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  1. Shakespeare's culture of violence
    Autor*in: Cohen, Derek
    Erschienen: 1993
    Verlag:  St. Martin's Press, New York, N.Y.

    In this book Derek Cohen studies the relationship of Shakespearean drama to the Western culture of violence. He argues that violence is an inherent feature and form of patriarchy and that its production and control is one of the dominant motives of... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    In this book Derek Cohen studies the relationship of Shakespearean drama to the Western culture of violence. He argues that violence is an inherent feature and form of patriarchy and that its production and control is one of the dominant motives of the political system. Violence in drama is by definition, never random. It is always part of the dramatic system of signs, used to advance action or to express ideology. Shakespeare's plays supply examples of the way in which the patriarchy of his plays - and hence, perhaps, of modern Western culture - absorbs, naturalizes, and legitimizes violence in its attempts to maintain political control over its subjects. Among those subjects are the politically weak - women and the poor - whose subject status it is in the interests of patriarchy to control. A means of such control is the use of violence, particularly a violence that has been sanctioned and sanctified by religion and ritual.

     
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  2. Literature and degree in Renaissance England
    Nashe, bourgeois tragedy, Shakespeare
    Autor*in: Holbrook, Peter
    Erschienen: 1994
    Verlag:  Univ. of Delaware Press [u.a.], Newark, Del.

    In this volume Peter Holbrook considers the complex interrelations between the literature and social structures of late-sixteenth- and early-seventeenth-century England. Arguing that social stratification is one of the central topics of much... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In this volume Peter Holbrook considers the complex interrelations between the literature and social structures of late-sixteenth- and early-seventeenth-century England. Arguing that social stratification is one of the central topics of much literature of the time, Holbrook draws on recent work in early modern English social history to describe the ways in which discursive modes in particular Renaissance texts articulate social difference. He argues that despite recent influential historicizations of English Renaissance literature, we still need a nuanced understanding of the ways in which "degree," the structure of social distinctions in Renaissance England, was symbolized in the period's literature. Holbrook suggests that it is time to reconsider approaches that take contradiction to be the key fact of English Renaissance social and socioliterary life, and look instead at the variety of ways in which Renaissance writers articulate the relations of different social coups After an opening chapter arguing for the central importance of status to Elizabethan and Jacobean drama, Holbrook turns to particular Renaissance texts that seem to take degree - or social position - as their subject, and that are at the same time acutely aware of the social significance of discursive modes themselves. Thus, in analyzing the work of the pamphleteer Thomas Nashe, Holbrook offers an account of Nashe's style as an attempt to turn to advantage its author's difficult and ambiguous social position. Holbrook also discusses plays (such as Arden of Faversham, A Yorkshire Tragedy, and A Woman Killed with Kindness) that complicate the high genre of tragedy by representing middling or non-aristocratic characters in that mode. Finally, he turns to some Shakespearean treatments of degree in both comedies and tragedies A Midsummer Night's Dream, The Taming of the Shrew, King Lear, Coriolanus, and The Two Noble Kinsmen are seen as addressing in fictional form - sometimes critically - aspects of social hierarchy. Each of the texts considered here, Holbrook suggests, testifies to a willingness in the period to use literature to explore, in a status-obsessed society, the nature of degree. Throughout the author's concern is to stress the ways in which Renaissance texts are aware of the "socially symbolic" character of discursive modes (the ways in which literary form is social form), as well as to urge the revision of a currently dominant model for describing social and socioliterary relations in the English Renaissance - that based upon a simple dichotomy of elite versus populace

     
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  3. Aspects of subjectivity
    society and individuality from the Middle Ages to Shakespeare and Milton
    Autor*in: Low, Anthony
    Erschienen: 2003
    Verlag:  Duquesne Univ. Press, Pittsburgh, Pa.

    "Aspects of Subjectivity focuses on representative literary works that illustrate turns in the history of individuality and subjectivity and the changes in one's relations with community and society. In conjunction with these literary works, Anthony... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Aspects of Subjectivity focuses on representative literary works that illustrate turns in the history of individuality and subjectivity and the changes in one's relations with community and society. In conjunction with these literary works, Anthony Low considers pertinent historical beliefs, attitudes, and practices, including the experience of loneliness and exile, the development of sacramental confession from communal reconciliation to personal absolution from sin, the abolition of Purgatory and the traditional Christian solidarity with the ancestral dead, the role of conscience in the development of self, and the rise in Shakespeare and Milton of a typically modern sense of autonomous individuality and subjectivity."--BOOK JACKET.

     
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  4. Shakespeare, race, and colonialism
    Autor*in: Loomba, Ania
    Erschienen: 2002
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
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  5. Shakespeare and social dialogue
    dramatic language and Elizabethan letters
    Autor*in: Magnusson, Lynne
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Shakespeare and Social Dialogue opens up a new approach to Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson develops a rhetoric of social... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Shakespeare and Social Dialogue opens up a new approach to Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson develops a rhetoric of social exchange to analyze dialogue, conversation, sonnets and particularly letters of the period, which are normally read as historical documents."--BOOK JACKET.

     
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  6. Print, manuscript, & performance
    the changing relations of the media in early modern England
    Erschienen: 2000
    Verlag:  Ohio State Univ. Press, Columbus

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
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  7. Putting history to the question
    power, politics, and society in English Renaissance drama
    Autor*in: Neill, Michael
    Erschienen: 2000
    Verlag:  Columbia Univ. Press, New York

    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering dramatic works by Shakespeare, John Fletcher, Philip Massinger, and others - and reflecting upon subjects rangings from social attitudes toward racial difference and adultery to the politics of mercantilism and the hierarchy of master/servant relationships - the book reenergizes the discussion of Renaissance drama and history." "For the many scholars and students accustomed to reading from photocopies of Neill's writings. Putting History to the Question will be a valuable addition to the critical library."--BOOK JACKET.

     
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  8. The performance of conviction
    plainness and rhetoric in the early English Renaissance
    Autor*in: Graham, Kenneth J. E.
    Erschienen: 1994
    Verlag:  Cornell Univ. Press, Ithaca, NY u.a.

    Belief or skepticism, obedience or resistance to authority, theatricality or stoic self-possession - Kenneth J. E. Graham explores these alternatives in the culture of early modern England. Focusing on plainness - a stylistic feature of much... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Belief or skepticism, obedience or resistance to authority, theatricality or stoic self-possession - Kenneth J. E. Graham explores these alternatives in the culture of early modern England. Focusing on plainness - a stylistic feature of much Renaissance writing - he surveys texts including Wyatt's anti-courtly verse, the Puritan Admonition to Parliament, Ascham's Scholemaster, Greville's non-dramatic writings, and works of Shakespearean tragedy, revenge tragedy, and verse satire. Graham shows how plainness functions not only as a literary style, but also as a mode of political and religious rhetoric that reflects powerful historical currents. Plainness is a result of the claim to possess the plain truth - a self-evident, absolute truth. In the absence of rhetorical criteria for truth, however, plainness registers a conviction that is plain to those who share it but opaque to those who don't. The plain truth can denote either the truth proclaimed and enforced by a public authority, whether liberal or conservative, or the truth of private conviction, which may oppose public authority. According to Graham, the pervasiveness of plainness in the sixteenth and early seventeenth centuries is evidence of a failure of consensus, as authorities made conflicting, irresolvable claims to certainty. The rhetoric of plainness, he asserts, reveals a profound opposition between the attitude of persuasion, a moderately skeptical, pragmatic, and inclusive outlook characteristic of Erasmian humanism, and a stance of conviction, an absolutist, essentialist, and exclusive attitude more typical of Neostoicism and political and moral conservatism.

     
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  9. Spenser's secret career
    Autor*in: Rambuss, Richard
    Erschienen: 1993
    Verlag:  Cambridge Univ. Press, Cambridge u.a.

    Edmund Spenser (c.1552-99) conducted two careers at once: a celebrated poet, he also pursued a lifelong career as secretary to various political and ecclesiastical figures. Richard Rambuss's book explores how this latter career, usually allotted only... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Edmund Spenser (c.1552-99) conducted two careers at once: a celebrated poet, he also pursued a lifelong career as secretary to various political and ecclesiastical figures. Richard Rambuss's book explores how this latter career, usually allotted only cursory mention in accounts of Spenser's professional ambitions, informed his poetic career. Working from the fact that contemporary bureaucratic treatises defined the management of secrets as the central occupation of secretaryship, this study provides a careerist context for the attention to secrecy throughout Spenser's poetry. It takes issue with prevailing new historicist accounts which see Spenser's careerism as shaped entirely by a single-minded pursuit of laureateship along a Virgilian route from pastoral to epic. Spenser's Secret Career presents an alternative picture, arguing that for Spenser the manipulation of secrets - his own and others' - provided a strategy of self-promotion for both of his careers In doing so, this study also considers secrecy in relation to Renaissance formations of power, gender, and subjecthood

     
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  10. Forms of nationhood
    the Elizabethan writing of England
    Autor*in: Helgerson, Richard
    Erschienen: 1992
    Verlag:  Univ. of Chicago Press, Chicago u.a.

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TU Berlin, Universitätsbibliothek
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  11. Reading Shakespeare historically
    Autor*in: Jardine, Lisa
    Erschienen: 1996
    Verlag:  Routledge, London [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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  12. Fat king, lean beggar
    representations of poverty in the age of Shakespeare
    Autor*in: Carroll, William C.
    Erschienen: 1996
    Verlag:  Cornell Univ. Press, Ithaca [u.a.]

    Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds.... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom

     
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  13. Drama and the market in the age of Shakespeare
    Autor*in: Bruster, Douglas
    Erschienen: 1992
    Verlag:  Cambridge Univ. Press, Cambridge

    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the professional status of playwrights such as Shakespeare, and the establishment of commercial... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the professional status of playwrights such as Shakespeare, and the establishment of commercial theaters. Stressing that playhouses were, first and foremost, places of business, he argues that a significant proportion of the drama's practical energy went toward understanding the material conditions that maintained its existence. He sees this impetus as part of a 'materialist vision' which has its origins in the climate of uncertainty engendered by a rapidly expanding London and its burgeoning market. Exploring, for example, the economic importance of the cuckold theme, the role taken by stage objects as commodities, and the commercial significance of the Troy story as staged in Shakespeare's Troilus and Cressida, Bruster returns the theater and the plays performed there to their basis in the material world. In doing so, he offers new ways of reading the drama of Renaissance England.

     
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  14. Shakespeare from the margins
    language, culture, context
    Autor*in: Parker, Patricia A.
    Erschienen: 1996
    Verlag:  Univ. of Chicago Press, Chicago [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0226645843; 0226645851
    RVK Klassifikation: HI 3381
    Schlagworte: Anglais (Langue) - 1500-1700 (Moderne) - Sémantique; Inglés - Principios de la época moderna - Estilo; Inglés - Principios de la época moderna - Semántica; Juegos de palabras; Langage et culture - Angleterre - Histoire - 16e siècle; Langage et culture - Angleterre - Histoire - 17e siècle; Lenguaje y cultura - Gran Bretaña - Historia - Siglo XVI; Lenguaje y cultura - Gran Bretaña - Historia - Siglo XVII; Literatura y sociedad - Gran Bretaña - Historia - Siglo XVI; Literatura y sociedad - Gran Bretaña - Historia - Siglo XVII; Littérature et société - Angleterre - Histoire - 16e siècle; Littérature et société - Angleterre - Histoire - 17e siècle; Marginalidad social en la literatura; Marginalité dans la littérature; Mots d'esprit et jeux de mots; Retórica - Gran Bretaña; Rhétorique - Angleterre; Taalgebruik; Woordspelingen; Englisch; Geschichte; Sprachgebrauch; English language; English language; Language and culture; Language and culture; Literature and society; Literature and society; Marginality, Social, in literature; Plays on words; Gesellschaft; Drama; Sprache; Wortspiel
    Weitere Schlagworte: Shakespeare, William <1564-1616> - Pensée politique et sociale; Shakespeare, William <1564-1616> - Style; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Umfang: X, 392 S.
  15. Close readers
    humanism and sodomy in early modern England
    Autor*in: Stewart, Alan
    Erschienen: 1997
    Verlag:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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  16. Excess and the mean in early modern English literature
    Autor*in: Scodel, Joshua
    Erschienen: 2002
    Verlag:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  17. Shakespeare and domestic loss
    forms of deprivation, mourning and recuperation
    Autor*in: Dubrow, Heather
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "This book re-examines some of Shakespeare's best-known texts in the light of their engagement with the forms of deprivation which threatened domestic security in early modern England. Burglary, the loss of home, and the early deaths of parents... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This book re-examines some of Shakespeare's best-known texts in the light of their engagement with the forms of deprivation which threatened domestic security in early modern England. Burglary, the loss of home, and the early deaths of parents emerge as central and very telling issues in Shakespearean drama. Heather Dubrow recovers the particular significance of home, especially in relation to gender and male and female subjectivity."--BOOK JACKET.

     
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  18. Shakespeare's professional career
    Autor*in: Thomson, Peter
    Erschienen: 1992
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Shakespeare was a supremely successful accommodator. The story of his career as actor and playwright, which this book tells, shows the accommodation of his remarkable talents to the circumstances of his time: the social, political and professional... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TU Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Shakespeare was a supremely successful accommodator. The story of his career as actor and playwright, which this book tells, shows the accommodation of his remarkable talents to the circumstances of his time: the social, political and professional life of Elizabethan and Jacobean England. It describes the development of this talent into genius. It also describes a background of theatrical rivalry, opportunism, service to noble patrons, and the sometimes involuntary involvement in political intrigue. The book begins with Stratford-upon-Avon and investigates Shakespeare's likely link with the Earls of Derby, who were probably his first theatrical patrons. It goes on to detail the theatrical conditions that prevailed when Shakespeare first embarked on his profession. Year by year Peter Thomson recreates Shakespeare's writing career, showing how the plays mirror their times. The story reveals the precarious nature of theatrical survival, the constant threat posed by the withdrawal of noble or royal patronage, the spread of disease, the anxieties of war and the uncertain climate. Peter Thomson's concern throughout is with the concrete details of the profession, setting out playhouse practices from the viewpoint of playwright, actor and audience. His discussion of the London playhouses incorporates the new evidence provided by the recent Rose and Globe excavations. The narrative is succinct but entertaining, enabling the non-expert to pick a clear path through contemporary political struggles and intrigues, the structure of Elizabethan patronage, the formation and disbanding of theatre companies and the fate of their buildings. There are numerous illustrations. Some will be familiar to students of Shakespeare, but are reproduced here in the context of his professional development; others have been gleaned from museums, libraries and great houses to illustrate the wider social context of Elizabethan and Jacobean England.

     
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  19. Fat king, lean beggar
    representations of poverty in the age of Shakespeare
    Autor*in: Carroll, William C.
    Erschienen: [1996]
    Verlag:  Cornell University Press, Ithaca

    Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds.... mehr

     

    Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom

     
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  20. Shakespearean power and punishment
    a volume of essays
    Erschienen: 1998
    Verlag:  Fairleigh Dickinson Univ. Press [u.a.], Madison, Wis. [u.a.]

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  21. Print, manuscript, & performance
    the changing relations of the media in early modern England
    Erschienen: 2000
    Verlag:  Ohio State Univ. Press, Columbus

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  22. Shakespeare, race, and colonialism
    Autor*in: Loomba, Ania
    Erschienen: 2002
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

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  23. Putting history to the question
    power, politics, and society in English Renaissance drama
    Autor*in: Neill, Michael
    Erschienen: 2000
    Verlag:  Columbia Univ. Press, New York

    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering... mehr

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    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering dramatic works by Shakespeare, John Fletcher, Philip Massinger, and others - and reflecting upon subjects rangings from social attitudes toward racial difference and adultery to the politics of mercantilism and the hierarchy of master/servant relationships - the book reenergizes the discussion of Renaissance drama and history." "For the many scholars and students accustomed to reading from photocopies of Neill's writings. Putting History to the Question will be a valuable addition to the critical library."--BOOK JACKET.

     
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  24. Shakespeare and social dialogue
    dramatic language and Elizabethan letters
    Autor*in: Magnusson, Lynne
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Shakespeare and Social Dialogue opens up a new approach to Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson develops a rhetoric of social... mehr

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    "Shakespeare and Social Dialogue opens up a new approach to Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson develops a rhetoric of social exchange to analyze dialogue, conversation, sonnets and particularly letters of the period, which are normally read as historical documents."--BOOK JACKET.

     
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  25. Shakespeare and domestic loss
    forms of deprivation, mourning and recuperation
    Autor*in: Dubrow, Heather
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "This book re-examines some of Shakespeare's best-known texts in the light of their engagement with the forms of deprivation which threatened domestic security in early modern England. Burglary, the loss of home, and the early deaths of parents... mehr

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    "This book re-examines some of Shakespeare's best-known texts in the light of their engagement with the forms of deprivation which threatened domestic security in early modern England. Burglary, the loss of home, and the early deaths of parents emerge as central and very telling issues in Shakespearean drama. Heather Dubrow recovers the particular significance of home, especially in relation to gender and male and female subjectivity."--BOOK JACKET.

     
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