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  1. The weary blues
    Autor*in: Hughes, Langston
    Erschienen: February 10, 2015
    Verlag:  Knopf, New York

    "Nearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue... mehr

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    AR 3325/750
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Nearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue poem)..."I am a Negro: / Black as the night is black, / Black like the depths of my Africa"...Hughes spoke directly, intimately, and powerfully of the experiences of African Americans at a time when their voices were newly being heard in our literature. As the legendary Carl Van Vechten wrote in a brief introduction to the original 1926 edition, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race. Always, however, his stanzas are subjective, personal," and, he concludes, they are the expression of "an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, with precocious confidence and clarity. In a new introduction to the work, the poet and editor Kevin Young suggests that Hughes from this very first moment is "celebrating, critiquing, and completing the American dream," and that he manages to take Walt Whitman's American "I" and write himself into it. We find here not only such classics as "The Negro Speaks of Rivers" and the great twentieth-century anthem that begins "I, too, sing America," but also the poet's shorter lyrics and fancies, which dream just as deeply. "Bring me all of your / Heart melodies," the young Hughes offers, "That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers / Of the world.""..

     
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    Quelle: Verbundkataloge
    Beteiligt: Van Vechten, Carl (Verfasser einer Einleitung); Young, Kevin (Verfasser eines Geleitwortes)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780385352970; 9780385352987
    Auflage/Ausgabe: Second edition
    Schriftenreihe: A Borzoi book
    Schlagworte: POETRY / General; POETRY / American / African American; POETRY / American / General
    Umfang: XXVI, 91 Seiten
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  2. Collected Poems of Lucille Clifton 1965-2010
    Autor*in: Clifton, Lucille
    Erschienen: 2015
    Verlag:  BOA Editions Ltd., [s.l.]

    <div> <B>Winner of the 2013 Hurston/Wright Legacy Award for Poetry</B><BR><BR> ""<I>The Collected Poems of Lucille Clifton 1965-2010</I> may be the most important book of poetry to appear in years.""--<I>Publishers Weekly</I> ""All poetry readers... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

     

    Winner of the 2013 Hurston/Wright Legacy Award for Poetry

    ""The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years.""--Publishers Weekly ""All poetry readers will want to own this book; almost everything is in it.""--Publishers Weekly ""If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it.""—NPR ""The 'Collected Clifton' is a gift, not just for her fans...but for all of us.""--The Washington Post
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Young, Kevin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781934414903; 9781942683001 (Sekundärausgabe)
    Schriftenreihe: American Poets Continuum
    Umfang: 805 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  3. <<The>> weary blues
    Autor*in: Hughes, Langston
    Erschienen: February 10, 2015
    Verlag:  Knopf, New York

    "Nearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue... mehr

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Nearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue poem)..."I am a Negro: / Black as the night is black, / Black like the depths of my Africa"...Hughes spoke directly, intimately, and powerfully of the experiences of African Americans at a time when their voices were newly being heard in our literature. As the legendary Carl Van Vechten wrote in a brief introduction to the original 1926 edition, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race. Always, however, his stanzas are subjective, personal," and, he concludes, they are the expression of "an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, with precocious confidence and clarity. In a new introduction to the work, the poet and editor Kevin Young suggests that Hughes from this very first moment is "celebrating, critiquing, and completing the American dream," and that he manages to take Walt Whitman's American "I" and write himself into it. We find here not only such classics as "The Negro Speaks of Rivers" and the great twentieth-century anthem that begins "I, too, sing America," but also the poet's shorter lyrics and fancies, which dream just as deeply. "Bring me all of your / Heart melodies," the young Hughes offers, "That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers / Of the world."".

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Van Vechten, Carl (Verfasser einer Einleitung); Young, Kevin (Verfasser eines Geleitwortes)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780385352970; 9780385352987
    Auflage/Ausgabe: Second edition
    Schriftenreihe: <<A>> Borzoi book
    Schlagworte: POETRY / General; POETRY / American / African American; POETRY / American / General
    Umfang: XXVI, 91 Seiten
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  4. Jacob Lawrence
    the migration series ; [in conjunction with exhibitions ... One Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North, presented at the Museum of Modern Art, New York, from April 3 to September 7, 2015 ... People on the Move: Beauty and Struggle in Jacob Lawrence's Migration Series, presented at The Phillips Collection, Washington, DC, from September 10, 2016 to January 17, 2017]
    Autor*in: Dickerman, Leah; Smithgall, Elsa; Roberts, Jodi; Alexander, Elizabeth; Komunyakaa, Yusef; Williams, Crystal; Finney, Nikky; Hayes, Terrance; Van Clief-Stefanon, Lyrae; Jess, Tyehimba; Dove, Rita; Trethewey, Natasha D.; Jones, Patricia Spears; Young, Kevin
    Erschienen: [2015]
    Verlag:  The Museum of Modern Art, New York, NY ; The Phillips Collection, Washington, DC

    In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915-16. Within... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915-16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art and at The Phillips Collection. This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsibilities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Lawrence, Jacob (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 087070964X; 9780870709647
    RVK Klassifikation: LI 99999
    Schlagworte: African Americans in art; Rural-urban migration in art; Narrative painting, American
    Weitere Schlagworte: Lawrence, Jacob (1917-2000): Migration series; Lawrence, Jacob (1917-2000)
    Umfang: 191 Seiten, Illustrationen
    Bemerkung(en):

    Impressum: "Published in conjunction with exhibitions featuring Jacob Lawrence's Migration Series organized by The Museum of Modern Art, New York, and The Philipps Collection, Washington, DC, in collaboration with the Schomburg Center for Research in Black Culture."

    Leah Dickerman: Fighting blues

    Elsa Smithgall: One series, two places

    with notes by Jodi Roberts: The migration series, panels 1-60

    introduction by Elizabeth Alexander: The migration series poetry suite

    Yusef Komunyakaa ; Crystal Williams ; Nikky Finney ; Terrance Hayes ; Lyrae Van Clief-Stefanon ; Tyehimba Jess ; Rita Dove ; Natasha Trethewey ; Patricia Spears Jones ; Kevin Young: Poems
  5. Jacob Lawrence
    the migration series ; [in conjunction with exhibitions ... One Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North, presented at the Museum of Modern Art, New York, from April 3 to September 7, 2015 ... People on the Move: Beauty and Struggle in Jacob Lawrence's Migration Series, presented at The Phillips Collection, Washington, DC, from September 10, 2016 to January 17, 2017]
    Autor*in: Dickerman, Leah; Smithgall, Elsa; Roberts, Jodi; Alexander, Elizabeth; Komunyakaa, Yusef; Williams, Crystal; Finney, Nikky; Hayes, Terrance; Van Clief-Stefanon, Lyrae; Jess, Tyehimba; Dove, Rita; Trethewey, Natasha D.; Jones, Patricia Spears; Young, Kevin
    Erschienen: [2015]
    Verlag:  The Museum of Modern Art, New York, NY ; The Phillips Collection, Washington, DC

    In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915-16. Within... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2015:3311:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 199183
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    KAT L 421 2534-535 5
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915-16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art and at The Phillips Collection. This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsibilities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Lawrence, Jacob (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 087070964X; 9780870709647
    RVK Klassifikation: LI 99999
    Schlagworte: African Americans in art; Rural-urban migration in art; Narrative painting, American
    Weitere Schlagworte: Lawrence, Jacob (1917-2000): Migration series; Lawrence, Jacob (1917-2000)
    Umfang: 191 Seiten, Illustrationen
    Bemerkung(en):

    Impressum: "Published in conjunction with exhibitions featuring Jacob Lawrence's Migration Series organized by The Museum of Modern Art, New York, and The Philipps Collection, Washington, DC, in collaboration with the Schomburg Center for Research in Black Culture."

    Leah Dickerman: Fighting blues

    Elsa Smithgall: One series, two places

    with notes by Jodi Roberts: The migration series, panels 1-60

    introduction by Elizabeth Alexander: The migration series poetry suite

    Yusef Komunyakaa ; Crystal Williams ; Nikky Finney ; Terrance Hayes ; Lyrae Van Clief-Stefanon ; Tyehimba Jess ; Rita Dove ; Natasha Trethewey ; Patricia Spears Jones ; Kevin Young: Poems