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  1. Berlioz, Verdi, Wagner, Britten
    Erschienen: ©2012
    Verlag:  Continuum International Pub., London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1280578440; 1441124071; 9781280578441; 9781441124074
    RVK Klassifikation: HI 3330
    Schriftenreihe: Great Shakespeareans ; v. 11
    Schlagworte: Berlioz, 1803-1869 / Criticism and interpretation; Britten, Benjamin, 1913-1976 / Criticism and interpretation; Shakespeare, William, 1564-1616 / Appreciation; Shakespeare, William, 1564-1616 / Criticism and interpretation; Verdi, Giuseppe, 1813-1901 / Criticism and interpretation; Wagner, Richard, 1813-1883 / Criticism and interpretation; Literature; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Art appreciation; Music and literature; Literatur; Music and literature
    Weitere Schlagworte: Berlioz, Hector / 1803-1869; Britten, Benjamin / 1913-1976; Shakespeare, William / 1564-1616; Verdi, Giuseppe / 1813-1901; Wagner, Richard / 1813-1883; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Berlioz, Hector (1803-1869); Verdi, Giuseppe (1813-1901); Wagner, Richard (1813-1883); Britten, Benjamin (1913-1976); Wagner, Richard (1813-1883); Britten, Benjamin (1913-1976); Shakespeare, William (1564-1616); Verdi, Giuseppe (1813-1901); Berlioz, Hector (1803-1869)
    Umfang: 1 Online-Ressource (254 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Series Editors' Preface; Peter Holland and Adrian Poole; Notes on Contributors; List of Abbreviations; Note on References to Shakespeare; Introduction; Daniel Albright; Chapter 1 Berlioz; Peter Bloom; Chapter 2 Verdi; Daniel Albright; Chapter 3 Individuation as Worship: Wagner and Shakespeare; David Trippett; Chapter 4 Britten as Another: Six Notes on a Mystic Writing Pad; Seth Brodsky; Notes; Select Bibliography; Index

    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Berlioz, Verdi, Wagner and Britten to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subjects intellectual

  2. A Knight at the opera
    Heine, Wagner, Herzl, Peretz, and the legacy of der Tannhäuser
    Autor*in: Garrett, Leah
    Erschienen: ©2011
    Verlag:  Purdue University Press, West Lafayette, Ind.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1557536015; 1612491529; 1612491537; 9781557536013; 9781612491523; 9781612491530
    Schriftenreihe: Shofar supplements in Jewish studies
    Schlagworte: LITERARY CRITICISM / European / German; RELIGION / Judaism / History; Tannhäuser (Wagner, Richard); LITERARY CRITICISM / Jewish; Geschichte; Judentum; Rezeption
    Weitere Schlagworte: Wagner, Richard / 1813-1883; Tannhäuser; Heine, Heinrich / 1797-1856; Herzl, Theodor / 1860-1904; Peretz, Isaac Leib / 1851 or 1852-1915; Heine, Heinrich / 1797-1856; Herzl, Theodor / 1860-1904; Peretz, Isaac Leib / 1851 or 1852-1915; Tannhäuser; Wagner, Richard (1813-1883): Tannhäuser; Tannhäuser; Heine, Heinrich (1797-1856); Herzl, Theodor (1860-1904); Peretz, Isaac Leib (1851 or 1852-1915); Herzl, Theodor (1860-1904); Heine, Heinrich (1797-1856); Peretz, Isaac Leib (1852-1915); Wagner, Richard (1813-1883)
    Umfang: 1 Online-Ressource (ix, 147 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhauser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I.L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. In the original medieval myth, a Christian knight lives in sin with the seductive pagan goddess Venus in the Venusberg. He escapes her clutches and makes his way to Rome to seek absolution from the Pope. The Pope does not pardon Tannhuser and he returns to the Venusberg. During the course of A Knight at the Opera, readers will see how Tannhuser evolves from a medieval knight, to Heine?s German scoundrel in early modern Europe, to Wagner?s idealized German male, and finally to Peretz?s pious Jewish scholar in the Land of Israel. Venus herself also undergoes major changes from a pagan goddess, to a lusty housewife, to an overbearing Jewish mother. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner?s opera that he wrote The Jewish State while attending performances of it, and he even had the Second Zionist Congress open to the music of Tannhauser?s overture. A Knight at the Opera uses Tannhauser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo

  3. Wagner and the erotic impulse
    Erschienen: 2010
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0674018818; 0674059298; 9780674018815; 9780674059290
    Schlagworte: MUSIC / Genres & Styles / Opera; Opera; Sex in opera; Opera; Sex in opera; Oper; Erotik <Motiv>
    Weitere Schlagworte: Wagner, Richard / 1813-1883 / Criticism and interpretation; Wagner, Richard / 1813-1883; Wagner, Richard (1813-1883); Wagner, Richard (1813-1883)
    Umfang: 1 Online-Ressource (xvi, 266 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Echoes -- Intentions -- Harmonies -- Pathologies -- Homoerotics

  4. Il genio tiranno
    ragione e dominio nell'ideologia dell'Ottocento : Wagner, Nietzsche, Renan
    Erschienen: 2010
    Verlag:  ETS, Pisa

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: CG 5917 ; CH 3617 ; NP 1530
    Schriftenreihe: Nietzscheana ; 13
    Schlagworte: Ästhetik
    Weitere Schlagworte: Wagner, Richard / 1813-1883; Nietzsche, Friedrich Wilhelm / 1844-1900; Renan, Ernest / 1823-1892; Renan, Ernest (1823-1892); Nietzsche, Friedrich (1844-1900); Wagner, Richard (1813-1883)
    Umfang: 216 p., 21 cm
  5. ha- Shoʾah ben hisṭoryah le-mivdeh
    ha-ideʾologyah ṿe-ha-mediniyut ha-Natsit ba-sifrut, ba-ḳolnoaʿ u-va-muziḳah
  6. Las leyendas de Wagner en la literatura española
    Erschienen: 2014
    Verlag:  Analecta Ed., Pamplona

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9788492489435
    RVK Klassifikation: LU 66481
    Schriftenreihe: Colección Literatura : Sección Historias de la literatura
    Schlagworte: Spanish literature / History and criticism; Influence (Literary, artistic, etc.); Spanish literature; Literatur; Oper; Spanisch; Mythologie; Rezeption
    Weitere Schlagworte: Wagner, Richard / 1813-1883 / Influence; Wagner, Richard / 1813-1883 / Criticism and interpretation; Wagner, Richard / 1813-1883; Wagner, Richard (1813-1883)
    Umfang: 105 S., 22 cm
    Bemerkung(en):

    "Texto íntegro publicado de la conferencia dada para Asociación Wagneriana de Madrid, el 12 de marzo de 1913"