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  1. Fictions of Discourse
    Reading Narrative Theory
    Autor*in: O'Neill, Patrick
    Erschienen: [2017]; © 1996
    Verlag:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Schlagworte: Erzähltheorie
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)
  2. Fictions of Discourse
    Reading Narrative Theory
    Autor*in: O'Neill, Patrick
    Erschienen: 2017; ©1996
    Verlag:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional... mehr

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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1 Theory Games: Narratives and Narratologies -- -- 2 Narrative Facts and Other Fictions: Story and Discourse -- -- 3 Discourse Discoursed: The Ventriloquism Effect -- -- 4 Points of Origin: The Focalization Factor -- -- 5 Texts and Textuality: The Shapers and the Shaped -- -- 6 Games Texts Play: Reading between the Narratives -- -- Conclusion -- -- Notes -- -- Bibliography -- -- Index
  3. Fictions of Discourse
    Reading Narrative Theory
    Autor*in: O'Neill, Patrick
    Erschienen: [1996]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional... mehr

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)
  4. Fictions of discourse
    reading narrative theory
    Autor*in: O'Neill, Patrick
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802079482; 1442674865; 9780802079480; 9781442674868
    Schriftenreihe: Theory/culture series
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LITERARY CRITICISM / Semiotics & Theory; Narration (Rhetoric); Narration (Rhetoric); Erzähltheorie
    Umfang: 1 Online-Ressource (x, 188 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [169]-180) and index
  5. Fictions of Discourse
    Reading Narrative Theory
    Autor*in: O'Neill, Patrick
    Erschienen: [2017]; © 1996
    Verlag:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Schlagworte: Erzähltheorie
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)
  6. Fictions of Discourse
    Reading Narrative Theory
    Autor*in: O'Neill, Patrick
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto

    O'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    O'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868
    Schriftenreihe: Theory / Culture
    Umfang: 1 Online-Ressource (199 pages)
  7. Fictions of discourse
    reading narrative theory
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto

    ""Contents""; ""Acknowledgments""; ""Introduction""; ""1 Theory Games: Narratives and Narratologies""; ""2 Narrative Facts and Other Fictions: Story and Discourse""; ""3 Discourse Discoursed: The Ventriloquism Effect""; ""4 Points of Origin: The... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    keine Fernleihe

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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    ""Contents""; ""Acknowledgments""; ""Introduction""; ""1 Theory Games: Narratives and Narratologies""; ""2 Narrative Facts and Other Fictions: Story and Discourse""; ""3 Discourse Discoursed: The Ventriloquism Effect""; ""4 Points of Origin: The Focalization Factor""; ""5 Texts and Textuality: The Shapers and the Shaped""; ""6 Games Texts Play: Reading between the Narratives""; ""Conclusion""; ""NOTES""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z""

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674868; 1442674865
    Schriftenreihe: Theory / culture
    Theory/culture
    Schlagworte: Narration (Rhetoric); Narration (Rhetoric); LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; LITERARY CRITICISM ; Semiotics & Theory; Narration (Rhetoric)
    Umfang: Online Ressource (x, 188 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [169]-180) and index. - Description based on print version record