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Canadian self-perception and self-representation in English-Canadian drama after 1967
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Themes and topics of the American musical after World War II
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The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Canadian self-perception and self-representation in English-Canadian drama after 1967
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“Gentlemen, Be Seated!” The Rise and Fall of the Minstrel Show
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The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Canadian self-perception and self-representation in English Canadian drama after 1967
-
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Themes and topics of the American musical after world war II
a literary study ... with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim and James Lapine -
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Themes and topics of the American musical after World War II
-
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
<<The>> American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
Friar Lawrence's plan in William Shakespeare's "Romeo and Juliet" and his function as a counsellor
Sachanalyse - Unterrichtsentwurf - Arbeitsmaterialien -
Canadian self-perception and self-representation in English Canadian drama after 1967
-
The American musical
a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine -
Themes and topics of the American musical after world war II
-
Friar Lawrence's plan in William Skakespeare's "Romeo and Juliet" and his function as a counsellor
Sachanalyse, Unterrichtsentwurf, Arbeitsmaterialien -
Themes and topics of the American musical after world war II
-
Themes and topics of the American musical after world war II
a literary study ... with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim and James Lapine -
Themes and topics of the American musical after World War II
-
Themes and topics of the American musical after World War II
-
Canadian self-perception and self-representation in English-Canadian drama after 1967
-
Canadian self-perception and self-representation in English-Canadian drama after 1967