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British theatre in the Great War
a revaluation -
Theatre as a weapon
workers' theatre in the Soviet Union, Germany and Britain, 1917 - 1934 -
The theatre of the real
Yeats, Beckett, and Sondheim -
Literature, cinema and politics 1930-1945
reading between the frames -
The theatre of nation
Irish drama and cultural nationalism, 1890-1916 -
Literature, cinema and politics, 1930-1945
reading between the frames -
Literature, Cinema and Politics 1930-1945
Reading Between the Frames -
Literature, cinema and politics, 1930-1945
reading between the frames -
Literature, cinema and politics 1930 - 1945
reading between the frames -
Literature, cinema and politics, 1930-1945
reading between the frames -
Literature, cinema and politics, 1930-1945
reading between the frames -
Theatre as a weapon
workers' theatre in the Soviet Union, Germany and Britain 1917-1934 -
Literature, cinema and politics, 1930 - 1945
reading between the frames -
The theatre of nation
Irish drama and cultural nationalism, 1890 - 1916 -
British theatre and the red peril
the portrayal of communism 1917 - 1945 -
Theatre and the state in twentieth-century Ireland
cultivating the people -
Literature, cinema and politics 1930 - 1945
reading between the frames -
The theatre of the real
Yeats, Beckett, and Sondheim -
Theatre-Fiction in Britain from Henry James to Doris Lessing
Writing in the Wings -
Movement and modernism
Yeats, Eliot, Lawrence, Williams and early twentieth-century dance -
The theatre of nation
Irish drama and cultural nationalism, 1890 - 1916 -
British theatre and the red peril
the portrayal of communism 1917-1945 -
<<The>> Adelphi players
the theatre of persons -
<<The>> theatre of nation
Irish drama and cultural nationalism, 1890 - 1916 -
Theatre as a weapon
workers' theatre in the Soviet Union, Germany and Britain, 1917 - 1934