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Europäische Einflüsse im amerikanischen Musical
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Canadian self-perception and self-representation in English-Canadian drama after 1967
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Themes and topics of the American musical after World War II
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Selbstreflexivität im amerikanischen Musical
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Das amerikanische Meta-Musical
Studie zu einem literarischen Phänomen im amerikanischen Musical mit Werkanalysen zu Sally, Kiss Me Kate und Follies -
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
Themes and topics of the American musical after World War II
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Textarbeit mit kommunikativen Übungen im Englischunterricht
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“Gentlemen, Be Seated!” The Rise and Fall of the Minstrel Show
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Friar Lawrence's plan in William Shakespeare's "Romeo and Juliet" and his function as a counsellor
Sachanalyse - Unterrichtsentwurf - Arbeitsmaterialien -
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Themes and topics of the American Musical after World War II
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Canadian self-perception and self-representation in English Canadian drama after 1967
-
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Themes and topics of the American musical after world war II
a literary study ... with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim and James Lapine -
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
<<The>> American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Das amerikanische Meta-Musical
Studie zu einem literarischen Phänomen im amerikanischen Musical mit Werkanalysen zu Sally, Kiss Me Kate und Follies -
Selbstreflexivität im amerikanischen Musical
-
<<Das>> amerikanische Meta-Musical
Studie zu einem literarischen Phänomen im amerikanischen Musical mit Werkanalysen zu "Sally", "Kiss me Kate" und "Follies" -
Selbstreflexivität im amerikanischen Musical
-
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
“Gentlemen, Be Seated!”
The Rise and the Fall of the Minstrel Show -
Themes and topics of the American musical after World War II