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  1. Kodikas/Code 42, No. 1
    Themenheft: Urban Semiotics: Zeichen-Landschaften und Streitgespräche im Stadt-Raum Berlins
    Beteiligt: Trabant, Jürgen (HerausgeberIn); Hess-Lüttich, Ernest W. B. (HerausgeberIn)
    Erschienen: 2022
    Verlag:  Narr Francke Attempto Verlag, Tübingen

    Themenheft / Special Issue Urban Semiotics: Zeichen-Landschaften und Streitgespräche im Stadt-Raum Berlins Urban Discourse: Signs of Space and eristic Debates in Berlin von Ernest W. B. Hess-Lüttich 0Vorwort 1Berlin als 'Text'. Ein interdisziplinärer... mehr

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    Themenheft / Special Issue Urban Semiotics: Zeichen-Landschaften und Streitgespräche im Stadt-Raum Berlins Urban Discourse: Signs of Space and eristic Debates in Berlin von Ernest W. B. Hess-Lüttich 0Vorwort 1Berlin als 'Text'. Ein interdisziplinärer Zugang 2"The Big open" in Berlin - oder: "Die Tempelhofer Freiheit" 3Sprachlandschaften. Indizien der Gentrifizierung im Berliner Szeneviertel Prenzlauer Berg 4Fremde in der Stadt? Anmerkungen zur Berliner Moschee-Debatte 5Diskursformen des Erinnerns. Demnigs 'Stolpersteine' als Zeichen urbaner Memorialkultur 6Subkultur in Schöneberg. Ein Stadtviertel im Zeichen des Regenbogens 7Die Schloss-Debatte. Vom Palast der Republik zum Humboldt-Forum 8Ansichten, Einsichten, Aussichten. Probleme, Projekte, Perspektiven 9Leer-Zeichen - Die 'Mauer' im Gedächtnis der Literatur. Statt eines Schlusswortes 10Verzeichnis der Abbildungen 11Bibliographie Der Autor / Author Anschrift des Autors / Adress of Author Hinweise zur Gestaltung von Manuskripten Instructions to Authors

     

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    Quelle: Verbundkataloge
    Beteiligt: Trabant, Jürgen (HerausgeberIn); Hess-Lüttich, Ernest W. B. (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783823319009
    Weitere Identifier:
    9783823319009
    Auflage/Ausgabe: 1. Auflage
    Schlagworte: Nachhaltigkeit; Stadtplanung; Urbanität; Stadtökologie; Stadtsoziologie; Raumwissenschaft; Ökosemiotik; Stadtsprache; Architekturkommunikation; Energiewende; erneuerbare Energie; nachhaltige Stadtplanung; Stadtökologie; Berliner Flughafen; Sprachlandschaften; Mehrsprachigkeit; Heterogenität; Migration; Multikulturalität; Marginalisierung; Gentrifizierung; Ghettobildung; Migration; Islamdebatte; Minarett; Moschee; Ruf des Muezzins; Antisemitismus; Mahnmal; Denkmal; Stolperstein; Memorialkultur; Regenbogenquartier; Regenbogenfahne; gay liberation; queer spaces; gay community; Homosexualität; LGBT; Erinnerungskultur; Mahnmale; Rosa Winkel; Berliner Schloss; Hohenzollernresidenz; Palast der Republik; Volkskammer der DDR; Humboldt-Forum; Kolonialismus; Freiheits- und Einheitsdenkmal; Urbane Kontroversen; Subkulturen; Nicolai-Viertel; Alexanderplatz; Hugenotten-Tradition; Die Berliner Mauer; Schießbefehl; Gedenken der Mauertoten; Erinnerung durch Mahnmale; Erinnerung im Medium der Literatur; East Side Gallery; Zafer Senocaks "Gefährliche Verwandtschaft"; Thomas Brussigs "Sonnenallee"; Inka Pareis "Schattenboxerin"; Katja Lange-Müllers "Böse Schafe"; Sustainability; urban planning; urbanity; urban ecology; urban sociology; spatial turn; ecosemiotics; urban language; architecture communication; energy turn; renewable energy; sustainable; urban planning; urban ecology; Berlin airport; Linguistic landscapes; multilingualism; heterogeneity; migration; multiculturalism; marginalization; gentrification; ghettoization; Migration; Islam debate; minaret; mosque; call to prayer of the muezzin; Anti-Semitism; memorial; monument; stumbling stone; memorial culture; Rainbow quarter; rainbow flag; gay liberation; queer spaces; gay community; homosexuality; LGBT; culture of remembrance; memorials; pink triangle; Berlin Palace; Hohenzollern residence; Palace of the Republic; GDR People's Chamber; Humboldt Forum; colonialism; freedom and unity monument; debates; subcultures; Nicolai Quarter; Alexander Square; the Huguenots tradition; The Berlin Wall; shooting order; commemoration of the Wall's victims; remembrance through memorials; remembrance in the medium of literature; East Side Gallery; Zafer Senocak's "Gefährliche Verwandtschaft"; Thomas Brussig's "Sonnenallee"; Inka Parei's "Schattenboxerin"; Katja Lange-Müller's "Böse Schafe"
    Umfang: 1 Online-Ressource (110 S.)
  2. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Autor*in: Robbins, Jill
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     

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  3. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Autor*in: Robbins, Jill
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     

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  4. A Monument and a Name
    The Primary Purpose of Chronicles' Genealogies
    Autor*in: Janzen, David
    Erschienen: [2018]

    The primary purpose of the genealogies of 1 Chronicles 1-9 is to construct a monument to the pre-exilic dead of Judah and Israel, reflecting the important cultural value Judeans placed on the preservation of one's name after death. Ancient Near... mehr

    Index theologicus der Universitätsbibliothek Tübingen
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    The primary purpose of the genealogies of 1 Chronicles 1-9 is to construct a monument to the pre-exilic dead of Judah and Israel, reflecting the important cultural value Judeans placed on the preservation of one's name after death. Ancient Near Eastern and archaeological evidence suggests that the preservation of ancestral names for many generations was something available only to the elite; by opening the work with a monument to the pre-exilic ancestral dead, the Chronicler implies readers would raise their cultural status by supporting a restoration of the pre-exilic polity. The Chronicler used the genealogies to reflect important themes of the work, but the one thing they do that narrative cannot is to create a literal monument to the dead.

     

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    Übergeordneter Titel: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 43(2018), 1, Seite 45-66; Online-Ressource

    Schlagworte: 1 Chronicles 1-9; burial; death; genealogies; memorials; names; pedigree
  5. Memory Work
    Erschienen: 2014
    Verlag:  Universität Bremen ; Fachbereich 10: Sprach- und Literaturwissenschaften (FB 10) ; English-Speaking Cultures

    This intervention argues that Morrison s Beloved highlights the workings of memory (Erinnerungsarbeit) rather than the concept of memory as a duty, as well as assesses the debate known as memory wars in France and gives a brief survey of what has... mehr

     

    This intervention argues that Morrison s Beloved highlights the workings of memory (Erinnerungsarbeit) rather than the concept of memory as a duty, as well as assesses the debate known as memory wars in France and gives a brief survey of what has been achieved at the level of the French state in the midst of a violent controversy about history, national memory and memorials. It closes on the ways in which slavery is fictionalized and analyzed, from Morrison s A Mercy (2008) and Chivallon s anthropological approach (2012) to the discovery of archives, such as the lawsuit brought by the slave Furcy against his master (2011). ; 29 ; 36 ; Bremen ; 1 ; 1

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: history; memory; memorials; archives; Beloved; rhetoric and criticism
    Lizenz:

    info:eu-repo/semantics/openAccess

  6. Spaces of Memory in Giorgio Bassani, Ruth Klüger and W.G. Sebald
    Erschienen: 2004

    At the core of this paper is the interrelation of space and memory. Pierre Nora s term lieux de mémoire suggests a spatial component, or at least a specific frame of time and space for remembering. The three authors I am examining all use space as a... mehr

     

    At the core of this paper is the interrelation of space and memory. Pierre Nora s term lieux de mémoire suggests a spatial component, or at least a specific frame of time and space for remembering. The three authors I am examining all use space as a major element for the organization of their books, and all address the problem of commemorating the past without abandoning its memory to fixed structures. They use space as an aid to retrieve memories but make clear that, ultimately, space alone cannot contain these memories for us. All three authors, in one way or the other, insist that remembering has to be active, dialogic, interpretative, intertextual, intermedial; it is a process that continues to engage people in a confrontation with the past. For each author, writing about memory and remembering is either an open and experimental process, or an unfinished work-in-progress that will be modified as time passes. Each of the books I examine is an example of what I describe as the ideal memorial: It causes the readers to interact with the past, to modify their opinions, and encourages dialogue with other books and other readers. And each book commemorates people and places that have been lost in official records and forgotten in public commemorations. Giorgio Bassani has remained closest to the site of his own and his characters suffering and has centered his entire oeuvre on this site: the city of Ferrara. Like no other author he has created his own city of collective memory, which is composed of and developed through the various layers of memory of its inhabitants. W.G. Sebald s characters are all emigrants in one way or another: far from home, they are displaced and nomadic people who experience space as refuge and prison at the same time. Some are absorbed by the structures of cities, where they try to unearth a past that is lost for them or that has been repressed. Austerlitz and Die Ausgewanderten perhaps come closest to a kind of modern memory book, as they commemorate people in a documentary style ...

     

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  7. Between Repair and Humiliation : Religious Buildings, Memorials, and Identity Politics in Post-war Sarajevo
    Autor*in: Badescu, Gruia
    Erschienen: 2019

    This article examines how, in a post-war setting, memorialization and the increasing presence of religious buildings support not only processes of repair and dealing with a difficult past, but also of sustaining conflict through processes of... mehr

     

    This article examines how, in a post-war setting, memorialization and the increasing presence of religious buildings support not only processes of repair and dealing with a difficult past, but also of sustaining conflict through processes of humiliation. It analyses new and repurposed memorials and religious buildings in post-war Sarajevo, a divided, contested city where identity politics has been mobilized both in wartime and in its aftermath. It also discusses how local understandings of the urban image and urban imaginary of Sarajevo have been related to religious pluralism, but also to conflict and antagonism. Furthermore, it shows how construction of new religious buildings has changed from pre-war patterns and serve to create new spatial appropriations and transformed forms of conflict. Finally, it discusses how memorials take part in identity politics formation in a cityscape dominated by nation-building, contributing not only to dealing with the past, but also to supporting continued divisions and animosities. The underlying argument is that the politics of identity not only shapes memorial acts, but is itself shaped by interventions in urban space, in connection with identity claims. ; published ; published

     

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    Übergeordneter Titel: Journal of Religion & Society ; Supplement Series. Creighton University, Theology Department. 2019, 19, pp. 19-37. ISSN 1941-8450
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Sarajevo; contested cities; memorials; identity politics
    Lizenz:

    creativecommons.org/licenses/by/3.0/

  8. Architects as Memory Actors : Ruins, Reconstructions, and Memorials in Belgrade
    Autor*in: Badescu, Gruia
    Erschienen: 2021

    This article examines the reshaping of Belgrade’s memorial landscape after the Second World War and after the 1999 NATO bombings, with a focus on the role of architects. As such, the paper shifts the scale of memory debates in two ways: first, from... mehr

     

    This article examines the reshaping of Belgrade’s memorial landscape after the Second World War and after the 1999 NATO bombings, with a focus on the role of architects. As such, the paper shifts the scale of memory debates in two ways: first, from the national to the urban; second, from ‘classical’ memory entrepreneurs of the political realm to city makers, usually perceived as ‘technical’ actors, but, as the paper argues, in fact relevant memory actors both through the way they influence sites of memory and through memory debates. The article places the engagement of architects with narratives of heroism and victimhood in Serbia in a historical perspective, examining the shift in memorialisation after the Second World War. It then discusses the hesitant approaches on engaging with ruins of the 1999 NATO bombing, highlighting frictions between various actors in the Generalštab debate. Finally, it analyses the distinctive memorial engagement with the ruins of the Radio Television of Serbia (RTS) building by examining the bottom-up process of the competition for the RTS memorial. The article highlights that, even if not intentionally or by embracing memory-work, architecture and architects play a role in memory processes, while deeply enmeshed in constellations of political and economic power. ; published

     

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    Übergeordneter Titel: Contemporary Southeastern Europe. Centre for Southeast European Studies. 2021, 8(2), pp. 51-82. eISSN 2310-3612. Available under: doi:10.25364/02.8:2021.2.4
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: architects; memory; memorials; ruins; reconstruction; Belgrade
    Lizenz:

    rightsstatements.org/page/InC/1.0/