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  1. Postwar American fiction and the rise of modern conservatism
    a literary history, 1945-2008
    Erschienen: 2023
    Verlag:  Cambridge University Press, Cambridge

    This title presents a new contextualization of the cultural politics of postwar American fiction, arguing that the robust linkage between progressive liberalism and highbrow literary fiction in the post-sixties United States must be understood in... mehr

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    This title presents a new contextualization of the cultural politics of postwar American fiction, arguing that the robust linkage between progressive liberalism and highbrow literary fiction in the post-sixties United States must be understood in relation to the rise of modern conservatism and its evolving positions on race. Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108932202; 1108932207; 9781108832656
    RVK Klassifikation: HU 1819 ; HU 1520
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in American literature and culture ; 186
    Schlagworte: American fiction; Conservatism in literature; Right and left (Political science) in literature; Politics and literature; Conservatism; Roman américain - Histoire et critique - 20e siècle; Conservatisme dans la littérature; Politique et littérature - États-Unis - Histoire - 20e siècle; Conservatisme - États-Unis - Histoire - 20e siècle
    Umfang: viii, 295 Seiten
    Bemerkung(en):

    Originally published: 2021

    Includes bibliographical references and index

    Introduction; 1. US Literature and the Modern Right at Midcentury: Conservative Modernism, Race, and the Cold War, 1945-1960; 2. The Conservative Movement's Foundational Fictions: Flannery O'Connor, Ayn Rand, and the Evolving Literary Forms of Conservatism, 1950-1964; 3. The Strongbox of Custom: James Baldwin, Norman Mailer, and the Shifting Racial Logic of Postwar Conservatism, 1955-1972; 4. Movement Conservatism, Neoconservatism, and the New Right: Saul Bellow and Thomas Pynchon in the Age of Reagan, 1970-1990; 5. The American Novel and the Reagan Revolution: The Ascent of Toni Morrison in the Age of Conservative Pop Fiction, 1987-2000; Coda: The Curious (Conservative) Case of Marilynne Robinson

  2. Psychological politics of the American dream
    the commodification of subjectivity in twentieth-century American literature
    Autor*in: Tyson, Lois
    Erschienen: 1994
    Verlag:  Ohio State Univ. Press, Columbus, Ohio

    Because literature is a repository of both a society's ideologies and its psychological conflicts, it has the capacity to reveal aspects of a culture's collective psyche: the ways in which ideological investments reveal the nature of individuals'... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Because literature is a repository of both a society's ideologies and its psychological conflicts, it has the capacity to reveal aspects of a culture's collective psyche: the ways in which ideological investments reveal the nature of individuals' psychological relationship to the world. While it is reasonable to assume that our national literature would offer a fertile field in which to explore the interaction between the ideological and psychological dimensions of American life, critics generally have kept these two domains separate, and the dominant model has consisted of an archaic notion of the individual in society. The two are seen as interactive but essentially discrete entities, often in polarized opposition in which the autonomous individual is a victim of an antagonistic American society Lois Tyson's ground-breaking work, Psychological Politics of the American Dream, seeks to draw together these disparate spheres by applying a new dialectical model of existential subjectivity to five representative works of twentieth-century American literature: Edith Wharton's The House of Mirth, F. Scott Fitzgerald's The Great Gatsby, Arthur Miller's Death of a Salesman, Thomas Pynchon's The Crying of Lot 49, and Joseph Heller's Something Happened While previous literary analyses frequently portray the individuals in these works in opposition to society, Tyson ably demonstrates that the texts instead reveal the intersection of psyche - or the self as a product of individual psychological experience - and the socius - or the self as social product - in the American dream, which through its inherent relation to commodification responds to our desire to escape existential inwardness: that anxious awareness of ourselves as creatures, in Heidegger's words, whose "very being is at issue" in an uncertain world. These five works illustrate the diversity and complexity of the psychological realities American literature can reveal, given a model of subjectivity adequate to the task. Taken together, they point to a growing collusion of psyche and socius: the desire to escape existential inwardness becomes an increasingly "viable" project with the increasing commodification of American national culture

     

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  3. Heroism and the black intellectual
    Ralph Ellison, politics, and Afro-American intellectual life
    Erschienen: 1994
    Verlag:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  4. Left politics and the literary profession
    Erschienen: 1990
    Verlag:  Columbia Univ. Pr., New York

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  5. Learning from the left
    children's literature, the Cold War, and radical politics in the United States
    Erschienen: 2006
    Verlag:  Oxford Univ. Press, New York [u.a.]

    Alice Salomon Hochschule Berlin, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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  6. Communists, cowboys, and queers
    the politics of masculinity in the work of Arthur Miller and Tennessee Williams
    Autor*in: Savran, David
    Erschienen: 1992
    Verlag:  Univ. of Minnesota Press, Minneapolis [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  7. James M. Cain and the American Authors' Authority
    Autor*in: Fine, Richard
    Erschienen: 1992
    Verlag:  Univ. of Texas Press, Austin

    Freie Universität Berlin, Universitätsbibliothek
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  8. Edith Wharton and the politics of race
    Erschienen: 2004
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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  9. Writers of conviction
    the personal politics of Zona Gale, Dorothy Canfield Fisher, Rose Wilder Lane, and Josephine Herbst
  10. Messiah of the new technique
    John Howard Lawson, Communism, and American theatre, 1923 - 1937
    Erschienen: 2006
    Verlag:  Southern Illinois Univ. Press, Carbondale

    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 080932699X; 9780809326990
    RVK Klassifikation: HU 1784 ; HU 9800
    Schriftenreihe: Theater in the Americas
    Schlagworte: Communisme et littérature - États-Unis - Histoire - 20e siècle; Politique et littérature - États-Unis - Histoire - 20e siècle; Problèmes sociaux dans la littérature; Théâtre - États-Unis - Histoire - 20e siècle; Geschichte; Politics and literature; Communism and literature; Social problems in literature; Theater
    Weitere Schlagworte: Lawson, John Howard <1894-1977>; Lawson, John Howard (1894-); Lawson, John Howard (1894-1977)
    Umfang: XV, 268 S., [6] Bl., Ill.
    Bemerkung(en):

    Includes bibliographical references

  11. Harlem crossroads
    black writers and the photograph in the twentieth century
    Autor*in: Blair, Sara
    Erschienen: 2007
    Verlag:  Princeton Univ. Press, Princeton, N.J. [u.a.]

    "The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    "The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century." -- Book jacket.

     

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  12. Rabbit tales
    poetry and politics in John Updike's Rabbit novels
    Erschienen: 1998
    Verlag:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    In the tales of "Rabbit" Angstrom, John Updike has produced one of the most compelling literary tapestries of our time. Updike's Rabbit, the aging high-school basketball star adrift in the century's confusion, is an archetypal American hero, one... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In the tales of "Rabbit" Angstrom, John Updike has produced one of the most compelling literary tapestries of our time. Updike's Rabbit, the aging high-school basketball star adrift in the century's confusion, is an archetypal American hero, one strikingly real and individual yet emblematic of his class, his country, and his era. Lawrence R. Broer brings together twelve essays by prominent Updike scholars to illuminate the unique achievement of the four Rabbit novels.

     

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  13. Vonnegut in fact
    the public spokesmanship of personal fiction
    Erschienen: 1998
    Verlag:  Univ. of South Carolina Press, Columbia, SC

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  14. Negative liberties
    Morrison, Pynchon, and the problem of liberal ideology
    Erschienen: 2001
    Verlag:  Duke Univ. Press, Durham, NC [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  15. Writing the radical center
    William Carlos Williams, John Dewey, and American cultural politics
    Autor*in: Beck, John
    Erschienen: 2001
    Verlag:  State Univ. of New York Press, Albany, NY

    "Placing the philosopher John Dewey and the poet William Carlos Williams together - two important figures of twentieth-century American culture - this book examines the ambitions and failings of progressive liberal culture during the first half of... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Placing the philosopher John Dewey and the poet William Carlos Williams together - two important figures of twentieth-century American culture - this book examines the ambitions and failings of progressive liberal culture during the first half of the twentieth century. This book shows that, while their work ostensibly shares little in common, Williams and Dewey share the ambition to realize the radical potential of a democratic cultural politics. Including close readings of texts like Williams's Spring and All, In the American Grain, and Paterson, and Dewey's Individualism Old and New and Art as Experience, Beck offers an important contribution to current debates over the relationship between politics and cultural production."--BOOK JACKET.

     

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  16. Feminism and the politics of literary reputation
    the example of Erica Jong
    Erschienen: 1995
    Verlag:  Univ. Press of Kansas, Lawrence, Kan.

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  17. The political aesthetic of Yeats, Eliot, and Pound
    Autor*in: North, Michael
    Erschienen: 1991
    Verlag:  Cambridge Univ. Press, Cambridge u.a.

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  18. Every tub must sit on its own bottom
    the philosophy and politics of Zora Neale Hurston
    Erschienen: 1995
    Verlag:  Univ. of Illinois Press, Urbana [u.a.]

    In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture.... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a "writer of resistance" who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem Renaissance, Hurston stands out as a strong voice for African American women. Her anthropological inquiries as well as her evocative prose provide today's readers with a rich history of African American folk culture - a folk culture through which Hurston expressed her personal and political strategy of resistance and self-empowerment Through readings of Hurston's fiction and autobiographical writings, Plant offers one of the first book-length discussions of Hurston's personal philosophy of individualism and self-reliance. From a discussion of Hurston's preacher father and influential mother, whose guiding philosophy is reflected in the title of this book, to the influence of Spinoza and Nietzsche, Plant puts into perspective the driving forces behind Hurston's powerful prose

     

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  19. The ideologies of African American literature
    from the Harlem Renaissance to the Black nationalist revolt ; a sociology of literature perspective
  20. Platonic noise
    Autor*in: Euben, J. Peter
    Erschienen: 2003
    Verlag:  Princeton University Press, Princeton [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  21. Ralph Ellison and the politics of the novel
    Erschienen: 2003
    Verlag:  Lexington Books, Lanham [u.a.]

    "In this study, H. William Rice illuminates the mystery that is Ralph Ellison - the author of one complex, important novel who failed to complete his second and a black intellectual who remained notably reticent on political issues during the... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "In this study, H. William Rice illuminates the mystery that is Ralph Ellison - the author of one complex, important novel who failed to complete his second and a black intellectual who remained notably reticent on political issues during the desegregation of his native South. Rice reads both Invisible Man and the posthumously published Juneteenth as novels that focus on the political uses of language. He explores Ellison's concept of the novel, set forth in the author's two collections of essays, as an inherently political form of art. Additionally, he carefully considers the political context that undoubtedly affected Ellison's work and thought: a world and a time rocked to its foundation by such revolutionary actors as Martin Luther King Jr. and Malcolm X. Rice guides his reader to a greater understanding of Ralph Ellison, his oeuvre, and the American novel."--BOOK JACKET.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0739106546
    RVK Klassifikation: HU 3553
    Schlagworte: Noirs américains dans la littérature; Politique et littérature - États-Unis - Histoire - 20e siècle; Geschichte; African Americans in literature; Politics and literature; Politischer Roman
    Weitere Schlagworte: Ellison, Ralph - Paternité littéraire; Ellison, Ralph - Pensée politique et sociale; Ellison, Ralph; Ellison, Ralph; Ellison, Ralph (1913-1994)
    Umfang: X, 149 S.
    Bemerkung(en):

    Includes bibliographical references and index

  22. Zora Neale Hurston & American literary culture
    Erschienen: 2005
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Genevieve West examines the cultural history of Zora Neale Hurston's writing and the reception of her work, in an attempt to explain why Hurston died in obscure poverty only to be reclaimed as an important Harlem Renaissance writer decades after her... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Genevieve West examines the cultural history of Zora Neale Hurston's writing and the reception of her work, in an attempt to explain why Hurston died in obscure poverty only to be reclaimed as an important Harlem Renaissance writer decades after her death.

     

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  23. Strangers at home
    American ethnic modernism between the World Wars
    Erschienen: 2005
    Verlag:  Univ. of Nebraska Press, Lincoln [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  24. African American satire
    the sacredly profane novel
  25. New deal modernism
    American literature and the invention of the welfare state
    Autor*in: Szalay, Michael
    Erschienen: 2000
    Verlag:  Duke Univ. Press, Durham [u.a.]