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  1. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

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    Übergeordneter Titel: Enthalten in: Poetics; Amsterdam : Elsevier, 1971-; Band 56 (2016), Seite 35-49

    Schlagworte: Deutsch; Literatur; Sprache; Ästhetik
  2. Effects of continuous self-reporting on aesthetic evaluation and emotional responses
    Autor*in: Wagner, Valentin; Scharinger, Mathias; Knoop, Christine Angela; Menninghaus, Winfried
    Erschienen: 2021

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    Sprache: Englisch
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    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 85 (2021); Online-Ressource

    Schlagworte: Ästhetische Wahrnehmung; Beurteilung
    Weitere Schlagworte: Schwitters, Kurt (1887-1948): Die Ursonate
  3. Measuring aesthetic emotions
    a review of the literature and a new assessment tool
    Autor*in: Schindler, Ines; Hosoya, Georg; Menninghaus, Winfried; Beermann, Ursula; Wagner, Valentin; Eid, Michael; Scherer, Klaus R.
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest... mehr

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    https://hds.hebis.de/ubffm/Record/HEB416309232

     

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli’s perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

     
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    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 12, Heft 6 (2017), Artikel-ID: e0178899; Online-Ressource

    DDC Klassifikation: Psychologie (150); Literatur und Rhetorik (800)
  4. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: In: Poetics : journal of empirical research on literature, media and the arts, 56.2016, S. 35-49, doi:10.1016/j.poetic.2016.02.001
    Schlagworte: Ästhetik; Poetik; Literaturgattung
    Weitere Schlagworte: Aesthetic appeal dimensions; Literary form; Terminological mapping; Empirische Ästhetik
    Umfang: Online-Ressource
  5. Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Schindler, Ines; Knoop, Christine Angela; Blohm, Stefan; Frieler, Klaus; Scharinger, Mathias
    Erschienen: 2023
    Verlag:  Royal Society, London ; Leibniz-Institut für Deutsche Sprache (IDS), Mannheim

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    Übergeordneter Titel: In: London : Royal Society, (2023)
    In: Philosophical Transactions of the Royal Society B: Biological Sciences 379.2023, 1895, 20220424
    Schlagworte: Parallelismus; Ästhetik; Dichtersprache; Abweichung; Kognitive Linguistik; Lyrik / Lyrik; Sprichwort; Couplet
    Weitere Schlagworte: poetic language; aesthetics; parallelism; deviation; predictive coding; poetic diction; cognitive processing; aesthetic evaluation
    Umfang: Online-Ressource
  6. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: Poetics; Amsterdam : Elsevier, 1971-; Band 56 (2016), Seite 35-49

    Schlagworte: Deutsch; Literatur; Sprache; Ästhetik
  7. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

  8. Measuring aesthetic emotions : a review of the literature and a new assessment tool
    Autor*in: Schindler, Ines; Hosoya, Georg; Menninghaus, Winfried; Beermann, Ursula; Wagner, Valentin; Eid, Michael; Scherer, Klaus R.
    Erschienen: 2017

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest... mehr

     

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli’s perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

     
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    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Psychologie (150); Literatur und Rhetorik (800)
    Lizenz:

    Creative Commons - Namensnennung 4.0Creative Commons - Namensnennung 4.0
  9. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Autor*in: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2017
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: In: Social Cognitive and Affective Neuroscience, 2017, 1–12, doi: 10.1093/scan/nsx069
    Schlagworte: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Weitere Schlagworte: neuroaesthetics; aesthetic reward; poetic language; chills; piloerection; Empirische Ästhetik
    Umfang: Online-Ressource
  10. Being moved: linguistic representation and conceptual structure
    Autor*in: Kühnast, Milena; Wagner, Valentin; Wassiliwizky, Eugen; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2014
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: In: Frontiers in psychology, 5.2014, Article 1242, doi: 10.3389/fpsyg.2014.01242
    Schlagworte: Ergriffenheit; Expressivität <Linguistik>; Wortassoziation; Ästhetik; Gefühl; Gefühlsausdruck
    Weitere Schlagworte: being moved; emotion concepts; free word association; linguistic representation; prosocial feelings; Empirische Ästhetik
    Umfang: Online-Ressource
  11. Towards a psychological construct of being moved
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Hanich, Julian; Wassiliwizky, Eugen; Kuehnast, Milena; Jacobsen, Thomas
    Erschienen: 2015
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: In: PloS one, 10.2015, (6): e0128451. doi:10.1371/journal. pone.0128451
    Schlagworte: Neurobiologie; Einfühlung; Trauer; Freude
    Weitere Schlagworte: being moved; being touched; Empirische Ästhetik
    Umfang: Online-Ressource
  12. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine A.; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Quelle: Online Contents Komparatistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 56, Heft 56 (2016), Seite 35-49; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  13. Being moved: linguistic representation and conceptual structure
    Autor*in: Kuehnast, Milena; Wagner, Valentin; Wassiliwizky, Eugen; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight... mehr

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB435670069

     

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight psychological verbs as primes in a free word-association task, as these grammatical forms place their conceptual focus on the eliciting situation and on the felt emotional state, respectively. By applying a taxonomy of basic knowledge types and computing the Cognitive Salience Index, we identified joy and sadness as key emotional ingredients of being moved, and significant life events and art experiences as main elicitors of this emotional state. Metric multidimensional scaling analyses of the semantic field revealed that the core terms designate a cluster of emotional states characterized by low degrees of arousal and slightly positive valence, the latter due to a nearly balanced representation of positive and negative elements in the conceptual structure of being moved.

     
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    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Frontiers in psychology; Lausanne : Frontiers Research Foundation, 2010-; Band 5 (2014), Seite 1-11, Artikel-ID: 1242; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  14. Towards a psychological construct of being moved
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Hanich, Julian; Wassiliwizky, Eugen; Kuehnast, Milena; Jacobsen, Thomas
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting... mehr

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    https://hds.hebis.de/ubffm/Record/HEB435671952

     

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting scenarios, emotional ingredients, appraisal patterns, feeling qualities, and the affective signature of being moved and related emotional states. The great majority of the eliciting scenarios can be assigned to significant relationship and critical life events (especially death, birth, marriage, separation, and reunion). Sadness and joy turned out to be the two preeminent emotions involved in episodes of being moved. Both the sad and the joyful variants of being moved showed a coactivation of positive and negative affect and can thus be ranked among the mixed emotions. Moreover, being moved, while featuring only low-to-mid arousal levels, was experienced as an emotional state of high intensity; this applied to responses to fictional artworks no less than to own-life and other real, but media-represented, events. The most distinctive findings regarding cognitive appraisal dimensions were very low ratings for causation of the event by oneself and for having the power to change its outcome, along with very high ratings for appraisals of compatibility with social norms and self-ideals. Putting together the characteristics identified and discussed throughout the three studies, the paper ends with a sketch of a psychological construct of being moved.

     
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 13, Heft 6 (2015), Seite 1-33, Artikel-ID: e0128451; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  15. Poetic speech melody
    a crucial link between music and language
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Knoop, Christine Angela; Scharinger, Mathias
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences... mehr

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    https://hds.hebis.de/ubffm/Record/HEB43988828X

     

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences consisting of discrete pitch and duration values––, we show that individual poems feature distinct and text-driven pitch and duration contours, just like songs and other pieces of music. We conceptualize these recurrent melodic contours as an additional, hitherto unnoticed dimension of parallelistic patterning. Poetic speech melodies are higher order units beyond the level of individual syntactic phrases, and also beyond the levels of individual sentences and verse lines. Importantly, auto-correlation scores for pitch and duration recurrences across stanzas are predictive of how melodious naive listeners perceive the respective poems to be, and how likely these poems were to be set to music by professional composers. Experimentally removing classical parallelistic features characteristic of prototypical poems (rhyme, meter, and others) led to decreased autocorrelation scores of pitches, independent of spoken renditions, along with reduced ratings for perceived melodiousness. This suggests that the higher order parallelistic feature of poetic melody strongly interacts with the other parallelistic patterns of poems. Our discovery of a genuine poetic speech melody has great potential for deepening the understanding of the music-language interface.

     
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    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 13, Heft 11 (2018), Seite 1-21, Artikel-ID: e0205980; Online-Ressource

    DDC Klassifikation: Sprache (400)
  16. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine A.; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 56, Heft 56 (2016), Seite 35-49; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  17. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Autor*in: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Übergeordneter Titel: Enthalten in: Social cognitive and affective neuroscience; Oxford : Oxford Univ. Press, 2006-; (2017), Seite 1-12; Online-Ressource

    DDC Klassifikation: Literatur und Rhetorik (800)
  18. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Autor*in: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2017

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of... mehr

     

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found for music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills across the trajectory of poems provides insight into compositional principles of poetry.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  19. Being moved: linguistic representation and conceptual structure
    Autor*in: Kühnast, Milena; Wagner, Valentin; Wassiliwizky, Eugen; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2014

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight... mehr

     

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight psychological verbs as primes in a free word-association task, as these grammatical forms place their conceptual focus on the eliciting situation and on the felt emotional state, respectively. By applying a taxonomy of basic knowledge types and computing the Cognitive Salience Index, we identified joy and sadness as key emotional ingredients of being moved, and significant life events and art experiences as main elicitors of this emotional state. Metric multidimensional scaling analyses of the semantic field revealed that the core terms designate a cluster of emotional states characterized by low degrees of arousal and slightly positive valence, the latter due to a nearly balanced representation of positive and negative elements in the conceptual structure of being moved.

     
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Ergriffenheit; Expressivität; Wortassoziation; Ästhetik; Gefühl; Gefühlsausdruck
    Lizenz:

    creativecommons.org/licenses/by/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  20. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2016

    The present paper aims to elucidate the conceptual structure of the aesthetics of literature.Following Fechner's "aesthetics from below" (1876) and adopting a method introduced by Jacobsen, Buchta, Kohler, and Schroeger (2004), we asked 1544... mehr

     

    The present paper aims to elucidate the conceptual structure of the aesthetics of literature.Following Fechner's "aesthetics from below" (1876) and adopting a method introduced by Jacobsen, Buchta, Kohler, and Schroeger (2004), we asked 1544 German-speaking research participants to list adjectives that they use to label aesthetic dimensions of literature in general and of individual literary forms and genres in particular (novels, short stories, poems, plays, comedies). According to our analyses of frequency, mean list rank, and the Cognitive Salience Index, beautiful and suspenseful rank highest across all target categories. For plays/comedies, funny and sad turned out to be the most relevant terms; for novels and short stories, suspenseful, interesting and romantic; and for poetry romantic, along with the music-related terms harmonious, rhythmic, and melodious. A comparison of our results with analogous studies for visual aesthetics and music yielded a comprehensive map of the distribution of aesthetic appeal dimensions across sensory modalities and aesthetic domains, with poetry and music showing the greatest overlap.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Ästhetik; Poetik; Literaturgattung
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  21. Towards a psychological construct of being moved
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Hanich, Julian; Wassiliwizky, Eugen; Kuehnast, Milena; Jacobsen, Thomas
    Erschienen: 2015

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting... mehr

     

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting scenarios, emotional ingredients, appraisal patterns, feeling qualities, and the affective signature of being moved and related emotional states. The great majority of the eliciting scenarios can be assigned to significant relationship and critical life events (especially death, birth, marriage, separation, and reunion). Sadness and joy turned out to be the two preeminent emotions involved in episodes of being moved. Both the sad and the joyful variants of being moved showed a coactivation of positive and negative affect and can thus be ranked among the mixed emotions. Moreover, being moved, while featuring only low-to-mid arousal levels, was experienced as an emotional state of high intensity; this applied to responses to fictional artworks no less than to own-life and other real, but media-represented, events. The most distinctive findings regarding cognitive appraisal dimensions were very low ratings for causation of the event by oneself and for having the power to change its outcome, along with very high ratings for appraisals of compatibility with social norms and self-ideals. Putting together the characteristics identified and discussed throughout the three studies, the paper ends with a sketch of a psychological construct of being moved.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Neurobiologie; Einfühlung; Trauer; Freude
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  22. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Autor*in: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of... mehr

     

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found for music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills across the trajectory of poems provides insight into compositional principles of poetry.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Max-Planck-Institut für empirische Ästhetik
    Schlagworte: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Lizenz:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess
  23. Being moved: linguistic representation and conceptual structure
    Autor*in: Kühnast, Milena; Wagner, Valentin; Wassiliwizky, Eugen; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 03.11.2014

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight... mehr

     

    This study explored the organization of the semantic field and the conceptual structure of moving experiences by investigating German-language expressions referring to the emotional state of being moved. We used present and past participles of eight psychological verbs as primes in a free word-association task, as these grammatical forms place their conceptual focus on the eliciting situation and on the felt emotional state, respectively. By applying a taxonomy of basic knowledge types and computing the Cognitive Salience Index, we identified joy and sadness as key emotional ingredients of being moved, and significant life events and art experiences as main elicitors of this emotional state. Metric multidimensional scaling analyses of the semantic field revealed that the core terms designate a cluster of emotional states characterized by low degrees of arousal and slightly positive valence, the latter due to a nearly balanced representation of positive and negative elements in the conceptual structure of being moved.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Max-Planck-Institut für empirische Ästhetik
    Schlagworte: Ergriffenheit; Expressivität <Linguistik>; Wortassoziation; Ästhetik; Gefühl; Gefühlsausdruck
    Lizenz:

    creativecommons.org/licenses/by/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  24. Mapping the aesthetic space of literature "from below"
    Autor*in: Knoop, Christine Angela; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 01.04.2016

    The present paper aims to elucidate the conceptual structure of the aesthetics of literature.Following Fechner's "aesthetics from below" (1876) and adopting a method introduced by Jacobsen, Buchta, Kohler, and Schroeger (2004), we asked 1544... mehr

     

    The present paper aims to elucidate the conceptual structure of the aesthetics of literature.Following Fechner's "aesthetics from below" (1876) and adopting a method introduced by Jacobsen, Buchta, Kohler, and Schroeger (2004), we asked 1544 German-speaking research participants to list adjectives that they use to label aesthetic dimensions of literature in general and of individual literary forms and genres in particular (novels, short stories, poems, plays, comedies). According to our analyses of frequency, mean list rank, and the Cognitive Salience Index, beautiful and suspenseful rank highest across all target categories. For plays/comedies, funny and sad turned out to be the most relevant terms; for novels and short stories, suspenseful, interesting and romantic; and for poetry romantic, along with the music-related terms harmonious, rhythmic, and melodious. A comparison of our results with analogous studies for visual aesthetics and music yielded a comprehensive map of the distribution of aesthetic appeal dimensions across sensory modalities and aesthetic domains, with poetry and music showing the greatest overlap.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Max-Planck-Institut für empirische Ästhetik
    Schlagworte: Ästhetik; Poetik; Literaturgattung
    Lizenz:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess
  25. Towards a psychological construct of being moved
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Hanich, Julian; Wassiliwizky, Eugen; Kuehnast, Milena; Jacobsen, Thomas
    Erschienen: 04.06.2015

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting... mehr

     

    The emotional state of being moved, though frequently referred to in both classical rhetoric and current language use, is far from established as a well-defined psychological construct. In a series of three studies, we investigated eliciting scenarios, emotional ingredients, appraisal patterns, feeling qualities, and the affective signature of being moved and related emotional states. The great majority of the eliciting scenarios can be assigned to significant relationship and critical life events (especially death, birth, marriage, separation, and reunion). Sadness and joy turned out to be the two preeminent emotions involved in episodes of being moved. Both the sad and the joyful variants of being moved showed a coactivation of positive and negative affect and can thus be ranked among the mixed emotions. Moreover, being moved, while featuring only low-to-mid arousal levels, was experienced as an emotional state of high intensity; this applied to responses to fictional artworks no less than to own-life and other real, but media-represented, events. The most distinctive findings regarding cognitive appraisal dimensions were very low ratings for causation of the event by oneself and for having the power to change its outcome, along with very high ratings for appraisals of compatibility with social norms and self-ideals. Putting together the characteristics identified and discussed throughout the three studies, the paper ends with a sketch of a psychological construct of being moved.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Max-Planck-Institut für empirische Ästhetik
    Schlagworte: Neurobiologie; Einfühlung; Trauer; Freude
    Lizenz:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess