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  1. Back stages
    essays across art, performance, and public life
    Autor*in: Jackson, Shannon
    Erschienen: 2022
    Verlag:  Northwestern University Press, Evanston, Illinois

    Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Shannon Jackson explores a range of disciplinary, institutional, and political puzzles that engage the social and aesthetic practice of performance in this collection of twenty essential essays spanning her career. Back Stages starts by considering the historical connection between performance practice and movements of social reform, while later writings analyze disciplinary debates on the place of performance in higher education and within the contemporary field of socially engaged art, tracking fraught and allied relationships to literary studies, art history, visual culture, theater, social theory, and critical theory. At a time of increased aesthetic experimentation and political debate within the art world, these essays alight on artists, groups, and cultural organizations whose experiments have challenged conventions of curation and critique, including Theaster Gates, Paul Ramirez Jonas, Harrel Fletcher, and My Barbarian. Throughout Jackson navigates the political ambivalences of performance, from the late nineteenth to the twenty-first century, tracking shifts in participatory art that seek to resist capitalism, even as such performance work paradoxically risks neoliberal appropriation by a post-Fordist experience economy. Back Stages surfaces unexpected cross-disciplinary connections and provides new opportunities for mutual engagement within a wide network of educational, artistic, and civic sectors. A substantial introduction excavates the critical links between the essays and a variety of disciplines and movements.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810144859; 0810144859; 9780810144842; 0810144840
    Schriftenreihe: Performance works
    Schlagworte: Darstellende Kunst; Performance <Künste>; Ästhetik
    Weitere Schlagworte: Performing arts / Social aspects / United States; Performing arts / United States; Arts and society; Arts du spectacle / Aspect social / États-Unis; Arts du spectacle / États-Unis; Arts et société; PERFORMING ARTS / Theater / History & Criticism; Performing arts; Performing arts / Social aspects; United States; Performing arts / Social aspects / United States; Performing arts / United States; Art criticism; Critiques d'art
    Umfang: ix, 409 Seiten, 21 Illustrationen, 24 cm
    Bemerkung(en):

    Performance at Hull-House: Museum, Microfiche, and Historiography -- Performing Show and Tell: On the Disciplinary Problems of Mixed-Media Practice -- Theatricality's Proper Objects: Genealogies of Performance and Gender Theory -- When "Everything Counts": Experimental Performance and Performance Historiography -- Resist Singularity -- Rhetoric in Ruins: Performing Literature and Performance Studies -- Living Takes Many Forms: Creative Time -- Life Politics/Life Aesthetics: Environmental Performance in red, black & GREEN: a blues -- Elmgreen & Dragset's Theatrical Turn -- Performativity and Its Addressee: Walker Art Collection -- Just-in-Time: Performance and the Aesthetics of Precarity -- Seven Ways to Look at Windows: Harrell Fletcher -- Countercarnival in a Performance-Friendly World: En Mas' -- Utopian Operating Systems: Theaster Gates's Way of Working -- Trusting Publics: Paul Ramírez Jonas -- The Way We Perform Now -- Drama and Other Time-Based Arts -- Assemblies: Public Participation, Heteronomous Worlds -- Epilogue: Essential Labor and Proximate Performance
  2. Remix multilingualism
    Hip-Hop, ethnography and performing marginalized voice
    Autor*in: Williams, Quentin
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local Hip Hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers' stage different personae, styles, registers and language varieties

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350105270
    RVK Klassifikation: LC 60585 ; LC 86585 ; LC 60000 ; ER 930 ; ES 129 ; LL 87000 ; ES 135
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: Advances in sociolinguistics series
    Schlagworte: Gesellschaft; Subkultur; Hip-Hop; Mehrsprachigkeit; Ethnolinguistik; Marginalität
    Weitere Schlagworte: Multilingualism / Social aspects; Multilingualism / South Africa; Performing arts / Social aspects; Sociolinguistics; Multilingualism; Multilingualism / Social aspects; Performing arts / Social aspects; Sociolinguistics; South Africa
    Umfang: xxiv, 236 Seiten, Illustrationen, Portraits, 24 cm
  3. Performing #metoo
    how not to look away
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Erschienen: 2021
    Verlag:  Intellect Books, Bristol, UK ; Chicago, USA

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789383812
    Schlagworte: Performance <Künste>; MeToo; Theaterproduktion; Feminismus; Geschlechterforschung
    Weitere Schlagworte: Performing arts / Social aspects; Performing arts / Political aspects; MeToo movement; Feminism and the arts; Feminism and the arts; MeToo movement; Performing arts / Political aspects; Performing arts / Social aspects
    Umfang: vii, 252 Seiten, Illustrationen, Portrait (der Verfasserin auf dem Cover), 25 cm
  4. Love and abolition
    the social life of Black queer performance
    Autor*in: Reed, Alison Rose
    Erschienen: [2022]; © 2022
    Verlag:  The Ohio State University Press, Columbus

    "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"-- mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
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    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814258194; 9780814215067
    RVK Klassifikation: HU 1784 ; HU 1728
    Schriftenreihe: Black performance and cultural criticism
    Schlagworte: LGBT; Darstellende Kunst; Schwarze; Literatur; Abolitionismus
    Weitere Schlagworte: Alternatives to imprisonment; Prison abolition movements; Love; Queer theory; African American prisoners / Social conditions; Performing arts / Social aspects; Radicalism; American literature / African American authors / History and criticism; African American prisoners / Social conditions; Alternatives to imprisonment; American literature / African American authors; Love; Performing arts / Social aspects; Prison abolition movements; Queer theory; Radicalism; Criticism, interpretation, etc
    Umfang: xxii, 260 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence
  5. Remix multilingualism
    Hip-Hop, ethnography and performing marginalized voice
    Autor*in: Williams, Quentin
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; New York

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local Hip Hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers' stage different personae, styles, registers and language varieties

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472591111
    RVK Klassifikation: LC 60585 ; LC 86585 ; LC 60000 ; ES 135
    Schriftenreihe: Advances in sociolinguistics series
    Schlagworte: Gesellschaft; Hip-Hop; Mehrsprachigkeit; Ethnolinguistik; Subkultur; Marginalität
    Weitere Schlagworte: Multilingualism / Social aspects; Multilingualism / South Africa; Performing arts / Social aspects; Sociolinguistics; Multilingualism; Multilingualism / Social aspects; Performing arts / Social aspects; Sociolinguistics; South Africa
    Umfang: xxiv, 236 Seiten, Illustrationen, 24 cm
  6. Remix multilingualism
    Hip-Hop, ethnography and performing marginalized voice
    Autor*in: Williams, Quentin
    Erschienen: 2019
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and... mehr

    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local Hip Hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers' stage different personae, styles, registers and language varieties

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350105270
    RVK Klassifikation: LC 60585 ; LC 86585 ; LC 60000 ; ER 930 ; ES 129 ; LL 87000 ; ES 135
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: Advances in sociolinguistics series
    Schlagworte: Gesellschaft; Subkultur; Hip-Hop; Mehrsprachigkeit; Ethnolinguistik; Marginalität
    Weitere Schlagworte: Multilingualism / Social aspects; Multilingualism / South Africa; Performing arts / Social aspects; Sociolinguistics; Multilingualism; Multilingualism / Social aspects; Performing arts / Social aspects; Sociolinguistics; South Africa
    Umfang: xxiv, 236 Seiten, Illustrationen, Portraits, 24 cm
  7. Performance and the city
    Beteiligt: Hopkins, D. J. (Hrsg.); Orr, Shelley (Hrsg.); Solga, Kim (Hrsg.)
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Houndmills

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Hopkins, D. J. (Hrsg.); Orr, Shelley (Hrsg.); Solga, Kim (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230204973; 023020497X
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Performance interventions
    Schlagworte: Theater and society; Performing arts / Social aspects; Public art; Cultural policy; Art and architecture; Gesellschaft; Art and architecture; Cultural policy; Performing arts; Public art; Theater and society; Kulturpolitik; Stadt <Motiv>; Stadt; Darstellende Kunst; Stadtgestaltung
    Umfang: XIV, 269 S., Ill., 22 cm
    Bemerkung(en):

    Includes bibliographical references and index
  8. Race and performance after repetition
    Beteiligt: Colbert, Soyica Diggs (Hrsg.); Jones, Douglas A. (Hrsg.); Vogel, Shane (Hrsg.)
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    "RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant... mehr

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "RACE AND PERFORMANCE AFTER REPETITION considers the various and complex temporalities of both performance and racial aesthetics. Editors Soyica Colbert, Douglas Jones, and Shane Vogel note that performance studies has long relied on a dominant concept of repetition. Taking inspiration from José Esteban Muñoz's work, the contributors to the collection argue that minoritarian life schedules and cultural productions alike actually exist in multiple temporalities. They take up the work of non-white artists and communities to center temporal tropes that relate to, but diverge from, repetition. Theorizing raced time through time signatures, this collection proposes a spectrum of coexisting racial temporalities. The contributions are divided into three parts, the first of which focuses on the temporality of race, history, and form in theater. For example, Patricia Herrera explores the loop in UNIVERSES' production Party People (2016), which samples speeches by the Black Panthers and Young Lords, as a sonic treatise of futurity. The chapters in Part II consider how gesture, dance, and movement can recalibrate the temporal narratives of racial subjection. For example, Tina Post considers narrative tropes of animal and mechanical movement in reporters' stories about boxer Joe Louis. Katherine Zien examines Cuisine et Confessions (2014)- a "cultural circus" in which performers cook onstage, talk about their intimate lives, and perform high-risk circus feats-to show that arcs of time and space allow minoritarian identities to emerge in performance on their own time. The chapters in the Part III each take up what music misleadingly names the rest-an interval or pause of silence. The authors in this section consider the agency, critique, and hope that percolate in such stasis, such as Jisha Menon's focus in Chapter 10 on feminist natality as an alternative to punitive measures of liberal legality in Indian sexual violence cases"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Colbert, Soyica Diggs (Hrsg.); Jones, Douglas A. (Hrsg.); Vogel, Shane (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478007807; 147800780X; 9781478008293; 1478008296
    Schlagworte: Zeitlichkeit; Aufführung; Rassismus; Theater; Wiederholung; Performance <Künste>; Zeit <Motiv>; Rasse <Motiv>
    Weitere Schlagworte: Performing arts / Social aspects / United States; Time / Social aspects / United States; Performing arts / Political aspects / United States; Racism and the arts / United States; Racism in popular culture / United States; Arts and society / United States; Theater and society / United States; Politics and culture / United States; Arts and society; Performing arts / Political aspects; Performing arts / Social aspects; Politics and culture; Racism and the arts; Racism in popular culture; Theater and society; Time / Social aspects; United States
    Umfang: ix, 333 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction: Tidying up after repetition / Soyica Colbert, Douglas Jones, and Shane Vogel -- So far down you can't see the light : Afrofabulation in Branden Jacob-Jenkins's An octoroon / Tavia Nyong'o -- The performance and politics of concurrent temporalities in George C. Wolfe's Shuffle along / Catherine M. Young -- A sonic treatise of futurity : Universes' Party people / Patricia Herrera -- Joe Louis's utopic glitch / Tina Post -- Sorrow's swing / Jasmine Johnson -- Parabolic moves : time, narrative, and difference in New Circus / Katherine Zien -- Choreographing time travel : rethinking ritual through Korean diasporic performance / Elizabeth W. Son -- Carceral space-times and The house that Herman built / Nicholas Fesette -- Performance interventions : natality and carceral feminism in contemporary India / Jisha Menon -- Witnessing queer flights : Josué Azor's Lougawou images and anti-homosexual unrest in Haiti / Mario LaMothe -- The body is never given, nor do we actually see it / Joshua Chambers-Letson
  9. Chronicles from Kashmir
    an annotated, multimedia script
    Autor*in: Dinesh, Nandita
    Erschienen: [2020]; © 2020
    Verlag:  Open Book Publishers, Cambridge, UK

    Zugang:
    Resolving-System (kostenfrei)
    Resolving-System (kostenfrei)
    Aggregator (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800640191; 9781800640207; 9781800640214; 9781800640221; 180064017X; 1800640196; 180064020X; 9781800640177
    Weitere Identifier:
    Schriftenreihe: Applied theatre praxis series ; Vol. 2
    Weitere Schlagworte: Performing arts / Social aspects; Performing arts / Audiences
    Umfang: 1 Online-Ressource
  10. Performance and the city
    Beteiligt: Hopkins, D. J. (Hrsg.); Orr, Shelley (Hrsg.); Solga, Kim (Hrsg.)
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Houndmills

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Hopkins, D. J. (Hrsg.); Orr, Shelley (Hrsg.); Solga, Kim (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230204973; 023020497X
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Performance interventions
    Schlagworte: Theater and society; Performing arts / Social aspects; Public art; Cultural policy; Art and architecture; Gesellschaft; Art and architecture; Cultural policy; Performing arts; Public art; Theater and society; Kulturpolitik; Stadt <Motiv>; Stadt; Darstellende Kunst; Stadtgestaltung
    Umfang: XIV, 269 S., Ill., 22 cm
    Bemerkung(en):

    Includes bibliographical references and index
  11. Performing #metoo
    how not to look away
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Erschienen: 2021
    Verlag:  Intellect Books, Bristol, UK ; Chicago, USA

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789383812
    Schlagworte: Performance <Künste>; MeToo; Theaterproduktion; Feminismus; Geschlechterforschung
    Weitere Schlagworte: Performing arts / Social aspects; Performing arts / Political aspects; MeToo movement; Feminism and the arts; Feminism and the arts; MeToo movement; Performing arts / Political aspects; Performing arts / Social aspects
    Umfang: vii, 252 Seiten, Illustrationen, Portrait (der Verfasserin auf dem Cover), 25 cm
  12. Performing #metoo
    how not to look away
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Erschienen: [2023]; © 2023
    Verlag:  Intellect Books, Bristol, UK ; Chicago, USA

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Rudakoff, Judith D. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789387551; 9781789383812
    Auflage/Ausgabe: Paperback edition
    Schlagworte: MeToo; Feminismus; Theaterproduktion; Geschlechterforschung; Performance <Künste>
    Weitere Schlagworte: Performing arts / Social aspects; Performing arts / Political aspects; MeToo movement; Feminism and the arts; Feminism and the arts; MeToo movement; Performing arts / Political aspects; Performing arts / Social aspects
    Umfang: vii, 252 Seiten, Illustrationen, 25 cm
  13. Love and abolition
    the social life of Black queer performance
    Autor*in: Reed, Alison Rose
    Erschienen: [2022]; © 2022
    Verlag:  The Ohio State University Press, Columbus

    "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"-- mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines queer performance and affective response in the Black radical tradition-using work by James Baldwin, Ntozake Shange, Sharon Bridgforth, and vanessa german-to demonstrate how love animates the contemporary prison abolition movement"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814258194; 9780814215067
    RVK Klassifikation: HU 1784 ; HU 1728
    Schriftenreihe: Black performance and cultural criticism
    Schlagworte: LGBT; Darstellende Kunst; Schwarze; Literatur; Abolitionismus
    Weitere Schlagworte: Alternatives to imprisonment; Prison abolition movements; Love; Queer theory; African American prisoners / Social conditions; Performing arts / Social aspects; Radicalism; American literature / African American authors / History and criticism; African American prisoners / Social conditions; Alternatives to imprisonment; American literature / African American authors; Love; Performing arts / Social aspects; Prison abolition movements; Queer theory; Radicalism; Criticism, interpretation, etc
    Umfang: xxii, 260 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Introduction: Abolition literature: calling on tough and tender love -- Listening for Emmett Till: James Baldwin, Laurie Carlos, and Black love as survival -- Transforming harm into healing: Ntozake Shange and the Combahee River Collective -- Concrete utopias: activating spirit in the performance worlds of Sharon Bridgforth and Josefina Báez -- Love in the streets: Stephanie Leigh Batiste, vanessa german, and vigils for state violence -- Contraband love: humanities behind bars and abolition pedagogy -- Epilogue: Abolition as renegade presence
  14. Remix multilingualism
    Hip-Hop, ethnography and performing marginalized voice
    Autor*in: Williams, Quentin
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; New York

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local Hip Hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers' stage different personae, styles, registers and language varieties

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472591111; 9781474295420; 9781472591142
    Weitere Identifier:
    RVK Klassifikation: LC 60585 ; LC 86585 ; LC 60000 ; ES 135
    Schriftenreihe: Advances in sociolinguistics series
    Schlagworte: Gesellschaft; Mehrsprachigkeit; Hip-Hop; Ethnolinguistik; Marginalität; Subkultur
    Weitere Schlagworte: Multilingualism / Social aspects; Multilingualism / South Africa; Performing arts / Social aspects; Sociolinguistics; Multilingualism; Multilingualism / Social aspects; Performing arts / Social aspects; Sociolinguistics; South Africa
    Umfang: 1 Online-Ressource (xxiv, 236 Seiten), Illustrationen
  15. Remix multilingualism
    Hip-Hop, ethnography and performing marginalized voice
    Autor*in: Williams, Quentin
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London ; New York

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and... mehr

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local Hip Hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers' stage different personae, styles, registers and language varieties

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472591111
    RVK Klassifikation: LC 60585 ; LC 86585 ; LC 60000 ; ES 135
    Schriftenreihe: Advances in sociolinguistics series
    Schlagworte: Gesellschaft; Hip-Hop; Mehrsprachigkeit; Ethnolinguistik; Subkultur; Marginalität
    Weitere Schlagworte: Multilingualism / Social aspects; Multilingualism / South Africa; Performing arts / Social aspects; Sociolinguistics; Multilingualism; Multilingualism / Social aspects; Performing arts / Social aspects; Sociolinguistics; South Africa
    Umfang: xxiv, 236 Seiten, Illustrationen, 24 cm