und das Wechselspiel des Lieblichen mit dem Erhabenen in Hölderlins Ode "Heidelberg"
    Autor*in: Menninghaus, Winfried
    Erschienen: 2022

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    Sprache: Deutsch
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    Übergeordneter Titel: Enthalten in: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 53, Heft 3-4 (2022), Seite 253-289; 23 cm

    Schlagworte: Das Erhabene; Sprache <Motiv>
    Weitere Schlagworte: Hölderlin, Friedrich (1770-1843): Heidelberg
  5. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

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    Übergeordneter Titel: Enthalten in: Poetics; Amsterdam : Elsevier, 1971-; Band 56 (2016), Seite 35-49

    Schlagworte: Deutsch; Literatur; Sprache; Ästhetik
  6. Effects of continuous self-reporting on aesthetic evaluation and emotional responses
    Autor*in: Wagner, Valentin; Scharinger, Mathias; Knoop, Christine Angela; Menninghaus, Winfried
    Erschienen: 2021

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    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 85 (2021); Online-Ressource

    Schlagworte: Ästhetische Wahrnehmung; Beurteilung
    Weitere Schlagworte: Schwitters, Kurt (1887-1948): Die Ursonate
  7. Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference
    Autor*in: Lehne, Moritz; Engel, Philipp; Rohrmeier, Martin; Menninghaus, Winfried; Jacobs, Arthur M.; Koelsch, Stefan
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Stories can elicit powerful emotions. A key emotional response to narrative plots (e.g., novels, movies, etc.) is suspense. Suspense appears to build on basic aspects of human cognition such as processes of expectation, anticipation, and prediction.... mehr

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    Stories can elicit powerful emotions. A key emotional response to narrative plots (e.g., novels, movies, etc.) is suspense. Suspense appears to build on basic aspects of human cognition such as processes of expectation, anticipation, and prediction. However, the neural processes underlying emotional experiences of suspense have not been previously investigated. We acquired functional magnetic resonance imaging (fMRI) data while participants read a suspenseful literary text (E.T.A. Hoffmann's "The Sandman") subdivided into short text passages. Individual ratings of experienced suspense obtained after each text passage were found to be related to activation in the medial frontal cortex, bilateral frontal regions (along the inferior frontal sulcus), lateral premotor cortex, as well as posterior temporal and temporo-parietal areas. The results indicate that the emotional experience of suspense depends on brain areas associated with social cognition and predictive inference.

     
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 10, Heft 5 (2015), Seite 1-18, Artikel-ID: e0124550; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  8. Measuring aesthetic emotions
    a review of the literature and a new assessment tool
    Autor*in: Schindler, Ines; Hosoya, Georg; Menninghaus, Winfried; Beermann, Ursula; Wagner, Valentin; Eid, Michael; Scherer, Klaus R.
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest... mehr

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    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli’s perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

     
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 12, Heft 6 (2017), Artikel-ID: e0178899; Online-Ressource

    DDC Klassifikation: Psychologie (150); Literatur und Rhetorik (800)
  9. Aesthetic and emotional effects of meter and rhyme in poetry
    Beteiligt: Obermeier, Christian; Menninghaus, Winfried; Koppenfels, Martin von; Raettig, Tim; Schmidt-Kassow, Maren; Otterbein, Sascha; Kotz, Sonja A.
    Erschienen: 2013

    Metrical patterning and rhyme are frequently employed in poetry but also in infant-directed speech, play, rites, and festive events. Drawing on four line-stanzas from nineteenth and twentieth German poetry that feature end rhyme and regular meter,... mehr

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    Metrical patterning and rhyme are frequently employed in poetry but also in infant-directed speech, play, rites, and festive events. Drawing on four line-stanzas from nineteenth and twentieth German poetry that feature end rhyme and regular meter, the present study tested the hypothesis that meter and rhyme have an impact on aesthetic liking, emotional involvement, and affective valence attributions. Hypotheses that postulate such effects have been advocated ever since ancient rhetoric and poetics, yet they have barely been empirically tested. More recently, in the field of cognitive poetics, these traditional assumptions have been readopted into a general cognitive framework. ...

     
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    Beteiligt: Obermeier, Christian; Menninghaus, Winfried; Koppenfels, Martin von; Raettig, Tim; Schmidt-Kassow, Maren; Otterbein, Sascha; Kotz, Sonja A.
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
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    Übergeordneter Titel: In: Frontiers in psychology; Lausanne : Frontiers Research Foundation, 2010-; Band 4, Heft 10 (2013); Online-Ressource

    DDC Klassifikation: Psychologie (150); Sprache (400)
    Umfang: Online-Ressource
  10. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

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    Übergeordneter Titel: Enthalten in: Poetics; Amsterdam : Elsevier, 1971-; Band 56 (2016), Seite 35-49

    Schlagworte: Deutsch; Literatur; Sprache; Ästhetik
  11. Measuring aesthetic emotions : a review of the literature and a new assessment tool
    Autor*in: Schindler, Ines; Hosoya, Georg; Menninghaus, Winfried; Beermann, Ursula; Wagner, Valentin; Eid, Michael; Scherer, Klaus R.
    Erschienen: 2017

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest... mehr

     

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli’s perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

     
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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Psychologie (150); Literatur und Rhetorik (800)
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    Creative Commons - Namensnennung 4.0Creative Commons - Namensnennung 4.0
  12. Ekel-Tabu und Omnipräsenz des "Ekel" in der ästhetischen Theorie (1740-1790)
    Autor*in: Menninghaus, Winfried
    Erschienen: 1997

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    Übergeordneter Titel: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 29, Heft 3-4 (1997), Seite 405-431; 23 cm

  13. Berichte und Besprechungen - Literaturwissenschaft und politische Kultur. Für Eberhard Lämmert zum 75. Geburtstag
    Autor*in: Menninghaus, Winfried
    Erschienen: 2000

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    Beteiligt: Scherpe, Klaus R.
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    Übergeordneter Titel: Sprachkunst; Wien : Verlag der Österreichischen Akademie der Wissenschaften, 1970-; Band 31, Heft 1 (2000), Seite 192; 24 cm

  14. Literaturwissenschaft und politische Kultur. Eberhard Lämmert zum 75. Geburtstag
    Autor*in: Kümmel, Albert
    Erschienen: 2000

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    Beteiligt: Menninghaus, Winfried; Scherpe, Klaus R.
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    Übergeordneter Titel: Weimarer Beiträge; Wien : Passagen-Verl., 1955-; Band 46, Heft 4 (2000), Seite 617-620

  15. Das Versprechen der Schönheit. 2003
    Autor*in: Menninghaus, Winfried
    Erschienen: 2004

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    Beteiligt: Gruber, Bettina
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    Übergeordneter Titel: Arbitrium; Berlin [u.a.] : de Gruyter, 1983-; Band 22, Heft 3 (2004), Seite 270-271; 23 cm

  16. REVIEWS - 'Hälfte des Lebens': Versuch über Hölderlins Poetik
    Autor*in: Menninghaus, Winfried
    Erschienen: 2007

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    Beteiligt: Louth, Charlie
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    Übergeordneter Titel: The modern language review; London : MHRA, 1905-; Band 102, Heft 3 (2007), Seite 883

  17. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine A.; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Bibliothek der Frankfurt University of Applied Sciences
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    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 56, Heft 56 (2016), Seite 35-49; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  18. Meridian des Schmerzes. Zum Briefwechsel Paul Celan/Nelly Sachs
    Autor*in: Menninghaus, Winfried
    Erschienen: 1994

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    Übergeordneter Titel: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 26, Heft 1-2 (1994), Seite 169-179; 23 cm

  19. Being moved: linguistic representation and conceptual structure
    Autor*in: Kuehnast, Milena; Wagner, Valentin; Wassiliwizky, Eugen; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight... mehr

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    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight psychological verbs as primes in a free word-association task, as these grammatical forms place their conceptual focus on the eliciting situation and on the felt emotional state, respectively. By applying a taxonomy of basic knowledge types and computing the Cognitive Salience Index, we identified joy and sadness as key emotional ingredients of being moved, and significant life events and art experiences as main elicitors of this emotional state. Metric multidimensional scaling analyses of the semantic field revealed that the core terms designate a cluster of emotional states characterized by low degrees of arousal and slightly positive valence, the latter due to a nearly balanced representation of positive and negative elements in the conceptual structure of being moved.

     
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    Übergeordneter Titel: Enthalten in: Frontiers in psychology; Lausanne : Frontiers Research Foundation, 2010-; Band 5 (2014), Seite 1-11, Artikel-ID: 1242; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  20. Tears falling on goosebumps
    Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal
    Autor*in: Wassiliwizky, Eugen; Jacobsen, Thomas; Heinrich, Jan; Schneiderbauer, Manuel; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal... mehr

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    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic making of the clips was optimized for the display of social interaction and emotional expressions.

     
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    Übergeordneter Titel: Enthalten in: Frontiers in psychology; Lausanne : Frontiers Research Foundation, 2010-; Band 8 (2017), Seite 1-15, Artikel-ID: 41; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  21. READING and FEELING
    the effects of a literature-based intervention designed to increase emotional competence in second and third graders
    Autor*in: Kumschick, Irina Rosa; Beck, Luna; Eid, Michael; Witte, Georg; Klann-Delius, Gisela; Heuser, Isabella; Steinlein, Rüdiger; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Emotional competence has an important influence on development in school. We hypothesized that reading and discussing children’s books with emotional content increases children’s emotional competence. To examine this assumption, we developed a... mehr

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    Emotional competence has an important influence on development in school. We hypothesized that reading and discussing children’s books with emotional content increases children’s emotional competence. To examine this assumption, we developed a literature-based intervention, named READING and FEELING, and tested it on 104 second and third graders in their after-school care center. Children who attended the same care center but did not participate in the emotion-centered literary program formed the control group (n = 104). Our goal was to promote emotional competence and to evaluate the effectiveness of the READING and FEELING program. Emotional competence variables were measured prior to the intervention and 9 weeks later, at the end of the program. Results revealed significant improvements in the emotional vocabulary, explicit emotional knowledge, and recognition of masked feelings. Regarding the treatment effect for detecting masked feelings, we found that boys benefited significantly more than girls. These findings underscore the assumption that children’s literature is an appropriate vehicle to support the development of emotional competence in middle childhood.

     
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    Übergeordneter Titel: Enthalten in: Frontiers in psychology; Lausanne : Frontiers Research Foundation, 2010-; Band 5 (2014), Seite 1-11, Artikel-ID: 1448; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  22. Towards a psychological construct of being moved
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Hanich, Julian; Wassiliwizky, Eugen; Kuehnast, Milena; Jacobsen, Thomas
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting... mehr

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    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting scenarios, emotional ingredients, appraisal patterns, feeling qualities, and the affective signature of being moved and related emotional states. The great majority of the eliciting scenarios can be assigned to significant relationship and critical life events (especially death, birth, marriage, separation, and reunion). Sadness and joy turned out to be the two preeminent emotions involved in episodes of being moved. Both the sad and the joyful variants of being moved showed a coactivation of positive and negative affect and can thus be ranked among the mixed emotions. Moreover, being moved, while featuring only low-to-mid arousal levels, was experienced as an emotional state of high intensity; this applied to responses to fictional artworks no less than to own-life and other real, but media-represented, events. The most distinctive findings regarding cognitive appraisal dimensions were very low ratings for causation of the event by oneself and for having the power to change its outcome, along with very high ratings for appraisals of compatibility with social norms and self-ideals. Putting together the characteristics identified and discussed throughout the three studies, the paper ends with a sketch of a psychological construct of being moved.

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 13, Heft 6 (2015), Seite 1-33, Artikel-ID: e0128451; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  23. Poetic speech melody
    a crucial link between music and language
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Knoop, Christine Angela; Scharinger, Mathias
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences... mehr

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    https://hds.hebis.de/ubffm/Record/HEB43988828X

     

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences consisting of discrete pitch and duration values––, we show that individual poems feature distinct and text-driven pitch and duration contours, just like songs and other pieces of music. We conceptualize these recurrent melodic contours as an additional, hitherto unnoticed dimension of parallelistic patterning. Poetic speech melodies are higher order units beyond the level of individual syntactic phrases, and also beyond the levels of individual sentences and verse lines. Importantly, auto-correlation scores for pitch and duration recurrences across stanzas are predictive of how melodious naive listeners perceive the respective poems to be, and how likely these poems were to be set to music by professional composers. Experimentally removing classical parallelistic features characteristic of prototypical poems (rhyme, meter, and others) led to decreased autocorrelation scores of pitches, independent of spoken renditions, along with reduced ratings for perceived melodiousness. This suggests that the higher order parallelistic feature of poetic melody strongly interacts with the other parallelistic patterns of poems. Our discovery of a genuine poetic speech melody has great potential for deepening the understanding of the music-language interface.

     
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 13, Heft 11 (2018), Seite 1-21, Artikel-ID: e0205980; Online-Ressource

    DDC Klassifikation: Sprache (400)
  24. Metrum, Rhythmus, Melodie. Der Maiabend von Johann Heinrich Voß und Fanny Hensel
    Autor*in: Korten, Lars
    Erschienen: 2011

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    Quelle: Online Contents Komparatistik
    Beteiligt: Wißmann, Friederike; Stenger, Jan; Menninghaus, Winfried
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Poetica; Paderborn : Wilhelm Fink Verlag, an imprint of the Brill-Group, 1967-; Band 43, Heft 1 (2011), Seite 81-102; 23 cm

  25. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine A.; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 56, Heft 56 (2016), Seite 35-49; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)