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  1. Literary heresy : the Dantesque metamorphosis of LeRoi Jones into Amiri Baraka
  2. Not Black, Not Black Enough and Both
  3. Textes fugitifs
    Le récit d'esclave au prisme de l'histoire du livre
    Autor*in: Roy, Michaël
    Erschienen: 2018
    Verlag:  ENS Éditions, Lyon ; OpenEdition, Marseille

    Contrairement aux esclaves des colonies françaises, les esclaves américains ont laissé de nombreux récits autobiographiques, parus pour la plupart dans les décennies ayant précédé la guerre de Sécession. Comment des hommes et des femmes parfois à... mehr

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    keine Fernleihe
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
    keine Fernleihe
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    keine Fernleihe
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    keine Fernleihe
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Contrairement aux esclaves des colonies françaises, les esclaves américains ont laissé de nombreux récits autobiographiques, parus pour la plupart dans les décennies ayant précédé la guerre de Sécession. Comment des hommes et des femmes parfois à peine rescapés des plantations sudistes sont-ils parvenus à (faire) écrire puis à publier le récit de leur servitude ? À partir d'études de cas portant sur des récits d'esclaves connus - ceux de Frederick Douglass ou Harriet Jacobs - et moins connus, Textes fugitifs met à profit les outils de l'histoire du livre pour éclairer les circonstances de publication, de circulation et de réception de ces textes fondateurs de la tradition littéraire africaine-américaine. Situated at the crossroads of African American studies and the history of the book, Fugitive Texts examines the publication, circulation, and reception of antebellum slave narratives. The story of the slave narrative is well rehearsed: narratives of former slaves, critics say, were usually written in collaboration with white abolitionists, with antislavery societies subsidizing publication; they met with considerable success, going through multiple editions and selling in the tens of thousands; they were largely directed toward a northern white audience; they soon emerged as a distinct genre in antebellum America. None of these statements is fundamentally untrue. The overall picture they paint of antebellum slave narratives is, however, a distorted one. Slave narratives were produced through a variety of authorial economies. Investigating these economies allows to shed new light not only on the slave narrative as a genre, but also on African Americans' print practices at a time when the publishing industry was still emerging and when book trade professionals were reluctant to publish and distribute antislavery literature-at least before Harriet Beecher Stowe's Uncle Tom's Cabin came out in 1852. Acknowledging the heterogeneous and fluid nature of what is often...

     

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  4. The Emmett Till Trauma in US Fiction
    Psychological Realism, Magic Realism, and the Spectral
    Erschienen: 2023
    Verlag:  Peter Lang Inc., International Academic Publishers, New York ; Peter Lang International Academic Publishers, Bern

    This book analyzes the various ways of coming to terms with the Emmett Till case in US fiction. The 1955 lynching of the fourteen-year-old black youth in the Mississippi Delta raised a cultural trauma in the US collective imaginary that particularly... mehr

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    This book analyzes the various ways of coming to terms with the Emmett Till case in US fiction. The 1955 lynching of the fourteen-year-old black youth in the Mississippi Delta raised a cultural trauma in the US collective imaginary that particularly pierced the African American community, later resulting in a recurrent motif that this monograph conceptualizes as the Emmett Till trauma. This motif has historically permeated the whole spectrum of US society, springing up in manifold ways and artistic manifestations, but why does it continue to reverberate with such prominence nowadays? And which strategies have the different communities been adopting to cope with it over the years? This book seeks in literature the answers to these central questions, as it analyzes the ways in which several social groups come to terms with the Till trauma, focusing on the three major novels inspired by the tragic incident: Bebe Moore Campbell’s Your Blues Ain’t Like Mine (1992), Lewis Nordan’s Wolf Whistle (1993), and Bernice L. McFadden’s Gathering of Waters (2012). The critical analysis of these three novels is imbued with a theoretical framework mainly based on trauma theory but also influenced by spectrality studies and black studies. Such a theoretical framework allows exploration of the hidden intricacies of the Till case and its traumatic impact on the broader US society, with special emphasis on its aftereffects within the African American community, in the first single-authored monograph on the infamous lynching in literature."Carefully theorized and persuasively argued, this study is the most comprehensive account we have of the haunting presence of Emmett Till in the American literary imagination. Attuned to hidden intricacies, Martín Fernández Fernández makes a convincing case that fiction provides us with the expansive space we need to work through historical trauma, enabling us to mourn properly across generations while at the same time exploring opportunities for progress and healing. Anyone interested in this lynching, and the vast literary response it has inspired, would do well to give this study the close attention it deserves."—Chris Metress, Professor at Samford University; Author of The Lynching of Emmett Till: A Documentary Narrative"This book successfully links the events of the Emmett Till case to recent historical episodes and the Black Lives Matter movement triggered by them. It is a thoroughly documented study that manages to present in a straightforward and accessible manner the historical and mythical significance of a case that still today haunts the US collective memory. The overwhelming evidence, the soundness of the argumentation, and the clarity and accessibility of the writing make of this monograph a valuable addition to our understanding of the African American experience, as well as the complex texture of the US as a nation."—Manuel Broncano, Professor of American Literature, Texas A&M International University"Martín Fernández Fernández locates the forever wound of black child murder in the crevices of America’s racial fault lines in his study The Emmett Till Trauma in US Fiction. More than just a recounting of the gruesome killing of fourteen-year-old Emmett Till, Fernández Fernández’s thoughtful study traces the ways Till’s murder has been memorialized in speculative fiction. Mythology, magical realism, and creative license provide ready avenues for the explorations of familial retribution, spiritual redemption, and communal healing in the bloodlines of both impacted families in the Till saga."—Carol E. Henderson, Vice Provost for Diversity and Inclusion, Chief Diversity Officer, Emory University; Professor Emerita, English, Africana Studies, University of Delaware... "Carefully theorized and persuasively argued, this study is the most comprehensive account we have of the haunting presence of Emmett Till in the American literary imagination. Attuned to hidden intricacies, Martín Fernández Fernández makes a convincing case that fiction provides us with the expansive space we need to work through historical trauma, enabling us to mourn properly across generations while at the same time exploring opportunities for progress and healing. Anyone interested in this lynching, and the vast literary response it has inspired, would do well to give this study the close attention it deserves."Chris Metress, Professor at Samford University; Author of The Lynching of Emmett Till: A Documentary Narrative... "This book successfully links the events of the Emmett Till case to recent historical episodes and the Black Lives Matter movement triggered by them. It is a thoroughly documented study that manages to present in a straightforward and accessible manner the historical and mythical significance of a case that still today haunts the US collective memory. The overwhelming evidence, the soundness of the argumentation, and the clarity and accessibility of the writing make of this monograph a valuable addition to our understanding of the African American experience, as well as the complex texture of the US as a nation."Manuel Broncano, Professor of American Literature, Texas A&M International University...

     

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  5. Writing Black
    Erschienen: 2005

    Special Subject Virtual Libraries ; is This site is dedicated to Literature and History written by and on African Americans. Writing Black offers links to texts and resources on the web, to historical texts and to other libraries and indexes. mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    AnglGuide

     

    Special Subject Virtual Libraries ; is This site is dedicated to Literature and History written by and on African Americans. Writing Black offers links to texts and resources on the web, to historical texts and to other libraries and indexes.

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: American literature; African American literature; African American histiory; African American writers; African Americans in literature
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    Source: SUB

  6. Negro American Literature Forum
    Erschienen: 2002

    Special Subject Virtual Libraries ; is Journals ; z6 This journal "promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    AnglGuide

     

    Special Subject Virtual Libraries ; is Journals ; z6 This journal "promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, [the journal] changed its name for a third time [African American Review] and expanded its mission to include the study of a broader array of cultural formations." Provided are essays on African American literature, theatre, film, the visual arts, and culture generally; interviews; poetry; fiction; and book reviews.

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Übergeordneter Titel: Enthalten in: JSTOR <http://www.jstor.org/>
    Schlagworte: African American; African American literature; African American culture; theatre; film; poetry; fiction; book reviews; -
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    Source: SUB

  7. Selected women of the Harlem Renaissance
    Autor*in: Diesman, Jill
    Erschienen: 2005

    Special Subject Virtual Libraries ; is The Harlem Renaissance was a flowering of African-American social thought and culture based in the African-American community forming in Harlem in New York City (USA). This period began in 1920 and extended... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    AnglGuide

     

    Special Subject Virtual Libraries ; is The Harlem Renaissance was a flowering of African-American social thought and culture based in the African-American community forming in Harlem in New York City (USA). This period began in 1920 and extended roughly to 1940. Instead of using direct political means, African-American artists, writers, and musicians employed culture to work for goals of civil rights and equality. This website features selected women writers of the Harlem Renaissance such as Zora Neale Hurston, Gwendolyn B. Bennett and Esther Popel. This site offers mainly a list of primary and secondary sources but links to further information on the Harlem Renaissance are included, too.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: American literature; 20th century literature; African American writers; African American literature; African American women writers; Harlem Renaissance; Civil Right Movement; "New Negro Movement"
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    Source: SUB

  8. Not Black, Not Black Enough and Both ; Satirical Investigations of Race in Percival Everett's Novels ; Weder Schwarz noch Schwarz Genug, sondern Beides: Satirische Untersuchungen von 'Race' in Percival Everetts Romanen
    Autor*in: Kohrs, Johannes
    Erschienen: 2020

    American novelist, poet, painter and scholar Percival Everett (*1956) is an exceptional pioneer in the field of African American literature. The extensive yet under-studied literary project of the black Los Angeles-based writer includes bitingly... mehr

     

    American novelist, poet, painter and scholar Percival Everett (*1956) is an exceptional pioneer in the field of African American literature. The extensive yet under-studied literary project of the black Los Angeles-based writer includes bitingly comical satires of race and its present-day realities, which are both socially insightful and theoretically challenging. This study presents a comprehensive portrait of the author, launching a comparative inquiry into three novels. In these texts, Everett intervenes in the academic, commercial and social debates on race by conceptualizing a self-help satire of critical uplift (Glyph), a parodic requiem for protest fiction (erasure) and a comedic origin narrative of a black billionaire (I Am Not Sidney Poitier). The central claim of this study is that they present race not as a problem of identity but of language and, thus, of reading (expectations). In picaresque plotlines and cross-sectional scenes, Everett sends centromarginal characters from initial situations of intellectual (Ralph, a mute but extremely smart infant writer), cultural (“Monk,” an experimental writer of Greek myths) and economic privilege (the oddly-named look-alike of the original Sidney Poitier) through absurd episodes of racial oppression. These contradictory, awkward and elusive black characters cannot be integrated into the dominant social and cultural frameworks. They are misrecognized and marginalized as not black, not black enough and both. Mirroring the structural mechanisms of racism, rendering visible its regressive force, they provide dehabitualized readings of racial normativity, in which race remains an imperative yet insufficient coordinate. ; Percival Everett (*1956) ist ein afro-amerikanischer Schriftsteller, Lyriker, Maler und Englischprofessor, dessen umfangreiches literarisches Werk bislang nur wenig wissenschaftliche Aufmerksamkeit genossen hat. Im akademischen und universitären Umfeld ist er durch satirische Romane über „Race“, soziale Ungleichheit und kulturelle Stereotypisierung ...

     

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  9. The Parody of Postblackness in I Am Not Sidney Poitier and the End(s) of African American Literature.
    Erschienen: 2016
    Verlag:  Universität Bremen ; Fachbereich 10: Sprach- und Literaturwissenschaften (FB 10)

    Analyzing Percival Everett's I Am Not Sidney Poitier as a multi-level parody, this essay argues that the novel not only parodies its protagonist's almost namesake's filmic oeuvre but also comically engages with Everett's own writing in general, and... mehr

     

    Analyzing Percival Everett's I Am Not Sidney Poitier as a multi-level parody, this essay argues that the novel not only parodies its protagonist's almost namesake's filmic oeuvre but also comically engages with Everett's own writing in general, and his novel Erasure in particular. Through detailed discussion of these various levels of parody, the essay teases out the ways in which postblack fiction offers a different, and decidedly non-mimetic, take on issues of race and racism than its predecessors in the African American literary tradition by complicating the relationship between fiction, fictional reality, and extra-textual reality. ; 113 ; 132 ; 2 ; 1

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Postblack art; African American literature; parody; race; narratology; rhetoric and criticism
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    info:eu-repo/semantics/openAccess