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  1. Rational addiction to news?
    habit formation and print media usage
    Autor*in: Dewenter, Ralf
    Erschienen: 2003
    Verlag:  Univ. der Bundeswehr, Fächergruppe Volkswirtschaftslehre, Hamburg

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    RVK Klassifikation: QB 910
    DDC Klassifikation: Zeitschriften, allgemeine fortlaufende Sammelwerke (050); Publizistische Medien, Journalismus, Verlagswesen (070); Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Discussion paper / University of the Federal Armed Forces Hamburg, Department of Economics ; No. 2
    Schlagworte: Medienkonsum; Zeitschrift; Sucht; Rationalprinzip; Schätzung; :z Geschichte 1972-2001
    Weitere Schlagworte: (stw)1972-2001; (stw)Mediennutzung; (stw)Zeitschrift; (stw)Sucht; (stw)Rationalität; (stw)Schätzung; (stw)Deutschland; Arbeitspapier; Graue Literatur; Buch; Online-Publikation
    Umfang: 40 Bl., 30 cm
    Bemerkung(en):

    Literaturverz. Bl. 25 - 29
  2. Vom "Ervolkswagen" zum Designer-Schmuckstück
    Automobilwerbung in Publikumszeitschriften (1952 - 1994)
    Autor*in: Vaillant, Kristina
    Erschienen: 1995
    Verlag:  WZB, Forschungsschwerpunkt Technik, Arbeit, Umwelt, Berlin

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    DDC Klassifikation: Zeitschriften, allgemeine fortlaufende Sammelwerke (050); Publizistische Medien, Journalismus, Verlagswesen (070); Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Papers / WZB, Wissenschaftszentrum Berlin für Sozialforschung ; 95,106 : Schriftenreihe der Abteilung 'Organisation und Technikgenese' des Forschungsschwerpunktes Technik-Arbeit-Umwelt am Wissenschaftszentrum Berlin für Sozialforschung
    Schlagworte: Kraftfahrzeugmarkt; Werbung; Printwerbung; :z Geschichte 1952-1994
    Weitere Schlagworte: (stw)1952-1994; (stw)Kfz-Markt; (stw)Werbung; (stw)Printwerbung; (stw)Deutschland; Arbeitspapier; Graue Literatur; Buch
    Umfang: 51 S., 30 cm
  3. Virtuelle Welten als Basistechnologie für Kunst und Kultur?
    eine Bestandsaufnahme
    Beteiligt: Bogen, Manfred (Herausgeber)
    Erschienen: 2009
    Verlag:  Transcript, Bielefeld

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  4. Literaturrezeption und Leseverhalten bei den Deutschen in der Sowjetunion
    Autor*in: Hilkes, Peter
    Erschienen: [1987]
    Verlag:  Osteuropa-Inst., München

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830); Publizistische Medien, Journalismus, Verlagswesen (070); Sozialwissenschaften (300)
    Schriftenreihe: Arbeitsbericht / Forschungsprojekt Deutsche in der Sowjetgesellschaft, Osteuropa-Institut München ; Nr. 8
    Weitere Schlagworte: (thesoz)UdSSR; (thesoz)Deutscher; (thesoz)Leseverhalten; (thesoz)Belletristik; (thesoz)Presse; (thesoz)deutsche Sprache; (thesoz)Literatur; (thesoz)Rezeption; Sowjetunion; Russlanddeutsche
    Umfang: 20 Bl., 30 cm
  5. The press in transition
    a comparative study of Nicaragua, South Africa, Jordan and Russia
    Autor*in: Jones, Adam
    Erschienen: 2002
    Verlag:  Dt. Übersee-Inst., Hamburg

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  6. Sonderwerbeformen im Fernsehen
    eine ökonomische und rechtliche Analyse
    Autor*in: Werner, Frank
    Erschienen: 1992
    Verlag:  GHS, Göttingen

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783925327223; 3925327223
    RVK Klassifikation: QP 632
    DDC Klassifikation: Zeitschriften, allgemeine fortlaufende Sammelwerke (050); Publizistische Medien, Journalismus, Verlagswesen (070); Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Göttinger Handelswissenschaftliche Schriften e.V. ; Bd. 23
    Schlagworte: Werbesendung; Hörfunksendung; Fernsehen; Rundfunkrecht; Wettbewerbsrecht
    Weitere Schlagworte: (stw)Hörfunkwerbung; (stw)Fernsehen; (stw)Rundfunkrecht; (stw)Wettbewerbsrecht; (stw)Deutschland; Werbefernsehen; Buch; Graue Literatur
    Umfang: 78, LXIX S., Ill., graph. Darst., 21 cm
    Bemerkung(en):

    Literaturverz. S. LIII - LXIX
  7. Umweltbibliotheken
    ein aktueller Wegweiser
    Autor*in: Lembach, Antje
    Erschienen: 1994
    Verlag:  Wiss.-Laden, Bonn

  8. Wohin kann Wettbewerb im Hörfunk führen?
    industrieökonomische Analyse des Hörfunksystems der USA und Vergleich mit Deutschland
    Autor*in: Czygan, Marco
    Erschienen: 1999
    Verlag:  Inst. für Volkswirtschaftslehre, Ilmenau

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    DDC Klassifikation: Zeitschriften, allgemeine fortlaufende Sammelwerke (050); Publizistische Medien, Journalismus, Verlagswesen (070); Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Diskussionspapier / Technische Universität Ilmenau, Institut für Volkswirtschaftslehre ; Nr. 18
    Schlagworte: Hörfunk; Wettbewerb; Rundfunk; Wettbewerb; Marktverhalten; Vergleich
    Weitere Schlagworte: (stw)Rundfunk; (stw)Wettbewerb; (stw)Struktur-Verhalten-Ergebnis- Paradigma; (stw)Vergleich; (stw)USA; (stw)Deutschland; Arbeitspapier; Graue Literatur; Buch
    Umfang: III, 34 Bl., graph. Darst., 30 cm
    Bemerkung(en):

    Literaturverz. Bl. 29 - 31
  9. A new Age of Extremes? : Anti-political Politics and Identity Remaking in the early 21st Century
    Autor*in: da Silva, Jamile Borges; Figueiredo, Fábio Baqueiro; Gomes, Patricia Godinho
    Erschienen: 2023
    Verlag:  Institute of African Studies

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  10. aspeers 2021: Call for papers
    Autor*in: Editors of aspeers
    Erschienen: 2021

  11. aspeers 2022: Call for papers
    Autor*in: Editors of aspeers
    Erschienen: 2022

  12. Interview with David Malouf
    Autor*in: Braun Bau, Susanne
    Erschienen: 1995

  13. Kuriose und kurze Nachrichten: Berichte über Vergiftungen in wissenschaftlichen Zeitschriften um 1850
    Autor*in: Wahrig, Bettina
    Erschienen: 2017
    Verlag:  transcript Verlag

  14. The Internet as Spectator Disclosure: Consent, Community, and Responsibility in Patricia Lockwoods Viral Poem 'Rape Joke'
    Autor*in: Lanphier, Elizabeth
    Erschienen: 2016
    Verlag:  ASJ

    http://www.asjournal.org/61-2016/internet-spectator-disclosure-consent-community-responsibility-patricia-lockwoods-viral-poem-rape-joke/ mehr

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  15. Die Föderation im Spiegel der zeitgenössischen Presse und Literatur Australien
    Autor*in: Schulze, Cornelia
    Erschienen: 2001

  16. Interview with Rodney Hall in Sydney (08.05.1992)
    Autor*in: Braun-Bau, Susanne
    Erschienen: 1996

  17. Mehr als fremde Augen: Anna Funders Stasiland und die feinen Unterschiede des literarischen Journalismus
    Autor*in: Josephi, Beate; Müller, Christine
    Erschienen: 2008

  18. Framing Violence: Multidisciplinary Symposium on Theorizing Frames
    Erschienen: 2016

    Violence can take the form of a physical or verbal act of aggression, be inherent to an institutionalized practice, can be perpetrated and experienced. Attitudes towards violence (for example, whether an act of war is ‘justified’) can hold very... mehr

     

    Violence can take the form of a physical or verbal act of aggression, be inherent to an institutionalized practice, can be perpetrated and experienced. Attitudes towards violence (for example, whether an act of war is ‘justified’) can hold very different if not competing implications. How violent acts are perceived, mediated, and thought about — in short, how they are framed — can have a significant impact. ; www.jfki.fu-berlin.de/research/conferences/archive/FramingViolence.html

     
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  19. Framing Violence: Multidisciplinary Symposium on Theorizing Frames
    Erschienen: 2016

    Violence can take the form of a physical or verbal act of aggression, be inherent to an institutionalized practice, can be perpetrated and experienced. Attitudes towards violence (for example, whether an act of war is ‘justified’) can hold very... mehr

     

    Violence can take the form of a physical or verbal act of aggression, be inherent to an institutionalized practice, can be perpetrated and experienced. Attitudes towards violence (for example, whether an act of war is ‘justified’) can hold very different if not competing implications. How violent acts are perceived, mediated, and thought about — in short, how they are framed — can have a significant impact. ; www.jfki.fu-berlin.de/research/conferences/archive/FramingViolence.html

     
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  20. Frank Kelleter (Hg.): Populäre Serialität. Narration – Evolution – Distinktion. Zum seriellen Erzählen seit dem 19. Jahrhundert
    Autor*in: Schwanebeck, Wieland
    Erschienen: 2013

  21. From the Editors
    Autor*in: Haag, Oliver; von Holleuffer, Henriette
    Erschienen: 2020

  22. Konkurrierende Krisengeschichten der Corona-Pandemie: ‚Kampf der Narrative‘, Gegegenwartsdiagnosen, epistemologische Krise und Kritik von Lebensformen?
    Autor*in: Nünning, Ansgar; Nünning, Vera
    Erschienen: 2020

    Proceeding from the insights about crisis as a metaphor and particular kind of cultural narrative delineated in the introduction to this special issue, this essay examines the competing narratives that have emerged in the wake of the crises generated... mehr

     

    Proceeding from the insights about crisis as a metaphor and particular kind of cultural narrative delineated in the introduction to this special issue, this essay examines the competing narratives that have emerged in the wake of the crises generated by the Corona-virus pandemic and the Covid-19 illness. It argues that crisis narratives in general and the particular stories that have been disseminated to report on and explain the ongoing Corona crisis always consist of both a diagnosis of the present state of affairs in a society and an attempt to project scenarios of possible futures. The first section introduces the ongoing battle between competing narratives and the concomitant question of whether the Coronavirus pandemic qualifies as a ‘Black Swan’ (sensu Nassim Nicholas Taleb), i. e. the kind of highly improbable event that causes massive consequences. Taking its cue from the question „Crisis compared to what?“ posed by the anthropologist Janet Roitman, section 2 explores the relation between crisis narratives, the diagnoses of the present that they entail, and the underlying norms and values of such judgments about crises. Section 3 then examines the implications of the most salient competing narratives that have been disseminated about the Coronavirus pandemic and the Covid-19 crises. In section 4, we make an attempt to clarify what kind of crisis we are currently witnessing, asking whether the latter can be understood as a catalyst of a cluster or series of different crises, as a ‘deep crisis’ with various dimensions and layers, and as a ‘patchwork pandemic’. In section 5 we turn our attention to the contagious nature of narratives in general and competing stories surrounding the Coronavirus pandemic in particular, arguing that they constitute more than just an ‘infodemic’ in that they amount to nothing less than an epistemological and normative crisis. The essay concludes by exploring the underlying big questions that crisis narratives of the pandemic as critiques of non-sustainable forms of life raise ...

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch; Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte der Britischen Inseln (941); Publizistische Medien, Journalismus, Verlagswesen (070); Geschichte Neuseelands (993)
    Schlagworte: mediastudies; literarystudies
    Lizenz:

    L::The Stacks License ; thestacks.libaac.de/rights
  23. Krise als medialer Leitbegriff und kulturelles Erzählmuster: Merkmale und Funktionen von Krisennarrativen als Sinnstiftung über Zeiterfahrung und als literarische Laboratorien für alternative Welten
    Autor*in: Nünning, Ansgar; Nünning, Vera
    Erschienen: 2020

    During the last two decades there has not only been a wide range of ever more crises of all sorts; we have also witnessed an inflationary use of the term crisis, and a concomitant proliferation of factual and fictional crisis narratives across... mehr

     

    During the last two decades there has not only been a wide range of ever more crises of all sorts; we have also witnessed an inflationary use of the term crisis, and a concomitant proliferation of factual and fictional crisis narratives across various media. The first section of this introduction provides a brief overview of some of the crisis narratives and crisis scenarios that have recently emerged, while also outlining the topic of this special issue. Delineating some of the most important recent developments in interdisciplinary research on this still underresearched topic, section 2 then explores both the concepts of crisis and crisis narratives, and their main recurrent features, highlighting major trends and seminal publications (section 2). As the subtitle already indicates, the focus will be on an exploration of the functions that crisis narratives and the scenarios evoked by them in general (section 3), and literary crisis narratives in particular (section 4), serve to fulfil. This introductory essay concludes by providing a brief overview of the articles that follow as paradigm examples for exploring crisis narratives in literary studies (section 5), and of future perspectives that the recent proliferation of crises might have for research and university teaching (section 6), arguing that literary scholars in general, and narrative theorists in particular could, and arguably should, contribute to a better understanding of the forms and functions of the medial uses of crises by shedding light on crisis narratives and crisis scenarios.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte der Britischen Inseln (941); Publizistische Medien, Journalismus, Verlagswesen (070); Geschichte Neuseelands (993)
    Schlagworte: mediastudies; culturalstudies; literarystudies
    Lizenz:

    L::The Stacks License ; thestacks.libaac.de/rights
  24. The ‘other’ as Projection Screen: Authenticating Heroic Masculinity in War-Themed Heavy Metal Music Videos
    Autor*in: Kartheus, Wiebke
    Erschienen: 2015

    This article tries to come to terms with Islamophobia as an undercurrent of US culture, heavy metal’s notions of masculinity and authenticity, and the ways in which these two seemingly separate issues intersect in war-themed music videos. By... mehr

     

    This article tries to come to terms with Islamophobia as an undercurrent of US culture, heavy metal’s notions of masculinity and authenticity, and the ways in which these two seemingly separate issues intersect in war-themed music videos. By analyzing the official music videos of Metallica’s ‘The Day That Never Comes’ and Lamb of God’s ‘11th Hour’, I will illustrate how the Arab or Muslim ‘other’ is used as a trope to affirm genre-specific notions of masculinity and authenticity. In support of my reading, and to help understand the ways in which music videos are used to communicate with a broader audience, the formal features of the medium will be investigated. Focusing on the structure of my chosen examples and on the way in which meaning-making processes are shaped and perceived by a knowledgeable, pre-informed audience, offers a new perspective to scrutinize the cultural impact of Islamophobic sentiments and shows that they found their way from the mainstream into heavy metal counter-cultures.

     
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  25. Surveillance | Society | Culture
    Erschienen: 2020
    Verlag:  Peter Lang

    What only a few decades ago would have been considered a totalitarian nightmare seems to have become reality: Surveillance practices and technologies have infiltrated all aspects of our lives, forcing us to reconsider established notions of privacy,... mehr

     

    What only a few decades ago would have been considered a totalitarian nightmare seems to have become reality: Surveillance practices and technologies have infiltrated all aspects of our lives, forcing us to reconsider established notions of privacy, subjectivity, and the status of the individual in society. The United States is central to contemporary concerns about surveillance. American companies are at the forefront of developing surveillance technologies; and government agencies, in the name of security and law and order, are monitoring our words and actions more than ever before. This book brings together an interdisciplinary group of scholars to explore the implications of what many consider to be a far-reaching social, political, and cultural transformation. ; Florian Zappe and Andrew S. Gross: "Introduction" 9 // Bernhard H. F. Taureck: "Surveillance – A Complex Relationship" 27 // Florian Zappe: "Gazing Back at the Monster – A Critical Posthumanist Intervention on Surveillance Culture, Sousveillance and the Lifelogged Self" 39 // Bärbel Harju: "Too Much Information: Self-Monitoring and Confessional Culture" 57 // Felix Haase: "Death by Data: Identification and Dataveillance in Gary Shteyngart’s Super Sad True Love Story" 85 // Birgit Däwes: "Flickers of Vision: Surveillance and the Uncertainty Paradigm in Dave Eggers’s The Circle" 103 // Andrew S. Gross: "The Black Box of Humanism: Surveillance, the Spy Narrative, and Literary Form" 119 // Silke Järvenpää: Rap vs. Big Brother: The Conscious and the Comical" 137 // Hugh Davies: "The Art of Surveillance: Surveying the Lives and Works of Andy Warhol and Ai Weiwei" 153 // Marek Paryż: "Paranoia and Surveillance in Andrew Dominik’s Film The Assassination of Jesse James by the Coward Robert Ford" 175 // Caren Myers Morrison: "Mythologies of Violence in American Police Videos" 191 // Garrett Stewart: "Afterword" 213 // ; www.peterlang.com/view/title/64899

     
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