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  1. Publishing blackness
    textual constructions of race since 1850
    Erschienen: 2013
    Verlag:  University of Michigan Press, Ann Arbor ; JSTOR, New York

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American... mehr

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hutchinson, George; Young, John K.
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472028924; 0472028928; 9780472900992; 0472900994; 0472118633; 9780472118632; 9781299159884; 1299159885
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual; American literature; Literature publishing; African Americans; African Americans in literature; LITERARY CRITICISM; African Americans in literature; African Americans; Criticism, Textual; Literature publishing
    Umfang: 1 Online-Ressource (viii, 236 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

  2. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Erschienen: [2012]
    Verlag:  University of Michigan Press, Ann Arbor

    Contents -- Introduction, George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson -- Representing African American Literature;... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    eBook Ebsco OA
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Contents -- Introduction, George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson -- Representing African American Literature; or, Tradition against the Individual Talent, George Hutchinson -- “Quite as human as it is Negro�: Subpersons and Textual Property in Native Son and Black Boy, John K. Young -- The Colors of Modernism: Publishing African Americans, Jews, and Irish in the 1920s, George Bornstein More than McKay and Guillén: The Caribbean in Hughes and Bontemps�s The Poetry of the Negro (1949), Ifeoma Kiddoe NwankwoEditorial Federalism: The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance, William J. Maxwell -- Loosening the Straightjacket: Rethinking Racial Representation in African American Anthologies, Gene Andrew Jarrett -- “Let the World Be a Black Poem�: Some Problems of Recollecting and Editing Black Arts Texts, James W. Smethurst -- Textual Productions of Black Aesthetics Unbound, Margo Natalie Crawford Select BibliographyContributors -- Index "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472028924; 0472028928; 9780472118632; 0472118633
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual; American literature; Literature publishing; African Americans; African Americans in literature; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; Literature publishing ; Political aspects; Criticism, Textual; African Americans ; Intellectual life; African Americans in literature; History; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

  3. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Erschienen: [2012]
    Verlag:  University of Michigan Press, Ann Arbor

    ""Contents""; ""Introduction, George Hutchinson and John K. Young""; ""The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson""; ""Representing African American... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    ""Contents""; ""Introduction, George Hutchinson and John K. Young""; ""The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson""; ""Representing African American Literature; or, Tradition against the Individual Talent, George Hutchinson""; ""“Quite as human as it is Negro�: Subpersons and Textual Property in Native Son and Black Boy, John K. Young""; ""The Colors of Modernism: Publishing African Americans, Jews, and Irish in the 1920s, George Bornstein"" "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- ""Select Bibliography""""Contributors""; ""Index"" ""More than McKay and Guillén: The Caribbean in Hughes and Bontemps�s The Poetry of the Negro (1949), Ifeoma Kiddoe Nwankwo""""Editorial Federalism: The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance, William J. Maxwell""; ""Loosening the Straightjacket: Rethinking Racial Representation in African American Anthologies, Gene Andrew Jarrett""; ""“Let the World Be a Black Poem�: Some Problems of Recollecting and Editing Black Arts Texts, James W. Smethurst""; ""Textual Productions of Black Aesthetics Unbound, Margo Natalie Crawford""

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John Kevin (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0472028928; 0472118633; 9780472028924; 9780472118632
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual; American literature; Literature publishing; African Americans; African Americans in literature; LITERARY CRITICISM ; American ; African American; LITERARY CRITICISM ; American ; General; Literature publishing ; Political aspects; Criticism, Textual; African Americans ; Intellectual life; African Americans in literature; History; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

  4. Publishing blackness
    textual constructions of race since 1850
    Erschienen: [2012]
    Verlag:  University of Michigan Press, Ann Arbor

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American... mehr

    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0472028928; 0472118633; 9780472028924; 9780472118632
    RVK Klassifikation: HR 1728
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: African Americans in literature; African Americans; Criticism, Textual; LITERARY CRITICISM; LITERARY CRITICISM; Literature publishing; African Americans in literature; African Americans; American literature; American literature; Criticism, Textual; Literature publishing; Rasse <Motiv>; Schwarze <Motiv>; Literatur
    Weitere Schlagworte: United States; Electronic books; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Select BibliographyContributors -- Index

    Array: Array

  5. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John K. (HerausgeberIn)
    Erschienen: 2013
    Verlag:  University of Michigan Press, Ann Arbor

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American... mehr

    Zugang:
    Verlag (kostenfrei)
    Verlag (Array)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
  6. Publishing blackness :
    textual constructions of race since 1850 /
    Beteiligt: Hutchinson, George, (editor.); Young, John K. (editor.)
    Erschienen: [2012]
    Verlag:  University of Michigan Press,, Ann Arbor :

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American... mehr

    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hutchinson, George, (editor.); Young, John K. (editor.)
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472028924; 0472028928; 9780472118632; 0472118633
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; Criticism, Textual.; American literature; Literature publishing; African Americans; African Americans in literature.; Littérature; Noirs américains; Noirs américains dans la littérature.; LITERARY CRITICISM; LITERARY CRITICISM; Literature publishing; Criticism, Textual.; African Americans; African Americans in literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references and index.

    Array: Array

    Select BibliographyContributors -- Index

  7. Publishing blackness
    textual constructions of race since 1850
    Beteiligt: Hutchinson, George (HerausgeberIn); Young, John K. (HerausgeberIn)
    Erschienen: 2013
    Verlag:  University of Michigan Press, Ann Arbor

    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American... mehr

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    "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)