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  1. Deadlier than the male
    femme fatales of 1960s and 1970s cinema
    Autor*in: Brode, Douglas
    Erschienen: 2016
    Verlag:  BearManor Media, Albany, GA

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781593931841
    RVK Klassifikation: AP 50300
    Schlagworte: Femmes fatales in motion pictures; Motion pictures / United States / History / 20th century; Femmes fatales in motion pictures; Motion pictures; Film; Geschichte
    Umfang: xi, 507 Seiten, Illustrationen, 23 cm
  2. Deadlier than the male
    Femme Fatales of 1960s and 1970s Cinema
    Autor*in: Brode, Douglas
    Erschienen: 2016© 2016
    Verlag:  BearManor Media, Albany, GA

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    Hochschule für Fernsehen und Film, Bibliothek
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Sprache: Englisch
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    ISBN: 9781593931841
    RVK Klassifikation: AP 50300
    Schlagworte: Femmes fatales in motion pictures; Motion pictures / United States / History / 20th century; Femmes fatales in motion pictures; Motion pictures; Film; Geschichte; Film; Femme fatale
    Umfang: xi, 507 Seiten, Illustrationen, 23 cm
  3. The Great War in Hollywood memory, 1918-1939
    Autor*in: Hammond, Michael
    Erschienen: 2019; © 2019
    Verlag:  State University of New York Press, Albany

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    Bayerische Staatsbibliothek
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  4. Classical Hollywood cinema, sexuality, and the politics of the face
    Autor*in: Morrison, Paul A.
    Erschienen: 2021
    Verlag:  Routledge, London ; New York

    "Classical Hollywood Cinema, Sexuality, and the Politics of the Face examines the representation of iconic female faces in classical Hollywood cinema- Greta Garbo, Gloria Swanson, Elizabeth Taylor - and the gay male fetishization of those faces.... mehr

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    Universitätsbibliothek Bayreuth
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    "Classical Hollywood Cinema, Sexuality, and the Politics of the Face examines the representation of iconic female faces in classical Hollywood cinema- Greta Garbo, Gloria Swanson, Elizabeth Taylor - and the gay male fetishization of those faces. Hollywood's golden age is given to an aesthetic and ideological struggle between rival scopic economies: an erotics of "to-be-looked-at-ness," countered by a hermeneutics of "to-be-seen-through-ness." The latter emerges triumphant, but the legendary female faces of Hollywood resist, in their different ways, a coercive and normalizing knowledge, which is the source of the gay male investment in them. In addition to the analysis of Suddenly Last Summer, Sunset Boulevard and Ninotchka, the book also presents the broader context of early and mid-century cinema and culture. This includes analyses of D.W. Griffith and blackface, the Stonewall riots and the coming-into-voice of the modern gay subject, major films by Hitchcock, Citizen Kane, and the emergence of rival standards of beauty, both female and male, in figures such as Katharine Hepburn, Ingrid Bergman, Humphrey Bogart, Rock Hudson, and James Dean. This is an important study for students of queer theory, film theory and history, and gender and sexuality studies"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367561796; 9780367482282
    RVK Klassifikation: AP 47400
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Rezeption; Homosexueller; Schönheit; Schauspielerin; Film
    Weitere Schlagworte: Beauty, Personal, in motion pictures; Women in motion pictures; Gays in motion pictures; Motion pictures / United States / History / 20th century
    Umfang: 183 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  5. Fathers on film
    paternity and masculinity in 1990s Hollywood
    Autor*in: Barnett, Katie
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9781350120891; 9781350120860; 9781350120877
    Weitere Identifier:
    Schriftenreihe: Library of gender and popular culture
    Schlagworte: Film; Vater <Motiv>
    Weitere Schlagworte: Fatherhood in motion pictures; Fathers in motion pictures; Masculinity in motion pictures; Motion pictures / United States / History / 20th century; Fatherhood in motion pictures; Fathers in motion pictures; Masculinity in motion pictures; Motion pictures; United States; History
    Umfang: 1 Online-Ressource (xiv, 251 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, ,
  6. Picturing Indians
    Native Americans in film, 1941-1960
    Autor*in: Black, Liza
    Erschienen: [2020]
    Verlag:  University of Nebraska Press, Lincoln

    "Liza Black critically examines the inner workings of post-World War II American films and production studios, which cast American Indian extras and actors as Native people, forcing them to come face-to-face with mainstream representations of... mehr

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    "Liza Black critically examines the inner workings of post-World War II American films and production studios, which cast American Indian extras and actors as Native people, forcing them to come face-to-face with mainstream representations of "Indianness."-

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780803296800; 9781496232649
    Schlagworte: Indianer <Motiv>; Film; Indianer
    Weitere Schlagworte: Indians in motion pictures; Motion pictures / United States / History / 20th century; Indians in motion pictures; Motion pictures; United States; 1900-1999; History
    Umfang: xxi, 327 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

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  7. American women's history on film
    Autor*in: Welch, Rosanne; Lamphier, Peg A.
    Erschienen: [2023]; © 2023
    Verlag:  ABC-CLIO, Santa Barbara, California; Denver, Colorado

    "This book focuses on 10 films and the females who have influenced American history from1954 through 2018, looking at the range of occupations that existed in these films"-- mehr

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "This book focuses on 10 films and the females who have influenced American history from1954 through 2018, looking at the range of occupations that existed in these films"--

     
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  8. Empire films and the crisis of colonialism, 1946-1959
    Autor*in: Cowans, Jon
    Erschienen: 2015
    Verlag:  Johns Hopkins University Press, Baltimore

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421416427; 1421416425; 9781421416410; 1421416417
    Schlagworte: Imperialism in motion pictures; Motion pictures / France / History / 20th century; Motion pictures / Great Britain / History / 20th century; Motion pictures / Political aspects; Motion pictures / United States / History / 20th century; PERFORMING ARTS / Reference; Imperialism in motion pictures; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Imperialism in motion pictures; Kolonialismus <Motiv>; Entkolonialisierung <Motiv>; Film
    Bemerkung(en):

    Includes bibliographical references and index

    ""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA""; ""1 The White Woman�s Burden""; ""2 Heroes of Empire""; ""3 Westerns""; ""PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION""; ""4 The British Empire and Decolonization""; ""5 The French Empire and Decolonization""; ""6 Americans in Postwar Asia""; ""PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS""; ""7 Miscegenation in Westerns""; ""8 Romance across the Pacific""

    ""9 Black-White Couples and Internal Decolonization""""Conclusion""; ""Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns""; ""Appendix B: Outcomes of Interracial Romance in Miscegenation Films""; ""Notes""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z""
  9. Precocious Charms
    Stars Performing Girlhood in Classical Hollywood Cinema
    Autor*in: Studlar, Gaylyn
    Erschienen: 2012
    Verlag:  University of California Press, Berkerley

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0520955293; 9780520955295
    Schlagworte: Child actors - United States - History - 20th century; Child actors / United States / History / 20th century; Girls in motion pictures; Motion pictures - United States - History - 20th century; Motion pictures / United States / History / 20th century; Teenage girls in motion pictures; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / General; Child actors; Girls; Motion pictures; Teenage girls; Film; Geschichte; Girls in motion pictures; Teenage girls in motion pictures; Motion pictures; Child actors; Film; Mädchen <Motiv>; Filmstar
    Umfang: 1 Online-Ressource (324 p.)
    Bemerkung(en):

    Description based upon print version of record

    In Precocious Charms, Gaylyn Studlar examines how Hollywood presented female stars as young girls or girls on the verge of becoming women. Child stars are part of this study but so too are adult actresses who created motion picture masquerades of youthfulness. Studlar details how Mary Pickford, Shirley Temple, Deanna Durbin, Elizabeth Taylor, Jennifer Jones, and Audrey Hepburn performed girlhood in their films. She charts the multifaceted processes that linked their juvenated star personas to a wide variety of cultural influences, ranging from Victorian sentimental art to New Look fash

    Includes bibliographical references and index

    Introduction -- Oh, "doll divine": Mary Pickford, masquerade, and the pedophilic gaze -- Cosseting the nation, or, how to conquer fear itself with Shirley Temple -- "The little girl with the big voice": Deanna Durbin and sonic womanliness -- Velvet's cherry: Elizabeth Taylor and virginal English girlhood -- Perilous transition: Jennifer Jones as melodrama's hysterical adolescent -- "Chi-Chi Cinderella": Audrey Hepburn as couture countermodel -- Conclusion
  10. Austria made in Hollywood
    Autor*in: Vansant, Jacqueline
    Erschienen: [2019]
    Verlag:  Camden House, Rochester, New York

    Standort:
    Universitätsbibliothek Bamberg
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787444577
    Weitere Identifier:
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Film; Österreich <Motiv>
    Weitere Schlagworte: Austria / In motion pictures; Motion pictures / United States / History / 20th century; Motion pictures; Austria; United States; 1900-1999; History
    Umfang: 1 Online-Ressource, illustrations
    Bemerkung(en):

    Introduction -- Erich Stroheim, His Austria(ns), and Their US Contexts -- Cross-Cultural Encounters of the Intimate Kind : Hollywood's Americans in Love with Austria(ns), 1932-60 -- The Empire Strikes Back : Imperial Austria Fights Nazis, 1938-41 -- Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941-42 -- Confronting and Escaping History : The Cardinal (1963) and The Sound of Music (1965) -- Conclusion : Hollywood's Austria--Its Past, Present, Future -- Appendix : Hollywood Films Set in Austria
  11. Making sex public and other cinematic fantasies
    Autor*in: Young, Damon R.
    Erschienen: 2018
    Verlag:  Duke University Press, Durham ; London

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    Hochschule für Fernsehen und Film, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478001331; 147800133X; 9781478001676; 1478001674
    RVK Klassifikation: AP 47950 ; AP 50300
    Schriftenreihe: Theory Q
    Schlagworte: Homosexualität <Motiv>; Sexualverhalten <Motiv>; Film; Frau <Motiv>
    Weitere Schlagworte: Sex in motion pictures; Motion pictures / United States / History / 20th century; Motion pictures / France / History / 20th century; Motion pictures; Sex in motion pictures; France; United States; 1900-1999; History
    Umfang: xii, 301 Seiten, Illustrationen, 23 cm
  12. Austria made in Hollywood
    Autor*in: Vansant, Jacqueline
    Erschienen: 2019
    Verlag:  Camden House, Rochester, New York

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    Bayerische Staatsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781571139450
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Motion pictures / United States / History / 20th century; Österreich <Motiv>; Film
    Umfang: xii, 196 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction -- Erich Stroheim, His Austria(ns), and Their US Contexts -- Cross-Cultural Encounters of the Intimate Kind : Hollywood's Americans in Love with Austria(ns), 1932-60 -- The Empire Strikes Back : Imperial Austria Fights Nazis, 1938-41 -- Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941-42 -- Confronting and Escaping History : The Cardinal (1963) and The Sound of Music (1965) -- Conclusion : Hollywood's Austria--Its Past, Present, Future -- Appendix : Hollywood Films Set in Austria
  13. Ecomasculinities
    negotiating male gender identity in U.S. fiction
    Beteiligt: Cenamor, Rubén (Hrsg.); Brandt, Stefan L. (Hrsg.)
    Erschienen: 2019
    Verlag:  Lexington Books, Lanham

    While there exist numerous studies on ecocriticism and ecofeminism, much less has been written about ecomasculinities. This volume contributes to filling this gap by examining models of fictional ecomasculinity in and through contemporary U.S.... mehr

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Würzburg
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    While there exist numerous studies on ecocriticism and ecofeminism, much less has been written about ecomasculinities. This volume contributes to filling this gap by examining models of fictional ecomasculinity in and through contemporary U.S. literature and cinema. Our study examines ecomasculinities as practices of masculinity which are deeply conservationist and can embrace non-masculine traits. In this line of thought, a main goal of the volume is to interrogate the potential of ecomasculinities to elicit in men a desire to become engage in other practices of masculinity that are counter-hegemonic and have as main goal to achieve equality on different strata of society. Bridging the gap between the Social Sciences and the Humanities, the book interrogates intersections between ecomasculinities and masculinities beyond capitalism, ecomasculinities and aging, and ecomasculinities and queerness, among others

     
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    Quelle: Verbundkataloge
    Beteiligt: Cenamor, Rubén (Hrsg.); Brandt, Stefan L. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498567541; 9781498567565
    RVK Klassifikation: HU 1691 ; HU 1691
    Schriftenreihe: Ecocritical theory and practice
    Schlagworte: Geschlechterrolle <Motiv>; Männlichkeit <Motiv>; Film; Literatur; Ecocriticism
    Weitere Schlagworte: American fiction / 20th century / History and criticism; Masculinity in literature; Sex role in literature; Men in literature; Motion pictures / United States / History / 20th century; Masculinity in motion pictures; American fiction; Masculinity in literature; Masculinity in motion pictures; Men in literature; Motion pictures; Sex role in literature; United States; 1900-1999; Criticism, interpretation, etc; History
    Umfang: xvi, 187 Seiten, Illustration, 24 cm
    Bemerkung(en):

    The birth of literary ecomasculinities. The wild ones: ecomasculinities in the American literary imagination / Stefan L. Brandt -- Men in nature: a critical analysis of the mythopoetic men's movement / Paul M. Pulé and Martin Hultman -- Eco-men from the outer space? Mars and utopian masculinities in fin de siècle literature / Alessandra Calanchi -- Ecomasculinities in American literature from 1950s to 1990s. A new man emerges: masculinities beyond capitalism and the eco-man in 1950s' America / Rubén Cenamor -- Gender blending and psychic phenomena: forming ecomasculinities in Gravity's rainbow / Victoria Addis -- Cormac McCarthy's eco-men: the loss of the natural world in the twentieth century American landscape / Layla Hendow -- The interrelated materiality of masculinities and the more-than-human-world in Jane Smiley's A thousand acres / Teresa Requena -- The eco-man in contemporary cinema, tv and media. The film star as eco-warrior: Harrison Ford saves the planet / Virginia Luzón -- True detective: not flourishing yet, but maybe germinating / Bill Phillips -- Polar bears and electric plugs: green shopping and twenty-first century queer American masculinity / Evangeline M. Heiliger
  14. Art rebels
    race, class, and gender in the art of Miles Davis and Martin Scorsese
    Autor*in: Lopes, Paul
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton ; Oxford

    Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in... mehr

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists--Miles Davis and Martin Scorsese--as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art--where creative independence and the unrelenting pressures of success were constantly at odds--Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art

     
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  15. Projecting the world
    representing the "foreign" in classical Hollywood
    Beteiligt: Cooper, Anna (Hrsg.); Meeuf, Russell (Hrsg.)
    Erschienen: [2017]
    Verlag:  Wayne State University Press, Detroit

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  16. Criminalization/assimilation
    Chinese/Americans and Chinatowns in classical Hollywood film
    Autor*in: Gates, Philippa
    Erschienen: [2019]
    Verlag:  Rutgers University Press, New Brunswick

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    Bayerische Staatsbibliothek
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  17. Fathers on film
    paternity and masculinity in 1990s Hollywood
    Autor*in: Barnett, Katie
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London

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    Hochschule für Fernsehen und Film, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1350191604; 9781350191600
    Auflage/Ausgabe: paperback edition
    Schriftenreihe: Library of gender and popular culture
    Schlagworte: Vater <Motiv>; Film
    Weitere Schlagworte: Fatherhood in motion pictures; Fathers in motion pictures; Masculinity in motion pictures; Motion pictures / United States / History / 20th century; Fatherhood in motion pictures; Fathers in motion pictures; Masculinity in motion pictures; Motion pictures; United States; 1900-1999; History
    Umfang: xiv, 251 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    "First published in Great Britain 2020. This paperback edition published in 2021"--Title page verso
  18. For no reason at all
    the changing narrative of the First World War in American film
    Autor*in: Hinkelman, Jeffrey A.
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    "The years following the signing of the Armistice saw a transformation of traditional attitudes regarding military conflict as America attempted to digest the enormity and futility of the First World War. During these years popular film culture in... mehr

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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    "The years following the signing of the Armistice saw a transformation of traditional attitudes regarding military conflict as America attempted to digest the enormity and futility of the First World War. During these years popular film culture in the United States created new ways of addressing the impact of the war on both individuals and society. Filmmakers with direct experience of combat created works that promoted their own ideas about the depiction of wartime service-ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film. Those filmmakers spent years modifying existing standards and working through a variety of storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. That consensus incorporated facets of the experience of Great War veterans, and these countered and undermined previously accepted narrative strategies. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the very premises of wartime service. Even more significantly, the rhetoric of these films argued strongly for an antiwar stance that questioned every aspect of the wartime experience. For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. Individual chapters focus on movie antecedents, animated films and comedies, the influence of literary precursors, the African American film industry, women-centered films, and the effect of the Second World War on depictions of the First. Films discussed include Hearts of the World, The Cradle of Courage, Birthright, The Big Parade, She Goes to War, Doughboys, Young Eagles, The Last Flight, Broken Lullaby, Lafayette Escadrille, and Wonder Woman, among many others"--

     
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  19. The vigilante thriller
    violence, spectatorship and identification in American cinema, 1970-76
    Autor*in: Edwards, Cary
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    "A critical analysis of the depiction of vigilantism in 1970s American cinema"-- mehr

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    Hochschule für Fernsehen und Film, Bibliothek
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    "A critical analysis of the depiction of vigilantism in 1970s American cinema"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501364129; 150136412X
    Auflage/Ausgabe: First published
    Schlagworte: Bürgerwehr <Motiv>; Gewalt <Motiv>; Film
    Weitere Schlagworte: Vigilantes in motion pictures; Motion pictures / United States / History / 20th century; Membres de groupes d'autodéfense au cinéma; Cinéma / États-Unis / Histoire / 20e siècle; Motion pictures; Vigilantes in motion pictures; United States; 1900-1999; History
    Umfang: viii, 240 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Part one. Narrative image and critical reactions -- Socio-political contexts -- Cinematic contexts -- Part two. Violence -- Establishing the gaze and identification -- Functions of the gaze and information -- Neurosis, hysteria and psychopathy -- Violence, identification and the other
  20. Hollywood sports movies and the American dream
    Autor*in: Wiedenfeld, Grant
    Erschienen: [2022]; © 2022
    Verlag:  Oxford University Press, New York, NY

    "Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for... mehr

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    Bayerische Staatsbibliothek
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    "Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, this critical study of six major sports films also tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780197624937; 9780197624920
    Schlagworte: American dream; Nationalbewusstsein <Motiv>; Erfolg <Motiv>; Männlichkeit <Motiv>; Sportfilm; Kino
    Weitere Schlagworte: Sports films / History and criticism; Motion pictures / United States / History / 20th century; Sports in motion pictures; Sports in popular culture; Motion pictures / Political aspects / United States; Popular culture / United States / History / 20th century; Sports / Social aspects / United States; United States / Politics and government / 20th century; Cinéma / États-Unis / Histoire / 20e siècle; Sports au cinéma; Sports dans la culture populaire; Culture populaire / États-Unis / Histoire / 20e siècle; Sports / Aspect social / États-Unis; États-Unis / Politique et gouvernement / 20e siècle; Motion pictures; Motion pictures / Political aspects; Politics and government; Popular culture; Sports films; Sports in motion pictures; Sports in popular culture; Sports / Social aspects; United States; 1900-1999; Criticism, interpretation, etc; History
    Umfang: 282 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen, Porträts (teilweise farbig), 24 cm
    Bemerkung(en):

    Introduction: America's civic screen -- Rocky (1976) tenderhearted community and racial modernization in bicentennial America -- Slap shot (1977) deindustrialization, goon masculinity, and Yankee-Doodle patriotism -- The natural (1984) farm crisis and minority culture in a New Deal legend -- White men can't jump (1992) "winning and losing is one big organic globule" -- A league of their own (1994) egalitarian women and sideline men -- Ali (2001) actions of the people's champion -- Conclusion
  21. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Autor*in: Womack, Autumn
    Erschienen: 2022
    Verlag:  University of Chicago Press, Chicago ; London

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... mehr

    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek Regensburg
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    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Standort:
    Universitätsbibliothek Würzburg
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    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     
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  22. Envisioning Asia
    on location, travel, and the cinematic geography of US orientalism
    Autor*in: Roan, Jeanette
    Erschienen: 2010
    Verlag:  Univ. of Michigan Press, Ann Arbor

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472070831; 9780472050833
    RVK Klassifikation: AP 44983
    Schlagworte: Asians in motion pictures; Culture in motion pictures; Motion pictures / United States / History / 20th century; Documentary films / United States / History / 20th century; Film; Geschichte; Film; Asien <Motiv>
    Umfang: x, 266 S., ill.
    Bemerkung(en):

    Includes bibliographical references and index

    "To travel is to possess the world" : the illustrated travel lectures of E. Burton Holmes -- Asia in early American cinema : from street scenes to war stories -- Knowing China : accuracy, authenticity, and The good earth -- At home in the world : Occupied Japan and the American century
  23. Projecting the world
    representing the "foreign" in classical Hollywood
    Beteiligt: Cooper, Anna (Hrsg.); Meeuf, Russell (Hrsg.)
    Erschienen: [2017]
    Verlag:  Wayne State University Press, Detroit

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Beteiligt: Cooper, Anna (Hrsg.); Meeuf, Russell (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814343067
    Schriftenreihe: Contemporary approaches to film and media series
    Schlagworte: Film; Geschichte; Film; Kulturwandel <Motiv>; Weltpolitik <Motiv>; USA <Motiv>
    Weitere Schlagworte: National characteristics in motion pictures; Culture in motion pictures; Motion pictures / United States / History / 20th century; Motion picture industry / United States; Mass media and culture; Culture in motion pictures; Mass media and culture; Motion picture industry; Motion pictures; National characteristics in motion pictures; United States; 1900-1999; History
    Umfang: vii, 268 Seiten, Illustrationen
  24. Art rebels
    race, class, and gender in the art of Miles Davis and Martin Scorsese
    Autor*in: Lopes, Paul
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton ; Oxford

    Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
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    Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists--Miles Davis and Martin Scorsese--as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art--where creative independence and the unrelenting pressures of success were constantly at odds--Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art

     
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  25. Austria made in Hollywood
    Autor*in: Vansant, Jacqueline
    Erschienen: 2019
    Verlag:  Camden House, Rochester, New York

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781571139450
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Motion pictures / United States / History / 20th century; Österreich <Motiv>; Film
    Umfang: xii, 196 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction -- Erich Stroheim, His Austria(ns), and Their US Contexts -- Cross-Cultural Encounters of the Intimate Kind : Hollywood's Americans in Love with Austria(ns), 1932-60 -- The Empire Strikes Back : Imperial Austria Fights Nazis, 1938-41 -- Reflections and Refractions of the Anschluss on the Hollywood Screen, 1941-42 -- Confronting and Escaping History : The Cardinal (1963) and The Sound of Music (1965) -- Conclusion : Hollywood's Austria--Its Past, Present, Future -- Appendix : Hollywood Films Set in Austria