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  1. Masculine domination in the works of Henry James
  2. Religion as a source of evil
    Autor*in: Jonkers, Peter
    Erschienen: [2017]

    The starting point is that there is a structural, although not necessary link between religion and two important expressions of religious evil, religious intolerance and violence. The origin of this link lies in the radicalism that is inherent in all... mehr

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    The starting point is that there is a structural, although not necessary link between religion and two important expressions of religious evil, religious intolerance and violence. The origin of this link lies in the radicalism that is inherent in all religions. Although this radicalism often has very positive effects, it also can lead to evil. Because religious evil is fueled by eschatological antagonism and the enormous utopian energies that are characteristic of religion, it is often qualified as symbolic. ‘Symbolic’ refers to the fundamental disproportion between the excess of the divine as a groundless ground and the finite capacity of every religion to receive it (Ricoeur). Symbolic violence arises when a religious community yields to the temptation of becoming possessive, forcing the inexhaustible divine mystery to adapt to the limited capacities of this community to grasp this mystery. This leads to the exclusion of internal or external dissenters. The final section examines how the ill-fated bond between religion and evil can be broken. It will be examined if and how a redefinition of tolerance, in particular a disconnection between religious truth and the claim to exclusivism and a commitment to interconfessional hospitality, can contribute to avoiding that religion becomes evil.

     

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    Sprache: Englisch
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    Übergeordneter Titel: Enthalten in: International journal of philosophy and theology; Abingdon : Taylor & Francis, 2013; 78(2017), 4/5, Seite 419-431

    Schlagworte: eschatological antagonism; exclusivism; Intolerance; religious truth; Ricoeur; symbolic violence
  3. The symbolic reach of the Catholic Church
    liturgy-based language among atheists and Catholics in Poland
    Erschienen: [2017]

    The power of the Catholic Church in Poland can be seen throughout modern Polish history. It can also be observed in the influence of the Catholic clergy on political and social life in Poland. But how far-reaching is this power? Does it only concern... mehr

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    The power of the Catholic Church in Poland can be seen throughout modern Polish history. It can also be observed in the influence of the Catholic clergy on political and social life in Poland. But how far-reaching is this power? Does it only concern the Catholic majority in Polish society or does it extend also to the atheist minority? In this article, we address this question through a study of the linguistic habitus of two groups (Polish Catholics and Polish atheists), specifically an analysis of conceptual metaphors in a corpus compiled from web forums. We examine the frequencies of three metaphors concerning love, death and sin previously identified in Catholic transition rituals, such as baptisms or weddings. The results show no quantitative differences in the usage of these metaphors and instead significant qualitative similarities in the language form of the metaphors. The findings thus suggest the ability of the Catholic Church to influence the ways of speaking and possibly also of thinking and acting among both Catholics and atheists in Poland.

     

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    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Religion, state & society; Abingdon : Routledge, 1992; 45(2017), 2, Seite 106-119; Online-Ressource

    Schlagworte: Atheists; Catholics; cognitive metaphor; Poland; symbolic violence
  4. Standing Up To Words: Writing and Resistance in Toni Morrison s A Mercy
    Erschienen: 2014
    Verlag:  Universität Bremen ; Fachbereich 10: Sprach- und Literaturwissenschaften (FB 10) ; English-Speaking Cultures

    In Toni Morrison s A Mercy, the protagonist represents both the historical and the contemporary African American author. As Mueller argues, her act of carving words into walls can be read as an act of resistance against the historical silencing of... mehr

     

    In Toni Morrison s A Mercy, the protagonist represents both the historical and the contemporary African American author. As Mueller argues, her act of carving words into walls can be read as an act of resistance against the historical silencing of the black voice as well as politically against symbolic violence exercised through language. ; 73 ; 89 ; Bremen ; 1 ; 1

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: A Mercy; neo-slave narrative; symbolic violence; Bourdieu; Pierre; rhetoric and criticism
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