Haunting the Left Bank
mortality and intersubjectivity in Varda, Resnais and Marker
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts,...
mehr
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
Fernleihe:
keine Fernleihe
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors’ cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.
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Haunting the Left Bank
mortality and intersubjectivity in Varda, Resnais and Marker
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts,...
mehr
Standort:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life. It considers moments in which the films of Agnès Varda, Chris Marker and Alain Resnais and theories of intersubjectivity, gender and mortality in contemporaneous works by Jean-Paul Sartre, Simone de Beauvoir, Emmanuel Levinas and Maurice Merleau-Ponty coalesce around this ethical epicentre, the equality enacted by death on every mortal. Challenging hierarchical divisions between subjects constructed around geo-political, gendered or spectatorial difference, it establishes a paradigm in which intersubjective interactions, especially through the gaze, are instead ethical and egalitarian. Haunting the Left Bank identifies and explores the presence of mortality in these directors’ cinematic images, revealing how they indicate ways of connecting with other subjects and speaking to a recognition of equality and difference.
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Chris Marker - Passengers
[... accompanies the exhibition "Chris Marker, Passengers" at the Peter Blum Gallery, New York from April 2 until June 4, 2011]
Standort:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
documenta archiv, Bibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Chris Marker - Passengers
[... accompanies the Exhibition Chris Marker Passengers at the Peter Blum Gallery, New York from April 2 until June 4, 2011]
The exhibition is comprised of more than two hundred photographs taken by Marker between 2008 and 2010. The series, which is Marker’s first in color, are images of passengers traveling on the Paris Métro
mehr
Standort:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
keine Fernleihe
The exhibition is comprised of more than two hundred photographs taken by Marker between 2008 and 2010. The series, which is Marker’s first in color, are images of passengers traveling on the Paris Métro
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Fragile hands
[Mohammed Al-Hawajri, Masoumeh Bakhtiary, Binu Bhaskar, Madhu & Hazra Chitrakar, Rajib Chowdhury,Ramesch Daha, Natasha de Betak, Majid Fathizadeh, Debesh Goswami, Probir Gupta, Ghazaleh Hedayat, Taha Heydary, Khaled Jarrar, Rajkamal Kahlon, Katayoun Karami, Leena Kejriwal, Amir Mobed, Masoumeh Mozafari, Tarzan & Arab Nasser, Charly Nijensohn, Amin Nourani, Lisl Ponger, Simit Raveshia, Oliver Ressler, Atefeh Samaei, Rozita Sharafjahan, JJ Xi]
Standort:
Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Standort:
HALLE 14 - Kunstbibliothek
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt