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Listening to Homer
tradition, narrative, and audience -
Written voices, spoken signs
tradition, performance, and the epic text -
The Song of Roland
Formulaic Style and Poetic Craft -
Improvisation, typology, culture, and "The new orthodoxy"
how "oral" is Homer? -
Interfaces between the oral and the written
Interfaces entre l'écrit et l'oral -
Linguistics and formulas in Homer
scalarity and the description of the particle per -
Poetry in speech
orality and Homeric discourse -
Formula, rhetoric and the word
studies in Milton's epic style -
Plato's rhapsody and Homer's music
the poetics of the Panathenaic Festival in classical Athens -
Homer and the resources of memory
some applications of cognitive theory to the Iliad and the Odyssey -
A critical companion to Beowulf
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Ancient epic poetry
Homer, Apollonius, Virgil -
Formulaic diction in the Poema de Fernán González and the Mocedades de Rodrigo
a computer-aided analysis -
Homeric questions
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Approches littéraires de l'oralité africaine
en hommage à Jean Derive -
Homeric responses
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Pointing at the past
from formula to performance in Homeric poetics -
Written voices, spoken signs
tradition, performance, and the epic text -
Artistry of the Homeric Simile
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Poetry in Speech
Orality and Homeric Discourse -
Oral literature and the formula
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The Iliad
a commentary – 2, Books 5 - 8 -
Linguistics and formulas in Homer
scalarity and the description of the particle per -
Approches littéraires de l'oralité africaine
en hommage à Jean Derive -
The pity of Achilles
oral style and the unity of the Iliad