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  1. Engagements with Shakespearean drama
    Autor*in: Walker, William
    Erschienen: 2019
    Verlag:  Routledge,, Abingdon, Oxon

    Emotion -- Laughter and delight -- Moral instruction and wisdom -- Sublimity. mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Emotion -- Laughter and delight -- Moral instruction and wisdom -- Sublimity.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351190176; 1351190172; 9781351190183; 1351190180; 9781351190169; 1351190164; 9781351190190; 1351190199
    Weitere Identifier:
    Schriftenreihe: Routledge engagements with literature
    Schlagworte: Shakespeare, William ; 1564-1616 ; Appreciation; DRAMA / English, Irish, Scottish, Welsh ; bisacsh; LITERARY CRITICISM / General ; bisacsh; DRAMA / English, Irish, Scottish, Welsh; LITERARY CRITICISM / General
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 online resource
  2. Francis Bacon's contribution to Shakespeare
    a new attribution method
    Autor*in: Clarke, Barry R.
    Erschienen: 2019
    Verlag:  Routledge,, New York, NY

    A Shakespeare biography -- Contemporary opinion -- A fraudulent first folio -- Bacon's dramatic entrance -- A charge of brokerage -- Bacon's vertues? -- The comedy of errors -- Love's labour's lost -- Twelfth night -- The tempest -- A history of... mehr

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    A Shakespeare biography -- Contemporary opinion -- A fraudulent first folio -- Bacon's dramatic entrance -- A charge of brokerage -- Bacon's vertues? -- The comedy of errors -- Love's labour's lost -- Twelfth night -- The tempest -- A history of authorship attribution -- Modern attribution methods -- The new method of rare collocation profiling.

     
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  3. Mummers' plays revisited
    Autor*in: Harrop, Peter
    Erschienen: 2020
    Verlag:  Routledge,, London

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  4. British nautical melodramas, 1820-1850
    Beteiligt: Schmidt, Arnold (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Routledge,, London

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  5. How and why we teach Shakespeare
    college teachers and directors share how they explore the playwright's works with their students
    Beteiligt: Homan, Sidney (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Routledge,, New York, NY

    Introduction : how and why / Sidney Homan -- Theatricality and the resistance of thesis / Andrew Hartley -- "That's a question : how shall we try it?" (The comedy of errors 5.1) / Nick Hutchison -- Re-entering Macbeth : "witches vanish" and other... mehr

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    Introduction : how and why / Sidney Homan -- Theatricality and the resistance of thesis / Andrew Hartley -- "That's a question : how shall we try it?" (The comedy of errors 5.1) / Nick Hutchison -- Re-entering Macbeth : "witches vanish" and other stage directions / S.P. Cerasano -- Seeing the Elizabethan playhouse in Richard II / Joseph Candido -- Acting and ownership in the Shakespeare classroom / James Bulman and Beth Watkins -- Performing Hamlet / Russell Jackson -- "Gladly would he learn and gladly teach" : empowering students with Shakespeare / Sidney Homan -- Uncertain test : student and teacher find their way onstage in Romeo and Juliet / Jerry Harp and Erica Terpening -- "In practice let us put it presently" : learning with much ado / Francis Teague and Kristin Kundert -- Shakespeeding into Macbeth and The tempest : teaching with the Shakespeare reloaded website / Liam Semler -- "And so everyone according to his cue" : practice-led teaching and cue-scripts in the classroom / Miranda Fay Thomas -- Collaborating with Shakespeare / Frederick Kiefer -- Shakespeare without print / Paul Menzer -- That depends : what do you want two plus two to be? / Cary Mazer -- "Who's there?" "Nay, answer me. stand and unfold yourself" : attending to students in diversified settings / Naomi Conn Liebler -- Unpicking the Turkish tapestry : teaching Shakespeare in Anatolia / Patrick Hart -- Teaching Shakespeare to retirees in the Olli Program / Alan Dessen -- Afterword : cur non? / June Schlueter.

     
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  6. Athenaeus Naucratites: Athenaei Naucratitae Dipnosophistarum libri XV. Libri XI-XV. Indices
    Erschienen: [1992]; © 1992
    Verlag:  De Gruyter, Berlin/Boston

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Griechisch, alt (bis 1453)
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110950984; 9783598711039; 9783111813332
    Weitere Identifier:
    Schriftenreihe: Bibliotheca scriptorum Graecorum et Romanorum Teubneriana ; 1103
    Athenaeus Naucratites: Athenaei Naucratitae Dipnosophistarum libri XV ; Vol. III
    Schlagworte: Anecdotes / Early works to 1800; Anecdotes; Aphorisms and apothegms / Early works to 1800; Aphorisms and apothegms; Gastronomy / Early works to 1800; Gastronomy; DRAMA / English, Irish, Scottish, Welsh; Englische Literatur
    Umfang: 1 Online-Ressource (xii, 810 Seiten), illustrations
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    Description based on online resource; title from PDF title page (publisher’s Web site, viewed March 24, 2015)
  7. Adventures in the Deeps of the Mind
    The Cuchulain Cycle of W.B. Yeats
    Autor*in: Friedman, Barton R.
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a... mehr

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    Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a playwright whose work is simultaneously great literature and extaordinarily effective theater. In his interpretation of the Cuchulain cycle the author concentrates upon dramatic method. He examines first the evolution of Yeats's dramatic aesthetic and his attempts to translate it into practice. He then treats each play of the cycle in order of composition, moving from On Baile's Strand, of which the first version was begun in 1901, to The Death of Cuchulain completed in 1939. Deirdre is included, since it demonstrably belongs to the cycle.Professor Freidman discusses not only the plays in their final form but, in crucial instances, Yeats's revisions of them, which frequently illuminate his dramatic designs. In the cases of The Green Helmet and The Only Jealous of Emer, he considers as well as their alternative versions, The Golden Helmet and Fighting the Waves. The analysis draws on Yeats's poetry and his theories of history, mythology, and art, and it shows that Yeats succeeds where his Romantic precursors had failed, in finding ways of staging "the deeps of the mind."Barton R. Friedman is Associate Professor of English at the University of Wisconsin.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691198439
    Weitere Identifier:
    Schriftenreihe: Princeton Legacy Library ; 5491
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Cu Chulainn; Yeats, William Butler (1865-1939)
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  8. Theatre and Nationalism in 20th-Century Ireland
    Beteiligt: O'Driscoll, Robert (Hrsg.)
    Erschienen: [2019]; © 1971
    Verlag:  University of Toronto Press, Toronto

    Great moments of theatrical achievement have often coincided with moments of national excitement and tension. In Ireland, after the death of Parnell in 1891, cultural and political nationalists had urgent need of each other's vitality and vision, as... mehr

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    Great moments of theatrical achievement have often coincided with moments of national excitement and tension. In Ireland, after the death of Parnell in 1891, cultural and political nationalists had urgent need of each other's vitality and vision, as both worked towards the common goal of liberating Ireland from British political and literary domination. But the political and cultural nationalists were destined to part company when the reality of an independent state seemed imminent: artists began to face the truth about their country and themselves and portrayed Ireland as it was, not as the nationalists wished to be. This book is about the writers who moulded the mind of modern Ireland: Yeats who saw in the dramatic movement the successful overturning of the doctrines that had dominated his country since the days of Young Ireland; Synge and O'Casey who presented with uncompromising brutality the suffering of Irishmen who found little solace in nationalistic abstractions, whose only weapons for survival were their own native cunning, imagination, and with; Shaw who regarded nationalism as a necessary but retrograde step that stood between Ireland its proper place in a wider European community; Beckett who takes us beyond roots and nationalism and whose work seems to imply that nationalism in either a political or cultural sense is now outdated and outstated. The essays in this volume were first presented at the second inter-university seminar in Irish Studies held at St Michael's College, University of Toronto. The contributors are experts in the field of Irish Studies: David R. Clark, George Mills Harper, David Krause, Thomas MacAnna, Roger McHugh, Ann Saddlemyer, Michael J. Sidnell, Francis Warner, and Robert O'Driscoll. This is not, however, an arbitrary collection of papers, but the first systematic exploration of modern Irish drama since Una Ellis-Fermor's The Irish Dramatic Movement in 1939. It covers the period from the founding of the Abbey Theatre to the work of Samuel Beckett. This volume is essential reading for everyone interested in modern Irish history and literature

     
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    Quelle: Verbundkataloge
    Beteiligt: O'Driscoll, Robert (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487574017
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; English drama; English drama; Theater
    Umfang: 1 online resource (222 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  9. The 3 Estaites
    The Millennium Version
    Autor*in: Spence, Alan; Calder, Angus
    Erschienen: [2022]
    Verlag:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Introduction -- Original cast list -- The Proclamation -- Part One -- Scene 1: Prologue -- Scene 2: The King and his Courtiers -- Scene 3: The entrance of Sensuality -- Scene 4: The King anticipates Sensuality -- Scene 5:... mehr

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    Frontmatter -- Contents -- Introduction -- Original cast list -- The Proclamation -- Part One -- Scene 1: Prologue -- Scene 2: The King and his Courtiers -- Scene 3: The entrance of Sensuality -- Scene 4: The King anticipates Sensuality -- Scene 5: The Courtiers' embassy to Sensuality -- Scene 6: The Courtiers' return to the King -- Scene 7: Sensuality comes to the King -- Scene 8: The entrance of Guid Counsel -- Scene 9: The entrance of the Vices -- Scene 10: The Vices ingratiate themselves with the King -- Scene 11: The Vices repel Guid Counsel -- Scene 12: The Second Song -- Scene 13: The entrance of Verity -- Scene 14: The entrance of Chastity -- Scene 15: Chastity approaches the King -- Scene 16: The entrance of Correction's Varlet -- Scene 17: The Vices flee -- Scene 18: The entrance of Divine Correction -- Scene 19: Divine Correction comes to the King -- Scene 20: The End of Part One -- Part Two -- Scene 21: The entrance of the Poor Man -- Scene 22: The Pardoner and the Soutars -- Scene 23: The Pardoner and the Poor Man -- Scene 24: The Thrie Estaites gang backward -- Scene 25: The entrance of Jane the Common-weil -- Scene 26: The Debate -- Scene 27: The expulsion of Spirituality -- Scene 28: The garbing of Jane -- Scene 29: The hanging of the Vices -- Scene 30: Folly's sermon -- Appendix: Cast breakdown The 3 Estaites is - by common consent - Scotland's greatest play.First performed in Cupar, Fife in June 1552, it is the earliest Scottish play to have survived. Full of broad humour and pantomime-like farce, it also deals with dangerous topical issues, hitting out at corruption and hypocrisy in the ruling establishment, denouncing the oppression of the poor and calling for social 'reformation'. A young king is rescued from idle sexual dalliance and false counsels by Divine Correction and they preside over a Parliament summoned to enact just laws, where basic Christian tenets and values are affirmed - but Folly has the last word.In 2000 The 3 Estaites gained a fresh resonance when it celebrated both the Millennium and the rebirth of Scotland's Parliament by returning to Cupar for the first time in nearly four and a half centuries. This contemporary Scots version by the leading poet and playwright Alan Spence retains the structure and spirit of Lindsay's script while giving his language a new lease of life. The play's topical allusions have been updated brilliantly, but Lindsay's generous spirit and enormous sense of fun have been preserved.This is a national drama, expressing a comprehensive perspective of what Scotland is and what it might be - a land of justice, fellow-feeling and laughter

     
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    Quelle: Verbundkataloge
    Beteiligt: Calder, Angus (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474472760
    Weitere Identifier:
    Schlagworte: Education of princes; Estates (Social orders); Scottish drama; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (136 p)
  10. New directions in Early Modern English drama
    edges, Spaces, intersections
    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  De Gruyter, Berlin ; Western Michigan University, Medieval Institue Publications, Boston

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter... mehr

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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Foreword: The Stage on the Shore -- Chapter 1. Introduction: Edges, Spaces, and Intersections in Early Modern English Drama -- Chapter 2. A Life on the Edge: Richard Bradshaw -- Chapter 3. “Thou Dream’st Awake”: Ghosts and Sleep in Chapman’s Antonio’s Revenge and Marston’s Bussy D’Ambois -- Chapter 4. Canting Queer Ken: Stage Magic and the Edge of Knowledge -- Chapter 5. James Shirley at the Edge of Town -- Chapter 6. “Our Queen Is Comming to the Town”: Child Actors and Counsel in the Elizabethan Progresses of 1574 and 1578 -- Chapter 7. “And Huh, Too / For All Your Big Words!”: Language and Multiculturalism in Philip Massinger’s The Renegado -- Chapter 8. Inherited Insecurities and the Staging of Alterity: Islam in Marlowe’s Tamburlaine -- Chapter 9. “The End of All”: How a Forgotten Map Helped Us Forget Newington Butts -- Chapter 10. Hamlet’s French Philosophy -- Chapter 11. “Then Turn Tail to Tail and Peace Be with You”: John Fletcher’s The Woman’s Prize, or The Tamer Tamed, Menippean Satire, and Same-Sex Desire -- Chapter 12. “Whose Plot Was This?”: Shakespearean Convergences in Fletcher’s The Wild-Goose Chase -- Chapter 13. “They Always Speak Things as They Would Have Them”: Aspirational Royalist Politics in Henry Killigrew’s Pallantus and Eudora (1653 -- Notes on Contributors -- Index of Persons, Places, and Subjects This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     
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    Beteiligt: Norrie, Aidan (HerausgeberIn); Houlahan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Weitere Identifier:
    RVK Klassifikation: HI 1266
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: English drama; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (XVIII, 265 Seiten), Illustrationen
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  11. The Invention of Love
    Autor*in: Stoppard, Tom
    Erschienen: 2023
    Verlag:  Grove Press / Atlantic Monthly Press, New York

  12. Strategic Love Play
    Autor*in: Battye, Miriam
    Erschienen: 2023
    Verlag:  Faber & Faber, London

    With acid wit, Miriam Battye's play takes a scalpel to modern romance. Strategic Love Play opened at the Belgrade Theatre, Coventry, in July 2023, produced by Paines Plough, Soho Theatre and Belgrade Theatre, in association with Landmark Theatres mehr

     

    With acid wit, Miriam Battye's play takes a scalpel to modern romance. Strategic Love Play opened at the Belgrade Theatre, Coventry, in July 2023, produced by Paines Plough, Soho Theatre and Belgrade Theatre, in association with Landmark Theatres

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780571387687
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Moderne und zeitgenössische Dramen (ab 1900); PERFORMING ARTS / Theater / Playwriting; Plays, playscripts
    Umfang: 88 Seiten
  13. i will still be whole (when you rip me in half)
    Autor*in: Wong Davies, Ava
    Erschienen: 2023
    Verlag:  Bloomsbury Publishing Plc, London

    "A tender little green shoot of a piece" Lyn Gardner1996. A young mother walks out of a small house in Shepherd s Bush and doesn t look back.2019. A daughter lies in a bath and stares at a crack in the ceiling.Joy and EJ prepare for their first... mehr

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    "A tender little green shoot of a piece" Lyn Gardner1996. A young mother walks out of a small house in Shepherd s Bush and doesn t look back.2019. A daughter lies in a bath and stares at a crack in the ceiling.Joy and EJ prepare for their first meeting in twenty-two years. They run, they bathe, they inhale, they wait.i will still be whole (when you rip me in half) is the debut play by acclaimed theatre critic Ava Wong Davies: a lyrical interlinking of monologues devoted to blood ties, the cycle of trauma, and what we inherit from our parents

     
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  14. The Routledge companion to Shakespeare and philosophy
    Beteiligt: Bourne, Craig (HerausgeberIn); Caddick Bourne, Emily (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Routledge, London

    Shakespeare, Montaigne, and philosophical anti-philosophy / Philip Smallwood -- The (new and old) metaphysical reading of Shakespeare / Géza Kállay -- On the kinship of Shakespeare and Plato / Daryl Kaytor -- Lear as a tragedy of errors : "He hath... mehr

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    Shakespeare, Montaigne, and philosophical anti-philosophy / Philip Smallwood -- The (new and old) metaphysical reading of Shakespeare / Géza Kállay -- On the kinship of Shakespeare and Plato / Daryl Kaytor -- Lear as a tragedy of errors : "He hath ever but slenderly known himself" / Garry L. Hagberg -- Figures unethical : circumlocution and evasion in act I of Macbeth / Scott F. Crider -- Conversational perversions, implicature and sham cancelling in Othello / Craig Bourne and Emily Caddick Bourne -- "Seize it, if thou dar'st" : three types of imperative conditional in Richard II / Borut Trpin -- The sonnets and attunement / Maximillian de Gaynesford -- 'To thine own self be true' : 'truthiness', Shakespeare, Eco and the open work / Michael Troy Shell -- Wittgenstein's enigmatic remarks on Shakespeare / Wolfgang Huemer -- Shakespeare, intention, and the ethical force of the involuntary / Christopher Crosbie -- "Thou weep'st to make them drink" : hospitality and mourning in Timon of Athens / Sophie Emma Battell -- Shakespeare, moral judgements and moral realism / Matthew H. Kramer -- Blindness and double vision in Richard III : Zamir on Shakespeare on moral philosophy / Rafe McGregor -- Horatio's stoic philosophy / Jan H. Blits -- Sovereignty, social contract and the state of nature in King Lear / Stella Achilleos -- Justice : some reflections on Measure for measure / Tzachi Zamir -- Kiss me k' : engendering judgment in Kant's 1st critique and Shakespeare's the Taming of the shrew / Jennifer Ann Bates -- The duty of enquiry, or why Othello was a fool / Veli Mitova -- The evil deceiver and the evil truth teller : Descartes, Iago, and scepticism / Dianne Rothleder -- Climates of trust in Macbeth / Julia Reinhard Lupton -- The sceptic's surrender : believing partly / Anita Gilman Sherman -- "Nothing will come out of nothing" : existential dimension of interpersonal relationships in King Lear / Katarzyna Burzynska -- "And nothing brings me all things" : Shakespeare's philosophy of nothing / Jessica Chiba -- Shakespeare and the absurd / Raymond Angelo Belliotti -- Nietzsche's Hamlet puzzle : life affirmation in the birth of tragedy / Katie Brennan -- Time and the other in Cymbeline / James A. Knapp -- Shakespeare and selfhood / Kevin Curran -- Shakespeare and the mind / Miranda Anderson -- Macbeth and the self / Colin McGinn -- "Hit it, hit it, hit it" : rigid designation in Love's Labour's Lost / Andrew Cutrofello -- Love, identity and the way of ideas in Twelfth Night / Robin Le Poidevin -- A taste for slaughter : Stephen Gosson, Titus Andronicus, and the appeal of evil / Joel Elliot Slotkin -- Grotesque laughter as a coping mechanism in Titus Andronicus / Adele-France Jourdan -- Seduced by romanticism : re-imagining Shakespearean catharsis / Patrick Gray -- Beauty and time in the sonnets / Peter Lamarque -- Role-playing on stage / D.H. Mellor -- Building character : Shakespearean characters and their instantiations in the worlds of performances / E.M. Dadlez -- Shakespeare's theatrical openings / James R. Hamilton -- Shakespeare's embodied stoicism / Donovan Sherman -- The history plays : fiction or non-fiction? / Derek Matravers.

     
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  15. Jonson
    Autor*in: Botvinick, Marshall
    Erschienen: 2015; ©2015
    Verlag:  Macmillan Education UK, London

    Cover -- Title -- Copyright -- Dedication -- Contents -- Series Editors' Preface -- Preface -- 1 The Text and Early Performances -- 2 Cultural Contexts and Sources -- 3 Commentary -- 4 Key Productions and Performances -- 5 The Play on Screen -- 6... mehr

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    Cover -- Title -- Copyright -- Dedication -- Contents -- Series Editors' Preface -- Preface -- 1 The Text and Early Performances -- 2 Cultural Contexts and Sources -- 3 Commentary -- 4 Key Productions and Performances -- 5 The Play on Screen -- 6 Critical Assessments -- Further Reading -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137379825
    Schriftenreihe: Shakespeare Handbooks Ser.
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Electronic books
    Umfang: 1 online resource (145 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  16. Transforming the teaching of Shakespeare with the Royal Shakespeare Company
    = Teaching of Shakespeare
    Autor*in: Winston, Joe
    Erschienen: 2015; © 2015
    Verlag:  Bloomsbury Arden Shakespeare, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781408185872; 1408185873
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Study skills; Englischunterricht
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (198 pages), illustrations
    Bemerkung(en):

    Description based on print version record

    "This book tells the story of the Royal Shakespeare Company's acclaimed and influential project to transform the teaching of Shakespeare in schools. It examines their approaches to making his plays more accessible, enjoyable and relevant to young people, describing the innovative classroom practices that the Company has pioneered and locating these within a clearly articulated theory of learning. It also provides evidence of their impact on children and young people's experience of Shakespeare, drawing upon original research as well as research commissioned by the RSC itself. Authoritative but highly readable, the book is relevant to anyone with an interest in the teaching of Shakespeare, and in how a major cultural organisation can have a real impact on the education of young people from a wide range of social backgrounds. It benefits from interviews with key policy makers and practitioners from within the RSC, including their legendary voice coach, Cicely Berry, and with internationally renowned figures such as the writer and academic, Jonathan Bate; the previous artistic director of the RSC, Michael Boyd; and the celebrated playwright, Tim Crouch."--Bloomsbury Publishing
  17. Greeks and Trojans on the early modern English stage
    Autor*in: Hopkins, Lisa
    Erschienen: [2020]; © 2020
    Verlag:  De Gruyter, Boston ; Berlin ; Medieval Institute Publications, Kalamazoo

    No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores... mehr

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    Universität Potsdam, Universitätsbibliothek
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    No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores the wide range of allusions to Greece and Troy in plays by Shakespeare and his contemporaries, looking not only at plays actually set in Greece or Troy but also those which draw on characters and motifs from Greek mythology and the Trojan War. Texts covered include Shakespeare’s Troilus and Cressida, Othello, Hamlet, The Winter’s Tale, The Two Noble Kinsmen, Pericles and The Tempest as well as plays by other authors of the period including Marlowe, Chettle, Ford and Beaumont and Fletcher

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501514623; 9781501514500
    Weitere Identifier:
    RVK Klassifikation: HI 1161 ; HI 1250
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: Aesthetics; Classical heritage; Greece; Griechenland; Klassisches Erbe; Religion; Troja; Troy; Ästhetik; DRAMA / English, Irish, Scottish, Welsh; Trojaner <Motiv>; Griechen <Motiv>; Drama; Frühneuenglisch
    Umfang: 1 Online-Ressource (X, 234 Seiten)
  18. Thinking about Shakespeare
    Autor*in: Stockholder, Kay
    Erschienen: 2018
    Verlag:  Wiley, Hoboken, NJ

    A midsummer night's dream -- Romeo and Juliet -- The merchant of Venice -- Richard II -- The Henry IV plays -- Hamlet -- Troilus and Cressida -- Othello -- Macbeth -- King Lear -- Antony and Cleopatra -- The tempest. Explores the challenges of... mehr

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    A midsummer night's dream -- Romeo and Juliet -- The merchant of Venice -- Richard II -- The Henry IV plays -- Hamlet -- Troilus and Cressida -- Othello -- Macbeth -- King Lear -- Antony and Cleopatra -- The tempest. Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare's plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare's most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare's characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard's best-loved works, including: A Midsummer Night's Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare.-Written in a style accessible for all levels -Discusses 12 plays, making it a comprehensive study of Shakespeare's work -Covers every genre of The Bard's work, giving readers a full sense of Shakespeare's art/thought over the course of his oeuvre -Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history's greatest storytellers

     
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    Quelle: Verbundkataloge
    Beteiligt: Scott, Amy (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781119059035; 1119059038; 9781119059042; 1119059046
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Criticism, interpretation, etc; Shakespeare, William; Influence (Literary, artistic, etc.); Philosophy
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: Online Ressource
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    Includes index. - Includes bibliographical references and index. - Print version record and CIP data provided by publisher; resource not viewed

    Includes index
  19. New directions in early modern English drama
    edges, spaces, intersections
    Beteiligt: Norrie, Aidan (Hrsg.); Houlahan, Mark (Hrsg.)
    Erschienen: [2020]; © 2020
    Verlag:  de Gruyter, Berlin ; Boston

    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book... mehr

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    This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers

     
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    Beteiligt: Norrie, Aidan (Hrsg.); Houlahan, Mark (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501513749; 9781501514029
    Weitere Identifier:
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: Alterity; Andersartigkeit; Dramatiker; Early Modern Drama; Englisches Theater; English Theatre; Plays and Playwrights; Stücke und Stückeschreiber; Theater der Frühen Neuzeit; DRAMA / English, Irish, Scottish, Welsh; Englisch; Drama
    Umfang: 1 Online-Ressource (XVIII, 265 Seiten)
  20. Adventures in the Deeps of the Mind
    The Cuchulain Cycle of W.B. Yeats
    Autor*in: Friedman, Barton R
    Erschienen: [2019]
    Verlag:  Princeton University Press, Princeton, NJ

    Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a... mehr

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    Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a playwright whose work is simultaneously great literature and extaordinarily effective theater. In his interpretation of the Cuchulain cycle the author concentrates upon dramatic method. He examines first the evolution of Yeats's dramatic aesthetic and his attempts to translate it into practice. He then treats each play of the cycle in order of composition, moving from On Baile's Strand, of which the first version was begun in 1901, to The Death of Cuchulain completed in 1939. Deirdre is included, since it demonstrably belongs to the cycle.Professor Freidman discusses not only the plays in their final form but, in crucial instances, Yeats's revisions of them, which frequently illuminate his dramatic designs. In the cases of The Green Helmet and The Only Jealous of Emer, he considers as well as their alternative versions, The Golden Helmet and Fighting the Waves. The analysis draws on Yeats's poetry and his theories of history, mythology, and art, and it shows that Yeats succeeds where his Romantic precursors had failed, in finding ways of staging "the deeps of the mind."Barton R. Friedman is Associate Professor of English at the University of Wisconsin.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 Frontmatter -- Contents -- Acknowledgments -- Introduction -- I. Toward Staging the Deeps of the Mind -- II. The Ruins of Time -- III. Getting the Story Right -- IV. "I Choose the Laughing Lip" -- V. In the Eye of the Mind -- VI. Between Two Worlds -- VII. A Mansion in Eternity -- Index -- PRINCETON ESSAYS IN LITERATURE

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691198439
    Weitere Identifier:
    Schriftenreihe: Princeton Legacy Library ; 5491
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource
  21. Theatre and Nationalism in 20th-Century Ireland
    Beteiligt: O'Driscoll, Robert (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Illustrations -- Contributors -- Introduction / O'Driscoll, Robert -- Stars of the Abbey's ascendancy / Saddlemyer, Ann -- 'Intellectual hatred' and 'intellectual nationalism': the paradox of passionate politics / Mills... mehr

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    Frontmatter -- Contents -- Illustrations -- Contributors -- Introduction / O'Driscoll, Robert -- Stars of the Abbey's ascendancy / Saddlemyer, Ann -- 'Intellectual hatred' and 'intellectual nationalism': the paradox of passionate politics / Mills Harper, George -- Two lectures on the Irish theatre by W. B. Yeats / O'Driscoll, Robert -- Nationalism from the Abbey stage / Macanna, Thomas -- The Rising / Mchugh, Roger -- Sean O'Casey and the higher nationalism: the desecration of Ireland's household gods / Krause, David -- Yeats, theatre, and nationalism / Clark, David R. -- Hie and Ille: Shaw and Yeats / Sidnell, M. J. -- The absence of nationalism in the work of Samuel Beckett / Warner, Francis -- Notes Great moments of theatrical achievement have often coincided with moments of national excitement and tension. In Ireland, after the death of Parnell in 1891, cultural and political nationalists had urgent need of each other's vitality and vision, as both worked towards the common goal of liberating Ireland from British political and literary domination. But the political and cultural nationalists were destined to part company when the reality of an independent state seemed imminent: artists began to face the truth about their country and themselves and portrayed Ireland as it was, not as the nationalists wished to be. This book is about the writers who moulded the mind of modern Ireland: Yeats who saw in the dramatic movement the successful overturning of the doctrines that had dominated his country since the days of Young Ireland; Synge and O'Casey who presented with uncompromising brutality the suffering of Irishmen who found little solace in nationalistic abstractions, whose only weapons for survival were their own native cunning, imagination, and with; Shaw who regarded nationalism as a necessary but retrograde step that stood between Ireland its proper place in a wider European community; Beckett who takes us beyond roots and nationalism and whose work seems to imply that nationalism in either a political or cultural sense is now outdated and outstated. The essays in this volume were first presented at the second inter-university seminar in Irish Studies held at St Michael's College, University of Toronto. The contributors are experts in the field of Irish Studies: David R. Clark, George Mills Harper, David Krause, Thomas MacAnna, Roger McHugh, Ann Saddlemyer, Michael J. Sidnell, Francis Warner, and Robert O'Driscoll. This is not, however, an arbitrary collection of papers, but the first systematic exploration of modern Irish drama since Una Ellis-Fermor's The Irish Dramatic Movement in 1939. It covers the period from the founding of the Abbey Theatre to the work of Samuel Beckett. This volume is essential reading for everyone interested in modern Irish history and literature

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: O'Driscoll, Robert (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487574017
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: English drama; English drama; Theater; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (222 p)
    Bemerkung(en):

    restricted access online access with authorization star
  22. Performing nerves
    four plays, four essays, on hysteria
    Autor*in: Furse, Anna
    Erschienen: 2020
    Verlag:  Routledge, New York ; Taylor & Francis Group, London

    "Academic interest in hysteria has burgeoned in recent decades. The topic has been probed by feminist theorists, cultural studies specialists, literary scholars, anthropologists, sociologists, psychologists, medical and art historians as well as... mehr

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    "Academic interest in hysteria has burgeoned in recent decades. The topic has been probed by feminist theorists, cultural studies specialists, literary scholars, anthropologists, sociologists, psychologists, medical and art historians as well as novelists. The hysteric is construed as a powerless, voiceless subject, marginalised by the forces of the patriarchy that have been at root cause of their distress, dissembling and disablement. In Performing Nerves, Anna Furse interweaves her artistic and academic practice, drawing on her own performance texts to explore four different versions of debilitating hysteric suffering. Each text is extensively annotated, revealing the dramaturgical logic and in turn the historical, medical and cultural context behind their protagonists' illness that is argued as environmentally caused in each case. This unique, reflective insight into a playwright and director's craft offers not only an account of how mental suffering can manifest in different contexts and times, from the 19th century to today, but also a breadth of access to the ideas that can motivate creative research. An invaluable resource for scholars of Theatre Studies, Performance Studies, Dramaturgy, 20th Century History, Gender Studies and Medical Humanities"--...

     
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  23. Now More Than Ever
    Autor*in: Huxley, Aldous
    Erschienen: [2000]; ©2000
    Verlag:  University of Texas Press, Austin ; Walter de Gruyter GmbH, Berlin

    Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's... mehr

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    Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever. Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base. This volume contains the full text of Now More Than Ever, which was believed to be lost until 1976, when a copy was found at the Harry Ransom Humanities Research Center of the University of Texas at Austin. A "thinker's play" that has never been produced on stage, it is the last previously unpublished piece of Huxley's major writings and immensely important to understanding his development as a writer. The editors of this volume have annotated the play for contemporary readers. Their introduction sets the play in the context of Huxley's intellectual life.

     
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    Quelle: Verbundkataloge
    Beteiligt: Bradshaw, David; Bradshaw, David; Huxley, Aldous; Sexton, James
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292799165
    Weitere Identifier:
    Schlagworte: Capitalists and financiers; Communists; Fathers and daughters; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  24. The Routledge anthology of early modern drama
    Beteiligt: Lopez, Jeremy (Herausgeber)
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare's contemporaries in over a century. This volume comprises seventeen accessible, thoroughly glossed, modernized play-texts, intermingling a wide... mehr

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    Universität Marburg, Universitätsbibliothek
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    "The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare's contemporaries in over a century. This volume comprises seventeen accessible, thoroughly glossed, modernized play-texts, intermingling a wide range of unfamiliar works-including the anonymous Look About You, Massinger's The Picture, Heminge's The Fatal Contract, Heywood's The Four Prentices of London, and Greene's James IV-with more familiar works such as Marlowe's Dr. Faustus, Webster's The Duchess of Malfi, and Middleton's Women Beware Women. Each play is edited by a different leading scholar in the field of early modern studies, bringing specific expertise and context to the chosen play-text. With an unprecedented variety of plays, and critical introductions that focus on the diversity and strangeness of different early modern approaches to the artistic and commercial enterprise of play-making, The Routledge Anthology of Early Modern Drama will offer vital new perspectives on early modern drama for scholars, students, and performers alike"--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Lopez, Jeremy (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315667188; 1315667185; 9781317357346; 1317357345; 9781317357339; 1317357337; 9781317357353; 1317357353
    RVK Klassifikation: HI 1341 ; HK 1425
    Schlagworte: Drama; Englisch; English drama; DRAMA / Anthologies (multiple authors); DRAMA / English, Irish, Scottish, Welsh; DRAMA / Shakespeare
    Umfang: 1 Online-Ressource
  25. Now More Than Ever
    Autor*in: Huxley, Aldous
    Erschienen: [2021]
    Verlag:  University of Texas Press, Austin

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- A Note on the Text -- Now More Than Ever -- Notes -- Bibliography Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- A Note on the Text -- Now More Than Ever -- Notes -- Bibliography Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever. Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base. This volume contains the full text of Now More Than Ever, which was believed to be lost until 1976, when a copy was found at the Harry Ransom Humanities Research Center of the University of Texas at Austin. A "thinker's play" that has never been produced on stage, it is the last previously unpublished piece of Huxley's major writings and immensely important to understanding his development as a writer. The editors of this volume have annotated the play for contemporary readers. Their introduction sets the play in the context of Huxley's intellectual life

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bradshaw, David (HerausgeberIn); Huxley, Aldous (MitwirkendeR); Sexton, James (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292799165
    Weitere Identifier:
    Schlagworte: Capitalists and financiers; Communists; Fathers and daughters; DRAMA / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (1 online resource)