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  1. Rewriting Histories and Geographies: Cosmopolitan Moments in Contemporary Indian Writing in English
    Erschienen: 2014
    Verlag:  (:null)

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even... mehr

     

    Other ; In order to grasp the imaginative geographical and historical scope of contemporary Indian writing in English, this thesis claims that it is necessary to think about literature beyond the paradigms of national, postcolonial or even transnational diasporic literatures. It is asserted that cosmopolitanism, which is here understood to be a concept that encompasses the negotiation of the ethics and practice of migration, community, responsibility, difference and sameness, offers the possibility of thinking critically about migration and globalization in the context of the literary texts at the centre of this thesis: Amitav Ghosh’s Sea of Poppies (2008) and River of Smoke (2011), Salman Rushdie’s The Enchantress of Florence (2007) and M.G. Vassanji’s The Assassin’s Song (2007). Literary criticism has acknowledged the relevance of cosmopolitan thought in contemporary literatures of a global, transnational literary imaginary. Yet the literature concerned with cosmopolitanism has, with a few exceptions, mainly used it as a descriptive rather than as an interpretative term, focusing on the politics of these fictional texts rather than on their aesthetics or in this case, to be more precise, their literary features. In this thesis, the interest is to examine the ethics, practice and aesthetics of cosmopolitan moments in which histories and geographies are rewritten and reimagined, i.e. the propensity of these four novels to remap, rethink and reimagine these narratives of time and space according to an understanding that moves away from postcolonial dichotomies towards a more global view of events that still takes into account existing power relations.

     

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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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    info:eu-repo/semantics/openAccess

  2. Intermedialität: Text/Bild-Verhältnisse
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess

  3. Review of A.S. Byatt by Mariadele Boccardi
    Autor*in: Rippl, Gabriele
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  4. Gulliver's Travels. The Cambridge Edition of the Works of Jonathan Swift
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  5. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation
    Erschienen: 2014
    Verlag:  (:null)

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    DDC Klassifikation: Englisch, Altenglisch (420); Englische, altenglische Literaturen (820)
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  6. Contact, Mobility and Authenticity: Language Ideologies in Koineisation
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess

  7. Language ideologies: the formation and legitimisation of New Zealand English
    Erschienen: 2014
    Verlag:  (:null)

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an... mehr

     

    Other ; New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.

     

    Export in Literaturverwaltung
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess

  8. Introduction: Melodrama: Staging Emotions in the Anglophone World
    Erschienen: 2014
    Verlag:  De Gruyter

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Amerikanische Literatur in in Englisch (810)
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    info:eu-repo/semantics/openAccess

  9. Melodrama and Narrative Fiction: Towards a Typology
    Autor*in: Straub, Julia
    Erschienen: 2014
    Verlag:  De Gruyter

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly... mehr

     

    Other ; Recent research on melodrama has stressed its versatility and ubiquity by approaching it as a mode of expression rather than a theatrical genre. A variety of contexts in which melodrama is at work have been explored, but only little scholarly attention has been paid to the relationship between melodrama and novels, short stories and novellas. This article proposes a typology of melodrama in narrative prose fiction, examining four different categories: Melodrama and Sentimentalism, Depiction of Melodramatic Performances in Narrative Prose Fiction, Theatrical Antics and Aesthetics in Narrative Prose Fiction and Meta-Melodrama. Its aim is to clarify the ways in which melodrama, ever since its early days on the stages of late eighteenth-century Europe, has interacted with fictional prose narratives, thereby shaping the literary imagination in the Anglophone world.

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420); Amerikanische Literatur in in Englisch (810)
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    info:eu-repo/semantics/openAccess

  10. The Best Story of the World: Theology, Geology and Philip Henry Gosse's Omphalos
    Erschienen: 2014
    Verlag:  Amsterdam University Press

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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    info:eu-repo/semantics/openAccess

  11. Contact, Mobility and Authenticity: Language Ideologies in Koineisation and Creolisation - Poster for CSLS
    Erschienen: 2014
    Verlag:  (:null)

    Other ; How are new dialects and new languages represented and evaluated in public discourse? mehr

     

    Other ; How are new dialects and new languages represented and evaluated in public discourse?

     

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    DDC Klassifikation: Englisch, Altenglisch (420); Sprache (400); Englische, altenglische Literaturen (820); Linguistik (410)
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  12. Displacing Humans, Reconfiguring Darwin in Contemporary Culture and Theory
    Erschienen: 2014
    Verlag:  Ashgate

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  13. Ape Meets Primatologist. Post-Darwinian Interspecies Romances
    Erschienen: 2014
    Verlag:  University of Georgia Press

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    DDC Klassifikation: Englische, altenglische Literaturen (820); Englisch, Altenglisch (420)
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  14. Marian Yule
    Autor*in: Stahl, Wulfhard
    Erschienen: 2014
    Verlag:  Frankfurter Allgemeine Zeitung GmbH

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    Sprache: Deutsch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
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  15. List der Vernunft
    Erschienen: 2014

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  16. The Devil in the House: The Awakening of Chopin’s Anti-Hero
    Erschienen: 2014

    Abstract: The mythic quality of Kate Chopin‟s The Awakening (1899) derives from recurrent images of archetypal symbols such as sea, sun, and journey, accompanied by up/down motif representing death and rebirth. Having been decanonized for infringing... mehr

     

    Abstract: The mythic quality of Kate Chopin‟s The Awakening (1899) derives from recurrent images of archetypal symbols such as sea, sun, and journey, accompanied by up/down motif representing death and rebirth. Having been decanonized for infringing the traditional codes of marriage and motherhood, Chopin‟s work, this study proves, violates yet another convention, that of the mythological theorists, namely Joseph Campbell‟s. Being a female principle as opposed to Campbell‟s macho hero, Chopin‟s protagonist, Edna undergoes the same archetypal pattern of quest, initiation, and descent into the underworld. In her archetypal passage from innocence to experience, however, and through rebellious acts of self-expression, viz. painting, music, gambling, and extra-marital relationships, the heroine not only ceases serving the interest of the society which has reduced her to the position of an object to be possessed by husband or devoured by children but also challenges its core values, overturning th

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Archetypal Criticism; Awakening; Carl Jung; Joseph Campbell; Kate Chopin; Myth of the Hero
  17. Self-fashioning in Pope's epistle to Dr. Arbuthnot: a Bourdieusian reading
    Erschienen: 2014

    Abstract: The aim of the present article is to investigate Alexander Pope's self-fashioning in the light of Pierre Bourdieu's socio-cultural notion of capitals, specifically the symbolic form. Pope endeavors a lot to gain such a prominent status as... mehr

     

    Abstract: The aim of the present article is to investigate Alexander Pope's self-fashioning in the light of Pierre Bourdieu's socio-cultural notion of capitals, specifically the symbolic form. Pope endeavors a lot to gain such a prominent status as the most representative poet of his age. He garners all his artistry, eloquence, savoir-faire, family and social milieu to move towards the center of the canon throughout his life. This upward movement comprises a self-fashioning by Pope which sometimes is the means to facilitate his canonization and sometimes it turns into a goal and an end in itself for him. As the highly acclaimed French philosopher, Pierre Bourdieu highlights the importance of symbolic capital in an individual‘s social status. Therefore this paper aims at shedding light on Pope's sophisticated act of self-fashioning and its relevance to Pierre Bourdieu's symbolic capital. For this reason, this article discusses Pope's Epistle to Dr. Arbuthnot, an exemplar of his self-fashionin

     

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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Bourdieu; P.; symbolisches Kapital; Gestaltung; Selbstwirksamkeit; soziokulturelle Entwicklung; Papst; Pope; A
  18. Visions of the daughters of Albion: the influence of Mary Wollstonecraft's life and career on William Blake
    Erschienen: 2014

    Abstract: The present study discussed the influence of one of the eighteenth-century British women of color, the feminist Mary Wollstonecraft, on William Blake. By adopting a biographical and also a comparative approach, the authors tried to... mehr

     

    Abstract: The present study discussed the influence of one of the eighteenth-century British women of color, the feminist Mary Wollstonecraft, on William Blake. By adopting a biographical and also a comparative approach, the authors tried to highlight the influences of Wollstonecraft's personal life, character, and career, chiefly her A Vindication of the Rights of Woman (1792), on one of William Blake's less-referred-to poems Visions of the Daughters of Albion (1793). The study will help readers to both know Wollstonecraft's prominence and also to grasp more of William Blake and his poetry. The authors also attempted to show that William Blake was part of the early feminism of the late eighteenth century

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Einfluss; Feminismus; Frau; Recht; Frauenrechtlerin; Biographie; Wollstonecraft; M.; Blake; W.
  19. “I Will Take Your Answer One Way or Another”: The Oscar Wilde Trial Transcripts as Literary Artefacts
    Erschienen: 2014

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    DDC Klassifikation: Englische, altenglische Literaturen (820)
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  20. Oxford History, The Oxford History of Historical Writing. Ed. by Daniel Woolf. Vol. 2: 400–1400. Ed. by Sarah Foot and Chase F. Robinson. Assistant Ed. Ian Hesketh. Oxford, Oxford University Press 2012
    Autor*in: Peltzer, Jörg
    Erschienen: 2014

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    DDC Klassifikation: Englische, altenglische Literaturen (820)
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  21. Charting the autobiographical, selfregarding subject? Theodor De Brys Selbstbildnis
    Autor*in: Keazor, Henry
    Erschienen: 2014

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  22. "Mortal engines" and "infernal devices". Architektur- und Technologie-Nostalgie bei Philip Reeve
    Autor*in: Keazor, Henry
    Erschienen: 2014

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  23. Hamlet und das Jenseits
    Erschienen: 2014

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  24. [Review untitled to: Claudia Lainka: Analysing Masculinities : Konstruktionen von Männlichkeit bei D. H. Lawrence und John Cowper Powys]
    Erschienen: 2014

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    DDC Klassifikation: Englische, altenglische Literaturen (820)
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  25. Childe Harold's Journey to the East and "Authenticity"

    Abstract: This essay deals with the notion of orientalist discourse in Lord Byron's Childe Harold's Pilgrimage. Concentrating on the dialectical attitudes towards the "Orient" in Byron's poem the writers try to show, through a contrapuntal textual... mehr

     

    Abstract: This essay deals with the notion of orientalist discourse in Lord Byron's Childe Harold's Pilgrimage. Concentrating on the dialectical attitudes towards the "Orient" in Byron's poem the writers try to show, through a contrapuntal textual analysis, how signs emerge of a somewhat stereotypical and often monolithic Orient. It is argued that the work's claim on the authenticity of the representations of the East is a subtle textual strategy. This seems to be true despite the existence of seemingly more favourable views towards "Orientals", especially in the footnotes, compared to Turkish Tales. Central to the study is the idea that similar discursive practices also seem to influence most of Byron's critics, which include contemporary scholars who have conducted numerous forms of textual analysis through differing theoretical approaches

     

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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Authenticity; Childe Harold's Pilgrimage; Lord Byron; Orient; Orientalism; Romanticism