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  1. Effects of continuous self-reporting on aesthetic evaluation and emotional responses
    Autor*in: Wagner, Valentin; Scharinger, Mathias; Knoop, Christine Angela; Menninghaus, Winfried
    Erschienen: 2021

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    Quelle: Online Contents Komparatistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Poetics; New York, NY [u.a.] : Elsevier, 1971-; Band 85 (2021); Online-Ressource

    Schlagworte: Ästhetische Wahrnehmung; Beurteilung
    Weitere Schlagworte: Schwitters, Kurt (1887-1948): Die Ursonate
  2. Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Schindler, Ines; Knoop, Christine Angela; Blohm, Stefan; Frieler, Klaus; Scharinger, Mathias
    Erschienen: 2023
    Verlag:  Royal Society, London ; Leibniz-Institut für Deutsche Sprache (IDS), Mannheim

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: In: London : Royal Society, (2023)
    In: Philosophical Transactions of the Royal Society B: Biological Sciences 379.2023, 1895, 20220424
    Schlagworte: Parallelismus; Ästhetik; Dichtersprache; Abweichung; Kognitive Linguistik; Lyrik / Lyrik; Sprichwort; Couplet
    Weitere Schlagworte: poetic language; aesthetics; parallelism; deviation; predictive coding; poetic diction; cognitive processing; aesthetic evaluation
    Umfang: Online-Ressource
  3. Poetic speech melody
    a crucial link between music and language
    Autor*in: Menninghaus, Winfried; Wagner, Valentin; Knoop, Christine Angela; Scharinger, Mathias
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences... mehr

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB43988828X

     

    Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music––autocorrelations of sound sequences consisting of discrete pitch and duration values––, we show that individual poems feature distinct and text-driven pitch and duration contours, just like songs and other pieces of music. We conceptualize these recurrent melodic contours as an additional, hitherto unnoticed dimension of parallelistic patterning. Poetic speech melodies are higher order units beyond the level of individual syntactic phrases, and also beyond the levels of individual sentences and verse lines. Importantly, auto-correlation scores for pitch and duration recurrences across stanzas are predictive of how melodious naive listeners perceive the respective poems to be, and how likely these poems were to be set to music by professional composers. Experimentally removing classical parallelistic features characteristic of prototypical poems (rhyme, meter, and others) led to decreased autocorrelation scores of pitches, independent of spoken renditions, along with reduced ratings for perceived melodiousness. This suggests that the higher order parallelistic feature of poetic melody strongly interacts with the other parallelistic patterns of poems. Our discovery of a genuine poetic speech melody has great potential for deepening the understanding of the music-language interface.

     
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    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: PLOS ONE; San Francisco, California, US : PLOS, 2006-; Band 13, Heft 11 (2018), Seite 1-21, Artikel-ID: e0205980; Online-Ressource

    DDC Klassifikation: Sprache (400)