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"Entwicklung ist das Zauberwort"
darwinistisches Naturverständnis im Werk Julius Harts als Baustein eines neuen Naturalismus-Paradigmas -
The vital science
biology and the literary imagination, 1860 - 1900 -
Darwin's plots
evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction -
The evolutionary self
Hardy, Forster, Lawrence -
Evolution and "the sex problem"
American narratives during the eclipse of Darwinism -
Darwin and Faulkner's novels
evolution and Southern fiction -
Going by contraries
Robert Frost's conflict with science -
Evolution and literary theory
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Open fields
science in cultural encounter -
The descent of love
Darwin and the theory of sexual selection in American fiction, 1871 - 1926 -
Robert Frost and the challenge of Darwin
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Darwin's plots
evolutionary narrative in Darwin, George Eliot and nineteenth century fiction -
Seeing Chekhov
life and art -
D. H. Lawrence and survival
Darwinism in the fiction of the transitional period -
Literary Darwinism
evolution, human nature, and literature -
Giants of the past
popular fictions and the idea of evolution -
Evolution and "the sex problem"
American narratives during the eclipse of Darwinism -
Seeing Chekhov
life and art -
Interdisciplinary essays on Darwinism in Hispanic literature and film
the intersection of science and the humanities -
Giants of the past
popular fictions and the idea of evolution -
D. H. Lawrence and survival
Darwinism in the fiction of the transitional period -
Science, literature, and film in the Hispanic world
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Going by contraries
Robert Frost's conflict with science -
Literary Darwinism
evolution, human nature, and literature -
Darwin and the novelists
patterns of science in Victorian fiction