Standing Up To Words: Writing and Resistance in Toni Morrison s A Mercy
In Toni Morrison s A Mercy, the protagonist represents both the historical and the contemporary African American author. As Mueller argues, her act of carving words into walls can be read as an act of resistance against the historical silencing of...
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In Toni Morrison s A Mercy, the protagonist represents both the historical and the contemporary African American author. As Mueller argues, her act of carving words into walls can be read as an act of resistance against the historical silencing of the black voice as well as politically against symbolic violence exercised through language. ; 73 ; 89 ; Bremen ; 1 ; 1
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Writing/Reading Slavery as Trauma: Othering, Resistance, and the Haunting Use of Voice in Toni Morrison s A Mercy.
For the first time since Beloved, Toni Morrison returns to slavery in A Mercy (2008): the slave trade is allegorized as a pox upon the initially utopian Vaark farm. Though in the face of systematic discourses of oth-ering, each oppressed character...
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For the first time since Beloved, Toni Morrison returns to slavery in A Mercy (2008): the slave trade is allegorized as a pox upon the initially utopian Vaark farm. Though in the face of systematic discourses of oth-ering, each oppressed character puts up strategies of resistance, the dialec-tic of love, loss, and alienation in Florens s story permeates the entire nov-el. But Florens s voice offers resistance and empowerment as well: the house that Jacob built and that Florens haunts is, in a mise en abyme of the house of fiction reclaimed by Toni Morrison, a black repossession of the house that slavery built. ; 105 ; 23 ; Bremen ; 1 ; 1
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