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  1. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.401.69
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    25 Ger RP 5238
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Zentralbibliothek
    276.702
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781408185032; 9781408183663
    RVK Klassifikation: AP 72400 ; AP 76000 ; AP 66300 ; GM 2660
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Bühnenkunst (792)
    Schriftenreihe: Methuen Drama engage
    Schlagworte: Theater
    Weitere Schlagworte: Brecht, Bertolt (1898-1956)
    Umfang: VIII, 245 S., 22 cm
    Bemerkung(en):

    Literaturverz. S. 234 - 238

  2. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Archiv der Akademie der Künste, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781408183663; 9781408185032
    RVK Klassifikation: GM 2660
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Methuen drama engage
    Schlagworte: Brecht, Bertolt;
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Brecht, Bertolt (1898-1956)
    Umfang: VIII, 245 S.
  3. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: [2015]
    Verlag:  Bloomsbury, London

    "Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous... mehr

     

    "Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around the world. David Barnett examines both Brecht the theorist and Brecht the practitioner to reveal the complementary relationship between the two. This book aims to sensitize the reader to the approaches Brecht took to the world and the stage with a view to revealing just how carefully he thought about and realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of his concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with Brecht's method that sought to 'make theatre politically' in order to locate the innovations he introduced into his stagecraft. There are many examples given of how Brecht's ideas can be staged, and the final chapter takes two very different plays and asks how a Brechtian approach can enliven and illuminate their production. Ultimately, the book invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht"--(Provided by publisher.) "A re-examination of Bertolt Brecht the theatre practitioner in the light of his theoretical writings and his work in the theatre"--(Provided by publisher.)

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781408183663; 1408183668; 9781408185032 (PB); 1408185032
    Schriftenreihe: Methuen drama engage
    Schlagworte: Brecht, Bertolt;
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); (lcsh)Brecht, Bertolt, 1898-1956--Criticism and interpretation; (fast)Brecht, Bertolt, 1898-1956; (bisacsh)PERFORMING ARTS--Theater--History & Criticism; (fast)Criticism, interpretation, etc.
    Umfang: viii, 245 Seiten, 22 cm
  4. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781408183663; 9781408185032
    RVK Klassifikation: GM 2660
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Methuen drama engage ; Methuen drama engage
    Schlagworte: Brecht, Bertolt; Inszenierung; Theater; Theatertheorie; Aufführungspraxis;
    Weitere Schlagworte: Brecht, Bertolt (1898-1956)
    Umfang: VIII, 245 S.
    Bemerkung(en):

    Literaturverz. S. [234] - 239

  5. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Staats- und Stadtbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781408183663; 9781408185032
    RVK Klassifikation: GM 2660
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Methuen drama engage
    Schlagworte: Brecht, Bertolt;
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Brecht, Bertolt (1898-1956)
    Umfang: VIII, 245 S.
  6. Brecht in practice
    theatre, theory and performance
    Autor*in: Barnett, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    "Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 973409
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    in Bearbeitung
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2015 A 1313
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    500 GM 2660 B261
    keine Fernleihe
    Deutsches Literaturarchiv Marbach, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    65/14743
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around the world. David Barnett examines both Brecht the theorist and Brecht the practitioner to reveal the complementary relationship between the two.This book aims to sensitize the reader to the approaches Brecht took to the world and the stage with a view to revealing just how carefully he thought about and realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of his concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with Brecht's method that sought to 'make theatre politically' in order to locate the innovations he introduced into his stagecraft. There are many examples given of how Brecht's ideas can be staged, and the final chapter takes two very different plays and asks how a Brechtian approach can enliven and illuminate their production. Ultimately, the book invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781408185032; 9781408183663
    Weitere Identifier:
    9781408185032
    RVK Klassifikation: GM 2660
    Schriftenreihe: Methuen drama engage
    Schlagworte: Brecht, Bertolt; ; Brecht, Bertolt; Drama;
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Brecht, Bertolt 1898-1956
    Umfang: VIII, 245 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note:AcknowledgementsOne: Revealing the Radical TheoristTwo: The Messingkauf as Performative Thinking Three: Brecht and DifferenceFour: Method Trumps MeansFive: Brecht and the ActorSix: Brecht and the DirectorSeven: Brecht, Documentation and the Art of Copying Eight: Brecht's Method in Action: The Resistible Rise of Arturo Ui and Closer by Patrick MarberEpilogueEndnotesIndex.

  7. Brecht in Practice
    Theatre, Theory and Performance
    Autor*in: Barnett, David
    Erschienen: 2014
    Verlag:  Bloomsbury Publishing, London

    Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Bertolt Brecht's reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around the world. David Barnett examines both Brecht the theorist and Brecht the practitioner to reveal the complementary relationship between the two.This book aims to sensitize the reader to the approaches Brecht took to the world and the stage with a view to revealing just how carefully he thought about and realized his vision of a politicized, inte Bertolt Brecht''s reputation as a flawed, irrelevant or difficult thinker for the theatre can often go before him to such an extent that we run the risk of forgetting the achievements that made him and his company, the Berliner Ensemble, famous around the world. David Barnett examines both Brecht the theorist and Brecht the practitioner to reveal the complementary relationship between the two.This book aims to sensitize the reader to the approaches Brecht took to the world and the stage with a view to revealing just how carefully he thought about and realized his vision of a politicized, int

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781408183663
    Schriftenreihe: Methuen Drama Engage
    Umfang: Online-Ressource (257 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Contents; Acknowledgements; Introduction; (Re)Introducing Brecht; Format and scope; 1 Revealing the Radical Theorist; Brecht as theorizing practitioner; The different functions of theory to Brecht; Theorizing as a private and public activity; Understanding the assumptions of the 'Short Organon', or: An introduction to dialectics; The appeal of dialectics to Brecht; What is Brecht teaching?; Defining 'the Brechtian'; Making theatre politically; The radicalism of the 'Short Organon'; 2 Buying Brass as Performative Thinking; Theorizing with more than one voice

    The possibilities of performing theoryA Brechtian performance of Buying Brass; Not only dialogues: Buying Brass's scenes for actors; Montage, or: Structured disruption in the episodic form of Buying Brass; 3 Brecht and Difference; The centrality of change and its relationship to difference in Brecht's theatre; Forgetting 'character'; How to build a contradictory 'figure'; The dangers of empathy in theatrical communication; Interrupting empathy in Brecht's theatre; Separating the elements of the performance and the meaning of 'epic theatre'; Historicization and/as Verfremdung

    Theatre as a site of contradiction, not merely conflict4 Method Trumps Styles; The Brechtian method: Greater than the sum of its parts; The centrality of the Fabel; Arrangement as the Fabel made flesh; Locating the actor in society: The discovery of a figure's Gestus; A figure is the sum of all its Haltungen; Brecht's theatre of showing; Realism and Brecht's dialectical method; 5 Brecht and the Actor; There is no 'Brechtian Style' of acting; Brecht and casting, or: Cleaving the actor from the role; Observation, realism and Gestus; Sensitizing the actor to dialectics

    The actor-as-demonstrator in theory and practicePlaying the situation and not the character, or: The problem of saying 'I'; The pursuit of naturalness and lightness in a stylized theatre; Acting and emotion; 6 Brecht and the Director; Inductive direction, or: The 'invisibility' of the Brechtian director; The tasks of the Brechtian director; The prerequisite for a Brechtian director: A vibrant ensemble; Rehearsing with an inductive director; Abolishing the read-through, or: The status of the text in rehearsal; The rehearsal process and its social goals

    Connecting the individual to society: Details, customs and monologuesBringing out the social in performance: Focus on The Broken Jug; 7 Brecht, Documentation and the Art of Copying; Imitation and innovation; The building blocks of documentation at the Berliner Ensemble: Notate; Demystifying the theatrical process: 'Modelbooks'; Making use of the 'models'; Copying as productive activity; 8 Using Brecht's Method; Applicability and approach; The Resistible Rise of Arturo Ui: Identifying the problems of a potential production; Relativizing the centrality of Arturo Ui; Avoiding the 'allegory trap'

    Making Ui's rise 'resistible'