Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 25 von 196.

  1. Designs on the past
    how Hollywood created the ancient world
    Erschienen: [2018]
    Verlag:  Edinburgh University Press, Edinburgh

    Opening Credits -- Epic, History and Hollywood; 1 SEE! SEE! SEE! Hollywood Sells the Past; 2 Illusion Makers: Production Design; 3 Designer History: Costumes; 4 Movie Stars: Casting the Epic Past; End Credits -- Why Cleopatra Winks. mehr

    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Opening Credits -- Epic, History and Hollywood; 1 SEE! SEE! SEE! Hollywood Sells the Past; 2 Illusion Makers: Production Design; 3 Designer History: Costumes; 4 Movie Stars: Casting the Epic Past; End Credits -- Why Cleopatra Winks.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748675647; 0748675647; 0748675639; 9780748675630
    Schriftenreihe: Screening antiquity
    Schlagworte: Historical films; History, Ancient, in motion pictures; Motion pictures and history; History, Ancient; Motion pictures; Motion picture industry; Historical films; History, Ancient ; Historiography; History, Ancient, in motion pictures; Motion picture industry; Motion pictures; Motion pictures and history; United States; Criticism, interpretation, etc; History
    Umfang: xiii, 418 pages, 16 unnumbered pages of plates, illustrations (some color), 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 402-413) and index

  2. Mythen der Nationen
    Völker im Film
    Beteiligt: Rother, Rainer (Hrsg.)
    Erschienen: 1998
    Verlag:  Koehler und Amelang, München

    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Rother, Rainer (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3733802225
    RVK Klassifikation: AP 47000 ; NK 6710
    Schlagworte: Motion pictures and history; Mythology in motion pictures; Group identity; Motion pictures; Weltweit
    Umfang: 408 S, zahlr. Ill
    Bemerkung(en):

    Filmographie S. 354 - 396

  3. Film, history and cultural citizenship
    sites of production
    Beteiligt: Chen, Tina Mai (Hrsg.)
    Erschienen: c 2007
    Verlag:  Routledge, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Chen, Tina Mai (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 041577117X; 9780415771177
    Weitere Identifier:
    9780415771177
    RVK Klassifikation: AP 46700
    Schriftenreihe: Routledge studies in cultural history ; 3
    Schlagworte: Motion pictures; Motion pictures and history
    Umfang: VI, 241 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

  4. History goes to the movies
    studying history on film
    Erschienen: 2007
    Verlag:  Routledge, London [u.a.]

    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0415328276; 0415328284; 9780415328272; 9780415328289
    Weitere Identifier:
    9780415328289
    RVK Klassifikation: AP 50300 ; NB 8500 ; AP 52600
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Motion pictures and history; Historical films
    Umfang: X, 218 S, Ill
    Bemerkung(en):

    Filmography S. [198] - 210

  5. The movies as history
    visions of the twentieth century
    Erschienen: 2000
    Verlag:  Sutton, Stroud

    Part I. War stories. Wings / Michael Paris -- All Quiet on the Western Front / Modris Eksteins -- Fires Were Started / Jeffrey Richards -- The Green Berets / Philip Taylor -- Star Wars / Peter Kramer -- Part II. Propaganda cinema. The Great Way /... mehr

    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part I. War stories. Wings / Michael Paris -- All Quiet on the Western Front / Modris Eksteins -- Fires Were Started / Jeffrey Richards -- The Green Berets / Philip Taylor -- Star Wars / Peter Kramer -- Part II. Propaganda cinema. The Great Way / Graham Roberts -- Triumph of the Will / Brian Winston -- This Is the Army / David Culbert -- I Was a Communist for the FBI / Dan Leab -- Part III. Social commentary on screen. Citizen Kane / Sarah Street -- On the Waterfront / Brian Neve -- Un americano a Roma / David Ellwood -- I'm All Right Jack / Peter Stead -- La Dolce Vita / Stephen Gundle -- Alfie / Anthony Aldgate -- Part IV. Films of romance and fantasy. Madonna of the Seven Moons / Sue Harper -- La Belle et la B(c)®te / Susan Hayward -- The Leopard / Pierre Sorlin -- South Pacific / Michael Sturma -- Indochine / David Nicholl -- The Exorcist / Nicholas Cull

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0750923318
    Schlagworte: Motion pictures and history; Motion pictures; Motion pictures
    Umfang: x, 214 p, ill, 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Articles originally published in History Today between 1995 and 2000

    Part I. War stories. Wings / Michael Paris -- All Quiet on the Western Front / Modris Eksteins -- Fires Were Started / Jeffrey Richards -- The Green Berets / Philip Taylor -- Star Wars / Peter Kramer -- Part II. Propaganda cinema. The Great Way / Graham Roberts -- Triumph of the Will / Brian Winston -- This Is the Army / David Culbert -- I Was a Communist for the FBI / Dan Leab -- Part III. Social commentary on screen. Citizen Kane / Sarah Street -- On the Waterfront / Brian Neve -- Un americano a Roma / David Ellwood -- I'm All Right Jack / Peter Stead -- La Dolce Vita / Stephen Gundle -- Alfie / Anthony Aldgate -- Part IV. Films of romance and fantasy. Madonna of the Seven Moons / Sue Harper -- La Belle et la Bête / Susan Hayward -- The Leopard / Pierre Sorlin -- South Pacific / Michael Sturma -- Indochine / David Nicholl -- The Exorcist / Nicholas Cull.

  6. From Hitler to Heimat
    the return of history as film
    Autor*in: Kaes, Anton
    Erschienen: 1989
    Verlag:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0674324560; 0674324552
    RVK Klassifikation: AP 44911 ; AP 47000
    Schlagworte: Motion pictures; Motion picture producers and directors; Motion picture plays, German; Motion pictures and history
    Umfang: XIII, 273 S., Ill., 25 cm
    Bemerkung(en):

    Literaturverz. S. [201] - 212

  7. History in the media
    a reference handbook
    Autor*in: Niemi, Robert
    Erschienen: 2004
    Verlag:  ABC-CLIO, Santa Barbara, Calif.

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 157607952X
    RVK Klassifikation: NB 8500
    Schlagworte: Historical films; Motion pictures and history; Mass media and history
    Umfang: 300 p., 26cm
  8. From Hitler to Heimat
    the return of history as film
    Autor*in: Kaes, Anton
    Erschienen: 1992
    Verlag:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0674324552; 0674324560
    RVK Klassifikation: AP 44911 ; AP 47000
    Schlagworte: Motion pictures; Motion picture producers and directors; Motion picture plays, German; Motion pictures and history
    Umfang: XIII, 273 S., Ill., 25 cm
    Bemerkung(en):

    Literaturverz. S. [201] - 212

  9. American history, American film
    interpreting the Hollywood image
    Beteiligt: O'Connor, John E. (Hrsg.)
    Erschienen: 1988
    Verlag:  Continuum, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: O'Connor, John E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0804426724
    RVK Klassifikation: AP 59783
    Auflage/Ausgabe: New expanded ed.
    Schlagworte: Cinéma - États-Unis - Histoire; Cinéma et histoire; Motion pictures and history; Motion pictures
    Umfang: XXXIII, 306 S. : Ill.
  10. Representing the eighteenth century in film and television, 2000-2015
    Erschienen: [2017]
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783319562667; 9783319562674
    RVK Klassifikation: HK 1031
    Schriftenreihe: Palgrave pivot
    Schlagworte: Eighteenth century in motion pictures; Motion pictures and history; Television and history; Film criticism; Television criticism
    Umfang: xi, 134 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturangaben

  11. From fidelity to history
    film adaptations as cultural events in the twentieth century
    Erschienen: 2012
    Verlag:  Berghahn Books, New York

    Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Chapter Three -- ""Josef K. von 1963"": Orson Welles's Americanized Version of The Trial and the Changing Functions of the Kafkaesque in Postwar West GermanyPart II -- Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s; Chapter 4 -- Jane-Mania: The Jane Austen Film Boom in the 1990s; Chapter 5 -- Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women's History through Film and Literature; Chapter 6 -- Jamesian Proportions: The Henry James Film Boom in the 1990s. Conclusion -- A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film HistoryAppendix 1 -- Mediating Apparent and Latent Content; Appendix 2 -- Model of Adaptation as a Process of Reception; Filmography; Bibliography; Index. Illustrations; Acknowledgments; Introduction -- Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates; Part I -- Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950-1963; Chapter One -- ""Eine Revolution des Films"": The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe; Chapter Two -- The Bridge on the River Kwai Revisted: Combat Cinema, American Culture, and the German Past. Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and Th

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0857457322; 9780857457325
    Schriftenreihe: Transatlantic perspectives ; 11
    Schlagworte: Motion pictures and literature; Motion pictures and history; Film adaptations; PERFORMING ARTS ; Reference; HISTORY ; General; Film adaptations; Motion pictures and history; Motion pictures and literature; Verfilmung; Literatur; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (pages cm)
    Bemerkung(en):

    Includes bibliographical references and index

  12. Approaching recent world history through film
    context, analysis, and research
    Erschienen: 2021
    Verlag:  Routledge, London

    Universitätsbibliothek Heidelberg
    2021 A 6570
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367280888; 9780367280895
    Weitere Identifier:
    9780367280888
    Schlagworte: Motion pictures and history; Historical films; History in motion pictures; Civilization, Modern
    Umfang: viii, 202 Seiten
    Bemerkung(en):

    Includes bibliographical references, filmography, and index

  13. The afterlife of Anne Boleyn
    representations of Anne Boleyn in fiction and on the screen
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HG 431 R969
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2022 A 6990
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    72.841
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII?s most infamous queen. Since her execution on 19 May 1536, Anne?s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  14. The Routledge companion to history and the moving image
    Beteiligt: Hughes-Warrington, Marnie (HerausgeberIn); Nelson, Kim (HerausgeberIn); Treacey, Mia E. M. (HerausgeberIn)
    Erschienen: 2024
    Verlag:  Routledge, London

    Klappentext: "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to... mehr

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    B/217473
    keine Fernleihe
    Universitätsbibliothek Mannheim
    500 AP 45000 H894
    keine Fernleihe

     

    Klappentext: "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hughes-Warrington, Marnie (HerausgeberIn); Nelson, Kim (HerausgeberIn); Treacey, Mia E. M. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032203317; 9781032203324
    RVK Klassifikation: AP 45000
    Schriftenreihe: Routledge companions
    Schlagworte: History in motion pictures; History on television; Historical films; History; Motion pictures and history; 20th century history: c 1900 to c 2000; General & world history; Geschichte allgemein und Weltgeschichte; Geschichte und Archäologie; Geschichte: Theorie und Methoden; HISTORY / General; HISTORY / Historiography; HISTORY / Modern / General; HISTORY / Social History; HISTORY / World; History: theory & methods; Media studies; Medienwissenschaften; Modern history to 20th century: c 1700 to c 1900; PER004120; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Television / General; Social & cultural history; Sozial- und Kulturgeschichte
    Umfang: xiv, 351 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Inhaltsverzeichnis: 1. Introduction: History is a Moving Image Section 1: Understanding History and the Moving Image 2. From History and film to Screened History 3. Actuality is not Enough: On Historiography and Cinema 4. Moving-Image Histories and Ethics Section 2: Genres and Modes 5. Patterns of Reality 6. Remediation, Trauma, and Preposterous History in Documentary Film 7. The Hero Myth and the Cutting Room Floor 8. Dramatizing Film History in the Historical Film 9. Mirroring the 1980s in Contemporary Horror 10. Fantastic Histories: Medievalism in Fantasy Film and Television 11. Satire and Realism in the Historical Film Section 3: Representation, Race and Identity 12. Counter-Temporalities and Dialectical Images in the Mass Cultural Rewriting of US Racial Histories 13. History and Hindi Film 14. Horrific History and Black Aliveness: Travel and Liberatory Loopholes in Lovecraft Country 15. Pasts Refracted: Indigenous Histories on Film Beyond the Cinema 16. The New Civil War Cinema Section 4: Evolving Forms and Formats 17. Public History on Screen: From Broadcast & Network TV to the Internet Era, an Evolutionary Approach 18. Live Documentary: Social Cinema and the Cinepoetics of Doubt 19. Process, Pedagogy, Prefiguration, and the Promised Land 20. Teaching Difficult History with YouTube Videos 21. What If?: Experimental History on Television Afterword 22. History with Images: A Conversation with Robert A. Rosenstone

  15. The anachronistic turn
    historical fiction, drama, film and television
    Erschienen: 2024
    Verlag:  Routledge Taylor & Francis Group, London

  16. The power of neo-slave fiction and public history
    from slavery to the enslaved
    Autor*in: Rodwell, Grant
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, London

    "Professional historians, schools, colleges, and universities are not alone in shaping higher-order understanding of history. The central thesis of this book is the belief historical fiction in text and film shape attitudes towards an understanding... mehr

    Brechtbau-Bibliothek
    PC 530.253
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Professional historians, schools, colleges, and universities are not alone in shaping higher-order understanding of history. The central thesis of this book is the belief historical fiction in text and film shape attitudes towards an understanding of history as it moves the focus from slavery to the enslaved-from the institution to the personal, families and feminist accounts. In a broader sense, this contributes to a public history. In part, using the quickly growing corpus of neo-slave counterfactual narratives, this book examines the notion of the emerging slavery public history, and the extent to which this is defined by literature, film, and other forms of artistic expression, rather than non-fiction-popular or scholarly-and education in history in the school systems. Inter alia, this book looks to the validity of historical fiction in print or in film as a way of understanding history. A focal point of this book is the hypothesis that neo-slave narratives-supported by selective triangulated readings and viewings of scholarly works and nonfiction-have assisted greatly in reshaping the historiography of antebellum slavery, and scholarly historians followed in the wake of these developments. Essentially, this has meant a re-shaping of the historiography with a focus from slavery to that of the enslaved. Moreover, it has opened new vistas for a public history, devoid of top-down authoritative scholarship. An important and provocative read for students and scholars interested in understanding the history of slavery, its harrowing effects, and how it was culturally defined"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032451275; 9781032451282
    Weitere Identifier:
    Schriftenreihe: Routledge studies in cultural history
    Schlagworte: Slavery in literature; Enslaved persons in motion pictures; American literature; Literature and history; Motion pictures and history; Slavery; Enslaved persons; Public history
    Umfang: xiii, 219 Seiten
    Bemerkung(en):

    Includes bibliographical references (p. 179 - 207) and index (p. 209 - 219)

    From slavery to the enslaved: new paradigms, neo-slave fiction, a shared history and higher-order historical thinking -- Slavery and the enslaved: breaking boundaries with neo-slave narratives -- Antebellum neo-slave narratives, history and historiography : higher-order thinking and a public history -- The enslaved, slavery, the Civil War and Reconstruction -- Jim Crow and slavery's immediate aftermath.

  17. Geschichte als Legitimationsstrategie oder die Frage nach der Tradition des Durchhaltefilmes
    eine Analyse von drei Historienfilmen aus geschichtskultureller Perspektive
    Erschienen: [c 2016]; © 2016
    Verlag:  LIT, Münster

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Stiftung Topographie des Terrors, Bibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783643134097
    RVK Klassifikation: AP 49700 ; AP 50300 ; AP 57900 ; AP 59800 ; NB 3950 ; NQ 2270 ; NQ 2280 ; AP 52600
    DDC Klassifikation: 791#DNB
    Schriftenreihe: Geschichte ; Band 133
    Schlagworte: Motion pictures and history; Historical films; Motion pictures; Motion pictures in propaganda; Filmanalyse
    Umfang: 502 Seiten, Illustrationen
    Bemerkung(en):

    Dissertation, Pädagogische Hochschule Weingarten, 2015

  18. The Leading Man
    Hollywood and the Presidential Image
    Erschienen: [2012]; © 2012
    Verlag:  Rutgers University Press, New Brunswick, NJ

    American presidents and Hollywood have interacted since the 1920s. This relationship has made our entertainment more political and our political leadership more aligned with the world of movies and movie stars. In The Leading Man, Burton W. Peretti... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    American presidents and Hollywood have interacted since the 1920s. This relationship has made our entertainment more political and our political leadership more aligned with the world of movies and movie stars. In The Leading Man, Burton W. Peretti explores the development of the cinematic presidential image. He sets the scene in chapter 1 to show us how the chief executive, beginning with George Washington, was positioned to assume the mantle of cultural leading man. As an early star figure in the young republic, the president served as a symbol of national survival and wish fulfillment. The president, as head of government and head of state, had the potential to portray a powerful and charismatic role. At the center of the story are the fourteen presidents of the cinematic era, from Herbert Hoover to Barack Obama. Since the 1920s, the president, like the lead actor in a movie, has been given the central place on the political stage under the intense glare of the spotlight. Like other American men, future presidents were taught by lead movie actors how to look and behave, what to say, and how to say it. Some, like John F. Kennedy and Richard M. Nixon, took particular care to learn from the grooming, gestures, movements, and vocal inflections of film actors and applied these lessons to their political careers. Ronald Reagan was a professional actor. Bill Clinton, a child of the post-World War II Baby Boom, may have been the biggest movie fan of all presidents. Others, including Lyndon Johnson, showed little interest in movies and their lessons for politicians. Presidents and other politicians have been criticized for cheapening their offices by hiring image and advertising consultants and staging their public events. Peretti analyzes the evolution and the significance of this interaction to trace the convoluted history of the presidential cinematic image. He demonstrates how movies have been the main force in promoting appearance and drama over the substance of governing, and how Americans' lives today may be dominated by entertainment at the expense of their engagement as citizens

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813554051
    Weitere Identifier:
    Schlagworte: HISTORY / General; Historical films; Motion pictures and history; Motion pictures; Presidents in motion pictures; USA <Motiv>; Film; Selbstdarstellung
    Umfang: 1 online resource (350 pages), 12 photographs
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  19. Film and the American presidency
    Erschienen: 2015
    Verlag:  Routledge, New York [u.a.]

    The Fictional Lives of American Presidents / Jeff Menne and Christian B. Long -- Early Cinema and the Classicalizing of the Presidential Image. The Media Reconfigured: The US Presidential Elections of 1892 and 1896 / Charles Musser -- "So... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Fictional Lives of American Presidents / Jeff Menne and Christian B. Long -- Early Cinema and the Classicalizing of the Presidential Image. The Media Reconfigured: The US Presidential Elections of 1892 and 1896 / Charles Musser -- "So typically Southern": Abraham Lincoln, the New South, and the Romance of Reunion / David Hoogland Noon -- Mr. Lincoln by Mr. Ford and Mr. Griffith: Image and History in American Cinema / Tom Gunning -- Wilson and the War Effort: Film, Pedagogy, and the Presidency / Josh Glick -- FDR and the Mediated President. The Talented Mr. Roosevelt / Jennifer Fay and Scott J. Juengel -- The Vanishing President / Jonathan Auerbach -- Post-Classical Presidents. Clean Cuts: Kennedy Modernism on Screen / J.D. Connor -- LBJ and the Astronauts / Jeff Menne -- Richard Nixon and the Arts of Power / Deak Nabers -- Beyond the Reaganite Presidential Imaginary. Angry Presidents: Hollywood Film and the Post-9/11 American Presidency / Susan Jeffords -- Obama and the (Raced) Presidential Imaginary / Diane Rubenstein -- The Mise-en-Scene of the Presidency. Anna Deavere Smith and Her West Wing Residencies / Jacqueline O'Connor -- The Mysteries of Washington DC: Hollywood's White House Tunnels / Christian B. Long -- Afterword / Dana D. Nelson

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415834391
    RVK Klassifikation: AP 50300
    Schriftenreihe: Routledge advances in film studies ; 39
    Schlagworte: Presidents in motion pictures; Motion pictures; Historical films; Motion pictures and history
    Umfang: XII, 280 S., [1] Bl., Ill.
    Bemerkung(en):

    Jeff Menne and Christian B. LongEarly Cinema and the Classicalizing of the Presidential Image. The Media Reconfigured: The US Presidential Elections of 1892 and 1896 / Charles Musser: The Fictional Lives of American Presidents

    David Hoogland Noon: "So typically Southern": Abraham Lincoln, the New South, and the Romance of Reunion

    Tom Gunning: Mr. Lincoln by Mr. Ford and Mr. Griffith: Image and History in American Cinema

    Josh Glick: Wilson and the War Effort: Film, Pedagogy, and the Presidency

    Jennifer Fay and Scott J. Juengel: FDR and the Mediated President. The Talented Mr. Roosevelt

    Jonathan Auerbach: The Vanishing President

    J.D. Connor: Post-Classical Presidents. Clean Cuts: Kennedy Modernism on Screen

    Jeff Menne: LBJ and the Astronauts

    Deak Nabers: Richard Nixon and the Arts of Power

    Susan Jeffords: Beyond the Reaganite Presidential Imaginary. Angry Presidents: Hollywood Film and the Post-9/11 American Presidency

    Diane Rubenstein: Obama and the (Raced) Presidential Imaginary

    Jacqueline O'Connor: The Mise-en-Scene of the Presidency. Anna Deavere Smith and Her West Wing Residencies

    Christian B. Long: The Mysteries of Washington DC: Hollywood's White House Tunnels

    Dana D. Nelson.: Afterword

  20. Film and the American presidency
    Beteiligt: Menne, Jeff (Herausgeber)
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    Bibliotheken im Fürstenberghaus 1
    Ok 1167,152
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Menne, Jeff (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138067257; 9780415834391
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge advances in film studies ; 39
    Schlagworte: Presidents in motion pictures; Motion pictures; Historical films; Motion pictures and history; Präsident; Politik <Motiv>; Film
    Umfang: xii, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  21. Film and the American presidency
    Beteiligt: Menne, Jeff (Herausgeber)
    Erschienen: 2015
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    Universitäts- und Landesbibliothek Münster
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Menne, Jeff (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203502051
    Weitere Identifier:
    RVK Klassifikation: AP 50300
    Schriftenreihe: Routledge advances in film studies ; 39
    Schlagworte: Presidents in motion pictures; Motion pictures; Historical films; Motion pictures and history; Präsident; Film; Politik <Motiv>
    Umfang: 1 Online-Ressource (xii, 280 Seiten), Illustrationen
  22. Film, history, and cultural citizenship
    sites of production
    Beteiligt: Chen, Tina Mai (Hrsg.)
    Erschienen: 2007
    Verlag:  Routledge, New York [u.a.]

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    41A1637
    Ausleihe von Bänden möglich, keine Kopien
    Universitäts- und Landesbibliothek Münster
    3K 8324
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Paderborn
    KNMZ1248
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Chen, Tina Mai (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415771177; 041577117X
    Weitere Identifier:
    2006035814
    Schriftenreihe: Routledge studies in cultural history ; 3
    Schlagworte: Motion pictures; Motion pictures and history; Film; Ethnizität <Motiv>
    Umfang: VI, 241 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  23. Film and the American presidency
    Beteiligt: Menne, Jeff (Hrsg.)
    Erschienen: 2015
    Verlag:  Routledge, New York [u.a.]

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    UEl 4-881
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Menne, Jeff (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415834391
    RVK Klassifikation: AP 50300
    Schriftenreihe: Routledge advances in film studies ; 39
    Schlagworte: Presidents in motion pictures; Motion pictures; Historical films; Motion pictures and history; Präsident; Film; Politik <Motiv>
    Umfang: XII, 280 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  24. Sensing the past
    Hollywood stars and historical visions
    Autor*in: Cullen, Jim
    Erschienen: 2012
    Verlag:  Oxford Univ. Press, New York

    Universitätsbibliothek Bielefeld
    WU875 C967
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199927647; 9780199927661
    Schlagworte: Historical films; Motion pictures and history; Filmstar; Historischer Film; USA <Motiv>; Geschichtsbild
    Umfang: X, 252 S., Ill.
  25. Filmography of American history
    Erschienen: 2002
    Verlag:  Greenwood Press, Westport, Conn. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    hisv113.t759
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Duisburg-Essen
    MHRA1972_d
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheken im Fürstenberghaus 1
    Ok 1167,66
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0313313008
    Weitere Identifier:
    2001-33717
    Schlagworte: Historical films; Motion pictures and history; Geschichte <Motiv>; Film
    Umfang: XII, 336 S.