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  1. Queer troublemakers
    the poetics of flippancy
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, London

    "Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close... mehr

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    "Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being."--Bloomsbury Publishing List of Figures -- Acknowledgements -- Introduction -- 1 The Poetics of Flippancy -- 2 He Cannot Understand Women. I Can': Gertrude Stein and the Camp Butch -- 3 'There's Nothing Metaphysical About It': Frank O'Hara's Flippant Manifesto and the Poetry of Tight Trousers -- 4 'Who Are These Idiots Writing These Poems?': Eileen Myles' Pornographic Tone and Mutable Categories -- 5 'Was Harry a Woman? Was I a Straight Lady?': Tensions of Heternormativity, Assimilation and the Second Person -- Conclusion -- References -- Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350079380; 9781350079373; 9781350079366
    Weitere Identifier:
    Schriftenreihe: Bloomsbury studies in critical poetics
    Schlagworte: Flippancy in literature; Experimental poetry, American; American poetry; Gays' writings, American
    Weitere Schlagworte: Myles, Eileen; Nelson, Maggie (1973-); O'Hara, Frank (1926-1966); Stein, Gertrude (1874-1946)
    Umfang: 1 Online-Ressource (viii, 197 pages), illustrations
    Bemerkung(en):

    Literaturverzeichnis: Seite 187-192

  2. Lyric Interventions
    Feminism, Experimental Poetry, and Contemporary Discourse
    Erschienen: 2004; ©1998.
    Verlag:  University of Iowa Press, Iowa City

    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric... mehr

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    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an "I" as a product of social discourse and as a conduit for change. Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and race as they significantly shift the terms by which the "experimental" is produced, defined, and understood. This study focuses upon lyric intervention in distinct but related spheres as they link public and ideological norms of identity. Firstly, lyric innovations with visual and spatial realms of cultural practice and meaning, particularly as they naturalize ideologies of gender and race in North America and the post-colonial legacies of the Caribbean, are investigated in the works of Barbara Guest, Kathleen Fraser, Erica Hunt, and M. Nourbese Philip. Secondly, experimental engagements with nationalist rhetorics of identity, marking the works of Carol Ann Duffy, Denise Riley, Wendy Mulford, and Geraldine Monk, are explored in relation to contemporary evocations of "self" in Britain. And thirdly, in discussions of all of the poets, but particularly accenuated in regard to Guest, Fraser, Riley, Mulford, and Monk, formal experimentation with the lyric "I" is considered through gendered encounters with critical and avant-garde discourses of poetics. Throughout the study, Kinnahan seeks to illuminate and challenge the ways in which visual and verbal constructs function to make "readable" the subjectivities historically supporting white, male-centered power within the worlds of art, poetry, Intro -- Acknowledgments and Permissions -- Introduction -- 1 Lyric Conversations and Interventions -- 2 Lyric Discourse, the Arts, and the Avant-Garde -- 3 "Our Visible Selves" -- 4 The Rhetoric of Self, Nation, and Economics -- 5 Theory and the Lyric "I" -- Notes -- Bibliography -- Index.

     

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    Sprache: Englisch
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    Format: Online
    ISBN: 9781587294464
    Schlagworte: Lyric poetry; Women and literature; English poetry; Experimental poetry, American; Feminist poetry, American; American poetry; Experimental poetry, English; Feminism and literature; American poetry - Women authors - History and criticism; Electronic books
    Umfang: 1 online resource (305 pages)
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    Description based on publisher supplied metadata and other sources

  3. Disjunctive poetics
    from Gertrude Stein and Louis Zukofsky to Susan Howe
    Erschienen: 1992
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521412684
    RVK Klassifikation: HU 1761 ; HU 1760
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in American literature and culture ; [59]
    Schlagworte: American poetry; Experimental poetry, American; Poetics; Lyrik; Literature
    Weitere Schlagworte: Stein, Gertrude (1874-1946); Zukofsky, Louis (1904-1978); Howe, Susan (1937-)
    Umfang: XIV, 238 S.
    Bemerkung(en):

    Includes index

  4. The American avant-garde tradition
    William Carlos Williams, postmodern poetry, and the politics of cultural memory
    Autor*in: Lowney, John
    Erschienen: 1997
    Verlag:  Bucknell Univ. Press, Lewisburg, Pa [u.a.] ; Associated Univ. Press, London

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0838753337
    RVK Klassifikation: HU 9505
    Schlagworte: Politics and literature; American poetry; Experimental poetry, American; Postmodernism (Literature); Avant-garde (Aesthetics); Influence (Literary, artistic, etc.); Canon (Literature); Avantgarde
    Weitere Schlagworte: Williams, William Carlos; Williams, William Carlos
    Umfang: 175 S, 24 cm
    Bemerkung(en):

    Literaturverz. S. 162 - 170

    Literaturverz. S. 162 - 170

  5. Lyric interventions
    feminism, experimental poetry, and contemporary discourse
    Erschienen: c2004
    Verlag:  University of Iowa Press, Iowa City

    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an "I" as a product of social discourse and as a conduit for change.Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 158729446X
    Schlagworte: Feminist poetry, American; American poetry; English poetry; Experimental poetry, American; Experimental poetry, English; Feminism and literature; Women and literature; Lyric poetry
    Umfang: xxiii, 277 p, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [247]-264) and index

    Electronic reproduction, Boulder, Colo : NetLibrary, 2004

    Acknowledgments and Permissions; Introduction; 1 Lyric Conversations and Interventions; 2 Lyric Discourse, the Arts, and the Avant-Garde; 3 "Our Visible Selves"; 4 The Rhetoric of Self, Nation, and Economics; 5 Theory and the Lyric "I"; Notes; Bibliography; Index

    Lyric conversations and interventions -- Lyric discourse, the arts, and the avant-garde: Barbara Guest and Kathleen Fraser in the sixties -- "Our visible selves": visual-verbal collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip -- The rhetoric of self, nation, and economics: a poetics of public discourse in Carol Ann Duffy -- Theory and the lyric "I": feminist experimentation in Britain

  6. The feminist avant-garde in American poetry
    Erschienen: c2003
    Verlag:  University of Iowa Press, Iowa City

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587294346
    Schlagworte: American poetry; Feminism and literature; Avant-garde (Aesthetics); Women and literature; American poetry; Experimental poetry, American; Feminist poetry, American; American poetry; Feminism and literature; Avant-garde (Aesthetics); Women and literature; American poetry; Experimental poetry, American; Feminist poetry, American
    Umfang: xxviii, 245 p, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [209]-225) and index

    Electronic reproduction, Boulder, Colo : NetLibrary, 2004

    Women Poets and the Historical Avant-Gardes -- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen

  7. Cultural criticism in women's experimental writing
    the poetry of Rosmarie Waldrop, Lyn Hejinian and Susan Howe
    Erschienen: 2006
    Verlag:  Winter, Heidelberg

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3825351629; 9783825351625
    RVK Klassifikation: HU 1732 ; HU 1769 ; NZ 99862.1
    Schriftenreihe: American studies ; 128
    Schlagworte: American poetry; American poetry; Experimental poetry, American
    Weitere Schlagworte: Waldrop, Rosmarie; Hejinian, Lyn; Howe, Susan (1937-)
    Umfang: [VII], 379 S., Ill., 22 cm
    Bemerkung(en):

    Teilw. zugl.: Potsdam, Univ., Habil.-Schr., 2001 u.d.T.: Freitag, Kornelia: Cultural criticism in contemporary women's experimental writing in the U.S.A.

  8. Nobody’s Business
    Twenty-First Century Avant-Garde Poetics
    Autor*in: Reed, Brian M.
    Erschienen: [2013]; © 2013
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it

     

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    Format: Online
    ISBN: 9780801469589
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    Schlagworte: Geschichte; American poetry; Experimental poetry, American; Poetics; Lyrik; Neue Medien; Experimentelle Lyrik
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)

  9. Walt Whitman's Language Experiment
    Erschienen: [2021]; © 1990
    Verlag:  Penn State University Press, University Park, PA

    Combining intellectual history with literary analysis, this study of Whitman's language experiment from 1855 to 1892 offers a refreshing new look at his theory of language especially the English language in America-as an expression of a ";national... mehr

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    Combining intellectual history with literary analysis, this study of Whitman's language experiment from 1855 to 1892 offers a refreshing new look at his theory of language especially the English language in America-as an expression of a ";national spirit"; and relates that theory to the language and style of Whitman's major poems and essays. Whitman viewed American English as the most expressive, poetic language that ever existed, and he used his studies of historical linguistics to corroborate that view. Part 1 explicates the theory of language that Whitman developed in his linguistic notebooks, unpublished manuscripts, fugitive essays, and two chapters of the popular book Rambles Among Words. The diction and syntax of the 1855-1856 editions of Leaves of Grass are analyzed to show how Whitman's overwhelming interest in language theories resulted in the ";language experiment"; of the poems. Part 2 examines the ways in which Whitman's view of language as an expression of the constantly evolving spirit of America subtly shifted to a more cumulative, backward-looking vision of linguistic and spiritual change. Analysis of the diction, syntax, and organization of the last four editions of Leaves of Grass reveals how this shift in vision affected the style of Whitman's poetry and prose from 1860 to 1892. Whitman's groundbreaking poetic style, the author concludes, was a direct consequence of his view of language and the human spirit as dynamic, progressivist, and actively changing within a temporal world. Conversely, Whitman's experiments in both prose and poetry helped confirm his view of linguistic and spiritual evolution

     

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    ISBN: 9780271073040
    Weitere Identifier:
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology; Experimental poetry, American
    Umfang: 1 Online-Ressource (230 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  10. Nobody’s Business
    Twenty-First Century Avant-Garde Poetics
    Autor*in: Reed, Brian M.
    Erschienen: [2013]; ©2013
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous... mehr

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    Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.

     

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    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780801469589
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    Schlagworte: Poetics; American poetry; Experimental poetry, American; Poetics; American poetry; Experimental poetry, American; American poetry.; Experimental poetry, American.; Poetics.
    Umfang: 1 online resource
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    Frontmatter -- -- Contents -- -- Preface: What Now? -- -- 1. In Praise of Obsolescence -- -- 2. New Consensus Poetics and the Avant-Garde -- -- 3. Mechanical Form and Avant-Garde Aesthetics -- -- 4. Flarf, Folly, and George W. Bush -- -- 5. Andrea Brady’s Peculiar Dissidence -- -- 6. Danny Snelson’s Disco Operating System -- -- Acknowledgments -- -- Notes -- -- Index

  11. Poetic obligation
    ethics in experimental American poetry after 1945
    Erschienen: c2008
    Verlag:  University of Iowa Press, Iowa City

    Since at least the time of Plato's Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the "new" ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers... mehr

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    Since at least the time of Plato's Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the "new" ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship

     

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    ISBN: 1587296357; 9781587296352
    Schlagworte: American poetry; Ethics in literature; Experimental poetry, American
    Umfang: Online-Ressource (xv, 263 p), 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [243]-258) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Preface; Introduction: The Double-Double Turn; Part 1: Objectivist Poethics; 1. Saying Obligation: George Oppen's Of Being Numerous; 2. A Phenomenology of Judgment: Charles Reznikoff 's Holocaust; Part 2: Excess and Eros; 3. The Ethics of Excess: Edward Dorn's Gunslinger; 4. The Body Ethical: Robert Duncan's Passages; Part 3: An Ethics of Sexual Alterity; 5. The Nearness of Poetry: Susan Howe's The Nonconformist's Memorial; 6. Permeable Ethics: Lyn Hejinian's The Cell; Conclusion: What Difference Does Poetic Obligation Make?; Notes; Bibliography; Index

  12. The academic avant-garde
    poetry and the American university
    Erschienen: 2023
    Verlag:  Johns Hopkins University Press, Baltimore

    "The surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and... mehr

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    "The surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline, but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), Andrews traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets. Throughout, Andrews builds upon recent interest in the institutional contexts of cultural production to outline a rich and far-reaching poetic engagement with academic discourse, demonstrating that poetry is at its most poetic when it is critical-and that criticism, thus, contains a type of poetry. From this dialectical (and sometimes polemical) standpoint, The Academic Avant-Garde reframes major characteristics of contemporary experimental literature, opens up new ways of thinking about the relationship between creative writing and literary study, and expands the horizon of possibility for engaging with and teaching the history of poetry"-- Acknowledgments -- Introduction: The 500-pound gorilla -- The dream and the deed -- Reading Ashbery reading Ashbery -- Poetry in the teaching machine -- Citational coding -- Archival authorizations -- Coda: Towards an aesthetics of disciplinarity.

     

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    ISBN: 9781421444949; 9781421444932
    Schlagworte: American poetry; Experimental poetry, American; Avant-garde (Aesthetics); Poetics; Universities and colleges; LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM / Poetry
    Umfang: xi, 264 Seiten, Illustrationen
    Bemerkung(en):

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  13. The academic avant-garde
    poetry and the American university
    Erschienen: [2023]
    Verlag:  Johns Hopkins University Press, Baltimore

    Machine generated contents note: Acknowledgments -- Introduction: The 500-pound gorilla -- The dream and the deed -- Reading Ashbery reading Ashbery -- Poetry in the teaching machine -- Citational coding -- Archival authorizations -- Coda: Towards an... mehr

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    Machine generated contents note: Acknowledgments -- Introduction: The 500-pound gorilla -- The dream and the deed -- Reading Ashbery reading Ashbery -- Poetry in the teaching machine -- Citational coding -- Archival authorizations -- Coda: Towards an aesthetics of disciplinarity. "The surprising story of the relationship between experimental poetry and literary studies.In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline, but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), Andrews traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets. Throughout, Andrews builds upon recent interest in the institutional contexts of cultural production to outline a rich and far-reaching poetic engagement with academic discourse, demonstrating that poetry is at its most poetic when it is critical-and that criticism, thus, contains a type of poetry. From this dialectical (and sometimes polemical) standpoint, The Academic Avant-Garde reframes major characteristics of contemporary experimental literature, opens up new ways of thinking about the relationship between creative writing and literary study, and expands the horizon of possibility for engaging with and teaching the history of poetry"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421444956
    Schlagworte: American poetry; Experimental poetry, American; Avant-garde (Aesthetics); Poetics; Universities and colleges; LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM / Poetry
    Umfang: 1 Online-Ressource (xiv, 266 pages)
    Bemerkung(en):

    Includes index

  14. The American avant-garde tradition
    William Carlos Williams, postmodern poetry, and the politics of cultural memory
    Autor*in: Lowney, John
    Erschienen: 1997
    Verlag:  Bucknell Univ. Press, Lewisburg, Pa [u.a.] ; Associated Univ. Press, London

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0838753337
    RVK Klassifikation: HU 9505
    Schlagworte: Politics and literature; American poetry; Experimental poetry, American; Postmodernism (Literature); Avant-garde (Aesthetics); Influence (Literary, artistic, etc.); Canon (Literature); Avantgarde
    Weitere Schlagworte: Williams, William Carlos; Williams, William Carlos
    Umfang: 175 S, 24 cm
    Bemerkung(en):

    Literaturverz. S. 162 - 170

    Literaturverz. S. 162 - 170

  15. Literature and race in the democracy of goods
    reading contemporary Black and Asian North American poetry
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London

    "This book conducts a comparative study of three literary traditions - post-1960 Asian American, Asian Canadian and Black experimental poetry - which are usually examined separately. In so doing, it intervenes in conventional understandings of... mehr

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    "This book conducts a comparative study of three literary traditions - post-1960 Asian American, Asian Canadian and Black experimental poetry - which are usually examined separately. In so doing, it intervenes in conventional understandings of postwar North American racial formation and argues that through poetry we can examine the intersection between race and capitalism. Arguing that contemporary Black, Asian American and Asian Canadian poets such as Myung Mi Kim, Nathaniel Macket, Larissa Lai and Erica Hunt challenge established definitions of race, this book develops an account of experimental poetry's understanding of race as a range of relational configurations of subjects within racial groups and across racial divisions. In sum, this book redefines some of the basic terms of analysis of contemporary US poetry and poetics, critical race/ethnic studies, racial capitalism and contemporary theories of comparative racialization."--

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350164031; 9781350164017
    Weitere Identifier:
    RVK Klassifikation: HU 1769 ; HU 1691 ; HU 1728 ; HU 1729
    Schriftenreihe: Bloomsbury studies in critical poetics
    Schlagworte: American poetry; Canadian poetry; American poetry; Canadian poetry; Experimental poetry, American; Experimental poetry, Canadian; Race in literature; Literary studies: from c 1900 -
    Umfang: 1 Online-Ressource (viii, 219 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 197-214

    Introduction: The Poetics of (Mis)Recognition PART I: RACE IN THE MIRROR OF COMMODITY FORM -- Chapter 1: 'Piece Logic': Race in the Mirror of Commodity Form -- Chapter 2: 'In the Hollow Parts of Anything that Moves': Asiatic Racial Form and the Poetics of Containment -- Chapter 3: 'Number, Form, Proportion, Situation': The Measure of Racial Comparison in Myung Mi Kim's Dura PART II: RACE AS SERIALITY -- Chapter 4: 'Where From, Where to are Faces of Here': Ed Roberson and the Seriality of Race -- Chapter 5: 'An Axiomatic Chorus': Improvising Collectivity in Nathaniel Mackey's From a Broken Bottle Traces of Perfume Still Emanate

  16. Russian and American poetry of experiment
    the linguistic Avant-garde
    Erschienen: [2023]
    Verlag:  Brill, Leiden

    "An experiment with language. Is it an object cultivated in poetic laboratories where entry is locked for mere mortals? And what do language scholars think about it? Specialists in language and literature studies interested in linguistic innovation... mehr

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    "An experiment with language. Is it an object cultivated in poetic laboratories where entry is locked for mere mortals? And what do language scholars think about it? Specialists in language and literature studies interested in linguistic innovation and experimental poetry will find answers to these questions in Vladimir Feshchenko's book. The study investigates various strategies of radical linguistic creativity in Russian and American experimental writing of the 20th century and explores cases of contemporary 'language-oriented' and 'trans-language' poetry. It is a comparative examination of two national avant-garde cultures, but also a juxtaposition of the relationships that Russian and American avant-garde poetics had with linguistic ideas of their times. The monograph may serve as a wonderful introduction to the entire field of 'linguistic poetics of the avant-garde'"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004526259
    Weitere Identifier:
    9789004526259
    RVK Klassifikation: HU 1769 ; KK 2155
    Schriftenreihe: Avant-garde critical studies ; volume 34
    Schlagworte: Experimental poetry, Russian; Russian poetry; Experimental poetry, American; American poetry; Poetics; Russian language; English language; Comparative literature; Comparative literature; Literary criticism
    Umfang: xiv, 296 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  17. Queer troublemakers
    the poetics of flippancy
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, London

    "Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close... mehr

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    "Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being."--Bloomsbury Publishing List of Figures -- Acknowledgements -- Introduction -- 1 The Poetics of Flippancy -- 2 He Cannot Understand Women. I Can': Gertrude Stein and the Camp Butch -- 3 'There's Nothing Metaphysical About It': Frank O'Hara's Flippant Manifesto and the Poetry of Tight Trousers -- 4 'Who Are These Idiots Writing These Poems?': Eileen Myles' Pornographic Tone and Mutable Categories -- 5 'Was Harry a Woman? Was I a Straight Lady?': Tensions of Heternormativity, Assimilation and the Second Person -- Conclusion -- References -- Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350079380; 9781350079373; 9781350079366
    Weitere Identifier:
    RVK Klassifikation: HU 1769
    Schriftenreihe: Bloomsbury studies in critical poetics
    Schlagworte: Flippancy in literature; Experimental poetry, American; American poetry; Gays' writings, American
    Weitere Schlagworte: Myles, Eileen; Nelson, Maggie (1973-); O'Hara, Frank (1926-1966); Stein, Gertrude (1874-1946)
    Umfang: 1 Online-Ressource (viii, 197 pages), illustrations
    Bemerkung(en):

    Literaturverzeichnis: Seite 187-192

  18. Lyric interventions
    feminism, experimental poetry, and contemporary discourse
    Erschienen: c2004
    Verlag:  University of Iowa Press, Iowa City

    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric... mehr

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    Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an "I" as a product of social discourse and as a conduit for change.Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and

     

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    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 158729446X; 9781587294464
    RVK Klassifikation: HU 1769
    Schriftenreihe: EBSCOhost eBook Collection
    Schlagworte: Feminist poetry, American; American poetry; English poetry; Experimental poetry, American; Experimental poetry, English; Feminism and literature; Women and literature; Lyric poetry; Feminist poetry, American; American poetry; English poetry; Experimental poetry, American; Experimental poetry, English; Feminism and literature; Women and literature; Lyric poetry; Englisch; Experimentelle Lyrik; Frauenlyrik
    Umfang: Online-Ressource
    Bemerkung(en):

    Includes bibliographical references (p. [247]-264) and index

    Lyric conversations and interventions -- Lyric discourse, the arts, and the avant-garde: Barbara Guest and Kathleen Fraser in the sixties -- "Our visible selves": visual-verbal collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip -- The rhetoric of self, nation, and economics: a poetics of public discourse in Carol Ann Duffy -- Theory and the lyric "I": feminist experimentation in Britain

    Acknowledgments and Permissions; Introduction; 1 Lyric Conversations and Interventions; 2 Lyric Discourse, the Arts, and the Avant-Garde; 3 "Our Visible Selves"; 4 The Rhetoric of Self, Nation, and Economics; 5 Theory and the Lyric "I"; Notes; Bibliography; Index

    Lyric conversations and interventions -- Lyric discourse, the arts, and the avant-garde: Barbara Guest and Kathleen Fraser in the sixties -- "Our visible selves": visual-verbal collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip -- The rhetoric of self, nation, and economics: a poetics of public discourse in Carol Ann Duffy -- Theory and the lyric "I": feminist experimentation in Britain

  19. Poetics of emergence
    affect and history in postwar experimental poetry
    Autor*in: Lee, Benjamin
    Erschienen: 2020; ©2020
    Verlag:  University of Iowa Press, Iowa City

    Introduction: Affect and History and in Postwar Experimental Poetry -- Chapter 1. Frank O'Hara's Twentieth Century -- Chapter 2. LeRoi Jones, Editor: Kulchur Magazine and the Poetry of Cultural Politics -- Chapter 3. Di Prima's Hipsters: Experimental... mehr

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    Introduction: Affect and History and in Postwar Experimental Poetry -- Chapter 1. Frank O'Hara's Twentieth Century -- Chapter 2. LeRoi Jones, Editor: Kulchur Magazine and the Poetry of Cultural Politics -- Chapter 3. Di Prima's Hipsters: Experimental Poetry at the Birth of the Cool -- Chapter 4. Howl and Other Poems: Is There Old Left in These New Beats? -- Epilogue: Meditations in an Emergency, Catastrophes of the Present. "Experimental poetry responded to historical change in the decades after World War II with an attitude of such casual and reckless originality that its insights have often been overlooked. And yet, Benjamin Lee argues, to ignore the scenes of self and the historical occasions captured by experimental poets of the 1950s and 1960s is to overlook a rich and instructive resource for our own complicated transition into the twenty-first century. In Poetics of Emergence, Lee shows that poets like Frank O'Hara, LeRoi Jones/Amiri Baraka, Diane di Prima, and Allen Ginsberg offer perceptive responses to Cold War culture: lyric meditations on consequential changes in U.S. social life and politics, including the decline of the Old Left, the rise of white-collar work, and the emergence of vernacular practices like hipsterism and camp. At the same time, they offer us opportunities to anatomize our own desire for historical significance and belonging, a desire we may well see reflected and then reconfigured in their poems"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9781609386979
    RVK Klassifikation: HU 1761
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: American poetry; Experimental poetry, American; Affect (Psychology) in literature; Radicalism in literature; Social change in literature; Literature and society
    Umfang: xi, 153 Seiten
    Bemerkung(en):

    Enthält bibliografische Angaben und Index

    Dissertation, University of Virginia, 2010

  20. Legend
    the complete facsimile in context
    Erschienen: 2020
    Verlag:  University of New Mexico Press, Albuquerque

    "Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman, the work was... mehr

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    "Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman, the work was composed on typewriters and developed through the mail. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations, revealing the evolution of distinctive styles against and in conversation with others. Along with a complete reproduction of the original text, LEGEND: The Complete Facsimile in Context includes a critical introduction by editors Matthew Hofer and Michael Golston, a generous selection of material from the authors' correspondence, and a new collaborative piece by the authors. This book will be an essential resource to students and scholars in twentieth-century poetry and poetics"-- "The replacement of ourself with ourselves": the making of LEGEND as a five-pointed star / Matthew Hofer and Michael Golston -- LEGEND / Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman -- Appendix one. re: re: legend -- A new five-way collaboration / by Bruce Andrews, Charles Bernstein, Ray DiPalma,Steve McCaffery, and Ron Silliman -- Appendix two. excerpts from the authors correspondence.

     

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    Quelle: Verbundkataloge
    Beteiligt: Hofer, Matthew (HerausgeberIn); Golston, Michael (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 082636148X; 9780826361486
    Schriftenreihe: Recencies series
    Schlagworte: Authorship; Experimental poetry, American; Language poetry; Language poetry; Language poetry; Language poetry; Experimental poetry, American; Authorship ; Collaboration
    Umfang: 1 Online-Ressource (xiv, 302 pages), illustrations
    Bemerkung(en):

    Includes index

  21. The sound of one hand typing
    Erschienen: 2020
    Verlag:  Anaphora Literary Press, Quanah, Texas

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Quelle: Verbundkataloge
    Beteiligt: Wiss, Dennis (FotografIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1681145286; 9781681145280
    Schlagworte: American poetry; Experimental poetry, American; American poetry; Experimental poetry, American
    Umfang: 1 Online-Ressource (1 online resource)
  22. Travesty generator
    Erschienen: [2019]; © 2019
    Verlag:  Noemi Press, Blacksburg

    //three_last_words -- //Counternarratives -- //Soldier Buffalos: anagrams in trees -- //Husband stories -- //@Code_Switching -- //Zombie nightmare -- //@Tubman's_Rock -- //A new sermon on the Warpland -- //Coming of age stories -- //"Incident". "Like... mehr

    Staats- und Universitätsbibliothek Bremen
    03.k.9045
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    //three_last_words -- //Counternarratives -- //Soldier Buffalos: anagrams in trees -- //Husband stories -- //@Code_Switching -- //Zombie nightmare -- //@Tubman's_Rock -- //A new sermon on the Warpland -- //Coming of age stories -- //"Incident". "Like a ghost in the machine, TRAVESTY GENERATOR remixes programming codes and turns them to ruminate on the intersections of race and gender. Rhythmic, hypnotic, and percussive, the poems are iterative and suggest the infinite recursions of nano data. The poems pay homage to lives taken too soon, those of Trayvon Martin, Eric Garner, pulls heroes like Harriet Tubman into the present, and offers the wisdoms spoken by Black mothers to their children. TRAVESTY GENERATOR reminds us that programming languages and computer codes are not neutral. But while oppressive algorithms abound, the poems hack their way into new connections and possibilities for Black life."--Amazon.com

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781934819845; 1934819840
    Schlagworte: African Americans; Racism; Experimental poetry, American; Computer poetry; African Americans ; Crimes against; American poetry; Computer poetry; Experimental poetry, American; Racism; Experimental poetry; Computer poetry; Experimental poetry; Computer poetry; Poetry
    Umfang: 75 Seiten, 23 cm
    Bemerkung(en):

    Verlagsort auf Verlagswebsite ermittelt

    "The majority of the poems in this book were drafted using computer coding and programming, mostly Python and JavaScript but also Perl"--Page 76

  23. Blowing clover, falling rain
    a theological commentary on the poetic canon of the American religion
    Erschienen: 2020
    Verlag:  Pickwick Publications, Eugene, Oregon

    The field of theopoetics explores the ways in which we "make God" (present)--particularly through language. This book explores questions of theopoetics as they relate to the central poetry of the American Sublime. It offers a fresh, theological... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 136397
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    The field of theopoetics explores the ways in which we "make God" (present)--particularly through language. This book explores questions of theopoetics as they relate to the central poetry of the American Sublime. It offers a fresh, theological engagement with what literary critic Harold Bloom terms the American religion (transcendentalism: Emerson's homespun mysticism). Specifically, it seeks to rehabilitate Emerson's concept of self-reliance from the charge of gross egoism, by situating it in the context of normative mysticisms Eastern and Western. It undertakes a more poetic approach to reading theologically-inflected poetry, by exegeting four poets collectively constituting Bloom's American religious "canon": Ralph Waldo Emerson, Walt Whitman, Wallace Stevens, and Hart Crane. It utilizes a modified version of the ancient fourfold allegorical mode of reading Scripture, to draw out theological dimensions of four quintessential texts (Nature, "Song of Myself," "Sunday Morning," "Lachrymae Christi"), in order to offer a more imaginative way of reading imaginative writing. Building on Emerson's contention, "just as there is creative writing, there is creative reading," and Bloom's claim, "a theory of poetry . . . must be poetry, before it can be of any use in interpreting poems," it demonstrates the unique, viable ways in which poems are able to "do" theology--and perform or embody theopoetic truths. -- back cover

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Guite, Malcolm (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781725258402; 9781725258419
    Schlagworte: Religious poetry, American; American poetry; Theology in literature; God in literature; Experimental poetry, American; Experimental poetry, American; God in literature; Religious poetry, American; Theology in literature; Criticism, interpretation, etc
    Umfang: xiii, 218 pages
    Bemerkung(en):

    Includes bibliographical references (pages 207-214) and index

  24. An interface for a fractal landscape
    Autor*in: Steck, Ed
    Erschienen: 2019
    Verlag:  Ugly Duckling Presse, Brooklyn, NY

    Ephemera at the beginning of the world -- An archival crawler unit in a fractional landscape -- Digital nature commands -- Pattern map. ". . .an exploration of potential networking between organic life and digitally recreated nature on a virtual... mehr

    Universität Potsdam, Universitätsbibliothek
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    Ephemera at the beginning of the world -- An archival crawler unit in a fractional landscape -- Digital nature commands -- Pattern map. ". . .an exploration of potential networking between organic life and digitally recreated nature on a virtual terrain. Taking its cues from a variety of media, including concrete poetry, artists' books, science fiction, nature poetry, and information science, the book follows the experience of an inorganic life form attempting to recreate an organic relationship between organism and landscape on an outmoded server in the era of post-anthropocene collapse. Features: slime molds, cat avatars, organic toads, digital nature, hollow mountains, water textures, archival crawler units, warm baths, interactive maps, inventory management, and poetry."--Publisher

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781946433015
    Auflage/Ausgabe: First edition
    Schlagworte: Experimental poetry, American; Visual poetry, American; Experimental poetry, American; Visual poetry, American; Poetry; Poetry
    Umfang: 1 Band (ungezählt), Illustrationen
    Bemerkung(en):

    "Books printed offset and bound at Thomson-Shore. Design and typesetting by Doormouse with the author. The type is Adobe Garamond Pro and Courier New."--Verso, title page

  25. Poetry on & off the page
    essays for emergent occasions
    Erschienen: 1998
    Verlag:  Northwestern Univ. Press, Evanston, Ill.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 358120
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HU 1761 P451
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    Universitätsbibliothek Freiburg
    GE 98/9760
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    99 A 6946
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    ame 572:t/p27a
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    Universität Potsdam, Universitätsbibliothek
    02 A .007110
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    40 A 697
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0810115603; 0810115611
    RVK Klassifikation: HU 1761
    Schriftenreihe: Avant-garde & modernism studies
    Schlagworte: American poetry; American poetry; Experimental poetry, American; Modernism (Literature); Poetics; American poetry; American poetry; Experimental poetry, American; Modernism Literature; Poetics
    Umfang: XV, 376 S, Ill
    Bemerkung(en):

    Includes bibliographical references