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  1. Cultivation and catastrophe
    the lyric ecology of modern Black literature
    Autor*in: Posmentier, Sonya
    Erschienen: 2017
    Verlag:  Johns Hopkins University Press, Baltimore

    "At the intersection of social and environmental history there has emerged a rich body of black literary response to natural and agricultural experiences, whether the legacy of enforced agricultural labor or of the destruction and displacement... mehr

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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "At the intersection of social and environmental history there has emerged a rich body of black literary response to natural and agricultural experiences, whether the legacy of enforced agricultural labor or of the destruction and displacement brought about by a hurricane. In Cultivation and Catastrophe, Sonya Posmentier uncovers a vivid diasporic tradition of black environmental writing that responds to the aftermath of plantation slavery, urbanization, and free and forced migrations. While humanist discourses of African American and postcolonial studies often sustain a line between nature and culture, this book instead emphasizes the relationship between them, offering an innovative environmental history of modern black literature. Posmentier argues that environmental experiences of growth and rupture define the literature of black freedom, an archive that ranges from sonnets, mini-epics, documentary poems, periodicals, and novels to blues songs, dancehall productions, and ethnographic writing. In turn, this literature generates important and surprising models for ecological thought. Claude McKay, for example, connects rows of potatoes to the poetic line; Zora Neale Hurston composes rhythmic communal lyrics in the Florida "muck" following a deadly hurricane; and Derek Walcott critiques property-based ecological relations through the archipelagic shape of his mid-career poetry. Posmentier examines how these writers, along with Gwendolyn Brooks, Bessie Smith, Sterling Brown, Lloyd Lovindeer, Kamau Brathwaite, and others give voice to racialized experiences of alienation from the land while simultaneously envisioning a modern poetics of survival, repair, and generation. Going against the grain of scholarship that has situated modern black diasporic agency largely in metropolitan sites, Posmentier traces a black literary history of environmental and social disaster while exploring the possibilities and limits of poetry as an archive for black modern culture in its many forms. This pathbreaking book offers stunning new insight into modern black literature, environmental humanities, and poetry and poetics"-- Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART 1: CULTIVATION; 1 Cultivating the New Negro: The Provision Ground in New York; 2 Cultivating the Nation: The Reterritorialization of Black Poetry at Midcentury; 3 Cultivating the Caribbean: "The Star-Apple Kingdom," Property, and the Plantation; PART 2: CATASTROPHE; 4 Continuing Catastrophe: The Flood Blues of Sterling Brown and Bessie Smith; 5 Collecting Catastrophe: How the Hurricane Roars in Zora Neale Hurston's; 6 Collecting Culture: Hurricane Gilbert's Lyric Archive; Coda: Unnatural Catastrophe NotesBibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z

     
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  2. Unexpected places
    relocating nineteenth-century African American literature
    Autor*in: Gardner, Eric
    Erschienen: ©2009
    Verlag:  University Press of Mississippi, Jackson

    Introduction: Duty and daily bread -- Gateways and borders: Black St. Louis in the 1840s and 1850s -- Frontiers and domestic centers: Black Indiana,1857-1862 -- The Black West: northern California and beyond, 1865-1877 -- Beyond Philadelphia: the... mehr

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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction: Duty and daily bread -- Gateways and borders: Black St. Louis in the 1840s and 1850s -- Frontiers and domestic centers: Black Indiana,1857-1862 -- The Black West: northern California and beyond, 1865-1877 -- Beyond Philadelphia: the reach of the Recorder, 1865-1880 -- Epilogue: (Re)locating "Hannah Crafts." In January of 1861, on the eve of both the Civil War and the rebirth of the African Methodist Episcopal Church's Christian Recorder, John Mifflin Brown wrote to the paper praising its editor Elisha Weaver: "It takes our Western boys to lead off. I am. proud of your paper.". Weaver's story, though, like many of the contributions of early black literature outside of the urban Northeast, has almost vanished. Unexpected Places: Relocating Nineteenth-Century African American Literature recovers the work of early African American authors and editors such as Weaver who have been left off m

     
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  3. Bodyminds Reimagined
    (Dis)ability, Race, and Gender in Black Women's Speculative Fiction
    Autor*in: Schalk, Samantha Dawn
    Erschienen: 2018
    Verlag:  Duke University Press, Durham

    In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds--the intertwinement of the mental and the physical--in the context of race, gender, and (dis)ability. Bridging black feminist... mehr

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    Evangelische Hochschule Freiburg, Hochschulbibliothek
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds--the intertwinement of the mental and the physical--in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N.K. Jemisin, Shawntelle Madison, and Nalo Hopkinson--where werewolves have obsessive-compulsive-disorder and blind demons can see magic--destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler's Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.

     
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  4. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Erschienen: [2012]
    Verlag:  University of Michigan Press, Ann Arbor

    Contents -- Introduction, George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson -- Representing African American Literature;... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mannheim, Hochschulbibliothek
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    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Contents -- Introduction, George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson -- Representing African American Literature; or, Tradition against the Individual Talent, George Hutchinson -- “Quite as human as it is Negro�: Subpersons and Textual Property in Native Son and Black Boy, John K. Young -- The Colors of Modernism: Publishing African Americans, Jews, and Irish in the 1920s, George Bornstein More than McKay and Guillén: The Caribbean in Hughes and Bontemps�s The Poetry of the Negro (1949), Ifeoma Kiddoe NwankwoEditorial Federalism: The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance, William J. Maxwell -- Loosening the Straightjacket: Rethinking Racial Representation in African American Anthologies, Gene Andrew Jarrett -- “Let the World Be a Black Poem�: Some Problems of Recollecting and Editing Black Arts Texts, James W. Smethurst -- Textual Productions of Black Aesthetics Unbound, Margo Natalie Crawford Select BibliographyContributors -- Index "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472028924; 0472028928; 9780472118632; 0472118633
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual; American literature; Literature publishing; African Americans; African Americans in literature; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; Literature publishing ; Political aspects; Criticism, Textual; African Americans ; Intellectual life; African Americans in literature; History; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index
  5. The Black arts enterprise and the production of African American poetry
    Autor*in: Rambsy, Howard
    Erschienen: [2011]
    Verlag:  University of Michigan Press, Ann Arbor

    Introduction : "a group of groovy Black people" -- Getting poets on the same page : the roles of periodicals -- Platforms for Black verse : the roles of anthologies -- Understanding the production of Black arts texts -- All aboard the... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mannheim, Hochschulbibliothek
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    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Introduction : "a group of groovy Black people" -- Getting poets on the same page : the roles of periodicals -- Platforms for Black verse : the roles of anthologies -- Understanding the production of Black arts texts -- All aboard the Malcolm-Coltrane express -- The poets, critics, and theorists are one -- The revolution will not be anthologized -- List of anthologies containing African American poetry, 1967-75. Devoted chiefly to the period from 1965-1976 The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors

     
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  6. Jazz country
    Ralph Ellison in America
    Erschienen: c2001
    Verlag:  University of Iowa Press, Iowa City

    The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music mehr

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    Universitätsbibliothek der Eberhard Karls Universität
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    The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587294052; 9781587294051
    Schlagworte: Jazz in literature; LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; American ; African American; Jazz; Jazz in literature; Jazz
    Weitere Schlagworte: Ellison, Ralph; Ellison, Ralph; Ellison, Ralph 1914-; Ellison, Ralph
    Umfang: Online Ressource ([xv], 168 p.), ill.
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    Includes bibliographical references and index. - Description based on print version record
  7. Freedom time
    the poetics and politics of black experimental writing
    Erschienen: 2014
    Verlag:  Johns Hopkins University Press, Baltimore

    "Standard literary criticism tends to either ignore or downplay the unorthodox tradition of black experimental writing that emerged in the wake of protests against colonization and Jim Crow-era segregation. Histories of African American literature... mehr

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Standard literary criticism tends to either ignore or downplay the unorthodox tradition of black experimental writing that emerged in the wake of protests against colonization and Jim Crow-era segregation. Histories of African American literature likewise have a hard time accounting for the distinctiveness of experimental writing, which is part of a general shift in emphasis among black writers away from appeals for social recognition or raising consciousness. In Freedom Time--the second book to appear in the Callaloo African Diaspora Series--Anthony Reed offers a theoretical reading of "black experimental writing" that understands the term both as a profound literary development and as a concept with which to analyze the ways that writing challenges us to rethink the relationships between race and literary techniques. Through extended analyses of works by African American and Afro-Caribbean writers--including N.H. Pritchard, Suzan-Lori Parks, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, and Nathaniel Mackey--Reed develops a new sense of the literary politics of formally innovative writing and the connections between literature and politics since the 1960s. Freedom Time reclaims the power of experimental black voices by arguing that, if literature fundamentally serves the human need for freedom in expression, then readers and critics must see it as more than a mere reflection of the politics of social protest and identity formation. With an approach informed by literary, cultural, African American, and feminist studies, Reed shows how reworking literary materials and conventions liberates writers to push the limits of representation and expression"-- "In Freedom Time, Anthony Reed reclaims the power of black experimental poetry and prose by arguing that if literature fundamentally serves the human need for freedom in expression, then readers and critics must see it as something other than a reflection of the politics of social protest and identity formation. Prior to the successful campaigns against Jim Crow segregation in the U.S. and colonization in the Caribbean, literary politics seemed much more obviously interventionist. As more African Americans and Afro-Caribbean writers gained access to formal political power, more writing emerged whose political concerns went beyond improving racial representation, appealing for social recognition, raising consciousness, or commenting on the political disillusion and fragmentation of the post-segregation and post-colonial moments. Through formal innovation and abstraction, writers increasingly pushed the limits of representation and expression in order to extend the limits of thought and literary possibility. Reed offers a theoretical account of this new "black experimental writing," which is at once a literary historical development, and a concept with which to analyze the ways writing engages race and the possibilities of expression. One of his key interventions is arguing that form drives the politics literature, not vice-versa. Through extended analyses of works by N.H. Pritchard, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, Suzan-Lori Parks and Nathaniel Mackey, Freedom Time draws out the political implication of their innovative approaches to literary aesthetics"--

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421415215; 1421415216
    Schriftenreihe: Callaloo African Diaspora Series
    Schlagworte: American literature; Literature, Experimental; American literature; Literature, Experimental; LITERARY CRITICISM ; Semiotics & Theory; POETRY ; American ; African American; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; American literature ; African American authors; Literature, Experimental; Criticism, interpretation, etc
    Umfang: Online Ressource
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    Includes bibliographical references and index. - Print version record
  8. Prophetic remembrance
    black subjectivity in African American and South African trauma narratives
    Erschienen: 2014
    Verlag:  University of Virginia Press, Charlottesville

    Introduction: toward a theory of prophetic remembrance -- Ruptured wounds: the body of prophetic remembrance -- Fugitive homes: the space of prophetic remembrance -- Artful mourning: the language of prophetic remembrance -- Resurrected scars: the... mehr

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction: toward a theory of prophetic remembrance -- Ruptured wounds: the body of prophetic remembrance -- Fugitive homes: the space of prophetic remembrance -- Artful mourning: the language of prophetic remembrance -- Resurrected scars: the time of prophetic remembrance -- Conclusion: prophetic remembrance -- race, religion, and the literary.

     
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  9. The ethnic avant-garde
    minority cultures and world revolution
    Autor*in: Lee, Steven Sunwoo
    Erschienen: [2015]
    Verlag:  Columbia University Press, New York

    Table of Contents ; List of Illustrations; A Note on Transliteration; Introduction; 1. Translating the Ethnic Avant-Garde; 2. The Avant-Garde's Asia: Factography and Roar China; 3. From Avant-Garde to Authentic: Revisiting Langston Hughes's "Moscow... mehr

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    Hochschule Esslingen, Bibliothek
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    Table of Contents ; List of Illustrations; A Note on Transliteration; Introduction; 1. Translating the Ethnic Avant-Garde; 2. The Avant-Garde's Asia: Factography and Roar China; 3. From Avant-Garde to Authentic: Revisiting Langston Hughes's "Moscow Movie"; 4. Cold War Pluralism: The New York Intellectuals Respond to Soviet Anti-Semitism; Afterword: Chinese Communism, Cultural Revolution, and American Multiculturalism; Acknowledgments; Notes; Bibliography; Credits and Permissions; Index During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called #x93;the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art histo

     
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  10. Plagiarama!
    William Wells Brown and the aesthetic of attrations
    Autor*in: Sanborn, Geoffrey
    Erschienen: 2016
    Verlag:  Columbia University Press, New York

    William Wells Brown (1814-1884) was a vocal abolitionist, a frequent antagonist of Frederick Douglass, and the author of Clotel, the first known novel by an African American. He was also an extensive plagiarist, copying at least 87,000 words from... mehr

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    William Wells Brown (1814-1884) was a vocal abolitionist, a frequent antagonist of Frederick Douglass, and the author of Clotel, the first known novel by an African American. He was also an extensive plagiarist, copying at least 87,000 words from close to 300 texts. In the first full-length critical study of Brown in almost fifty years, Geoffrey Sanborn offers a novel reading of Brown's plagiarism, arguing the act was a means of capitalizing on the energies of mass-cultural entertainments. By creating the textual equivalent of a variety show, Brown animated antislavery discourse and evoked the prospect of a pleasurably integrated world. Brown's key dramatic protagonists were the "spirit of capitalization"-the unscrupulous double of Max Weber's spirit of capitalism-and the "beautiful slave girl," a light-skinned African American woman on the verge of sale and rape. The unsettling portrayal of these figures, unfolding within a riotous patchwork of second-hand texts, upset convention and provoked the imagination. Could a slippery upstart lay the groundwork for a genuinely interracial society' Could the fetishized image of a not-yet-sold woman hold open the possibility of other destinies' Sanborn's analysis of pastiche and plagiarism adds new depth to the study of nineteenth-century cultural history and African American literature, suggesting modes of African American writing that extend beyond narratives of necessity and purpose. Brown's use of plagiarized texts and play with ownership are also important precursors to the work of such later authors as Pauline Hopkins, Nathaniel West, and Kathy Acker

     
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  11. On freedom and the will to adorn
    the art of the African American essay
    Autor*in: Wall, Cheryl A.
    Erschienen: [2018]
    Verlag:  University of North Carolina Press, Chapel Hill

    Prologue. Moving from the margins -- On freedom and the will to adorn: the African American essay -- Voices of thunder: nineteenth-century black oratory and the development of the African American essay -- On art and such: debating aesthetics during... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Prologue. Moving from the margins -- On freedom and the will to adorn: the African American essay -- Voices of thunder: nineteenth-century black oratory and the development of the African American essay -- On art and such: debating aesthetics during the Harlem Renaissance -- Stranger at home: James Baldwin on what it means to be an American -- The mystery of American identity: Ralph Ellison -- On women, rights, and writing: June Jordan and Alice Walker -- Epilogue. Essaying in the digital age

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1469646927; 1469646919; 9781469646923; 9781469646916
    Schlagworte: Essayists, American; African American authors; Essay; Essayists; LITERARY COLLECTIONS ; Essays; LITERARY CRITICISM ; American ; African American; Essayists; African American authors; Essay; Essay; Schwarze; Criticism, interpretation, etc; Essays
    Umfang: 1 Online-Ressource
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    Includes bibliographical references and index
  12. Race and the literary encounter
    black literature from James Weldon Johnson to Percival Everett
    Autor*in: Larkin, Lesley
    Erschienen: [2015]
    Verlag:  Indiana University Press, Bloomington

    Introduction: Scenes of reading, scenes of racialization: modern and contemporary black literature -- Unbinding the double audience: James Weldon Johnson -- Speakerly reading: Zora Neale Hurston -- Close reading "You": Ralph Ellison -- Erasing... mehr

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    Introduction: Scenes of reading, scenes of racialization: modern and contemporary black literature -- Unbinding the double audience: James Weldon Johnson -- Speakerly reading: Zora Neale Hurston -- Close reading "You": Ralph Ellison -- Erasing precious: Sapphire and Percival Everett -- Reading and being read: Jamaica Kincaid -- Epilogue: Toward a theory and pedagogy of responsible reading: Toni Morrison. What effect has the black literary imagination attempted to have on, in Toni Morrison's words, "a race of readers that understands itself to be 'universal' or race-free"? How has black literature challenged the notion that reading is a race-neutral act? Race and the Literary Encounter takes as its focus several modern and contemporary African American narratives that not only narrate scenes of reading but also attempt to intervene in them. The texts interrupt, manage, and manipulate, employing thematic, formal, and performative strategies in order to multiply meanings for multiple readers, teach new ways of reading, and enable the emergence of antiracist reading subjects. Analyzing works by James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, Jamaica Kincaid, Percival Everett, Sapphire, and Toni Morrison, Lesley Larkin covers a century of African American literature in search of the concepts and strategies that black writers have developed in order to address and theorize a diverse audience, and outlines the special contributions modern and contemporary African American literature makes to the fields of reader ethics and antiracist literary pedagogy

     
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  13. The worlds of Langston Hughes
    modernism and translation in the Americas
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca

    Introduction : in others' words : translation and survival -- Nomad heart : heterolingual autobiographical -- Southern exposures : Hughes in Spanish -- Buenos Aires blues : modernism in the creole city -- Havana vernaculars : the Cuba Libre project... mehr

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    Introduction : in others' words : translation and survival -- Nomad heart : heterolingual autobiographical -- Southern exposures : Hughes in Spanish -- Buenos Aires blues : modernism in the creole city -- Havana vernaculars : the Cuba Libre project -- Back in the USSA : Joe McCarthy's mistranslations. The poet Langston Hughes was a tireless world traveler and a prolific writer, translator, and editor. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. This study contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking

     
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  14. The Black arts enterprise and the production of African American poetry
    Autor*in: Rambsy, Howard
    Erschienen: 2013
    Verlag:  University of Michigan Press, Ann Arbor

    Introduction : "a group of groovy Black people" -- Getting poets on the same page : the roles of periodicals -- Platforms for Black verse : the roles of anthologies -- Understanding the production of Black arts texts -- All aboard the... mehr

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    Introduction : "a group of groovy Black people" -- Getting poets on the same page : the roles of periodicals -- Platforms for Black verse : the roles of anthologies -- Understanding the production of Black arts texts -- All aboard the Malcolm-Coltrane express -- The poets, critics, and theorists are one -- The revolution will not be anthologized -- List of anthologies containing African American poetry, 1967-75. The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors

     
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  15. Toni Morrison
    memory and meaning
    Beteiligt: Seward, Adrienne Lanier (HerausgeberIn); Tally, Justine (HerausgeberIn)
    Erschienen: [2014]
    Verlag:  University Press of Mississippi, Jackson

    "'There is the Power, ' he thought, 'right there'": Dramatizing Entropy in Tar Baby and Paradise -- Telling Stories: Evolving Narrative Identity in Toni Morrison's Home -- "Newness trembles me"? Representations of White Masculinity in Toni Morrison's... mehr

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    "'There is the Power, ' he thought, 'right there'": Dramatizing Entropy in Tar Baby and Paradise -- Telling Stories: Evolving Narrative Identity in Toni Morrison's Home -- "Newness trembles me"? Representations of White Masculinity in Toni Morrison's A Mercy -- The Sound of Change: A Musical Transit through the Wounded Modernity of Desdemona -- Aaayeee Babo, Aaayeee Babo, Aaayeee Babo -- Contributors -- Index. "Toni Morrison: Memory and Meaning boasts essays by well-known international scholars focusing on the author's literary production and including her very latest works--the theatrical production Desdemona and her tenth and latest novel, Home. These original contributions are among the first scholarly analyses of these latest additions to her oeuvre and make the volume a valuable addition to potential readers and teachers eager to understand the position of Desdemona and Home within the wider scope of Morrison's career. Indeed, in Home, we find a reworking of many of the tropes and themes that run throughout Morrison's fiction, prompting the editors to organize the essays as they relate to themes prevalent in Home. In many ways, Morrison has actually initiated paradigm shifts that permeate the essays. They consistently reflect, in approach and interpretation, the revolutionary change in the study of American literature presented by Morrison's focus on the interior lives of enslaved Africans. This collection assumes black subjectivity, rather than argues for it, in order to reread and revise the horror of slavery and its consequences into our time. The analyses presented in this volume also attest to the broad range of interdisciplinary specializations and interests in novels that have now become classics in world literature. The essays are divided into five sections, each entitled with a direct quotation from Home, and framed by two poems: Rita Dove's "The Buckeye" and Sonia Sanchez's "Aaayeee Babo, Aaayeee Babo, Aaayeee Babo.""-- Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword -- Introduction -- The Buckeye -- Part I: "This is where I belong" -- "Dangerously Free": Morrison's Unspeakable Territory -- Modernity and the Homeless: Toni Morrison and the Fictions of Modernism -- Resurrecting the Dead Girl: Modernism and the Problem of History in Beloved, Jazz, and Paradise -- To Make a Humanist Black: Toni Wofford's Howard Years -- Part II: "Regrets, excuses, righteousness, false memory and future plans mixed together or stood like soldiers in line." Magically Flying with Toni Morrison: Mexico, Gabriel García Márquez, Song of Solomon, and Sula -- Part IV: "Now it seemed both fresh and ancient, safe and demanding" -- Property and American Identity in Toni Morrison's Beloved -- Aeschylus, Euripides, and Toni Morrison: Miasma, Revenge, and Atonement -- Toni Morrison's Performance of the Word in Song of Solomon: The Folkloric, the Fantastic, and "Some Old Folk's Lie" -- "A Kind of Restoration": Psychogeographies of Healing in Toni Morrison's Home -- Part V: "You can keep on writing but I think you ought to know what's true" -- Aesthetic Activity. Trying to Get Home: Place and Memory in Toni Morrison's Fiction -- The Pursuit of Memory -- Personal and Cultural Memory in A Mercy -- Love: An Elegy for the African American Community, or The Unintended Consequences of Desegregation/Integration -- Part III: "Her garden was not Eden -- it was so much more than that" -- From Eden to Paradise: A Pilgrimage through Toni Morrison's Trilogy -- "And the Greatest of These": Toni Morrison, the Bible, Love -- Palimpsest: Reading John Winthrop through the Morrison Trilogy.

     
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    Quelle: Verbundkataloge
    Beteiligt: Seward, Adrienne Lanier (HerausgeberIn); Tally, Justine (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1626740410; 1628460202; 1626742057; 9781628460209; 9781626742055; 9781626740419
    Schlagworte: LITERARY CRITICISM; American / African American; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; Women Authors; LITERARY CRITICISM ; American ; General; English; Languages & Literatures; American Literature; Criticism, interpretation, etc
    Weitere Schlagworte: Morrison, Toni; Morrison, Toni
    Umfang: 1 Online-Ressource (xxv, 279 pages)
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    Includes bibliographical references and index
  16. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Erschienen: [2012]
    Verlag:  University of Michigan Press, Ann Arbor

    ""Contents""; ""Introduction, George Hutchinson and John K. Young""; ""The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson""; ""Representing African American... mehr

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    ""Contents""; ""Introduction, George Hutchinson and John K. Young""; ""The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson""; ""Representing African American Literature; or, Tradition against the Individual Talent, George Hutchinson""; ""“Quite as human as it is Negro�: Subpersons and Textual Property in Native Son and Black Boy, John K. Young""; ""The Colors of Modernism: Publishing African Americans, Jews, and Irish in the 1920s, George Bornstein"" "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- ""Select Bibliography""""Contributors""; ""Index"" ""More than McKay and Guillén: The Caribbean in Hughes and Bontemps�s The Poetry of the Negro (1949), Ifeoma Kiddoe Nwankwo""""Editorial Federalism: The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance, William J. Maxwell""; ""Loosening the Straightjacket: Rethinking Racial Representation in African American Anthologies, Gene Andrew Jarrett""; ""“Let the World Be a Black Poem�: Some Problems of Recollecting and Editing Black Arts Texts, James W. Smethurst""; ""Textual Productions of Black Aesthetics Unbound, Margo Natalie Crawford""

     
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    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0472028928; 0472118633; 9780472028924; 9780472118632
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual; American literature; Literature publishing; African Americans; African Americans in literature; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; Literature publishing ; Political aspects; Criticism, Textual; African Americans ; Intellectual life; African Americans in literature; History; Criticism, interpretation, etc
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    Includes bibliographical references and index
  17. Challenges of diversity
    essays on America
    Autor*in: Sollors, Werner
    Erschienen: 2017
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    "What unites and what divides Americans as a nation? Who are we, and can we strike a balance between an emphasis on our divergent ethnic origins and what we have in common? Opening with a survey of American literature through the vantage point of... mehr

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    "What unites and what divides Americans as a nation? Who are we, and can we strike a balance between an emphasis on our divergent ethnic origins and what we have in common? Opening with a survey of American literature through the vantage point of ethnicity, Werner Sollors examines our evolving understanding of ourselves as an Anglo-American nation to a multicultural one and the key role writing has played in that process. Challenges of Diversity contains stories of American myths of arrival (pilgrims at Plymouth Rock, slave ships at Jamestown, steerage passengers at Ellis Island), the powerful rhetoric of egalitarian promise in the Declaration of Independence and the heterogeneous ends to which it has been put, and the recurring tropes of multiculturalism over time (e pluribus unum, melting pot, cultural pluralism). Sollors suggests that although the transformation of this settler country into a polyethnic and self-consciously multicultural nation may appear as a story of great progress toward the fulfillment of egalitarian ideals, deepening economic inequality actually exacerbates the divisions among Americans today"--

     
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  18. The worlds of Langston Hughes
    modernism and translation in the Americas
    Autor*in: Kutzinski, Vera M.
    Erschienen: 2012
    Verlag:  Cornell University Press, Ithaca

    The poet Langston Hughes was a tireless world traveler and a prolific writer, translator, and editor. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas.... mehr

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    The poet Langston Hughes was a tireless world traveler and a prolific writer, translator, and editor. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. This study contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking

     
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  19. James Weldon Johnson's Modern Soundscapes
    Autor*in: Morrissette, Noelle
    Erschienen: 2013
    Verlag:  University of Iowa Press, Iowa

    Acknowledgments; Introduction: The Ragtime Reinventions of James Weldon (William) Johnson; Chapter 1: Biography of the Race: Musical Comedy and the Modern Soundscape of 'The Autobiography of an Ex-Colored Man'; Chapter 2: Cultures of Talk: Diplomacy,... mehr

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    Acknowledgments; Introduction: The Ragtime Reinventions of James Weldon (William) Johnson; Chapter 1: Biography of the Race: Musical Comedy and the Modern Soundscape of 'The Autobiography of an Ex-Colored Man'; Chapter 2: Cultures of Talk: Diplomacy, Nation, and Race in 'The Autobiography of an Ex-Colored Man'; Chapter 3: The Interpolated Body: Passing, Same-Sex Talk, and Discursive Formations in 'The Autobiography of an Ex-Colored Man' Chapter 4: Cosmopolitan travels: Diplomacy, Translation, and Performance in 'The Autobiography of an Ex-Colored Man' (Der weisse Neger, 1928) and 'God's Trombones'Chapter 5: Framing Black Expressive Culture: Prefaces to 'The Book of American Negro Poetry', 'The Book of American Negro Spirituals', and 'God's Trombones'; Chapter 6: "The Creation" : 'God's Trombones' and Johnson's Formation of a Black Modernist Poetics; Chapter 7: From Noun to Verb: Black Phonographic Voice in 'Black Manhattan'; Chapter 8: Not the story of my life: Along This Way; Afterword: Remembering James Weldon Johnson James Weldon Johnson's Modern Soundscapes provides an evocative and meticulously researched study of one of the best known and yet least understood authors of the New Negro Renaissance era. Johnson, familiar to many as an early civil rights leader active in the National Association for the Advancement of Colored People and an intentionally controversial writer on the subject of the significance of race in America, was one of the most prolific, wide-ranging, and yet elusive authors of twentieth-century African American literature.Johnson realized early in his

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 1609381599; 9781609381592
    Schlagworte: Music in literature; LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; American ; African American; Intellectual life; Music in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Johnson, James Weldon (1871-1938); Johnson, James Weldon
    Umfang: 1 Online-Ressource (260 p)
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    Description based upon print version of record

    NotesBibliography; Index
  20. Evangelism and resistance in the Black Atlantic, 1760-1835
    Erschienen: c2008
    Verlag:  University of Georgia Press, Athens

    Jupiter Hammon and the written beginnings of Black theology -- Phillis Wheatley and the charge toward progressive Black theologies -- John Marrant and the narrative construction of an early Black Methodist evangelical -- Prince Hall and the influence... mehr

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    Jupiter Hammon and the written beginnings of Black theology -- Phillis Wheatley and the charge toward progressive Black theologies -- John Marrant and the narrative construction of an early Black Methodist evangelical -- Prince Hall and the influence of revolutionary enlightenment philosophy on the institutionalization of Black religion -- Richard Allen and the further institutionalization of Black theologies -- Maria Stewart and the mission of Black women in evangelicalism

     
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  21. Charles W. Chesnutt and the fictions of race
    Erschienen: c2002
    Verlag:  University of Georgia Press, Athens

    Preface -- Chesnutt's Language / Language's Chesnutt -- Chesnutt in His Journals: "Nigger" under Erasure -- "The Future American" and "Chas. Chesnutt" -- Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature" -- The Julius and... mehr

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    Preface -- Chesnutt's Language / Language's Chesnutt -- Chesnutt in His Journals: "Nigger" under Erasure -- "The Future American" and "Chas. Chesnutt" -- Black Vernacular in Chesnutt's Short Fiction: "A New School of Literature" -- The Julius and John Stories: "The Luscious Scuppernong" -- Race in Chesnutt's Short Fiction: The "Line" and the "Web" -- Mandy Oxendine: "Is You a Rale Black Man?" -- The House behind the Cedars: "Creatures of Our Creation" -- The Marrow of Tradition: "The Very Breath of His Nostrils" -- The Colonel's Dream: "Sho Would 'a' Be'n a 'Ristocrat" -- Paul Marchand, F.M.C.: "F.M.C." and "C.W.C." -- The Quarry: "And Not the Hawk" -- Notes Bibliography Index.

     
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  22. Barbaric culture and Black critique
    Black antislavery writers, religion, and the slaveholding Atlantic
    Autor*in: Wheelock, Stefan M.
    Erschienen: 2016
    Verlag:  University of Virginia Press, Charlottesville

    "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand... mehr

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    "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --

     
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  23. Understanding Etheridge Knight
    Erschienen: c2012
    Verlag:  University of South Carolina Press, Columbia

    "Investigates the life and works of Etheridge Knight (1931-1991), one of the foremost American poets in the black oral tradition"--Provided by publisher mehr

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    "Investigates the life and works of Etheridge Knight (1931-1991), one of the foremost American poets in the black oral tradition"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611172638; 1611172632; 9781283983426; 1283983427
    Schriftenreihe: Understanding contemporary American literature
    Schlagworte: Poets, American; African American poets; Poets, American; African American poets; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; SOCIAL SCIENCE ; Ethnic Studies ; African American Studies; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; African American poets; Poets, American; Biographies; Criticism, interpretation, etc
    Weitere Schlagworte: Knight, Etheridge 1931-1991; Knight, Etheridge (1931-1991); Knight, Etheridge
    Umfang: Online Ressource (x, 160 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record
  24. Jim Crow, Literature, and the Legacy of Sutton E. Griggs
    Erschienen: 2013
    Verlag:  University of Georgia Press, Athens

    Imperium in Imperio (1899) was the first black novel to countenance openly the possibility of organized black violence against Jim Crow segregation. Its author, a Baptist minister and newspaper editor from Texas, Sutton E. Griggs (1872-1933), would... mehr

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    Imperium in Imperio (1899) was the first black novel to countenance openly the possibility of organized black violence against Jim Crow segregation. Its author, a Baptist minister and newspaper editor from Texas, Sutton E. Griggs (1872-1933), would go on to publish four more novels; establish his own publishing company, one of the first secular publishing houses owned and operated by an African American in the United States; and help to found the American Baptist Theological Seminary in Tennessee. Alongside W.E.B. Du Bois and Booker T. Washington, Griggs was a key political and literary voic

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780820346304; 0820346306
    Schriftenreihe: The New Southern Studies
    Schlagworte: Race relations in literature; Griggs, Sutton E. (Sutton Elbert), 1872-1933; LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; American ; African American; Race relations in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Griggs, Sutton E. 1872-1933; Griggs, Sutton E (1872-1933); Griggs, Sutton E
    Umfang: Online Ressource (325 pages)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record
  25. Invisible criticism
    Ralph Ellison and the American canon
    Erschienen: 1988
    Verlag:  University of Iowa Press, Iowa City

    In 1952 Ralph Ellison won the National Book Award for his Kafkaesque and claustrophobic novel about the life of a nameless young black man in New York City. Although Invisible Man has remained the only novel that Ellison published in his lifetime, it... mehr

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    In 1952 Ralph Ellison won the National Book Award for his Kafkaesque and claustrophobic novel about the life of a nameless young black man in New York City. Although Invisible Man has remained the only novel that Ellison published in his lifetime, it is generally regarded as one of the most important works of fiction in our century

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587291630; 9781587291630
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Canon (Literature); Ellison, Ralph; Invisible man (Ellison, Ralph); Invisible man; LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; American ; African American; Canon (Literature)
    Weitere Schlagworte: Ellison, Ralph; Ellison, Ralph
    Umfang: Online Ressource (xiii, 181 p.)
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    Includes bibliographical references (p. [163]-172) and index. - Description based on print version record