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  1. Views on Early Music as Representation : Invitations, Congruity, Performance
    Beteiligt: Rolfhamre, Robin (Hrsg.); Angelo, Elin (Hrsg.)
    Erschienen: 2022
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    Early music performance in its broadest capacity presents a compelling case of being something in the present that is representing, presenting, enacting, re-enacting, living and re-living, concretising and fantasizing a historical past. It is both... mehr

     

    Early music performance in its broadest capacity presents a compelling case of being something in the present that is representing, presenting, enacting, re-enacting, living and re-living, concretising and fantasizing a historical past. It is both what it is and something entirely other. Inspiring countless efforts to come to terms with its nature, one way of approaching the act of conveying or “doing” history is through pedagogy. Pedagogy, here, is multifaceted, as it is placed and displaced in learning, acting, mediating, communicating, perceiving, conveying and persuading historically remote, cultural practices. As such, this anthology includes both explicitly pedagogical chapters and more implicit approaches situated within pedagogical settings. The driving force behind the project is: When maintaining and sustaining a certain European cultural heritage, how do we do so as artists and pedagogues and to what effect? To cast a fresh gaze on traditional Early music performance studies, the authors of this volume argue for the pedagogical potential of such a project. Not only as something functioning as an artefact used within an educational setting, but as something primarily pedagogical also in its formation and re-formation. The way Early music is construed and portrayed just to fulfil the official boundary of its terminology is also a pedagogical act performed in multiple ways. It is not a question of regarding Early music scholarship and artistry as binary presentism versus historicism, but rather as historicism in presentism and presentism in historicism – which is precisely what this volume is all about and to which it seeks to contribute. The anthology’s chapters highlight spectatorship, experience, theory, rhetoric, philosophy, representation, performance, performativity, literature, visual arts, pedagogy, education, pragmatism and also newmaterialism. They examine music that is readily categorised as Early music, as well as music that borders on, or is becoming, something else entirely, but with evident roots in the Early music repertoire.

     
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    Quelle: OAPEN
    Beteiligt: Rolfhamre, Robin (Hrsg.); Angelo, Elin (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788202758738; 9788202755386; 9788202758745; 9788202756192
    Weitere Identifier:
    Schlagworte: Early music (up to c 1000 CE); Theory of music & musicology
    Weitere Schlagworte: Early Music, music performance, higher music education, interdisciplinarity, music pedagogy, cultural practice, European cultural heritage
    Umfang: 1 electronic resource (262 p.)
  2. Nineteenth-Century Transcriptions of Works by Fryderyk Chopin
    Autor*in: Literska, Barbara
    Erschienen: 2020
    Verlag:  Peter Lang International Academic Publishers, Bern

    This book is the first monographic study of nineteenth-century transcriptions of Chopin's music. The work is based on the quantitatively and qualitatively rich source material, which formed the basis for considerations from the perspective of social... mehr

     

    This book is the first monographic study of nineteenth-century transcriptions of Chopin's music. The work is based on the quantitatively and qualitatively rich source material, which formed the basis for considerations from the perspective of social history, music analysis and aesthetics. Thanks to these multiple perspectives, as well as the time range and the source base, this study may contribute to the history of the reception of Chopin’s work in nineteenth-century culture; it may also prove significant in overcoming the attitude that aesthetically deprecates transcriptions and in adopting a different stance, regarding such adaptations as valuable texts of musical culture.

     
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  3. Music and Democracy : Participatory Approaches
    Beteiligt: Kölbl, Marko (Hrsg.); Trümpi, Fritz (Hrsg.)
    Erschienen: 2021
    Verlag:  mdwPress, Bielefeld; Wien

    Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring... mehr

     

    Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.

     
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    Quelle: OAPEN
    Beteiligt: Kölbl, Marko (Hrsg.); Trümpi, Fritz (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839456576; 9783837656572; 9783732856572
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Political structures: democracy; Western "classical" music
    Weitere Schlagworte: Music; Democracy; Culture; Gender; New Media; Post-Communism; Post-Colonialism; Politics; Society; Musicology; Music History; Policy
    Umfang: 1 electronic resource (270 p.)
  4. A Language of Song : Journeys in the Musical World of the African Diaspora
    Autor*in: duCille, Ann; Charters, Samuel
    Erschienen: 2009
    Verlag:  Duke University Press

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he]... mehr

     

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem.” In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.

    Each of the book’s fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans’ first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves’ songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica’s dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music’s most observant and well-traveled explorers.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Light orchestral & big band music
    Weitere Schlagworte: Music; Ethnomusicology; Music; Genres & Styles; Blues
  5. Zwischen bürgerlicher Identität und musikalischer Profession : Die Geschichte der Philharmonischen Gesellschaft Bremen im 19. Jahrhundert
    Autor*in: Bock, Katrin
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    1825 geschieht in Bremen etwas Erstaunliches: In der Hansestadt schließt sich ein kleiner Kreis des Stadtbürgertums zusammen, um ein professionelles Orchester zu gründen. Es entsteht der Verein für Privat-Concerte - u. a. Vorgänger der heutigen... mehr

     

    1825 geschieht in Bremen etwas Erstaunliches: In der Hansestadt schließt sich ein kleiner Kreis des Stadtbürgertums zusammen, um ein professionelles Orchester zu gründen. Es entsteht der Verein für Privat-Concerte - u. a. Vorgänger der heutigen Bremer Philharmoniker. Unter welchen sozialen und städtischen Voraussetzungen fand die Vereinsgründung statt? Wer war beteiligt und welche musikalischen Institutionen standen in Wechselwirkung zum Privat-Concert? Katrin Bock stellt die Konzertdirektoren und Dirigenten vor und fragt nach dem »hanseatischen Geschmack«.

     
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  6. Das Konzertpublikum der Zukunft : Forschungsperspektiven, Praxisreflexionen und Verortungen im Spannungsfeld einer sich verändernden Gesellschaft
    Autor*in: Müller-Brozovic, Irena
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Das klassische Konzert ist im Wandel - es findet an unkonventionellen Orten statt, die Distanz zwischen Bühne und Auditorium wird aufgehoben und andere Publikumsgruppen werden involviert. Alle Rollen stehen neu zur Diskussion: Wer spielt, wer hört... mehr

     

    Das klassische Konzert ist im Wandel - es findet an unkonventionellen Orten statt, die Distanz zwischen Bühne und Auditorium wird aufgehoben und andere Publikumsgruppen werden involviert. Alle Rollen stehen neu zur Diskussion: Wer spielt, wer hört zu, wer organisiert, wer partizipiert? Innovative Formate sind der zeitgemäße Ausdruck eines »entfrackten« Konzertbetriebs und schaffen im besten Fall mehr interkulturelle Empathie und soziokulturelle Interaktion. Die Beiträger*innen des Bandes bieten Einblicke in aktuelle Diskurse und Werkstätten von Forschenden und Praktiker*innen und zeigen Wege auf, wie Konzerte für ein Publikum der Zukunft in einer sich verändernden Gesellschaft gestaltet werden können.

     
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  7. Knowing in Performing : Artistic Research in Music and the Performing Arts
    Beteiligt: Huber, Annegret (Hrsg.); Ingrisch, Doris (Hrsg.); Kaufmann, Therese (Hrsg.); Kretz, Johannes (Hrsg.); Schröder, Gesine (Hrsg.); Zembylas, Tasos (Hrsg.)
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed... mehr

     

    How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists, and decision-makers inside and outside universities of the arts.

     
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    Quelle: OAPEN; transcript Open Access
    Beteiligt: Huber, Annegret (Hrsg.); Ingrisch, Doris (Hrsg.); Kaufmann, Therese (Hrsg.); Kretz, Johannes (Hrsg.); Schröder, Gesine (Hrsg.); Zembylas, Tasos (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839452875; 9783837652871
    Weitere Identifier:
    Schlagworte: Theatre studies; Theory of music & musicology
    Weitere Schlagworte: Artistic Research; Music; Performing Arts; Participatory Art; Theatre; Science; Theatre Studies; Musicology; Cultural Theory
    Umfang: 1 electronic resource (228 p.)
  8. Open Access Musicology : Volume One
    Beteiligt: Barolsky, Daniel (Hrsg.); Epstein, Louis (Hrsg.)
    Erschienen: 2020
    Verlag:  Lever Press

    "In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current... mehr

     

    "In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current scholarly debate? How can we convey the relevance of studying music history to current and future generations of students? And how might we represent and reflect the myriad, often conflicting perspectives, positions, and identities that make up both music’s history and the writers of history?

    Here we offer one response to those questions. Open Access Musicology is a collection of essays, written in an accessible style and with a focus on modes of inquiry rather than content coverage. Our authors draw from their experience as scholars but also as teachers. They have been asked to describe why they became musicologists in the first place and how their individual paths led to the topics they explore and the questions they pose. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike all scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance.

    These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings or used to supplement textbooks. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens."

     
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    Quelle: OAPEN
    Beteiligt: Barolsky, Daniel (Hrsg.); Epstein, Louis (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781643150215
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: open access; oa; musicology
    Umfang: 1 electronic resource (187 p.)
  9. Theory into practice : Composition, Performance and the Listening Experience
    Autor*in: Cook, Nicholas; Johnson, Peter; Zender, Hans
    Erschienen: 2021
    Verlag:  Leuven University Press, Leuven

    "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. ... mehr

     

    "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.

     

    The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.

     

    Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.

     

    The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789461664327; 9789061869948
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: musical composition; performance; listening experience; analysis
    Umfang: 1 electronic resource (120 p.)
  10. Stravinsky : His Thoughts and Music
    Autor*in: Jarzębska, Alicja
    Erschienen: 2020
    Verlag:  Peter Lang International Academic Publishers, Bern

    This book is an attempt at a new interpretation of Stravinsky’s thoughts about music and art, an interpretation made in dialogue with the philosophy of new music and 19th-century artistic ideas. It is also a proposal for a new method of analysing the... mehr

     

    This book is an attempt at a new interpretation of Stravinsky’s thoughts about music and art, an interpretation made in dialogue with the philosophy of new music and 19th-century artistic ideas. It is also a proposal for a new method of analysing the construction of his musical masterpieces (for example a proposal of new formal sound-units: partons with perceptual invariance), a method in-spired by research into cognitive psychology. Furthermore, in the analysis of Stravinsky’s music, the author emphasises its connection with the Eastern and Western traditions of European culture and links with Plato’s triad of values.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783631818510; 9783631818527; 9783631818534; 9783631816905
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; History: specific events & topics
    Weitere Schlagworte: history of music; Jarzebska; Music; music analysis; musical aesthetics; musical psychology; new music; serial music; Stravinski; Stravinsky; Thoughts
    Umfang: 1 electronic resource (390 p.)
  11. HipHop aus Österreich: Lokale Aspekte einer globalen Kultur
    Autor*in: Dörfler-Trummer, Frederik
    Erschienen: 2021
    Verlag:  Verlag der Österreichischen Akademie der Wissenschaften

    Topic of this book is the historical and musical analysis of the Austrian hip-hop scene and its local adaptation of the global phenomenon hip-hop. It provides a detailed and comprehensive illustration of Austrian hip-hop’s history and delivers –... mehr

     

    Topic of this book is the historical and musical analysis of the Austrian hip-hop scene and its local adaptation of the global phenomenon hip-hop. It provides a detailed and comprehensive illustration of Austrian hip-hop’s history and delivers – through the help of musical analysis – insight into musical characteristics of

    hip-hop music. But not only general characteristics of the music and its dominant subgenres in Austria are demonstrated, one main aim of the research is to seek out possible “glocal” features in Austrian hip-hop music and set this local scene it into a global context. Zum ersten Mal setzt sich ein Buch ausführlich und umfassend mit der seit den 1980er Jahren wachsenden österreichischen HipHop-Musiklandschaft von Falco bis Raf Camora auseinander.

    Dabei werden genredefinierende Charakteristika der HipHopMusik für klassische Subgenres wie BoomBap und Gangsta-Rap sowie für aktuelle Ausformungen wie Trap und Cloud-Rap herausgearbeitet. Über den Aspekt der Glokalisierung wird zudem das Zusammenspiel von globaler Verbreitung und lokaler

    Aneignung von HipHop-Musik am konkreten Beispiel der

    österreichischen HipHop-Szene demonstriert.

     
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  12. Auld Lang Syne : A Song and its Culture
    Autor*in: Grant, M.J.
    Erschienen: 2021
    Verlag:  Open Book Publishers

    In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of... mehr

     

    In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of individuals and communities around the world. This engaging study traces different stages in the journey of Auld Lang Syne, from the precursors to the song made famous by Robert Burns to the traditions and rituals that emerged around the song in the nineteenth and early twentieth centuries, including its use as a song of parting, and as a song of New Year. Grant’s painstaking study investigates the origins of these varied traditions, and their impact on the transmission of the song right up to the present day. Grant uses Auld Lang Syne to explore the importance of songs and singing for group identity, arguing that it is the active practice of singing the song in group contexts that has made it so significant for so many. The book offers fascinating insights into the ways that Auld Lang Syne has been received, reused and remixed around the world, concluding with a chapter on more recent versions of the song back in Scotland. This highly original and accessible work will be of great interest to non-expert readers as well as scholars and students of musicology, cultural and social history, social anthropology and Scottish studies. The book contains a wealth of illustrations and includes links to many more, including manuscript sources. Audio examples are included for many of the musical examples. Grant’s extensive bibliography will moreover ease future referencing of the many sources consulted.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800640672
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Music reviews & criticism; Folk & traditional music; Scotland; Social & cultural history
    Weitere Schlagworte: Auld Lang Syne; group identity; reception; reuse; song
    Umfang: 1 electronic resource (356 p.)
  13. Schweizer Jahrbuch fuer Musikwissenschaft- Annales Suisses de Musicologie- Annuario Svizzero di Musicologia : Schweizer Jahrbuch fuer Musikwissenschaft- Annales Suisses de Musicologie- Annuario Svizzero di Musicologia Neue Folge / Nouvelle Série / Nuova Serie- 37 (2017)- Redaktion / Rédaction / Redazione: Luca Zoppelli
    Beteiligt: Zoppelli, Luca (Hrsg.)
    Erschienen: 2020
    Verlag:  Peter Lang International Academic Publishers, Bern

    Der vorliegende Band Schweizer Jahrbuch für Musikwissenschaft empfängt (in Übereinstimmung mit der aktuellen redaktionellen Linie der Zeitschrift) Arbeiten von aktiven schweizerischen und ausländischen Forschern. So wird eine Vielschichtigkeit, nicht... mehr

     

    Der vorliegende Band Schweizer Jahrbuch für Musikwissenschaft empfängt (in Übereinstimmung mit der aktuellen redaktionellen Linie der Zeitschrift) Arbeiten von aktiven schweizerischen und ausländischen Forschern. So wird eine Vielschichtigkeit, nicht nur linguistisch, sondern auch kulturell und methodologisch garantiert, die die wunderbare Vielfalt der Schweizerischen Eidgenossenschaft reflektiert. Im Jahrbuch Nr. 37 berühren die Essays Themen mit antropologisch-kulturellen Ansätzen zur Archivforschung, die vom Mittelalter bis ins 20. Jahrhundert und von der Sakralmusik zur Instrumentalmusik reichen. Sie legen den Schwerpunkt vor allem auf die symbolischen Mechanismen der Parodie in der gesungenen Liturgie (Therese Bruggisser-Lanker), auf die kompositorischen Gründe der Nichtvollendung der 7. Sinfonie von Schubert (Yusuke Takamatsu) und auf die ästhetische Autonomie der Kunst in Krisenzeiten dank den Vergleichen von verschiedenen künstlerischen Erfahrungen in der Mitte des 19. Jahrhunderts (Klaus Heinrich Kohrs). Die Briefe des berühmten Komponisten aus der französischen Schweiz, Gustave Doret, an wichtige französische Musiker (Delphine Vincent) sind in der neuen Dokumentenserie publiziert.

     
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    Quelle: OAPEN
    Beteiligt: Zoppelli, Luca (Hrsg.)
    Sprache: Französisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034341080; 9783034341097; 9783034341103; 9783034340861
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; History: specific events & topics
    Weitere Schlagworte: Annales; Annuario; Folge; Gesellschaft; Jahrbuch; Luca; Musicologia; Musicologie; Musikforschende; Musikwissenschaft; Neue; Nouvelle; Nuova; Rédaction; Redaktion; Redazione; Schweiz; Schweizer; Série; Suisses; Svizzero; Zoppelli
    Umfang: 1 electronic resource (154 p.)
  14. Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century
    Autor*in: Utz, Christian
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly... mehr

     

    Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839450956; 9783837650952
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Cultural studies
    Weitere Schlagworte: Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History
    Umfang: 1 electronic resource (528 p.)
  15. HipHop aus Österreich : Lokale Aspekte einer globalen Kultur
    Autor*in: Dörfler-Trummer, Frederik
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Erstmals wird in diesem Buch die für Deutschrap oft impulsgebende österreichische HipHop-Musiklandschaft auf Buchlänge ins Zentrum gerückt. Frederik Dörfler-Trummer zeichnet die Karrieren der wichtigsten Vertreter*innen - von Falco über Money Boy bis... mehr

     

    Erstmals wird in diesem Buch die für Deutschrap oft impulsgebende österreichische HipHop-Musiklandschaft auf Buchlänge ins Zentrum gerückt. Frederik Dörfler-Trummer zeichnet die Karrieren der wichtigsten Vertreter*innen - von Falco über Money Boy bis RAF Camora - nach und analysiert ihre Musik. Dabei werden genredefinierende Charakteristika des HipHop für die Subgenres BoomBap, Gangsta-Rap, Trap und Cloud-Rap herausgearbeitet. Über den Aspekt der Glokalisierung wird zudem das Zusammenspiel von globaler Verbreitung und lokaler Aneignung von HipHop-Musik demonstriert.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839455562; 9783837655568
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Rock & Pop music; Popular culture
    Weitere Schlagworte: HipHop; Österreich; Musik; Glokalisierung; Musikanalyse; Popkultur; Popmusik; Musikwissenschaft; Kultursoziologie; Hip Hop; Austria; Music; Glocalization; Music Analysis; Popular Culture; Pop Music; Musicology; Sociology of Culture
    Umfang: 1 electronic resource (340 p.)
  16. Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke : Beobachtungen zur Intermedialität von Musik und Dichtung
    Autor*in: Bielefeldt, Christian
    Erschienen: 2003
    Verlag:  transcript Verlag, Bielefeld

    Hans Werner Henze und Ingeborg Bachmann verband über Jahre eine enge und produktive Künstlerfreundschaft. Im Blick auf die sechs zwischen 1953 und 1965 entstandenen gemeinsamen Arbeiten fällt der permanente Wechsel des Genres ins Auge, der für jedes... mehr

     

    Hans Werner Henze und Ingeborg Bachmann verband über Jahre eine enge und produktive Künstlerfreundschaft. Im Blick auf die sechs zwischen 1953 und 1965 entstandenen gemeinsamen Arbeiten fällt der permanente Wechsel des Genres ins Auge, der für jedes Werk neue und andersartige Interdependenzen von Musik und Sprache (und Szene) hervorbringt. Der Text führt dieses Interesse für komplexe mediale Strukturen auf ästhetische Konzepte zurück, die Bachmann und Henze um 1960 in enger Zusammenarbeit entwickeln und dabei im Kern eine Intermedial-Ästhetik formulieren. Mit Lacan gelesen, geben diese Konzepte den ausführlichen Analysen der sechs Werke eine gemeinsame, medientheoretisch profilierte Perspektive.

     
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  17. Wagner – Weimar – Eisenach : Richard Wagner im Spannungsfeld von Kultur und Politik
    Beteiligt: Geyer, Helen (Hrsg.); Georgiev , Kiril (Hrsg.); Alschner, Stefan (Hrsg.)
    Erschienen: 2020

    Significantly, the ’Big Bang’ in reception history of Richard Wagner’s work took place in a place that was torn between the province and the residence, tradition and progress, idea and realization: in the Grand Duchy of Saxony-Weimar-Eisenach. Here... mehr

     

    Significantly, the ’Big Bang’ in reception history of Richard Wagner’s work took place in a place that was torn between the province and the residence, tradition and progress, idea and realization: in the Grand Duchy of Saxony-Weimar-Eisenach. Here Franz Liszt's future-oriented work and the legacy of the Weimar Classic combined under the reign of an ambitious Weimar court to a not unproblematic synthesis, the consequences of which did not leave Wagner unaffected. The contributions of the volume examine these interactions between culture and politics. Der rezeptionsgeschichtliche ¼Urknall½ von Richard Wagners Werk fand bezeichnenderweise an einem Ort statt, der sich in einem Spannungsfeld zwischen Provinz und Residenz, Tradition und Fortschritt, Idee und Verwirklichung befand: im Großherzogtum Sachsen-Weimar-Eisenach. Hier verbanden sich Franz Liszts auf die Zukunft ausgerichtetes Wirken und das Erbe der Weimarer Klassik unter der Regentschaft eines ambitionierten Weimarer Hofes zu einer nicht unproblematischen Synthese, von deren Folgen auch Wagner nicht unberührt blieb. Die Beiträge des Bandes untersuchen diese Wechselwirkungen zwischen Kultur und Politik.

     
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    Quelle: OAPEN
    Beteiligt: Geyer, Helen (Hrsg.); Georgiev , Kiril (Hrsg.); Alschner, Stefan (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839448656; 9783837648652
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Richard Wagner; Biography; Music; Culture; Eisenach; Weimar; Cultural History; Music History; Musicology; Biografie; Musik; Kultur; Kulturgeschichte; Musikgeschichte; Musikwissenschaft
    Umfang: 1 electronic resource (220 p.)
  18. Music of a Thousand Years : A New History of Persian Musical Traditions
    Autor*in: Lucas, Ann E.
    Erschienen: 2019
    Verlag:  University of California Press, Oakland

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to... mehr

     

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

    “Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field.” KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas

    “Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective.” MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles

    “Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word.” JAMES L. GELVIN, author of The Modern Middle East: A History

    ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520300804
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Ethnomusicology; Middle Eastern Studies
    Umfang: 1 electronic resource (288 p.)
  19. HipHop : Globale Kultur - lokale Praktiken
    Beteiligt: Androutsopoulos, Jannis (Hrsg.)
    Erschienen: 2003
    Verlag:  transcript Verlag, Bielefeld

    Breakdance, DJ-ing, Rap, Graffiti: Die »vier Elemente« der HipHop-Kultur haben sich in den letzten 20 Jahren vom afroamerikanischen Kontext aus weltweit verbreitet. Heute stellt HipHop eine vielseitige Arena der Popkultur dar - ein Medium kultureller... mehr

     

    Breakdance, DJ-ing, Rap, Graffiti: Die »vier Elemente« der HipHop-Kultur haben sich in den letzten 20 Jahren vom afroamerikanischen Kontext aus weltweit verbreitet. Heute stellt HipHop eine vielseitige Arena der Popkultur dar - ein Medium kultureller Artikulation im jugendlichen Alltag, aber auch ein Produkt der Kulturindustrie und ein »Diskursuniversum« mit typischen Ausdrucksformen in Sprache, Bild und Bewegung. Mit diesem Band liegt die erste umfangreiche Textsammlung über HipHop im deutschsprachigen Raum vor. Beiträge aus Cultural Studies, Ethnologie, Soziolinguistik, Pädagogik und anderen Disziplinen werden mit Essays von Szene-Autoren zusammengeführt. Allen gemeinsam ist das Verständnis von HipHop als Raum kultureller Praxis mit »globalen« Konturen und »lokalen« Aneignungsformen. Das Rahmenthema wird ausdifferenziert in ein Mosaik aus Themen und Theorieperspektiven, u.a. Breakdance und Sozialisation von Migrantenjugendlichen, Sampling und kulturelles Gedächtnis, französischer Rap und politischer Diskurs. Einblicke in die aktuell populärste Jugendkultur im Lichte aktueller popkultureller Diskussion.

     
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    Quelle: OAPEN; transcript Open Access
    Beteiligt: Androutsopoulos, Jannis (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839401149; 9783899421149
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Rock & Pop music; Popular culture; Age groups: adolescents
    Weitere Schlagworte: HipHop; Jugendkultur; Multikulturelle Gesellschaft; Urbanität; Musikkultur; Popkultur; Musik; Popmusik; Jugend; Cultural Studies; Kulturwissenschaft; Popular Culture; Music; Pop Music; Youth
    Umfang: 1 electronic resource (338 p.)
  20. The Race of Sound : Listening, Timbre, and Vocality in African American Music
    Autor*in: Eidsheim, Nina Sun
    Erschienen: 2019
    Verlag:  Duke University Press, Durham

    In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial... mehr

     

    In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478090359; 9780822372646; 9780822368687; 9780822368564
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: voice; race; timbre
    Umfang: 1 electronic resource (288 p.)
  21. Ethnomusicology Matters : Influencing Social and Political Realities (Edition 1)
    Beteiligt: Kölbl, Marko (Hrsg.); Saglam, Hande (Hrsg.); Hemetek, Ursula (Hrsg.)
    Erschienen: 2019
    Verlag:  Böhlau

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social... mehr

     

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.

     
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    Quelle: OAPEN
    Beteiligt: Kölbl, Marko (Hrsg.); Saglam, Hande (Hrsg.); Hemetek, Ursula (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783205232872
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: Music; Ethnomusicology
  22. Das flüchtige Werk : Pianistische Improvisationen der Beethoven-Zeit
    Beteiligt: Lehner, Michael (Hrsg.); Meidhof, Nathalie (Hrsg.); Miucci, Leonardo (Hrsg.); Allenbach, Daniel (Hrsg.)
    Erschienen: 2019
    Verlag:  Edition Argus, Schliengen

    The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical... mehr

     

    The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music theory. What were the different esthetical viewpoints on pianistic improvisation? What were the standard models and conventional designs of improvised piano music of that time? How was improvisation taught? How can the conflict between generic approaches and the ideal of unmistakable individuality of the performer be described? Therefore, a variety of sources is examined by the contributors to this volume: italian partimenti, composed music that is guided by improvisational thinking (like Fantasia and Capriccio) textbooks, teaching documents, concert reports etc.. Besides the outstanding significance of Beethoven as improviser (already noted and admired by his contemporaries), this anthology tries to give a fuller picture by sheding light on then well-known figures like Ciacomo Tritto, Carl Czerny, Joseph Preindl, Joseph Lipavsky, Justin Heinrich Knecht and others.

     
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    Quelle: OAPEN
    Beteiligt: Lehner, Michael (Hrsg.); Meidhof, Nathalie (Hrsg.); Miucci, Leonardo (Hrsg.); Allenbach, Daniel (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: improvisation; Beethoven; historical performance practice; music theory; musical analysis
  23. Classical Music : Contemporary Perspectives and Challenges
    Beteiligt: Beckerman, Michael (Hrsg.); Boghossian, Paul (Hrsg.)
    Erschienen: 2021
    Verlag:  Open Book Publishers

    "This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special... mehr

     

    "This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music.

     

    Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences."

     
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  24. L'uomo, il suono e la musica
    Autor*in: Alessandro, Bertirotti
    Erschienen: 2003
    Verlag:  Firenze University Press

    Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally... mehr

     

    Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally accessible and acceptable. This book addresses the aspects involved in both producing and listening to music from the point of view of cognitive science. Arguments that might appear hard for non-specialists to understand are addressed in a clear and accessible language. An enthralling itinerary through the various aspects of the human relationship with music that underscores how the long path from the first sounds that man has produced and identified in nature through to the most modern compositions are the result of a process of rationalisation gravitating around the multiform relationship between man, the environment and musical creation. Fra i canali d'espressione dell'uomo il più ricco è forse la musica, che permette di esprimere le proprie emozioni – in un continuum che va dalla gioia al dolore, dalla esaltazione alla depressione – in modi socialmente e culturalmente accessibili e accettabili. Il volume affronta, dal punto di vista della scienza cognitiva, gli aspetti coinvolti sia nel produrre che ascoltare musica. Questi argomenti, che possono sembrare di non facile comprensione ai non specialisti, sono affrontati con un linguaggio chiaro e accessibile. Viene così costruito un appassionante percorso su alcuni aspetti del rapporto dell'uomo con la musica, che evidenzia come il lungo cammino dai primi suoni che l'uomo ha prodotto e individuato nella natura sino alle composizioni più moderne sia il risultato di un processo di razionalizzazione che ha visto al centro il multiforme rapporto fra uomo, ambiente e creazione musicale.

     
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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    ISBN: 8884530733
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Cognitivism, cognitive theory
    Weitere Schlagworte: antropologia; music; anthropology; musica
  25. Acoustemologies in Contact : Sounding Subjects and Modes of Listening in Early Modernity
    Beteiligt: Wilbourne, Emily (Hrsg.); Cusick, Suzanne G. (Hrsg.)
    Erschienen: 2021
    Verlag:  Open Book Publishers

    "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication,... mehr

     

    "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.

     

    Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.

     

    This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."

     
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