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  1. Epistemische Bilder : Zur medialen Onto-Epistemologie der Sichtbarmachung
    Autor*in: Scholz, Sebastian
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Wenn in wissenschaftlichen Zusammenhängen etwas sichtbar wird, dann häufig, weil es in experimentellen Verfahren sichtbar gemacht worden ist. Die operative »Sichtbarmachung« erlaubt neue Perspektiven auf die disjunktive Verschränktheit von... mehr

     

    Wenn in wissenschaftlichen Zusammenhängen etwas sichtbar wird, dann häufig, weil es in experimentellen Verfahren sichtbar gemacht worden ist. Die operative »Sichtbarmachung« erlaubt neue Perspektiven auf die disjunktive Verschränktheit von Wissenschafts- und Mediengeschichte. Eine Archäologie des Sichtbaren - wie sie etwa am Beispiel mikrofotografischer Verfahren der Bakteriologie nachvollzogen werden kann - betont die materiell-diskursive Konfiguration von Wissensproduktion. Die erzeugten »epistemischen Bilder« fungieren demnach als Relais zwischen Erkenntnis und Sichtbarkeit. Sebastian Scholz nähert sich dieser komplexen Konstellation mit dem Ziel, »das Sichtbare« zu problematisieren und Potentiale einer operativen Medien-Onto-Epistemologie aufzuzeigen.

     
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  2. Radicalizing Care : Feminist and Queer Activism in Curating
    Beteiligt: Krasny, Elke (Hrsg.); Lingg, Sophie (Hrsg.); Fritsch, Lena (Hrsg.); Bosold, Birgit (Hrsg.); Hofmann, Vera (Hrsg.)
    Erschienen: 2021
    Verlag:  Sternberg Press, Berlin

    What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating?... mehr

     

    What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer insights from diverse contexts and geographies.

    These texts examine a year-long program at the Schwules Museum Berlin focused on the perspectives of women, lesbian, inter, non-binary, and trans people at the Schwules Museum; the formation of the Queer Trans Intersex People of Colour Narratives Collective in Brighton; Métis Kitchen Table Talks, organized around indigenous knowledge practices in Canada; complex navigations of motherhood and censorship in China; the rethinking of institutions together with First Nations artists in Melbourne; the reanimation of collectivity in immigrant and diasporic contexts in welfare state spaces in Vienna and Stockholm; struggles against Japanese vagina censorship; and an imagined museum of care for Rojava. Strategies include cripping and decolonizing as well as emergent forms of digital caring labor, including curating, hacking, and organizing online drag parties for pandemic times.

     

    With contributions by Edna Bonhomme, Birgit Bosold, Imayna Caceres, Pêdra Costa, COVEN BERLIN, Nika Dubrovsky, Lena Fritsch, Vanessa Gravenor, Julia Hartmann, Hitomi Hasegawa, Vera Hofmann, Hana Janečková, k\are (Agnieszka Habraschka and Mia von Matt), Gilly Karjevsky, Elke Krasny, Chantal Küng, Sophie Lingg, Claudia Lomoschitz, Cathy Mattes, Elizaveta Mhaili, Jelena Micić, Carlota Mir, Fabio Otti, Ven Paldano, Nataša Petrešin-Bachelez, Nina Prader, Lesia Prokopenko, Patricia J. Reis, Elif Sarican, Rosario Talevi, Amelia Wallin, Verena Melgarejo Weinandt, Stefanie Wuschitz.

     
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    Quelle: OAPEN
    Beteiligt: Krasny, Elke (Hrsg.); Lingg, Sophie (Hrsg.); Fritsch, Lena (Hrsg.); Bosold, Birgit (Hrsg.); Hofmann, Vera (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783956795909
    Weitere Identifier:
    Schlagworte: Theory of art
    Weitere Schlagworte: Arts; Curating; Feminism; LGBTQIA*; Activism
    Umfang: 1 electronic resource (293 p.)
  3. Die Vermessung der Kunstwelt : Quantifizierende Beobachtungen und plurale Ordnungen der Kunst
    Autor*in: Buckermann, Paul
    Erschienen: 2020
    Verlag:  Velbrück, Weilerswist

    Wie sind quantifizierende Ordnungen zeitgenössischer Kunst möglich, wenn Grundsemantiken autonomer Kunst in einem Widerspruch zu quantifizierenden Messungen und Vergleichen stehen? Obwohl sich Kunst, abgesehen von Marktanalysen, der vermeintlich... mehr

     

    Wie sind quantifizierende Ordnungen zeitgenössischer Kunst möglich, wenn Grundsemantiken autonomer Kunst in einem Widerspruch zu quantifizierenden Messungen und Vergleichen stehen? Obwohl sich Kunst, abgesehen von Marktanalysen, der vermeintlich umfassenden Quantifizierung der Gesellschaft zu entziehen scheint, sind zahlenbasierte Verfahren entstanden, die gerade kunstspezifische Kriterien ernst nehmen wollen. Die vorliegende Studie fragt nach der inneren Logik von solchen Rankings und institutionellen Evaluationen und ihrer Rolle für Stabilität und Wandel der Kunst. Damit werden Fälle behandelt, die aus der Kunstwelt heraus als symbolischer Grenzübertritt kritisiert werden. Hinter diese Auseinandersetzungen um adäquate oder absurde Beobachtungsweisen tritt der Autor aber zurück, um für eine systematische Annäherung an plurale Vorstellungen über Kunst in der Kunst zu argumentieren. Einerseits rekonstruiert er so empirisch an einer Künstler/innenrangliste und an Erfolgsmessungen in Kunstmuseen das paradigmatische Wissen und die konkreten Beobachtungsarchitekturen als konsistente Ordnungsweisen. Andererseits entwickelt er kunstsoziologische Theorien (Becker, Bourdieu, Luhmann) weiter durch die bewertungs- und vergleichssoziologische Einsicht, nach der jede kommunizierte Ordnung eine Welt nicht einfach darstellt, sondern eine eigene Realität selektiv herstellt und potenziell in Gesellschaft zurückwirkt. Auch wenn somit jeder Ordnungsversuch unabhängig von Zahlengebrauch analytisch gleich absurd ist, kommt den Innensichten der Kunst eine zentrale Rolle in der sozialen Selbstorganisation der Künste zu. Ausgehend von umstrittenen Ordnungsversuchen zeigt die Studie, wie Kunst sich heute vermehrt selbst als soziales Phänomen beobachtet, um Navigation durch das vermeintliche Chaos zeitgenössischer Kunst zu ermöglichen.

     
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  4. Sometimes Hard, Usually Soft : The Future of Knowledge Systems
    Beteiligt: Golding, Johnny (Hrsg.); Paganelli, Mattia (Hrsg.); Reinhart, Martin (Hrsg.)
    Erschienen: 2020
    Verlag:  De Gruyter, Berlin/Boston

    As an urgent response to the continually growing flood of information to which libraries, search engines, and cultural institutions are exposed, Data Loam combines radical approaches and strategies from the international practice of contemporary art... mehr

     

    As an urgent response to the continually growing flood of information to which libraries, search engines, and cultural institutions are exposed, Data Loam combines radical approaches and strategies from the international practice of contemporary art in essays on artificial intelligence, cybernetics, and cryptoeconomics that put forward sensual logic, causal permeability, and new forms of man–machine interaction.

     
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  5. Gewalt, Krieg und Geschlecht im Mittelalter
    Beteiligt: Fößel, Amalie (Hrsg.)
    Erschienen: 2020
    Verlag:  Peter Lang International Academic Publishers, Bern

    Gewalt und Krieg sind heute wie auch in der Vormoderne keine ausschließlich männliche Domäne, sondern Räume der Männer und Frauen gleichermaßen. In Zeiten kriegerischer Auseinandersetzungen werden Geschlechterrollen ausgebildet, konforme und... mehr

     

    Gewalt und Krieg sind heute wie auch in der Vormoderne keine ausschließlich männliche Domäne, sondern Räume der Männer und Frauen gleichermaßen. In Zeiten kriegerischer Auseinandersetzungen werden Geschlechterrollen ausgebildet, konforme und abweichende Verhaltensweisen ausprobiert und Konzepte von Männlichkeit und Weiblichkeit entwickelt. Erstmals für die Epoche des Mittelalters (7.-16. Jahrhundert) werden daraus resultierende Fragestellungen im interdisziplinären und kulturübergreifenden Vergleich untersucht. Die Beiträge erörtern Geschlechterbeziehungen auf Darstellungs- und Handlungsebene und beschreiben Interaktionsformen in Kontexten von Gewalt und Krieg. Über den europäischen Raum mit seinen zahlreichen Fehden und Heerzügen hinaus werden auch die Kreuzzüge in den Blick genommen.

     
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  6. Kant und die Imagination der Tiere
    Autor*in: Villinger, Rahel
    Erschienen: 2018
    Verlag:  Konstanz University Press, Konstanz

    Kants Reflexionen über die Tiere eröffnen einen bisher übersehenen Zugang zu seiner Konzeption menschlicher Anschauung und Einbildungskraft. In ihrem Buch zeigt Rahel Villinger, wie Kants Ästhetik, Erkenntnis- und Geschichtstheorie vor dem... mehr

     

    Kants Reflexionen über die Tiere eröffnen einen bisher übersehenen Zugang zu seiner Konzeption menschlicher Anschauung und Einbildungskraft. In ihrem Buch zeigt Rahel Villinger, wie Kants Ästhetik, Erkenntnis- und Geschichtstheorie vor dem Hintergrund der Annahme eines tierischen Erkenntnisvermögens durch Anschauung und Einbildungskraft völlig neu lesbar werden.

     
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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Literary theory
    Weitere Schlagworte: Kant; Imagination; Tiere
  7. How to Relate : Wissen, Künste, Praktiken / Knowledge, Arts, Practices
    Autor*in: Haas, Annika; Haas, Maximilian; Magauer, Hanna; Pohl, Dennis
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Beziehungen sind nicht gegeben, sie werden gemeinsam gemacht. Der Band untersucht Relationalitäten als prozessuale Aushandlungen zwischen Künsten und Wissenschaften, zwischen gebautem Raum und sozialem Körper, zwischen theoretischem und... mehr

     

    Beziehungen sind nicht gegeben, sie werden gemeinsam gemacht. Der Band untersucht Relationalitäten als prozessuale Aushandlungen zwischen Künsten und Wissenschaften, zwischen gebautem Raum und sozialem Körper, zwischen theoretischem und poetisch-künstlerischem Schreiben und Sprechen, zwischen Form, Material und Handlung. Plädiert wird für eine Wissenspolitik der Künste, die von einer radikalen Verstricktheit theoretischer, ästhetischer, medialer und gesellschaftlicher Praktiken und Techniken ausgeht. Mit Beiträgen von / with contributions by Bini Adamczak, Emily Apter, Alice Chauchat, Beatriz Colomina, Gradinger / Schubot, Annika Haas, Maximilian Haas, Orit Halpern, Tom Holert, Amy Lien & Enzo Camacho, Maurício Liesen, Hanna Magauer, Michaela Ott, Sibylle Peters, Dennis Pohl, Possible Bodies (Helen Pritchard, Jara Rocha, Femke Snelting), Ghassan Salhab, Mirjam Schaub, Melanie Sehgal, Nora Sternfeld, Kathrin Thiele, Jeremy Wade, Brigitte Weingart.

     
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  8. Roman Charity : Queer Lactations in Early Modern Visual Culture
    Autor*in: Gisela Sperling, Jutta
    Erschienen: 2016
    Verlag:  transcript Verlag, Bielefeld

    »Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock... mehr

     

    »Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839432846; 9783837632842
    Weitere Identifier:
    Schlagworte: Theory of art
    Weitere Schlagworte: early modern history; patriarchy; visual culture; fine arts; cultural history; queer studies; queer theory; visual studies; gender; art; art history; image; Caravaggio; Cimon; Roman Charity
    Umfang: 1 electronic resource (430 p.)
  9. Kinästhetische Interferenzen : Körpertechnik und Tanznotation im Entwurfsprozess architektonischer Räume
    Autor*in: Mohs, Dominik
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    In einer künstlerisch basierten Studie zwischen architektonischer Entwurfspraxis und Tanzwissenschaft untersucht Dominik Mohs die Wechselwirkungen von Raumgestaltung und kinästhetischer Wahrnehmung. Rudolph von Labans choreographisches Denken... mehr

     

    In einer künstlerisch basierten Studie zwischen architektonischer Entwurfspraxis und Tanzwissenschaft untersucht Dominik Mohs die Wechselwirkungen von Raumgestaltung und kinästhetischer Wahrnehmung. Rudolph von Labans choreographisches Denken überführt er dafür in eine experimentelle Versuchsanordnung, in der er Raumbildungsprozesse und Antriebe von Bewegungsimprovisationen mit Methoden der Tanzwissenschaften und Motion Capturing analysiert. Tänzerische Bewegung, verstanden als Einfühlung in den Raum und Ausdrucksgeschehen leiblich zentrierter Wahrnehmung, wird damit zur Grundlage, um den von August Schmarsow eingeführten architektonischen Raumbegriff zu hinterfragen.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839459263; 9783837659269
    Weitere Identifier:
    Schlagworte: Architecture; Theory of art
    Weitere Schlagworte: Kinästhetische Wahrnehmung; Körpertechnik; Architektur; Entwurfspraxis; Raum; Tanznotation; Virtual Reality; Motion Capturing; August Schmarsow; Rudolph Von Laban; Kunst; Kunsttheorie; Kinaesthesia; Body Technology; Architecture; Design Practice; Space; Dance Notation; Art; Theory of Art
    Umfang: 1 electronic resource (358 p.)
  10. Haare hören – Strukturen wissen – Räume agieren : Berichte aus dem Interdisziplinären Labor on("i") Bild Wissen Gestaltung off("i")
    Beteiligt: Bredekamp, Horst (Hrsg.); Schäffner, Wolfgang (Hrsg.)
    Erschienen: 2015
    Verlag:  transcript Verlag, Bielefeld

    What happens when the functional principle of the human ear is translated into the field of nanotechnology, a map depicting epistemological architecture is sketched as a lecture performance, or when researchers from over 25 disciplines critically... mehr

     

    What happens when the functional principle of the human ear is translated into the field of nanotechnology, a map depicting epistemological architecture is sketched as a lecture performance, or when researchers from over 25 disciplines critically engage with structures and models? Which new discoveries are brought about through the collaboration between biomorphology and art history, media studies and medicine? And what can the Gestaltung disciplines of design and architecture contribute to this foundational research? This volume gathers together essays from the Cluster of Excellence Image Knowledge Gestaltung, and, through its focus on the these three eponymous keywords, sheds light on the productivity of these diverse research approaches: from methodological transfers between the individual participating disciplines through to the interdisciplinary drafting of new structures of knowledge and research. Was passiert, wenn man das Funktionsprinzip des menschlichen Ohrs in den Nanometerbereich übersetzt, eine wissensarchitektonische Karte in einer Lecture Performance entworfen wird oder sich Forschende aus mehr als 25 Disziplinen mit Strukturen und Modellen auseinandersetzen? Welche neuen Erkenntnisse bringt die Zusammenarbeit zwischen Biomorphologie und Kunstgeschichte, Medienwissenschaft und Medizin? Und was können die Gestaltungsdisziplinen Design und Architektur zur Grundlagenforschung beitragen? Dieser Band versammelt Beiträge aus dem Exzellenzcluster Bild Wissen Gestaltung und beleuchtet im Fokus der drei titelgebenden Schlagwörter die Produktivität der vielfältigen Forschungsansätze: vom Methodentransfer zwischen den beteiligten Einzeldisziplinen bis hin zum interdisziplinären Entwurf neuer Wissens- und Forschungsstrukturen.

     
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    Quelle: OAPEN; transcript Open Access
    Beteiligt: Bredekamp, Horst (Hrsg.); Schäffner, Wolfgang (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839432723; 9783837632729
    Weitere Identifier:
    Schlagworte: Theory of art
    Weitere Schlagworte: interdisciplinarity; wissenschaft; fine arts; gestaltung; bild; wissenschaftsforschung; science studies; design; science; visual studies; bildwissenschaft; knowledge; interdisziplinarität; image; kunstwissenschaft; life sciences; wissen; shaping; Architektur
    Umfang: 1 electronic resource (216 p.)
  11. Rhapsodic Objects : Art, Agency, and Materiality (1700–2000)
    Beteiligt: Etienne, Noemie (Hrsg.); Biro, Yaelle (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Circulation and imitation of cultural products are key factors in shaping the material world.The contributions explore how technical knowledge, immaterial desires, and political agendas impacted the production and consumption of visual and material... mehr

     

    Circulation and imitation of cultural products are key factors in shaping the material world.The contributions explore how technical knowledge, immaterial desires, and political agendas impacted the production and consumption of visual and material culture in different times and places. They map a new a multidirectional market for cultural goods in which the source countries can be positioned at the center.

     
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    Quelle: OAPEN
    Beteiligt: Etienne, Noemie (Hrsg.); Biro, Yaelle (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110757668; 9783110656640
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; Decorative arts
    Weitere Schlagworte: Objects; cultural transfer; arts and crafts; textile.
    Umfang: 1 electronic resource (236 p.)
  12. Kältebilder : Ästhetik und Erkenntnis am Gefrierpunkt
    Beteiligt: Bruhn, Matthias (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Cold has always been of fundamental importance to human culture, but it was not until the industrial age that possibilities of artificial cooling were invented which are taken for granted today. However, colling was also accompanied by new... mehr

     

    Cold has always been of fundamental importance to human culture, but it was not until the industrial age that possibilities of artificial cooling were invented which are taken for granted today. However, colling was also accompanied by new possibilities for gaining knowledge. The frozen movement became a metaphor for technical still life, and without cryogenics, there would be no modern computing and imaging processes. Such possibilities of ice-cold observation are contrasted by losses of visibility, due to frost or precipitation, just as the artificial lowering of temperatures fuels climate change precisely through its energy consumption. Cooling technology is reaching new lows and highs in every respect – with extensive consequences for knowledge and perception.

     
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    Quelle: OAPEN
    Beteiligt: Bruhn, Matthias (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110747614; 9783110746952
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; General studies
    Weitere Schlagworte: Digitization of financial services; FinTech; Blockchain; quantum computing; decentralised finance; DeFi
    Umfang: 1 electronic resource (120 p.)
  13. Conceptual Joining : Wood Structures from Detail to Utopia / Holzstrukturen im Experiment
    Beteiligt: Allner, Lukas (Hrsg.); Kaltenbrunner, Christoph (Hrsg.); Kröhnert, Daniela (Hrsg.); Reinsberg, Philipp (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    This book explores experimental approaches to the design and construction of wooden structures in architecture, while presenting the results of an artistic research project. By using digital tools, experimental formations are created that are derived... mehr

     

    This book explores experimental approaches to the design and construction of wooden structures in architecture, while presenting the results of an artistic research project. By using digital tools, experimental formations are created that are derived from the material logic. Selected guest contributions round up the documentation of the work processes.

     
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  14. Despite Dispossession : An Activity Book
    Beteiligt: Baldauf, Anette (Hrsg.); Deribew, Berhanu Ashagrie (Hrsg.); das Fadas, Sílvia (Hrsg.); Rincón Gallardo, Naomi (Hrsg.); Hamzaoğlu, İpek (Hrsg.); Jembere, Janine (Hrsg.); Tuğrul, Rojda (Hrsg.); Willful Weeds Research Group (Hrsg.)
    Erschienen: 2021
    Verlag:  K.Verlag, Berlin

    As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of... mehr

     

    As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? Despite Dispossession: An Activity Book extends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed. Bringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure worlds to come in the ruins of dispossession. The result is a combination of subtle theoretical reflection, pluriversal modes of inquiry, and unruly epistemic intervention. Drawing its inspiration from decolonizing methodologies, Black aesthetics, and epistemologies of the South, the project gathers these influences for a novel experiment that demonstrates how arts-based researchers confront dispossession through itinerant practices of resistance.

     
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    Quelle: OAPEN
    Beteiligt: Baldauf, Anette (Hrsg.); Deribew, Berhanu Ashagrie (Hrsg.); das Fadas, Sílvia (Hrsg.); Rincón Gallardo, Naomi (Hrsg.); Hamzaoğlu, İpek (Hrsg.); Jembere, Janine (Hrsg.); Tuğrul, Rojda (Hrsg.); Willful Weeds Research Group (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783947858163
    Weitere Identifier:
    Schlagworte: Theory of art
    Weitere Schlagworte: artistic research; arts-based research; visual arts; aesthetic theory; epistemology; decolonizing methodologies; Black aesthetics
    Umfang: 1 electronic resource (258 p.)
  15. Ung Uro : Unsettling Climates in Nordic Art, Architecture and Design
    Beteiligt: Halland, Ingrid (Hrsg.)
    Erschienen: 2021
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "How can the unsettling climates of our times be understood? How can art, architecture, and design that engages with the complexities of our current age be analysed and criticised? Etymologically, the Norwegian word uro carries a double meaning: it... mehr

     

    "How can the unsettling climates of our times be understood? How can art, architecture, and design that engages with the complexities of our current age be analysed and criticised?

     

    Etymologically, the Norwegian word uro carries a double meaning: it can denote both ‘disquiet and unease’ as well as ‘riot and disturbance’. The word stems from the Old Norse úró and is used to describe political turmoil, social disorder, and a psychological state of restless anxiety. Thus the title of this anthology, Ung Uro (literally ‘young unrest’), intimates the paradoxical tension between describing our new geological condition – the Anthropocene – and referring to the reactions this condition provokes.

     

    In Ung Uro. Unsettling Climates in Nordic Art, Architecture and Design, thirteen young writers, critics, and art historians examine how Nordic visual art, architecture, and design relate to this new state of unease. Their topics span from early 20th century landscape painting to contemporary bio-acoustics, from Snøhetta’s energy-positive architecture to the Sami chant yoik, and from IKEA showrooms to fungi and bees as co-creators of artistic work. The empirical material consists mainly of specific exhibitions, artistic projects, and related events that took place for the most part in Norway from 2018 to 2020, and therefore the book is also a record of critical issues at stake in Nordic contemporary art and culture in the late 2010s. All those with an interest in contemporary art, design, and visual studies, including students, will find this book valuable."

     
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    Quelle: OAPEN
    Beteiligt: Halland, Ingrid (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788202714284; 9788202714253; 9788202714260; 9788202714277
    Weitere Identifier:
    Schlagworte: Theory of art; Environmentalist thought & ideology; Philosophy of mind
    Weitere Schlagworte: Art criticism, Nordic contemporary art, 2010s, ecocritical art history, the Anthropocene, ethical criticality, deep relationalism
    Umfang: 1 electronic resource (156 p.)
  16. Ubiquity : Photography's Multitudes
    Beteiligt: Lewis, Jacob W. (Hrsg.); Parry, Kyle (Hrsg.)
    Erschienen: 2021
    Verlag:  Leuven University Press, Leuven

    From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of... mehr

     

    From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity—that is, the apparent ability to be everywhere at once. While photography’s distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever.

     
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    Quelle: OAPEN
    Beteiligt: Lewis, Jacob W. (Hrsg.); Parry, Kyle (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789461664020; 9789462702899; 9789461664266
    Weitere Identifier:
    Schlagworte: Photography & photographs; Media studies; Theory of art
    Weitere Schlagworte: history of photography;ubiquity;media studies;visual studies;digital media;social media;internet studies;history of technology;art history;critical theory
    Umfang: 1 electronic resource (304 p.)
  17. Atem / Breath
    Beteiligt: Burchert, Linn (Hrsg.); Rešetar, Iva (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    The anthology explores breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focus is on the period from 1900 to the present day – an era during in which air has become a precarious medium,... mehr

     

    The anthology explores breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focus is on the period from 1900 to the present day – an era during in which air has become a precarious medium, co-created and manipulated by humans. Against this backdrop, breath appears as an elusive yet vital substance that reveals connections between the physical, symbolic, technological and social realms.

     
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    Quelle: OAPEN
    Beteiligt: Burchert, Linn (Hrsg.); Rešetar, Iva (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110701876; 9783110701838; 9783110701999
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; History of art & design styles: from c 1900 -; Art & design styles: from c 1960
    Weitere Schlagworte: Art; Culture; History; Philosophy; Architecture
    Umfang: 1 electronic resource (401 p.)
  18. Polish Avant-Garde in Berlin
    Beteiligt: Stolarska-Fronia, Malgorzata (Hrsg.)
    Erschienen: 2019
    Verlag:  Peter Lang International Academic Publishers, Bern

    This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second... mehr

     

    This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin’s art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu.

     
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  19. Thinking of Space Relationally : Critical Realism Beyond Relativism - A Manifold Study of the Artworld in Beijing
    Autor*in: Gao, Xiaoxue
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Since the relational turn, scholars have combated methodological universalism, nationalism, and individualism in researching social-spatial transformations. Yet, when leaving the gaps between the traveling and local epistemic assumptions unattended,... mehr

     

    Since the relational turn, scholars have combated methodological universalism, nationalism, and individualism in researching social-spatial transformations. Yet, when leaving the gaps between the traveling and local epistemic assumptions unattended, engaging relational spatial theories in empirical research may still reproduce established theoretical claims. Following the sociology of knowledge tradition and taking Critical Realism as a meta-theoretical framework, Xiaoxue Gao takes relational spatial theories as traveling conceptual knowledge and develops meaningful and context-sensitive ways of engaging them in studying the complex urban phenomenon in China. She offers conceptual elucidations and methodological roadmaps, which leap productively from employing plural causal hypotheses to generating effect-based explanations for locally observable events. They are exemplified by manifold interrogations of Beijing's Artworld as a conjuncture of particular events.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839455876; 9783837655872
    Weitere Identifier:
    Schlagworte: Sociology; Human geography; Theory of art
    Weitere Schlagworte: Relational Space; Critical Realism; Artworld; China; Space; Art; Science; Sociology of Knowledge; Sociology of Art; Sociology
    Umfang: 1 electronic resource (282 p.)
  20. Kontextualisering : Teoretiska tillämpningar i konstvetenskap: 2
    Beteiligt: Hayden, Hans (Hrsg.)
    Erschienen: 2019
    Verlag:  Stockholm University Press, Stockholm

    "This book is about a concept which is constantly used in many different ways, but also one of the most common concepts in humanities: context. However, the significance and use of this concept shifts between disciplines, and sometimes within the... mehr

     

    "This book is about a concept which is constantly used in many different ways, but also one of the most common concepts in humanities: context. However, the significance and use of this concept shifts between disciplines, and sometimes within the same discipline.

    All chapters in this edited volume address a concrete situation where this concept is used. The authors demonstrate how it can be applied in interpretations of images, buildings and places from different historical periods, and how it affects the ability to create meaning and knowledge. The interpretative action thus entails different forms of contextualisation.

    The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of contextualisation.

    This book constitutes the second volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics."

     
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    Quelle: OAPEN
    Beteiligt: Hayden, Hans (Hrsg.)
    Sprache: Schwedisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789176350911; 9789176350898; 9789176350904
    Weitere Identifier:
    Schlagworte: Theory of art; History of art / art & design styles
    Weitere Schlagworte: Context; Interpretation; Methodology; Art history
    Umfang: 1 electronic resource (215 p.)
  21. Some Ways of Making Nothing : Apophatic Apparatuses in Contemporary Art
    Autor*in: Cloninger, Curt
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather... mehr

     

    "What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather than somethings? What would be the ethical value of making nothing, of stalling becoming; and how might such nothings even be made?

     

    Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art borrows its understanding of apparatuses from quantum mechanics and the process philosophy of Alfred North Whitehead, and its understanding of nothing from apophatic (negative) theology. It then proposes a new way of understanding art, applying this understanding to artworks by Arakawa and Gins, Robert Fludd, David Crawford, Joshua Citarella, William Pope.L, and Haim Steinbach. Philosophy, physics, theology, and media theory are traversed and involved in order to understand art differently so that it might be made to matter more."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Art & design styles: Conceptual art
    Weitere Schlagworte: apophasis, conceptual art, art theory, Arakawa & Gins, David Crawford, Haim Steinbach, Joshua Citarella, Robert Fludd, William Pope.L
    Umfang: 1 electronic resource (462 p.)
  22. Images in the making : Art, process, archaeology
    Beteiligt: Back Danielsson, Ing-Marie (Hrsg.); Meirion Jones, Andrew (Hrsg.)
    Erschienen: 2020
    Verlag:  Manchester University Press, Manchester

    This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including... mehr

     

    This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb ‘imaging’ to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: ‘Emergent images’, which focuses on practices of making; ‘Images as process’, which examines the making and role of images in prehistoric societies; and ‘Unfolding images’, which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images.

     
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    Quelle: OAPEN
    Beteiligt: Back Danielsson, Ing-Marie (Hrsg.); Meirion Jones, Andrew (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Prehistoric archaeology; Theory of art; Humanities
    Weitere Schlagworte: images; ontology; making; New Materialism; imaging; process; unfolding
    Umfang: 1 electronic resource (248 p.)
  23. Chapter 12 The partial and the vague as a visual mode in Bronze Age rock art
    Autor*in: Fahlander, Fredrik
    Erschienen: 2020
    Verlag:  Manchester University Press, Manchester

    Studies of rock art normally depart from a classification of type, style and what the motifs represents or depicts. South Scandinavian rock art, however, is often vague, incomplete and fragmentary. In this chapter, it is argued that certain rock art... mehr

     

    Studies of rock art normally depart from a classification of type, style and what the motifs represents or depicts. South Scandinavian rock art, however, is often vague, incomplete and fragmentary. In this chapter, it is argued that certain rock art motifs, mainly boats and anthropomorphs, were deliberately made incomplete as a part of a vitalist technology with the aim of affecting the world. An important aspect of such visual vagueness, intentional or not, is that it can function as a punctum in Roland Barthes’s terminology and evoke affect among beholders. The incomplete motifs also stress the making of rock art as a continuous process in which details can be added over time to enhance certain aspects or radically alter the motif. The chapter is illustrated with examples of Bronze Age rock art of the Mälaren district in central-eastern Sweden.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Übergeordneter Titel: Images in the making
    Schlagworte: Prehistoric archaeology; Theory of art; Humanities
    Weitere Schlagworte: Bronze age; rock art; anthropomorphs; vitalist technology; Boglösa Sweden
    Umfang: 1 electronic resource (14 p.)
  24. How to Study Art Worlds : On the Societal Functioning of aesthetic Values
    Autor*in: van Maanen, Hans
    Erschienen: 2009
    Verlag:  Amsterdam University Press

    This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds... mehr

     

    This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices. In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. Zo wordt het belang hiervan voor de kunstwereld duidelijk.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789089641526
    Weitere Identifier:
    Schlagworte: Theory of art; History of art / art & design styles
    Weitere Schlagworte: kunst en kunstgeschiedenis; historical treatment of fine and decorative arts
    Umfang: 1 electronic resource (312 p.)
  25. Art in the Global Present
    Beteiligt: Papastergiadis, Nikos (Hrsg.); Lynn, Victoria (Hrsg.)
    Erschienen: 2014
    Verlag:  UTS ePRESS, Broadway

    Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial... mehr

     

    Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art’s capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art. A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert.

     
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    Quelle: OAPEN
    Beteiligt: Papastergiadis, Nikos (Hrsg.); Lynn, Victoria (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-0-9872369-9-9
    Weitere Identifier:
    Schlagworte: Social issues & processes; Globalization; Cultural studies; Theory of art
    Weitere Schlagworte: Artistic practice and theory; Global social transformation; Geography of imagination
    Umfang: 1 electronic resource (288 p.)