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  1. Critical Time in Modern German Literature and Culture
    Beteiligt: Göttsche, Dirk (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck as the temporalization («Verzeitlichung») of all areas of human knowledge and experience around 1800, the concept of critical time... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck as the temporalization («Verzeitlichung») of all areas of human knowledge and experience around 1800, the concept of critical time continues to intrigue researchers across the arts and humanities. This volume combines theoretical and critical approaches to temporality with case studies on the engagement with the modern sense of time in German literature, visual art and culture from the eighteenth century to the present. Contributions explore key areas in the cultural history of time: time in art and aesthetic theory, the intellectual history of time, the relationship between time and space in literature and visual art, the politics of time and memory, and the poetics of time. Essays question the focus on acceleration in recent critical discourse by also revealing the contrapuntal fascination with slowness and ecstatic moments, notions of polyphonous time and simultaneity, the dialectic of time and space, and complex aesthetic temporalities breaking with modern time-regimes «Critical Time takes a nuanced view of how modern culture has struggled with time, speed and acceleration. The historical frame and the cross-cultural perspectives make for a thought-provoking survey in this most fascinating arena.» (Professor Karen Leeder, University of Oxford) Contents: Dirk Göttsche: Introduction – Gabriele Neher/Jonathan Tallant: The Philosophy of Time and the Implications from Renaissance Art – Jerome Carroll: Acceleration and Retardation: Temporality, Modernist Poetics and Modernity in the Work of Hans Blumenberg and Viktor Shklovsky – Maike Oergel: «The Grand Poem of our Time»: Carlyle, Zeitgeist and his History of the French Revolution – Brian Elliott: Revolution, History and Time in Benjamin and Sloterdijk – Dirk Oschmann: Formbewusstsein als Zeitbewusstsein. Die Anfänge moderner Zeitpoetik im 18. Jahrhundert – Eva Axer: The «inexorable law of perpetual mutation»: Motherwell and Goethe on the Tradition of the Ballad – Ralf Simon: The Temporality of Hospitality – Simon Ward: «Of Time and the City»: Contemporary Visual Culture and the Times of Berlin – Iulia-Karin Patrut: Eigenlogische und historische Zeit in den transmedialen Collagen Herta Müllers. Memoria nach 1989 – Ulrich Bach: On Re-describing History in Christoph Ransmayr’s Die Schrecken des Eises und der Finsternis and Lilian Faschinger’s Stadt der Verlierer – Dirk Göttsche: Zeitpoetik in Kleiner Prosa der Gegenwart – Sabine Zubarik: The Ethics of Time: Stasis and Dilation in Thomas Lehr’s 42 and Svend Age Madsen’s Days with Diam – Sascha Seiler: Das Ende der Zeit. Die Darstellung der Apokalypse in Thomas Glavinics Die Arbeit der Nacht und Cormac McCarthys The Road

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Göttsche, Dirk (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308105
    Weitere Identifier:
    9783035308105
    RVK Klassifikation: GE 5229
    Schriftenreihe: Studies in Modern German and Austrian Literature ; 3
    Schlagworte: Deutsch; Literatur; Zeit <Motiv>;
    Umfang: 1 Online-Ressource (vii, 321 Seiten)
  2. Critical time in modern German literature and culture
    Autor*in: Göttsche, Dirk
    Erschienen: [2015]
    Verlag:  Peter Lang, Oxford

    "The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck in 1800 as the temporalisation ('Verzeitlichung') of all areas of human knowledge and experience, the concept of critical time... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    "The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck in 1800 as the temporalisation ('Verzeitlichung') of all areas of human knowledge and experience, the concept of critical time continues to intrigue researchers across the arts and humanities. This volume combines theoretical and critical approaches to temporality with case studies on the engagement with the modern sense of time in German literature, visual art and culture from the eighteenth century to the present. Contributions explore key areas in the cultural history of time: time in art and aesthetic theory, the intellectual history of time, the relationship of time and space in literature and visual art, the politics of time and memory, and the poetics of time. Essays question the focus on acceleration in recent critical discourse by also revealing the contrapuntal fascination with slowness and ecstatic moments, notions of polyphonous time and simultaneity, the dialectic of time and space, and complex aesthetic temporalities breaking with modern time-regimes."-- Cover -- Contents -- Illustrations -- Introduction (Dirk Göttsche) -- Part I. Time in Art and Critical Theory -- The Philosophy of Time and the Implications from Renaissance Art (Gabriele Neher and Jonathan Tallant) -- Acceleration and Retardation: Temporality, Modernist Poetics and Modernity in the Work of Hans Blumenberg and Viktor Shklovsky (Jerome Carroll) -- Part II. The Intellectual History of Time -- "The Grand Poem of our Time": Carlyle, ""Zeitgeist and his History of the French Revolution"" (Maike Oergel) -- Revolution, History and Time in Benjamin and Sloterdijk (Brian Elliott) Part III. The Temporality of Literary Genres -- Formbewusstsein als Zeitbewusstsein. Die Anfänge moderner Zeitpoetik im 18. Jahrhundert (Dirk Oschmann) -- The "inexorable law of perpetual mutation": Motherwell and Goethe on the Tradition of the Ballad (Eva Axer) -- Part IV. Chronotopes: Time and Space -- The Temporality of Hospitality (Ralf Simon) -- "Of Time and the City": Contemporary Visual Culture and the Times of Berlin (Simon Ward) -- Part V. Time and the Politics of Memory Eigenlogische und historische Zeit in den transmedialen Collagen Herta Müllers. Memoria nach 1989 (Iulia-Karin Patrut) -- On Re-describing History in Christoph Ransmayr's ""Die Schrecken des Eises und der Finsternis"" and Lilian Faschinger's ""Stadt der Verlierer"" (Ulrich Bach) -- Part VI. The Poetics of Time in Contemporary German Literature -- Zeitpoetik in Kleiner Prosa der Gegenwart (Dirk Göttsche) -- The Ethics of Time: Stasis and Dilation in Thomas Lehr's 42 and Svend Age Madsen's ""Days with Diam"" (Sabine Zubarik) Das Ende der Zeit. Die Darstellung der Apokalypse in Thomas Glavinics ""Die Arbeit der Nacht"" und Cormac McCarthys ""The Road"" (Sascha Seiler) -- Notes on the Contributors -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308105
    Schriftenreihe: Studies in modern German and Austrian literature ; 3
    Schlagworte: Time; Time in literature; German literature; German literature ; 20th century ; History and criticism; Time in literature; Time ; Social aspects ; Germany ; History; Electronic books
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  3. Critical Time in Modern German Literature and Culture
    Beteiligt: Göttsche, Dirk (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck as the temporalization («Verzeitlichung») of all areas of human knowledge and experience around 1800, the concept of critical time... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The fleeting nature of time is a defining feature of modern and postmodern existence. Identified by Reinhart Koselleck as the temporalization («Verzeitlichung») of all areas of human knowledge and experience around 1800, the concept of critical time continues to intrigue researchers across the arts and humanities. This volume combines theoretical and critical approaches to temporality with case studies on the engagement with the modern sense of time in German literature, visual art and culture from the eighteenth century to the present. Contributions explore key areas in the cultural history of time: time in art and aesthetic theory, the intellectual history of time, the relationship between time and space in literature and visual art, the politics of time and memory, and the poetics of time. Essays question the focus on acceleration in recent critical discourse by also revealing the contrapuntal fascination with slowness and ecstatic moments, notions of polyphonous time and simultaneity, the dialectic of time and space, and complex aesthetic temporalities breaking with modern time-regimes «Critical Time takes a nuanced view of how modern culture has struggled with time, speed and acceleration. The historical frame and the cross-cultural perspectives make for a thought-provoking survey in this most fascinating arena.» (Professor Karen Leeder, University of Oxford) Contents: Dirk Göttsche: Introduction – Gabriele Neher/Jonathan Tallant: The Philosophy of Time and the Implications from Renaissance Art – Jerome Carroll: Acceleration and Retardation: Temporality, Modernist Poetics and Modernity in the Work of Hans Blumenberg and Viktor Shklovsky – Maike Oergel: «The Grand Poem of our Time»: Carlyle, Zeitgeist and his History of the French Revolution – Brian Elliott: Revolution, History and Time in Benjamin and Sloterdijk – Dirk Oschmann: Formbewusstsein als Zeitbewusstsein. Die Anfänge moderner Zeitpoetik im 18. Jahrhundert – Eva Axer: The «inexorable law of perpetual mutation»: Motherwell and Goethe on the Tradition of the Ballad – Ralf Simon: The Temporality of Hospitality – Simon Ward: «Of Time and the City»: Contemporary Visual Culture and the Times of Berlin – Iulia-Karin Patrut: Eigenlogische und historische Zeit in den transmedialen Collagen Herta Müllers. Memoria nach 1989 – Ulrich Bach: On Re-describing History in Christoph Ransmayr’s Die Schrecken des Eises und der Finsternis and Lilian Faschinger’s Stadt der Verlierer – Dirk Göttsche: Zeitpoetik in Kleiner Prosa der Gegenwart – Sabine Zubarik: The Ethics of Time: Stasis and Dilation in Thomas Lehr’s 42 and Svend Age Madsen’s Days with Diam – Sascha Seiler: Das Ende der Zeit. Die Darstellung der Apokalypse in Thomas Glavinics Die Arbeit der Nacht und Cormac McCarthys The Road

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Göttsche, Dirk (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308105
    Weitere Identifier:
    9783035308105
    RVK Klassifikation: GE 5229
    Schriftenreihe: Studies in Modern German and Austrian Literature ; 3
    Schlagworte: Deutsch; Literatur; Zeit <Motiv>;
    Umfang: 1 Online-Ressource (vii, 321 Seiten)