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  1. Martin Scorsese, Woody Allen, and Spike Lee
    ethnicity, race, and identity in American independent film
    Autor*in: Scott, James F.
    Erschienen: [2019]
    Verlag:  Lexington Books, Lanham

    Introduction : "God's crucible" -- Martin Scorsese -- Woody Allen -- Spike Lee -- Epilogue : twilight of the tribes?. "At a moment in history when the status of minorities, particularly ethno-racial minorities, is the subject of intense, often... mehr

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    Introduction : "God's crucible" -- Martin Scorsese -- Woody Allen -- Spike Lee -- Epilogue : twilight of the tribes?. "At a moment in history when the status of minorities, particularly ethno-racial minorities, is the subject of intense, often acrimonious debate, this book offers a timely and relevant discussion of the core themes of assimilation, interculturation, and identity in the oeuvre of three independent American filmmakers: Scorsese, Allen, and Lee"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498548960; 9781498548984
    RVK Klassifikation: AP 51315 ; AP 51005 ; AP 51400 ; AP 50300 ; AP 46700
    Schlagworte: Minorities in motion pictures; Ethnicity in motion pictures; Race in motion pictures; Motion pictures
    Weitere Schlagworte: Scorsese, Martin; Allen, Woody (1935-); Lee, Spike
    Umfang: xiii, 319 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. Guerre et paix
    figures du conflit dans les littératures et films francophones
    Autor*in: Favre, Isabelle
    Erschienen: [2018]; © 2018
    Verlag:  Pulim, Limoges

    "Guerre et Paix, d'une écriture enlevée et lumineuse, est un ouvrage d'une rare érudition. Afin de cerner au plus près les représentations des conflits dans les textes littéraires et cinématographiques francophones, Isabelle Favre brise avec bonheur... mehr

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    "Guerre et Paix, d'une écriture enlevée et lumineuse, est un ouvrage d'une rare érudition. Afin de cerner au plus près les représentations des conflits dans les textes littéraires et cinématographiques francophones, Isabelle Favre brise avec bonheur les frontières disciplinaires dans son appareil théorique. Le livre non seulement désenclave la pensée autour de la production culturelle francophone mais élargit aussi l'horizon varié de ses textes, et rattache des -auteurs non canoniques à la littérature du monde dans son examen des questions humaines autour de la diversité des conflits." Florence Martin. Dean J. Blackford Professor of French and Francophone Studies - Goucher College "Prenant le parti d'exposer la singularité des histoires, telles celles du Vietnam, du Rwanda, de la Guinée, de la Suisse, du Sénégal ou de la France, Isabelle Favre réus.sit à forger de véritables théories de la violence en ce vint-et-unième siècle global, dans l'enchevêtrement des projets esthétiques allant du cinéma d'auteur aux écritures de soi.- À rajouter immédiatement à sa bibliothèque." Lydie E. Moudileno. Marion Frances Chevalier Professor of French and Professor of American Studies and Ethnicity - University of Southern California."--Back cover

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782842877910; 2842877918
    Weitere Identifier:
    9782842877910
    RVK Klassifikation: IH 93480
    Schriftenreihe: Array
    Schlagworte: French literature; War in literature; Violence in literature; Motion pictures; Violence in motion pictures; War films
    Umfang: 191 Seiten, 21 cm
    Bemerkung(en):

    Includes bibliographical references

  3. Film and political culture in postwar Japan
    Erschienen: 2012
    Verlag:  Peter Lang, New York

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781433117671; 9781453902561
    RVK Klassifikation: AP 44963
    Schriftenreihe: Framing film ; 15
    Schlagworte: Motion pictures; Politics in motion pictures; Motion pictures; Politics in motion pictures
    Umfang: XX, 167 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 151-155) and index

    Conflict without end as military occupations lead to war, 1940-1971. Dealing with militancy, 1940-1955 -- Postwar as prewar, 1955-1971 -- Pacifism in one country, 1972-2009. Sorting through conflicts, 1972-1987 -- Taking peace for granted, 1987-2009.

  4. After authority
    global art cinema and political transition
    Autor*in: Heck, Kalling
    Erschienen: [2020]
    Verlag:  Rutgers University Press, New Brunswick

    Authority year zero : on Germany year zero -- The image that waits : on Satantango -- The end of authority, the end of democracy : on woman on the beach -- Force, hope, and death : on medium cool -- Coda : political modernism and the possibility for... mehr

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    Authority year zero : on Germany year zero -- The image that waits : on Satantango -- The end of authority, the end of democracy : on woman on the beach -- Force, hope, and death : on medium cool -- Coda : political modernism and the possibility for action.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781978806986; 9781978806993
    Schlagworte: Motion pictures; Totalitarianism and motion pictures
    Umfang: vii, 167 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  5. Irish queer cinema
    Erschienen: [2018]
    Verlag:  Edinburgh University Press, Edinburgh

    1. Queerly National and Nationally Queer: Paradoxes of an Irish Queer Cinema. Queer, Irish, Space -- 2. Mapping Ireland's Queer Films. First wave queer cinema, Celtic tiger queer cinema, Post-Celtic tiger queer cinema -- 3. Re-imagined Kinship and... mehr

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    1. Queerly National and Nationally Queer: Paradoxes of an Irish Queer Cinema. Queer, Irish, Space -- 2. Mapping Ireland's Queer Films. First wave queer cinema, Celtic tiger queer cinema, Post-Celtic tiger queer cinema -- 3. Re-imagined Kinship and Failed Communities --queering the family. Pigs, The last bus home, Conclusion -- 4. The Contested Space of the Irish Pub --The male homosocial space of the Irish pub. A man of no importance, Garage, Concluson -- 5. Compartmentalised Cosmopolitans and Rigid Fluidity. Cowboys and angels, Goldfish memory, Situating Irish lesbianism within urban space -- 6. The Queerly Productive Constraints of Rural Space. Reefer and the model, Clash of the ash, The stag, Conclusion -- 7. Queer Mobilities and Disassociated Masculinities. I went down, The disappearance of Finbar and Breakfast on Pluto, Conclusion -- 8. Contested Belongings within Diasporic Space. Reconstituting "Home" within diaspora, 2by4, Borstal boy, Conclusiosn -- 9. The Irish Queer Short Film. The contestation of public space, Disrupting domestic space, The spatiality of lesbian desire -- Conclusion -- 10. Concluding Remarks -- Select Filmography.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1474411487; 9781474411486
    Schlagworte: Homosexuality in motion pictures; Motion pictures; Homosexuality in motion pictures ; fast ; (OCoLC)fst00959829; Motion pictures ; Plots, themes, etc ; fast ; (OCoLC)fst01027350; Ireland ; fast ; (OCoLC)fst01205427
    Umfang: vi, 176 pages, illustrations, 25 cm
  6. Representing translation
    the representation of translation and translators in contemporary media
    Beteiligt: Abend-David, Dror (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, New York, NY

    "In an increasingly global and multilingual society, translators have transitioned from unobtrusive stagehands to key intercultural mediators-a development that is reflected in contemporary media. From Coppola's Lost in Translation to television's... mehr

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    "In an increasingly global and multilingual society, translators have transitioned from unobtrusive stagehands to key intercultural mediators-a development that is reflected in contemporary media. From Coppola's Lost in Translation to television's House M.D., and from live performance to social media, translation is rendered as not only utilitarian, but also performative and communicative. In examining translation as a captivating theme in film, television, commercials, and online content, this multinational collection engages with the problems and limitations faced by translators, as well as the ethical and philosophical aspects of translation and Translation Studies. Contributors examine the role of the translator (as protagonist, agent, negotiator, and double-agent), translation in global communication, the presentation of visual texts, multilingualism in contemporary media, and the role of foreign languages in advertisements. Translation and translators are shown as inseparable parts of a contemporary life that is increasingly multilingual, multiethnic, multinational and socially diverse."-- Introduction, Dror Abend-David (University of Florida, USA)Chapter 1: Imagining Translation and TranslatorsAn Introductory NoteThe Evolution of the "Universal Translator": Technical Device and Human Factor in Doctor Who and Star TrekFrom the 1960s to the Present, Erga Heller (Kaye Academic College of Education, Israel)GlossaryChapter 2: The Translator as ProtagonistAn Introductory NoteIn search of a Chinese Hamlet: Translation, Interpretation, and Personalities in Postwar Film-Cultural Exchange, Ying Xiao (University of Florida, USA)GlossaryChapter 3: Translators as Social (Double) AgentAn Introductory NoteMediating Violence: Three Film Portrayals of Interpreters' Dilemmas as Participants in Conflict, Kayoko Takeda (Rikkyo University, Japan)GlossaryChapter 4: Translation and Translators in New MediaAn Introductory NoteReactions to Audiovisual Adaptation on Social Media: The Case of How To Get Away With Murder, Chiara Bucaria (University of Bologna, Italy)GlossaryChapter 5: Translation and/as Global CommunicationAn Introductory NoteCross-Languaging Romance on Screen, Delia Chiaro (University of Bologna, Italy)GlossaryChapter 6: 'They have eyes, but they [could see better]'An Introductory NoteAudio Description for All? Enhancing the Experience of Sighted Viewers through Visual Media Access Services, Iwona Mazur (Adam Mickiewicz University, Poland)GlossaryChapter 7: Translating TranslationAn Introductory NoteTranslating Multilingual Films in a South African Context, Zoe Pettit (University of Greenwich, UK)GlossaryChapter 8: Translation and Localization in AdvertisementAn Introductory NoteLocalization Strategies in English-Chinese Advertisement Translation, Ying Cui (Shandong University, China) and Yanli Zhao (Shandong University, China)GlossaryChapter 9: The 'Non-Translation'An Introductory NoteYiddish, Media and the Dramatic Function of Translation -- or What Does It Take to Read Joel and Ethan Coen's film, A Serious Man?, Dror Abend-David (University of Florida, USA)Glossary List of Contributors Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Abend-David, Dror (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501333903; 9781501333897
    Weitere Identifier:
    Schlagworte: Mass media and language; Motion pictures; Dubbing of motion pictures; Translating and interpreting
    Umfang: 1 Online-Ressource (xiv, 229 pages)
  7. Blockbusters and the ancient world
    allegory and warfare in contemporary Hollywood
    Autor*in: Davies, Chris
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, London

    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The... mehr

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    "Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of WWII, the Vietnam War and the Western in portraying warfare in the ancient world, as well discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema"-- War & empire: the ancient world epic, combat films and genre -- The time of Achilles: memory and warfare in Troy -- The dreamers exhaust us: storytellers and the combat film in Alexander -- Is this Sparta: war, freedom and America in 300 -- Body politics: gods, men and monsters in 300 (2007) and Greek mythological epics -- Land of the free, Rome of the brave: faith, torture and imperialism in King Arthur -- American eagle: imperialism in The last legion (2007), Centurion (2010) and The eagle -- Rome on the range: the western in King Arthur (2004), Centurion (2010) and the eagle -- Religious violence: Christianity and extremism in Agora -- Passion project: faith, horror, and propaganda in The passion of the Christ -- The new wave: tales of Hercules and the return of the biblical epic.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350105034; 9781350105010; 9781350105027
    Weitere Identifier:
    Schlagworte: Epic films; Historical films; War films; History, Ancient, in motion pictures; September 11 Terrorist Attacks, 2001; War on Terrorism, 2001-2009; Motion pictures
    Umfang: 1 OnlineRessource (ix, 246 pages), illustrations
  8. Designs on the past
    how Hollywood created the ancient world
    Erschienen: [2018]
    Verlag:  Edinburgh University Press, Edinburgh

    Opening Credits -- Epic, History and Hollywood; 1 SEE! SEE! SEE! Hollywood Sells the Past; 2 Illusion Makers: Production Design; 3 Designer History: Costumes; 4 Movie Stars: Casting the Epic Past; End Credits -- Why Cleopatra Winks. mehr

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    Opening Credits -- Epic, History and Hollywood; 1 SEE! SEE! SEE! Hollywood Sells the Past; 2 Illusion Makers: Production Design; 3 Designer History: Costumes; 4 Movie Stars: Casting the Epic Past; End Credits -- Why Cleopatra Winks.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748675647; 0748675647; 0748675639; 9780748675630
    Schriftenreihe: Screening antiquity
    Schlagworte: Historical films; History, Ancient, in motion pictures; Motion pictures and history; History, Ancient; Motion pictures; Motion picture industry; Historical films; History, Ancient ; Historiography; History, Ancient, in motion pictures; Motion picture industry; Motion pictures; Motion pictures and history; United States; Criticism, interpretation, etc; History
    Umfang: xiii, 418 pages, 16 unnumbered pages of plates, illustrations (some color), 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 402-413) and index

  9. Narcissism and Selfhood in Medieval French Literature
    Wounds of Desire
    Autor*in: Ealy, Nicholas
    Erschienen: 2019
    Verlag:  Palgrave Macmillan, Cham

    Part I Narcissism and Selfhood in Context -- 1. Introduction: Narcissus and the Wounded Self -- 2. Narcissus and Selfhood: The Lay of Narcissus -- Part II Selfhood and the Open Wound -- 3. Narcissus and Mourning: Alain de Lille’s Plaint of Nature --... mehr

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    Part I Narcissism and Selfhood in Context -- 1. Introduction: Narcissus and the Wounded Self -- 2. Narcissus and Selfhood: The Lay of Narcissus -- Part II Selfhood and the Open Wound -- 3. Narcissus and Mourning: Alain de Lille’s Plaint of Nature -- 4. Narcissus and Melancholy: René d’Anjou’s Book of the Love-Smitten Heart -- 5. Narcissus and Trauma: Chrétien de Troyes’s Story of the Grail -- 6. Narcissus and Testimony: Guillaume de Machaut’s Fountain of Love -- 7. Epilogue: Between Je me plaing and Iste ego sum This book offers analyses of texts from medieval France influenced by Ovid’s myth of Narcissus including the Lay of Narcissus, Alain de Lille’s Plaint of Nature, René d’Anjou’s Love-Smitten Heart, Chrétien de Troyes’s Story of the Grail and Guillaume de Machaut’s Fountain of Love. Together, these texts form a corpus exploring human selfhood as wounded and undone by desire. Emerging in the twelfth century in Western Europe, this discourse of the wounded self has survived with ever-increasing importance, informing contemporary methods of theoretical inquiry into mourning, melancholy, trauma and testimony. Taking its cue from the moment Narcissus bruises himself upon learning he cannot receive the love he wants from his reflection, this book argues that the construct of the wounded self emphasizes fantasy over reality, and that only through the world of the imagination—of literature itself—can our narcissistic injuries seemingly be healed and desire fulfilled

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030279165
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2019
    Schriftenreihe: The New Middle Ages
    Springer eBook Collection
    Array
    Schlagworte: Medieval Literature; Literature, Medieval; European literature; Classical literature; Literature-Philosophy; Europe-History-476-1492; Motion pictures
    Umfang: 1 Online-Ressource (IX, 238 p. 3 illus)
  10. Locating Heisei in Japanese fiction and film
    the historical imagination of the lost decades
    Autor*in: Yamada, Marc
    Erschienen: 2020
    Verlag:  Routledge, London

    Historicizing Heisei in fiction and film -- Historical referentiality in post-Aum manga -- Alternate history fictions of Japan's lost era -- Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi -- Rituals of remembering : Aum and the Ura... mehr

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    Historicizing Heisei in fiction and film -- Historical referentiality in post-Aum manga -- Alternate history fictions of Japan's lost era -- Visualizing a post-bubble Japan in the films of Kurosawa Kiyoshi -- Rituals of remembering : Aum and the Ura in film -- Personal memory and public history in Murakami Haruki's post-Aum metafiction -- The problem of inheritance in lost era coming-of-age film. "This book provides the first interdisciplinary examination of the popular fiction and film of the 'lost decades' of Japan's Heisei period (1989-2019). Presenting original analysis of major Heisei writers, filmmakers and manga artists, the chapters examine the work of Urasawa Naoki, Kurosawa Kiyoshi, Murakami Haruki, and Shinkai Makoto, among others. Through the work of these cultural figures, the book also explores the struggle to define the history of Heisei - three decades of economic stagnation, social malaise, and natural disaster. In particular, it explores the dissonance between the dominant history of Japan's recent past and the representation of this past in the popular imagination of the period. In so doing, this book argues that traumatic events from the years leading up to Heisei complicate the narration of a cohesive sense of history for the period, requiring works of fiction and film to explore new connections to the past. Incorporating literary and film theory to assess the works of culture, Locating Heisei in Japanese Fiction and Film will be useful to students and scholars of Japanese culture, society and history"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    ISBN: 9780367345501
    Schriftenreihe: Routledge contemporary Japan series ; 83
    Schlagworte: Japanese fiction; Motion pictures
    Umfang: 153 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  11. Making worlds
    affect and collectivity in contemporary European cinema
    Autor*in: Breger, Claudia
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or,... mehr

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    Affects in Configuration: Controversy and Conviviality in Fatih Akın's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akın's The Cut and Ari Kaurismäki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World --Epilogue: Reconfiguring Resistance. "The twenty-first century has seen an intensification of racial violence, religious chauvinism, class division, and the politics of hatred in the West. In Making Worlds, Claudia Breger argues that contemporary European arthouse cinema provides ways of thinking about and producing new types of collectivities in response to these political trends. In readings of key contemporary European films such as Michael Haneke's The White Ribbon, Aki Kaurismaki's Le Havre, and Inarritu's Biutiful, Breger examines the ways in which these films produce unexpected and frequently destabilizing affects that invite viewers to imagine new connections among individuals. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with positive alternatives. Instead, they produce new sensibilities, responses, and affects among viewers that allow them to see the world in new ways"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231194181
    Schlagworte: Motion pictures; Motion pictures
    Umfang: 336 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  12. A piece of the action
    race and labor in post-civil rights Hollywood
    Autor*in: Quinn, Eithne
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal... mehr

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    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal Activism and Industry Reaction -- Getting the Man's Foot Out out of Our Collective Asses: Film Enterprise from Black Left Producing Units to the Rise of the Hustler Creative -- Color-Blind Corporatism: The Black Film Wave and White Revival Conclusion: Race, Creative Labor, and Reflexivity in Post-Civil Reflexivity in Post-Civil Rights Hollywood. "Hollywood is often thought of-and certainly by Hollywood itself-as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback's Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood's liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today's Hollywood"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231164375; 9780231164368
    Schlagworte: African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; African Americans in the motion picture industry; Motion pictures
    Umfang: 278 pages
    Bemerkung(en):

    Includes bibliographical references and index

  13. Filmgegner von heute - Filmfreunde von morgen
    Autor*in: Richter, Hans
    Erschienen: 1929
    Verlag:  Reckendorf, Berlin

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schlagworte: Motion pictures
    Umfang: 125 S., überw. III.
  14. Mythen der Nationen
    Völker im Film
    Beteiligt: Rother, Rainer (Hrsg.)
    Erschienen: 1998
    Verlag:  Koehler und Amelang, München

    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Rother, Rainer (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3733802225
    RVK Klassifikation: AP 47000 ; NK 6710
    Schlagworte: Motion pictures and history; Mythology in motion pictures; Group identity; Motion pictures; Weltweit
    Umfang: 408 S, zahlr. Ill
    Bemerkung(en):

    Filmographie S. 354 - 396

  15. Subversive Spanish cinema
    the politics of performance
    Autor*in: Noble, Fiona
    Erschienen: 2020; ©2020
    Verlag:  Bloomsbury Academic, London

    Cover -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1 Performing pastness -- 2 Performing identities -- 3 Metaperformances -- 4 Performance as catharsis and therapy -- Epilogue -- Notes -- References -- Index. mehr

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    Cover -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1 Performing pastness -- 2 Performing identities -- 3 Metaperformances -- 4 Performance as catharsis and therapy -- Epilogue -- Notes -- References -- Index.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350152472
    Schlagworte: Motion pictures; Motion pictures; Motion picture acting; Government, Resistance to; Electronic books
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  16. Men out of focus
    the Soviet masculinity crisis in the long sixties
    Erschienen: [2021]; © 2021
    Verlag:  University of Toronto Press, Toronto

    "Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as “The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The... mehr

    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
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    "Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as “The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists’ inability to navigate the challenges of postwar life. Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period’s most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin."--

     

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    Sprache: Englisch
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    Format: Druck
    ISBN: 1487505256; 9781487505257
    Schlagworte: Masculinity in motion pictures; Masculinity in popular culture; Men in motion pictures; Men in popular culture; Motion pictures; Masculinity; Men
    Umfang: xv, 321 Seiten, Illustrationen
    Bemerkung(en):

    Quellen- und Literaturverzeichnis: Seite 299-316. - Register

  17. Cinema of the Arab world
    contemporary directions in theory and practice
    Beteiligt: Ginsberg, Terri (HerausgeberIn); Lippard, Chris (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham

    1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi... mehr

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    1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. "Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." — Peter Limbrick, University of California-Santa Cruz, USA “Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." — Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.

     

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    Quelle: Verbundkataloge
    Beteiligt: Ginsberg, Terri (HerausgeberIn); Lippard, Chris (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030300814
    Weitere Identifier:
    Schriftenreihe: Global cinema
    Springer eBook Collection
    Schlagworte: Motion pictures.; Ethnology—Middle East .; Communication.; Motion pictures; Film; Filmwirtschaft; Soziokultureller Faktor; Theorie; Praxis
    Umfang: 1 Online-Ressource (xxiv, 422 Seiten)
  18. Rethinking Jewishness in Weimar cinema
    Beteiligt: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Berghahn, New York

    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... mehr

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    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781789208726
    Weitere Identifier:
    9781789208726
    RVK Klassifikation: AP 59711
    Schriftenreihe: Film Europa: German cinema in an international context ; volume 24
    Berghanonfilm
    Schlagworte: Motion pictures; Jews in the motion picture industry; Jewish motion picture producers and directors
    Umfang: viii, 355 Seiten, Illustrationen
  19. East German film and the Holocaust
    Erschienen: 2021
    Verlag:  Berghahn, New York

    Picking up the pieces : Kurt Maetzig's Ehe im Schatten -- The German Democratic Republic's ambassador of good will : Konrad Wolf's Sterne -- Reframing victimhood : Konrad Wolf's Professor Mamlock -- Crimes of the past and politics of the present :... mehr

    Stiftung Topographie des Terrors, Bibliothek
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    Picking up the pieces : Kurt Maetzig's Ehe im Schatten -- The German Democratic Republic's ambassador of good will : Konrad Wolf's Sterne -- Reframing victimhood : Konrad Wolf's Professor Mamlock -- Crimes of the past and politics of the present : Wolfgang Luderer's Lebende Ware -- 'In Babelsberg, nothing new' : Gottfried Kolditz's Das Tal der sieben Monde -- New encounters on well-worn paths : Kurt Jung-Alsen's Die Bilder des Zeugen Schattmann -- Returning to the past : Frank Beyer's Jakob der Lügner -- Shifting identities : Michael Kann's Stielke, Heinz, fünfzehn -- Calendar-based shame? : Siegfried Kühn's Die Schauspielerin. "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"--

     

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    Sprache: Englisch
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    Format: Druck
    ISBN: 9781789207477
    RVK Klassifikation: AP 44918
    Schriftenreihe: Film Europa ; volume 22
    Schlagworte: Motion pictures; Holocaust, Jewish (1939-1945), in motion pictures
    Umfang: xiii, 245 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturangaben, Filmografie und Index

  20. Anti-Heimat cinema
    the Jewish invention of the German landscape
    Erschienen: [2020]
    Verlag:  University of Michigan Press, Ann Arbor

    Klappentext: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-a provincial... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Klappentext: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-a provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472132010
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: Heimatfilme; Jews in motion pictures; Jews in the motion picture industry; Motion pictures
    Umfang: ix, 302 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  21. The acoustic mirror
    the female voice in psychoanalysis and cinema
    Autor*in: Silverman, Kaja
    Erschienen: 1988
    Verlag:  Indiana Univ. Press, Bloomington [u.a.]

    Universität Potsdam, Universitätsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0253302846; 0253204747; 9780253302847; 9780253204745
    RVK Klassifikation: AP 47950 ; MS 3000 ; AP 45200
    Schriftenreihe: Theories of representation and difference
    Schlagworte: Motion pictures and women; Feminism and motion pictures; Motion pictures; Women and psychoanalysis; Women in motion pictures; Women
    Weitere Schlagworte: Freud, Sigmund (1856-1939)
    Umfang: X, 257 S.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke***Unchanged reprints that were published later are included here

  22. Transcendental Bodies
    Überlegungen zur Bedeutung des Körpers für filmische und religiöse Erfahrung
    Erschienen: 2008
    Verlag:  Pustet, Regensburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3791721186; 9783791721187
    Weitere Identifier:
    9783791721187
    RVK Klassifikation: AP 47100 ; AP 45000 ; BB 1620
    Schriftenreihe: ratio fidei ; 36
    Schlagworte: Experience (Religion); Human body; Motion pictures
    Umfang: 256, [8] S., 8 Abb., 233 mm x 157 mm
    Bemerkung(en):

    Literaturverz. S. [236] - 256

    Teilw. zugl.: Graz, Univ., Diss.

  23. Chinese and Japanese films on the Second World War
    Beteiligt: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Routledge, Taylor & Francis Group, London

    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding... mehr

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    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding contemporary China and Japan. It shows how the war is remembered in both countries, including the demonisation of Japanese soldiers in postwar socialist-era Chinese movies, and the pervasive sense of victimhood in Japanese memories of the war. However, it also shows how some Chinese directors were experimenting with alternatives interpretations of the war from as early as the 1950s, and how, despite the "resurgence of nationalism" in japan since the 1980s, the production of Japanese movies critical of the war has continued"--

     

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    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138791039
    Schriftenreihe: Media, culture, and social change in Asia series ; 38
    Schlagworte: World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; War and motion pictures; China; Japan; Film; 2. Weltkrieg (1939-1945)
    Umfang: viii, 185 Seiten
    Bemerkung(en):

    Bd-Zählung aus LOC-Aufnahme entnommen, auf Umschlag fälschlicherweise als Bd. 41 bezeichnet

  24. Kino der Extreme
    kulturanalytische Studien
    Beteiligt: Stiglegger, Marcus (Hrsg.)
    Erschienen: 2002
    Verlag:  Gardez!-Verl., St. Augustin

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Stiglegger, Marcus (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3928624709
    RVK Klassifikation: AP 50300
    Schriftenreihe: Filmstudien ; 8
    Schlagworte: Motion pictures
    Umfang: 327 S., Ill.
  25. Ästhetische Film-Bildung
    Studien zur Materialität und Medialität filmischer Bildungsprozesse
    Autor*in: Zahn, Manuel
    Erschienen: [2012]; ©2012
    Verlag:  transcript-Verl., Bielefeld

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783837621211; 3837621219
    Weitere Identifier:
    9783837621211
    RVK Klassifikation: AP 45400 ; AP 45200 ; DW 4100
    Schriftenreihe: Theorie Bilden ; Band 28
    Schlagworte: Motion pictures; Education in motion pictures
    Umfang: 252 Seiten, Illustrationen, 225 mm x 148 mm, 444 g
    Bemerkung(en):

    Literaturverzeichnis: Seite 227-252

    Dissertation, Universität Hamburg, 2011