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  1. Epic and empire in nineteenth-century Britain
    Autor*in: Dentith, Simon
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    In the nineteenth century, epic poetry in the Homeric style was widely seen as an ancient and anachronistic genre, yet Victorian authors worked to recreate it for the modern world. Simon Dentith explores the relationship between epic and the... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In the nineteenth century, epic poetry in the Homeric style was widely seen as an ancient and anachronistic genre, yet Victorian authors worked to recreate it for the modern world. Simon Dentith explores the relationship between epic and the evolution of Britain's national identity in the nineteenth century up to the apparent demise of all notions of heroic warfare in the catastrophe of the First World War. Paradoxically, writers found equivalents of the societies which produced Homeric or Northern epics not in Europe, but on the margins of empire and among its subject peoples. Dentith considers the implications of the status of epic for a range of nineteenth-century writers, including Walter Scott, Matthew Arnold, Elizabeth Barrett Browning, William Morris and Rudyard Kipling. He also considers the relationship between epic poetry and the novel and discusses late nineteenth-century adventure novels, concluding with a brief survey of epic in the twentieth century

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484773
    Weitere Identifier:
    RVK Klassifikation: HL 1291
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 52
    Schlagworte: English literature / 19th century / History and criticism; Epic literature / History and criticism; Literature and history / Great Britain; National characteristics, British, in literature; Nationalbewusstsein; Epos; Englisch; Kolonialismus
    Umfang: 1 online resource (vii, 245 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Homer, Ossian and modernity -- 2. Walter Scott and heroic minstrelsy -- 3. Epic translation and the National ballad metre -- 4. The matter of Britain and the search for a national epic -- 5. 'As flat as Fleet street' : Elizabeth Barrett Browning, Matthew Arnold and George Eliot on epic modernity -- 6. Mapping epic and novel -- 7. Epic and the imperial theme -- 8. Kipling, Bard of empire -- 9. Epic and the subject peoples of empire -- 10. Coda : some Homeric futures

  2. Literature as history
    essays in honour of Peter Widdowson
    Beteiligt: Widdowson, Peter
    Erschienen: 2010
    Verlag:  Continuum, London [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Beteiligt: Widdowson, Peter
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780826433855; 9781441174314
    RVK Klassifikation: EC 5410 ; HD 140 ; HG 262 ; HG 435
    Schriftenreihe: Continuum literary studies series
    Schlagworte: English literature / History and criticism; Literature and history / Great Britain; Criticism / History; Literature and society / Great Britain / History; Geschichte; English literature; History in literature; Literature and history; Literature and society; Literatur; Englisch
    Weitere Schlagworte: Widdowson, Peter
    Umfang: XIV, 189 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  3. Reading historical fiction
    the revenant and remembered past
    Beteiligt: Mitchell, Kate (Hrsg.)
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

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    Quelle: Verbundkataloge
    Beteiligt: Mitchell, Kate (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230343139; 0230343139
    Schlagworte: Historical fiction, English / History and criticism; Literature and history / Great Britain; History in literature; Recollection (Psychology) in literature; English fiction / Periodization
    Umfang: XII, 243 S.
    Bemerkung(en):

    Literaturverz. S. 220 - 239

    Online-Ausg.

  4. Achieving "at-one-ment"
    storytelling and the concept of the self in Ian McEwan's The child in time, Black dogs, Enduring love, and Atonement
    Erschienen: ©2004
    Verlag:  P. Lang, Frankfurt am Main

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783653013252; 3653013259
    RVK Klassifikation: HN 5833 ; HN 5835
    Schriftenreihe: Array ; Bd. 26
    Schlagworte: Child in time; Enduring love; Black dogs; Atonement; Postmodernism (Literature) / Great Britain; Literature and history / Great Britain; Storytelling / Great Britain; Self in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Literature and history / (OCoLC)fst01000077; Postmodernism (Literature) / (OCoLC)fst01073181; Self in literature / (OCoLC)fst01111462; Storytelling / (OCoLC)fst01134169; Selbst <Motiv>; Erzähltechnik; Ich <Motiv>
    Weitere Schlagworte: McEwan, Ian / Criticism and interpretation; McEwan, Ian / (OCoLC)fst00030517; McEwan, Ian
    Umfang: 1 online resource (106 pages)
    Bemerkung(en):

    Print version record

    Includes bibliographical references (pages 101-106)

    Table of Contents; 0. INTRODUCTION 7; 1. THE STORIED SELF IN MORAL SPACE 11; 1.1 The Ethical Turn in Literary Criticism, or: Essays in Retrieval 11; 1.2 Facing Contingency: Fragmentations of Self and Morality 15; 1.3 Inescapable Frameworks and Shifting Horizons: Towards a Narrative Concept of the Self 19; 2. SETTING THE SCENE: THE POSTMODERN CHALLENGE TO THE SELF 25; 2.1 A Whole Supermarket of Theories: Exploring the Panorama of Ian McEwan's Novels 25; 2.2 Rising to the Challenge: Narrative (Sef- )Creation 31; 3. UNFOLDING THE MAP OF LIFE: LOCATING THE SELF 39

    3.1 Being a Self to Yourself: Identity and Orientation 393.2 Self Among Other Selves: Autonomy versus Commitment 43; 4. TAKING PERSPECTIVES: STORIES OF THE SELF 49; 4.1 The Poly-Storied Self Selfhood and Cultural Tradition 49; 4.2 The Two Cultures Debate: Science versus Literature 51; 4.3 Metaphysician Meets Ironist: Rationalism, Scientism, and Mysticism 61; 5. AT THE CROSSROADS: THE IMPACT OF THE SINGULAR ON THE CONCEPT OF THE SELF 71; 5.1 Dealing with Epistemological Crises: Redescriptions and New Horizons 71; 5.2 Love, Loss, and Guilt: The Emotional Geography of the Self 81

    6. JOURNEY' S END: ACHIEVING `AT-ONE-MENT'? 876.1 Towards Greater Solidarity: Introducing the Liberal Ironist 87; 6.2 Tying Knots and Closing Questions? 91; 7. CONCLUSION 97; 8. WORKS CITED 101

  5. Literature as history
    essays in honour of Peter Widdowson
    Beteiligt: Widdowson, Peter
    Erschienen: 2010
    Verlag:  Continuum, London [u.a.]

    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Widdowson, Peter
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780826433855; 9781441174314
    RVK Klassifikation: EC 5410 ; HD 140 ; HG 262 ; HG 435
    Schriftenreihe: Continuum literary studies series
    Schlagworte: English literature / History and criticism; Literature and history / Great Britain; Criticism / History; Literature and society / Great Britain / History; Geschichte; English literature; History in literature; Literature and history; Literature and society; Literatur; Englisch
    Weitere Schlagworte: Widdowson, Peter
    Umfang: XIV, 189 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  6. The Romantics
    English literature in its historical, cultural[,] and social contexts
    Autor*in: King, Neil
    Erschienen: 2003
    Verlag:  Facts on File, New York

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0816051283; 9780816051281
    Schriftenreihe: Backgrounds to English literature ; 2
    Schlagworte: English literature / 19th century / History and criticism; Literature and history / Great Britain; Romanticism / England; Engels; Letterkunde; Englisch; Literatur; English literature; Literature and history; Romanticism; Romantik; Literatur; Englisch
    Umfang: 96 S., Ill., 26 cm
    Bemerkung(en):

    Includes bibliographical references (p. 94) and index

    Romanticism -- The age of revolution -- Individualism -- Economic and social contexts -- Painting, music and theatre -- The gothic and supernatural -- Timeline -- Glossary of terms

  7. The End Crowns All
    Closure and Contradiction in Shakespeare's History
    Erschienen: [1991]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400861767
    Weitere Identifier:
    Schlagworte: Englische Literatur; Historical drama, English / History and criticism; Literature and history / Great Britain; Kings and rulers in literature; Contradiction in literature; Closure (Rhetoric); DRAMA / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Chronicle plays of William Shakespeare; Historical drama, English; Historiography; Literature; Literature and history; Literatur; Historisches Drama; Geschichtsdarstellung; Dramenschluss; Königsdrama
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (336p.)
    Bemerkung(en):

    In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as a form of textuality and to the intertextual relations between drama and other forms of history writing, Hodgdon situates performance as a type of new historicism and shows how theatrical productions, like critical discourse, participate in cultural work. Through a study of playtexts and selected performance texts, she negotiates between the critical and theatrical guises of Shakespeare to assess how past and present-day theatrical practice has appropriated his work to serve particular institutional and social practices.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  8. Shakespeare and digital pedagogy
    case studies and strategies
    Erschienen: 2021
    Verlag:  The Arden Shakespeare, London [England] ; Bloomsbury Publishing

    Universitätsbibliothek Siegen
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Historical drama, English / Study and teaching; Literature and history / Great Britain; Shakespeare studies & criticism
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Histories; Shakespeare, William / 1564-1616 / Study and teaching
    Umfang: 1 online resource (272 pages)
    Bemerkung(en):

    Includes bibliographical references and index