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  1. Modern archaics
    continuity and innovation in the Chinese lyric tradition 1900 - 1937
    Autor*in: Wu, Shengqing
    Erschienen: 2013
    Verlag:  Harvard University Asia Center, Cambridge, Massachusetts [u.a.]

    "Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the mutually transformative power of the modern and the archaic"--Provided by publisher

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674726673
    Schriftenreihe: Harvard-Yenching Institute Monograph Series ; 88
    Schlagworte: Chinese poetry; Chinese poetry; Chinese poetry; HISTORY; China; Lyrik
    Umfang: xviii, 437 S., Abbildung/en, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Falling leaves and grieving cicadas: allegory and the experience of loss in song lyrics -- Radical antiquarianism: Chen Sanli's poetic response to cultural crisis -- Contested Fengya: loyalists and classical poetry clubs -- A lonely enterprise: classical poetry and new means of cultural production -- Re-feminizing modern space: Lu Bicheng and her overseas lyrics -- "O my love is like a red red rose": classical form and translation -- Epilogue: Translations of tradition.
  2. Chinese poetry and translation
    rights and wrongs
    Beteiligt: Crevel, Maghiel van (HerausgeberIn); Klein, Lucas (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Amsterdam University Press, Amsterdam

    Chinese Poetry and Translation: Rights and Wrongs' offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from... mehr

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    Chinese Poetry and Translation: Rights and Wrongs' offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from queer-feminist engagement with China's newest poetry to philosophical and philological reflections on its oldest, and from Tang- and Song-dynasty classical poetry in Western languages to Baudelaire and Celan in Chinese. Translation is taken as an interlingual and intercultural act, and the essays foreground theoretical expositions and the practice of translation in equal but not opposite measure. Poetry has a transforming yet ever-acute relevance in Chinese culture, and this makes it a good entry point for studying Chinese-foreign encounters. Pushing past oppositions that still too often restrict discussions of translation-form versus content, elegance versus accuracy, and "the original" versus "the translated"-this volume brings a wealth of new thinking to the interrelationships between poetry, translation, and China

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Crevel, Maghiel van (HerausgeberIn); Klein, Lucas (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048542727; 9048542723
    Schlagworte: Chinese poetry; Translating and interpreting
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  3. Fu poetry along the silk roads
    third-century Chinese writings on exotica
    Autor*in: Kong, Xurong
    Erschienen: 2022
    Verlag:  Arc Humanities Press, Leeds

    This book explores the dissemination of ideas and information on the early silk roads between Europe and China, through the first detailed study of the Sinicization of foreign objects in Chinese poetic writing of the third century CE. mehr

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    This book explores the dissemination of ideas and information on the early silk roads between Europe and China, through the first detailed study of the Sinicization of foreign objects in Chinese poetic writing of the third century CE.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Chinesisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781802700268; 9781641894739
    Schriftenreihe: East meets west : East Asia and its periphery from 200 BCE to 1600 CE
    Schlagworte: Fu; Chinese poetry; Exoticism in literature
    Umfang: 1 online resource (viii, 167 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 07 Oct 2022)
  4. Poetry and painting in Song China
    the subtle art of dissent
    Autor*in: Murck, Alfreda
    Erschienen: 2000
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 0674002431
    Weitere Identifier:
    9780674002432
    RVK Klassifikation: LO 89890 ; EG 9564 ; LO 89440
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 50
    Schlagworte: Painting, Chinese; Chinese poetry; Art and literature
    Umfang: XXI, 406 S., Ill., Kt.
    Bemerkung(en):

    Includes bibliographical references (p. [291]-376)and index

    Teilw. zugl.: Princeton, NJ, Univ., Diss.
  5. Written at imperial command
    panegyric poetry in early medieval China
    Autor*in: Wu, Fusheng
    Erschienen: 2008
    Verlag:  State University of New York Press, Albany

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0791473694; 9780791473696
    RVK Klassifikation: EG 9563 ; EG 9669 ; EG 9674
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese poetry; Laudatory poetry
    Umfang: IX, 289 S
    Bemerkung(en):

    Includes bibliographical references and index
  6. Chinese poetry in times of mind, mayhem and money
    Autor*in: Crevel, Maghiel van
    Erschienen: 2008
    Verlag:  Brill, Leiden

    Covers a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. This book is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Covers a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. This book is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural surroundings, and critical discourse in the broadest sense

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789047442738
    Weitere Identifier:
    RVK Klassifikation: EG 9560 ; EG 9567
    Schriftenreihe: Sinica Leidensia ; v. 86
    Brill eBook titles 2008
    Schlagworte: Chinese poetry; Avant-garde (Aesthetics); Experimental poetry, Chinese; Chinese poetry; Avant-garde (Aesthetics); Experimental poetry, Chinese
    Umfang: Online-Ressource (xviii, 518 p), ill, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [475]-504) and index

    Electronic reproduction; Available via World Wide Web
  7. Interventions into modernist cultures
    poetry from beyond the empty screen
    Autor*in: Parry, Amie Elizabeth
    Erschienen: 2007
    Verlag:  Duke University Press, Durham, NC [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0822338181; 0822338033; 9780822338185; 9780822338031
    Schriftenreihe: Perverse modernities
    Schlagworte: American poetry; Chinese poetry; Comparative literature; Comparative literature; Modernism (Literature); Modernism (Literature)
    Weitere Schlagworte: Pound, Ezra (1885-1972); Stein, Gertrude (1874-1946); Yu, Guangzhong (1928-2017); Xia, Yu (1956-)
    Umfang: X, 188 S., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [171]-180) and index
  8. Five lectures on Chinese poetry
    Autor*in: Lu, Zhiwei
    Erschienen: 1982
    Verlag:  Foreign Language Teaching and Research Press, Pei-ching

    Standort:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Auflage/Ausgabe: Ti 1 pan
    Schlagworte: Chinese poetry
    Umfang: 182 p, 21 cm
    Bemerkung(en):

    Some poems in Chinese and English

    Colophon title also in Chinese: Zhongguo shi wu jiang

    "Published with revisions"--T.p. verso

    First printed for private circulation in 1935 under title: On Chinese poetry, five lectures

    Includes bibliographical references
  9. The invention of a discourse
    women's poetry from contemporary China
    Autor*in: Zhang, Jeanne Hong
    Erschienen: 2004
    Verlag:  CNWS Publ., Leiden

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Chinesisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9057890968
    RVK Klassifikation: EG 9566
    Schriftenreihe: CNWS publications ; 132
    Schlagworte: Chinese poetry; Chinese poetry
    Umfang: 308 S, Ill
    Bemerkung(en):

    Zusammenfassung in niederländ. Sprache. - Text teilw. in chines. Schrift

    Zugl.: Leiden, Univ., Diss., 2004

    Literaturverz. S. [216] - 234
  10. The Poetry of Hanshan (Cold Mountain), Shide, and Fenggan
    Autor*in: Rouzer, Paul
    Erschienen: 2016; ©2017
    Verlag:  De Gruyter, Inc., Boston

    Intro -- Acknowledgements -- Table of Contents -- Introduction -- Preface to the Poetry Collection of the Cold Mountain Master (Hanshanzi) -- Hanshan's Poems -- Record of Meditation Master Fenggan -- Fenggan's Poems -- Record of Shide -- Shide's... mehr

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    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Intro -- Acknowledgements -- Table of Contents -- Introduction -- Preface to the Poetry Collection of the Cold Mountain Master (Hanshanzi) -- Hanshan's Poems -- Record of Meditation Master Fenggan -- Fenggan's Poems -- Record of Shide -- Shide's Poems.

     
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    Quelle: Verbundkataloge
    Beteiligt: Nugent, Christopher (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501501913
    Schriftenreihe: Library of Chinese Humanities Ser.
    Library of Chinese humanities
    Schlagworte: Chinese poetry; Chinese poetry-Tang dynasty, 618-907; Electronic books
    Umfang: 1 online resource (423 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  11. Crystal
    spectrums of Chinese culture through poetry
    Autor*in: Woo, Catherine Yi-Yu Cho
    Erschienen: 1995
    Verlag:  Lang, New York

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082042286X
    Schriftenreihe: Asian thought and culture ; 14
    Schlagworte: Chinese poetry; Chinese language; Poetics
    Umfang: XVII, 225 S, ill, 24 cm
    Bemerkung(en):

    Literaturverz. S. 211 - 215
  12. Songs of the Royal Zhōu and the Royal Shào
    Shī 詩 of the Anhui University manuscripts
    Autor*in: Meyer, Dirk; Schwartz, Adam Craig
    Erschienen: [2022]
    Verlag:  Brill, Leiden

    "The songs of the Royal Zhōu ("Zhōu Nán" ) and of the Royal Shào ("Shào Nán" ) have formed a conceptual unit since at least the late Spring and Autumn period (771-453 BC). With this book Meyer and Schwartz provide a first complete reading of their... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The songs of the Royal Zhōu ("Zhōu Nán" ) and of the Royal Shào ("Shào Nán" ) have formed a conceptual unit since at least the late Spring and Autumn period (771-453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453-221 BC), iteration as witnessed by the Anhui University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004512436
    Weitere Identifier:
    Schriftenreihe: Ancient languages and civilizations ; volume 2
    Schlagworte: Chinese poetry; Chinese poetry; Chinese poetry; Language and languages; Linguistics; Poetry; Literary criticism
    Umfang: 1 Online-Ressource (XII, 222 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  13. Lore and verse
    poems on history in early medieval China
    Autor*in: Zhang, Yue
    Erschienen: 2022
    Verlag:  State University of New York Press, Albany

    What Are Poems on History in Early Medieval China? -- Retrospective Memory and Self-Idealization in Zuo Si's 'Poems on History' -- Prospective Memory and the Reception of Zuo Si's 'Yongshi' in Early Medieval China -- Tao Yuanming's Perspectives on... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    What Are Poems on History in Early Medieval China? -- Retrospective Memory and Self-Idealization in Zuo Si's 'Poems on History' -- Prospective Memory and the Reception of Zuo Si's 'Yongshi' in Early Medieval China -- Tao Yuanming's Perspectives on Life as Reflected in His Poems on History -- Cultural Memory and Xie Zhan's Poem on Zhang Liang -- Approaches to History in the 'Yongshi' Section of the Wen xuan. "Explores how poetry was used to disseminate and interpret history in early medieval China"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781438486918; 9781438486925
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese poetry; History in literature; Literature and history
    Umfang: xv, 223 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  14. Chinese poetry in times of mind, mayhem and money
    Autor*in: Crevel, Maghiel van
    Erschienen: ©2008
    Verlag:  Brill, Leiden

    Covers a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. This book is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Covers a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. This book is organized around the notions of text, context and metatext, meaning poetry, its socio-political and cultural surroundings, and critical discourse in the broadest sense Preface; Acknowledgments; Conventions; List of Illustrations; Chapter One Avant-Garde Poetry from China: Text, Context and Metatext; Chapter Two True Disbelief: Han Dong; Chapter Three Thanatography and the Poetic Voice: Haizi; Chapter Four Exile: Yang Lian, Wang Jiaxin and Bei Dao; Chapter Five Mind over Matter, Matter over Mind: Xi Chuan; Chapter Six Fringe Poetry, But Not Prose: Xi Chuan and Yu Jian; Chapter Seven Objectification and the Long-Short Line: Yu Jian; Chapter Eight Narrative Rhythm, Sound and Sense: Sun Wenbo; Chapter Nine The Lower Body: Yin Lichuan and Shen Haobo.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789047442738; 9047442733; 9789004163829; 9004163824
    RVK Klassifikation: EG 9560
    Schriftenreihe: Sinica Leidensia ; v. 86
    Schlagworte: Avant-garde (Aesthetics); Chinese poetry; Experimental poetry, Chinese; LITERARY CRITICISM ; Poetry; Avant-garde (Aesthetics); Chinese poetry; Experimental poetry, Chinese; Xinshi; Experimentelle Lyrik; Chinesisch; Kinesisk poesi ; historia ; 1900-talet ; 2000-talet; Experimentell poesi ; historia ; Kina; China; Chinesisch; LITERARY CRITICISM ; Asian ; General; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xviii, 518Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 475-504) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction
  15. Anthologie de la poésie chinoise classique
    Autor*in: Demiéville, Paul
    Erschienen: 1962
    Verlag:  Gallimard, [Paris]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schriftenreihe: Connaissance de l'Orient ; 16
    Schlagworte: Chinese poetry; French poetry; Poesía francesa; Poésie chinoise; Poésie chinoise; Poésie chinoise
    Umfang: 571 Seiten, 23 cm
  16. The poetics of early Chinese thought
    how the Shijing shaped the Chinese philosophical tradition
    Autor*in: Hunter, Michael
    Erschienen: [2021]; © 2021
    Verlag:  Columbia University Press, New York

    "The modern imagination of classical Chinese thought has long been dominated by Confucius, Mozi, Mencius, and other so-called "Masters" of the Warring States period. Michael Hunter argues that this approach neglects the far more central role of... mehr

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    "The modern imagination of classical Chinese thought has long been dominated by Confucius, Mozi, Mencius, and other so-called "Masters" of the Warring States period. Michael Hunter argues that this approach neglects the far more central role of poetry, and the Shijing (Classic of Poetry) in particular, in the formation of the philosophical tradition. Through a new reading of its ideology and poetics, Hunter reestablishes the Shijing as a work of major intellectual-historical significance. The Poetics of Early Chinese Thought demonstrates how Shi poetry weaves a vision of society united at every level by the innate and universal impulse to come home. The Shi immersed early thinkers in a world of movement and flow in order to teach them that the most powerful current of all was the gravitational pull of a virtuous king, without whom people can never truly feel at home. Hunter traces the profound influence of the Shi ideology across numerous sources of classical Chinese thought, which he recasts as a network centered on the Shi. Reframing the tradition in this way reveals how poetry shaped ancient Chinese thinkers' conception of the world and their place within it"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Chinesisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231201230; 9780231201223
    Schlagworte: Chinese poetry; Poetics
    Umfang: 228 Seiten
  17. Wang Anshi and Song poetic culture
    Autor*in: Yang, Xiaoshan
    Erschienen: 2021
    Verlag:  Harvard University Asia Center, Cambridge

    "Song of brilliant lady" : the lure and peril of contrarianism -- Tradition and individuality in Tang baijia shixuan -- Late style -- From Cold Mountain to Bell Mountain : an excursion into poetic Buddhism -- "Hard to trust you" : generic convention... mehr

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    "Song of brilliant lady" : the lure and peril of contrarianism -- Tradition and individuality in Tang baijia shixuan -- Late style -- From Cold Mountain to Bell Mountain : an excursion into poetic Buddhism -- "Hard to trust you" : generic convention and partisan politics -- Coda: Positioning Wang Anshi in Song poetic history. "A poetic culture consists of a body of shared values and conventions that shape the composition and interpretation of poetry in a given historical period. This book on Wang Anshi (1021-1086) and Song poetic culture-the first of its kind in any Western language-brings into focus a cluster of issues that are central to the understanding of both the poet and his cultural milieu. These issues include the motivations and consequences of poetic contrarianism and the pursuit of novelty, the relationship between anthology compilation and canon formation, the entanglement of poetry with partisan politics, Buddhist orientations in poetic language, and the development of the notion of late style. Though diverse in nature and scope, the issues all bear the stamp of the period as well as Wang Anshi's distinct personality. Conceived of largely as a series of case studies, the book's individual chapters may be read independently of each other, but together they form a varied, if only partial, mosaic of Wang Anshi's work and its critical reception in the larger context of Song poetic culture"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674262904
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 129
    Schlagworte: Chinese poetry; Literary criticism
    Weitere Schlagworte: Wang, Anshi (1021-1086)
    Umfang: xii, 344 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  18. The poetry of Meng Haoran
    Autor*in: Meng, Haoran
    Erschienen: [2021]; © 2021
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Table of Contents -- Introduction -- Book 1. Pentametric Old-Style Verse -- Book 2 Heptametric Old-Style Verse -- Book 3 Pentametric Regulated Verse -- Book 4 Pentametric Regulated Verse -- Book 5 Uncollected Poems -- Selected... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Table of Contents -- Introduction -- Book 1. Pentametric Old-Style Verse -- Book 2 Heptametric Old-Style Verse -- Book 3 Pentametric Regulated Verse -- Book 4 Pentametric Regulated Verse -- Book 5 Uncollected Poems -- Selected Bibliography -- List of Abbreviations -- Additional Notes Meng Haoran (689-740) was one of the most important poets of the "High Tang" period, the greatest age of Chinese poetry. In his own time he was famous for his poetry as well as for his distinctive personality. This is the first complete translation into any language of all his extant poetry. Includes original Chinese texts and English translation on facing pages

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kroll, Paul W. (ÜbersetzerIn); Owen, Stephen (HerausgeberIn)
    Sprache: Chinesisch; Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110734690; 9783110734898
    Weitere Identifier:
    Schriftenreihe: Library of Chinese humanities
    Schlagworte: Chinese poetry; LITERARY COLLECTIONS / Asian / Chinese
    Umfang: 1 Online-Ressource (xxx, 503 Seiten)
    Bemerkung(en):

    "This book was prepared with the support of the Andrew W. Mellon Foundation"
  19. The organization of distance
    poetry, translation, Chineseness
    Autor*in: Klein, Lucas
    Erschienen: 2018
    Verlag:  Brill, Leiden

    Preliminary Material -- Introduction: The Great Wall and the Tower of Babel: On Chinese Poetry as Translation -- 1 Discerning the Soil: Dual Translation and the World Poetics of Bian Zhilin -- 2 By the Brush: Yang Lian and the Translated Poetics of... mehr

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    Preliminary Material -- Introduction: The Great Wall and the Tower of Babel: On Chinese Poetry as Translation -- 1 Discerning the Soil: Dual Translation and the World Poetics of Bian Zhilin -- 2 By the Brush: Yang Lian and the Translated Poetics of Ethnography -- 3 Indic Echoes: Form, Content, and Contested Chineseness in Regulated Verse -- 4 Composing Foreign Words: Canons of Nativization in the Poetry of Du Fu -- 5 An Awakening Dream: Borders and Communication in the Translation of Li Shangyin -- Conclusion: Realms of Transformation: Chinese Dreams and Translational Realities -- Character Glossary of Names, Titles, and Terms -- Works Cited -- Index. What makes a Chinese poem “Chinese”? Some call modern Chinese poetry insufficiently Chinese, saying it is so influenced by foreign texts that it has lost the essence of Chinese culture as known in premodern poetry. Yet that argument overlooks how premodern regulated verse was itself created in imitation of foreign poetics. Looking at Bian Zhilin and Yang Lian in the twentieth century alongside medieval Chinese poets such as Wang Wei, Du Fu, and Li Shangyin, The Organization of Distance applies the notions of foreignization and nativization to Chinese poetry to argue that the impression of poetic Chineseness has long been a product of translation, from forces both abroad and in the past

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Chinesisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004375376
    Schriftenreihe: Sinica Leidensia ; volume 141
    Schlagworte: Chinese poetry; Chinese language
    Umfang: 1 Online-Ressource (310 pages)
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    Includes bibliographical references and index
  20. Plantains in the rain
    selected Chinese poems of Du Mu
    Autor*in: Du, Mu
    Erschienen: 1990
    Verlag:  Wellsweep, London

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Chinesisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0948454083; 094845458X
    Schriftenreihe: Wellsweep Chinese poets ; 3
    Schlagworte: Chinese poetry
    Umfang: 95 S, 21 cm
    Bemerkung(en):

    Includes Chinese text with English translation
  21. Photo Poetics
    Chinese Lyricism and Modern Media Culture
    Autor*in: Wu, Shengqing
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I Refashioning the Self -- CHAPTER 1 Multiplying the Self Staging Fantasies and Cultural Personas -- CHAPTER 2 Envoicing the Paper Mirror Autobiographical Moments -- Part II Emotions in Transit -- CHAPTER 3 The Social Life of Emotions Photography and the Singularity of the Gift -- CHAPTER 4 Summoning Zhenzhen Circulation of the Tropes of the Beauty, the Skull, and the Nude -- Part III Worldly and Otherworldly Visions -- CHAPTER 5 In Search of Soul Psychical Studies and Spirit Photography -- CHAPTER 6 The Shadows of Poetry Mediating “Interior Landscapes” -- CHAPTER 7 Inscribing Remembrance Lyrical and Technological Envisioning of the Past -- Epilogue -- Notes -- Index Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world?Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231549714
    Weitere Identifier:
    Schriftenreihe: Global Chinese Culture
    Schlagworte: Chinese poetry; Chinese poetry; Literature and photography; Photography in literature; LITERARY CRITICISM / Asian / Chinese
    Umfang: 1 Online-Ressource, 107 b&w photographs
  22. The Fu genre of imperial China
    studies in the rhapsodic imagination
    Beteiligt: Williams, Nicholas Morrow (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Arc Humanities Press, Leeds

    This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics... mehr

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    This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression Frontmatter -- CONTENTS -- Preface -- 1. Introduction: The Rhapsodic Imagination -- 2. The Origins of the Term "Fu" as a Literary Genre of Recitation -- 3. Into the New Realm of Belles Lettres: Intersections of Sevens and Song Verses in Jian'an Poetry -- 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty -- 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and Logic -- 6. The Metaphysical Rhapsody of the Six Dynasties -- 7. Argumentation and Generic Change in the Mid- Tang Fu: Li Guan's (766- 794) "Fu on Suffering the Pitiless Rains" and the Role of the Shelun Genre -- 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery" -- 9. A New Discourse on "Lament for the South" in the Fu of the Ming- Qing Transition -- Bibliography -- Index

     
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    Quelle: Verbundkataloge
    Beteiligt: Williams, Nicholas Morrow (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781641893336
    Weitere Identifier:
    Schriftenreihe: East meets West: East Asia and its periphery from 200 BCE to 1600 CE
    Schlagworte: Chinese poetry; Fu; LITERARY CRITICISM / Asian / Chinese
    Umfang: 1 Online-Ressource (VI, 248 Seiten)
  23. Studies on the Han fu
    Autor*in: Gong, Kechang
    Erschienen: 1997
    Verlag:  American Oriental Society, New Haven, Conn

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Gong, Kechang
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0940490145
    Schriftenreihe: American Oriental series ; vol. 84
    Schlagworte: Fu; Chinese poetry
    Umfang: vi, 413 p, 26 cm
    Bemerkung(en):

    #Includes bibliographical references (p. 390-397) and index
  24. Self-fashioning and reflexive modernity in modern Chinese poetry, 1919 - 1949
    Autor*in: Mi, Jiayan
    Erschienen: 2004
    Verlag:  Mellen, Lewiston, NY [u.a.]

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 0773463097
    Weitere Identifier:
    2004057905
    Schriftenreihe: Chinese studies ; 36
    Schlagworte: Chinese poetry; Modernism (Literature)
    Umfang: VI, 267 S
  25. Words as Grain
    New and Selected Poems
    Autor*in: Duoduo
    Erschienen: [2021]
    Verlag:  Yale University Press, New Haven, CT

    Frontmatter -- Contents -- Translator's Introduction -- WORDS AS GRAIN -- The Force of Forging Words (2004-2018) -- Amsterdam's River (1989-2004) -- Delusion Is the Master of Reality (1982-1988) -- Instruction (1972-1976) An authoritative new... mehr

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    Frontmatter -- Contents -- Translator's Introduction -- WORDS AS GRAIN -- The Force of Forging Words (2004-2018) -- Amsterdam's River (1989-2004) -- Delusion Is the Master of Reality (1982-1988) -- Instruction (1972-1976) An authoritative new collection by one of China's most lauded poets A leading poet from the Cultural Revolution to the present day, Duo Duo is one of China's most influential contemporary writers. He began writing in the 1970s. His poetic vision matured in Beijing in the 1980s and during his exile in the 1990s following the Tiananmen Square Massacre, finally bursting into full bloom with his return home in 2004. Responding to the Chinese political landscape with his investigations into language and an idiosyncratic take on the Zen Buddhist tradition, Duo Duo writes poetry for poets. In exacting translations by award-winning translator Lucas Klein, this career-spanning anthology features Duo Duo's entire oeuvre since his return to China, as well as a selection of his early poems, presenting nearly five decades of work from "a resolute seer of some of the most basic, universal human values" (Mai Mang, Neustadt Prize Ceremony)

     
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    Format: Online
    ISBN: 9780300258134
    Weitere Identifier:
    Schriftenreihe: The Margellos World Republic of Letters
    Schlagworte: Chinese poetry; POETRY / Asian / Chinese
    Umfang: 1 Online-Ressource (256 p)