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  1. Das Scheitern einer heroischen Konzeption ; Der Freundschafts- und Liebesdiskurs im »Waldbruder«
    Autor*in: Stephan, Inge
    Erschienen: 1994
    Verlag:  Metzler

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    Sprache: Unbestimmt
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Literatur; Freundschaft; Liebe; Männerbund; Frauen; Deutsche Literatur
    Lizenz:

    creativecommons.org/licenses/by/4.0/legalcode.de

  2. Das Narrativ ‚natürlicher‘ Mutterliebe und Mütterlichkeit in Literatur und Film
    Erschienen: 2016
    Verlag:  Humboldt-Universität zu Berlin

    Abstract ; Im Sinne einer kulturwissenschaftlichen Emotionsforschung, die Affekte und Gefühle auf ihre kulturellen Repräsentationsformen und Bedingungen hin untersucht, wird in historischer Perspektive gezeigt, wie das Narrativ mütterlicher Fürsorge... mehr

     

    Abstract ; Im Sinne einer kulturwissenschaftlichen Emotionsforschung, die Affekte und Gefühle auf ihre kulturellen Repräsentationsformen und Bedingungen hin untersucht, wird in historischer Perspektive gezeigt, wie das Narrativ mütterlicher Fürsorge bis heute das kulturelle Verständnis von der Frau formt. Die Analyse eines filmischen (Stephen Daldry The Hours) und eines literarischen Beispiels (Julia Franck Die Mittagsfrau) stellt zwei Werke in den Mittelpunkt, die jeweils eine Doppelperspektive einnehmen, die der Mutter und die des Kindes. Sie gehören zu der Textgruppe, die ein im Weiblichkeitsdiskurs eher tabuisiertes Feld behandeln, nämlich Mütter zu perspektivieren, die ihre Kinder nicht aufopferungsvoll lieben. Sie sind als kritische Reflexionen biologistischer Vorannahmen über scheinbar ‚natürliche‘ Mütterlichkeit, mit der innerhalb des kulturell verankerten binären Systems gleichzeitig die ‚Unnatürlichkeit‘ männlicher Fürsorge impliziert ist, ebenso zu verstehen wie als Infragestellung eines traditionellen Familienbilds, in dem Väter von der Zuständigkeit für das emotionale Kindeswohl eher ausgeschlossen sind, weil diese als genuin weibliche Aufgabe diskursiviert wird. ; Abstract ; This article demonstrates from a historical perspective and in terms of cultural studies research into emotions, which examines affects and feelings in terms of their forms of cultural representation and cultural conditions, how the narrative of motherly care has shaped the cultural understanding of women up to the present day. An analysis of one cinematic ( Stephen Daldry’s “The Hours”) and one literary (Julia Franck’s “Die Mittagsfrau”) example puts the focus on two works which both adopt a double perspective, that of the mother as well as of the child. They belong to the group of texts which deal with a tabooed field in the femininity discourse, that is the perspective of those mothers who do not selflessly love their children. They are to be understood as critical reflections of biologistic presuppositions about apparently “natural” motherliness, which at the same time, within the culturally anchored binary system, implies the “unnaturalness” of masculine care. Moreover, they must be understood as calling into question the traditional family image in which fathers tend to be excluded from responsibility for a child’s emotional well-being because that is narrated as a genuinely female task.

     

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  3. Zwischen Lebensutopie und Lebensrealität - die 'Briefe einer Peruanerin' von Francoise de Grafigny
    Erschienen: 1998

  4. Das hässliche Entlein wird zum Schwan: Liebe, Schönheit und Selbstnarration in Twilight, Fifty Shades of Grey und Jane Eyre
    Autor*in: Coffey, Judith
    Erschienen: 2016

    Abstract: "Der Beitrag fokussiert auf die Protagonistinnen und zugleich Erzählerinnen von Stephenie Meyers Twilight-Saga und E. L. James' Fifty-Shades-Trilogie und vergleicht sie mit ihrem Prototyp, Jane Eyre aus dem gleichnamigen Roman von Charlotte... mehr

     

    Abstract: "Der Beitrag fokussiert auf die Protagonistinnen und zugleich Erzählerinnen von Stephenie Meyers Twilight-Saga und E. L. James' Fifty-Shades-Trilogie und vergleicht sie mit ihrem Prototyp, Jane Eyre aus dem gleichnamigen Roman von Charlotte Brontë. Im Zentrum steht eine Analyse der Selbstbeschreibung von Bella, Ana und Jane als gewöhnlich, unscheinbar und wenig attraktiv. Indem diese Selbstbeschreibung in den Kontext des Gesamttextes - und damit der Liebesgeschichte und ihrer seit dem 19. Jahrhundert etablierten Begehrensökonomie - gestellt wird, kann herausgearbeitet werden, wie die Sichtweise der Erzählerinnen im Text gewichtet und punktuell infrage gestellt wird und wie sich die Protagonistinnen im Laufe der Erzählung in feminine und begehrenswerte Frauen verwandeln. Dadurch kann in den Blick genommen werden, welche spezifische Form weißer bürgerlicher heterosexueller Weiblichkeit in heteronormativen Liebesgeschichten entworfen und bekräftigt wird." (Autorenreferat)

     

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    Sprache: Deutsch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Selbstdarstellung; Roman; Weiblichkeit; Heterosexualität; Liebe; Normativität
  5. Die Cannes Brillanten
  6. Die Cannes Brillanten
  7. Seelendorn
    Autor*in: Hope, C. A.
    Erschienen: 2020

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    Sprache: Deutsch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Familie; Schizophrenie; Psychologie; Freundschaft; Liebe
    Lizenz:

    kostenfrei

  8. Feuerherz
  9. Befreite Träume
  10. A study of Carter's Wolf-Alice based on showalter's gynocriticism
    Erschienen: 2015

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided... mehr

     

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Company of Wolves, and Werewolf and mainly in Wolf-Alice have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women t

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Erzählung; Feminismus; Emanzipation; Patriarchat; Liebe; Pornographie; Carter; A.
  11. Diversity of love relationship in Janette Oke's fictions
    Erschienen: 2015

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works... mehr

     

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works in Canadian literature without whom the world of Canadian literature would be dark and empty. Love is the eventual weakness, but philosophy, religion and art during time have portrayed it in its place as a way to a higher level of being beyond the pain and transformation of every day. This paper points out to different kinds of love relationship in Oke's fictions

     

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Kanada; Liebe; Romantik; Roman; Fiktion; Partnerbeziehung; Oke; J.
  12. Survey of Love and Marriage in Janette Oke's Fictions
    Erschienen: 2015

    Abstract: Love is a responsibility in being fond of others that is higher than a desire of friendship, for sure. It is something more than overcoming our loneliness, though human needs a power to escape from his loneliness. As a social being, human... mehr

     

    Abstract: Love is a responsibility in being fond of others that is higher than a desire of friendship, for sure. It is something more than overcoming our loneliness, though human needs a power to escape from his loneliness. As a social being, human requires others to live, especially in opposite sex. In Janette Oke’s novels, the nature and meaning of love is the common path in choosing a life partner for marriage. In her view, marital love is a main principle in transcending human life. In her novels, when pure love happens in which we love somebody honestly without expecting reciprocation. In such relationship, the lover can only adjust his behaviors to show the message of love. Oke tries to show that the romantic love is the basis of the most extreme pleasure that our life needs

     

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Liebe; Ehe; Familie; Freundschaft; Partnerbeziehung; Roman
  13. On the (im)possibility and bliss of telling my dad, "I love you"
    Erschienen: 2018

    Abstract: While fathers seldom say "I love you" to their son(s), there is also acknowledgment that sons rarely say it to their father. Confessions of love are like notes in a melody of previous affirmations, so what is it like for a son to say it,... mehr

     

    Abstract: While fathers seldom say "I love you" to their son(s), there is also acknowledgment that sons rarely say it to their father. Confessions of love are like notes in a melody of previous affirmations, so what is it like for a son to say it, especially if large parts of his life are spent in "connective avoidance" with his dad? Writing on the (im)possibility of eventually saying "I love you", just before he died, I offer a "blissfully poetic" account of the experience of saying it. I also reflect on the lingering significance it has had for my experience of loss and bereavement. Although this text offers no easy formula, it ends by showing what a text of bliss might eventually look like for a son in recovery. Addressing the questions, so what? And, now what, then? implications beyond the self are also considered

     

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Ethnographie; Liebe; Trauer; Vater; Sohn; soziale Beziehungen; Dichtung; Forschung; Schreiben; Erzählung; Narration
  14. Dark is your passion - Du bist mein
  15. Wie die Waschbären die Liebe retteten
    Erschienen: 2016

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    Sprache: Deutsch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Allgemein; Sewn; Liebe; Liebesroman; Natur; Spannung; Tiere; Tierliebe; Tierroman; Waschbären
    Lizenz:

    kostenfrei

  16. Love, perfection, and egotism in Janette Oke's fictions
    Erschienen: 2015

    Abstract: Love is distinguished as a feeling that begins from the lover's sight to the beloved. In societies in the past, lovers preferred to keep their relationships with the beloved in secret. It means that keeping love as a secret had been... mehr

     

    Abstract: Love is distinguished as a feeling that begins from the lover's sight to the beloved. In societies in the past, lovers preferred to keep their relationships with the beloved in secret. It means that keeping love as a secret had been appropriate in societies. In present people's view, it is a big problem which cannot be answered with any reason, but religion. Today's lovers are not forced with such problem and they overtly speak about their beloveds. In Janette Oke's fictions, the lovers openly speak about their idiosyncratic behaviors. She shows perfect love in her novels that is against egotism which this paper tries to survey it

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Roman; Liebe; Egoismus; Verhalten; Perfektion; Leidenschaft
  17. ...scheuen das Licht der Öffentlichkeit: eine kurze Geschichte des Liebesbriefs
    Erschienen: 2001

    Abstract: 'Im Liebesbrief manifestiert sich die privateste und intimste Form schriftlicher Nachrichtenübermittlung. Er war im Laufe der Zeit sowohl kultur- als auch bedeutungsgeschichtlichen Modifikationen unterworfen. Entgegen vielfach geäußerter... mehr

     

    Abstract: 'Im Liebesbrief manifestiert sich die privateste und intimste Form schriftlicher Nachrichtenübermittlung. Er war im Laufe der Zeit sowohl kultur- als auch bedeutungsgeschichtlichen Modifikationen unterworfen. Entgegen vielfach geäußerter Prognosen ist er nie ausgestorben, ein stetiger Wandel in seiner Gestalt ist allerdings unübersehbar.' (Autorenreferat)

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Brief; historische Entwicklung; kulturelle Faktoren; Emotionalität; Schreiben; Liebe; Intimität
  18. A study of carter's The Snow Child in the light of Showalter's theories
    Erschienen: 2015

    Abstract: Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct... mehr

     

    Abstract: Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct reflections of the feminist movement that took place in the 1970s. The concepts within this movement relating specifically to the ideologies of radical-libertarian feminist, and regarding the extent to which she promotes feminist due to her style, referred to as "Galm-Rock" feminism. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in ca

     

    Export in Literaturverwaltung
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Feminismus; Emanzipation; Patriarchat; Liebe; Pornographie; Carter; A.
  19. A gynocritical study of The Company of Wolves by Angela Carter
    Erschienen: 2015

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the... mehr

     

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Werewolf, The Wolf-Alice, and mainly in The Company of Wolves have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation

     

    Export in Literaturverwaltung
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Erzählung; Feminismus; Emanzipation; Patriarchat; Liebe; Pornographie; Carter; A.
  20. Analysis of system of personages and composition of "The Double, or my Evenings in Malorossia" by А. Pogorelsky
    Autor*in: Vorova, T.P
    Erschienen: 2016

    Abstract: Antony Pogorelsky (1787-1836) (the pseudonym of А. А. Perovsky) was one of the writers active in the early stages of Russian romantic prose, when romanticism, with its new artistic outlook based on rapt attention towards and keen interest... mehr

     

    Abstract: Antony Pogorelsky (1787-1836) (the pseudonym of А. А. Perovsky) was one of the writers active in the early stages of Russian romantic prose, when romanticism, with its new artistic outlook based on rapt attention towards and keen interest in the inner world of feelings and emotions of its literary heroes, replaced the literary movement of sentimentalism with its orientation toward the ideas of the enlightenment. The current article is aimed at the investigation of the first book by A. Pogorelsky "The Double, or My Evenings in Malorossia", the novelty of which lies not only in the fact that the book is directly correlated with the traditions of West European romanticism (which was undoubtedly well-known to the writer), but also in the introduction of a new principle of composition into Russian literature (the cycle of several stories united through dialogic framing), which was the first experiment of this kind in the Russian literary environment and would soon become one of the favo

     

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