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  1. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: [2015]; © 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 955370
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2015 A 12286
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AP 14700 S834
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Signatur:
    ANG 449 : S80
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    2017.03580:1
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816694419; 9780816694396
    RVK Klassifikation: HU 1745 ; HU 8585 ; HU 1769
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: xvi, 240 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Literaturangaben und Index

    "Reading at it": Gertrude Stein, information overload, and the makings of AmericanitisBob Brown, "inforg": the "readies" at the limits of modernist cosmopolitanism -- Human university: Charles Olson and the embodiment of information -- "When information rubs/against information": poetry and informatics in the expanded field in the 1960s -- Paradise and informatics: Lyn Hejinian, Bruce Andrews, and the posthuman adamic -- Vanguard total index: conceptual writing, information asymmetry, and the data glut.
  2. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. ; London

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816694396; 9780816694419
    RVK Klassifikation: HU 1745 ; HU 1769 ; HU 8585
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature; Lyrik; Moderne; Modernismus; Information
    Umfang: XVI, 240 S. - Ill., 22 cm
  3. Absence of clutter
    minimal writing as art and literature
    Autor*in: Stephens, Paul
    Erschienen: 2020
    Verlag:  The MIT Press, [Cambridge, Massachusetts ; London, England]

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art"--

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262357494
    Weitere Identifier:
    RVK Klassifikation: EC 6390
    Schlagworte: Minimal Art; Konkrete Poesie; Visuelle Poesie; Text; Kunst; Schrift
    Weitere Schlagworte: Visual literature / History and criticism; Minimalism (Literature); Art and literature
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Bevorzugte Informationsquelle: Landingpage (The MIT Press Direct), da weder Titelblatt noch Impresum vorhanden
  4. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: [2015]; © 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 955370
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2015 A 12286
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AP 14700 S834
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Signatur:
    ANG 449 : S80
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
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    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    2017.03580:1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    2016 A 1568
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    2015-3376
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816694419; 9780816694396
    RVK Klassifikation: HU 1745 ; HU 8585 ; HU 1769
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: xvi, 240 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Literaturangaben und Index

    "Reading at it": Gertrude Stein, information overload, and the makings of AmericanitisBob Brown, "inforg": the "readies" at the limits of modernist cosmopolitanism -- Human university: Charles Olson and the embodiment of information -- "When information rubs/against information": poetry and informatics in the expanded field in the 1960s -- Paradise and informatics: Lyn Hejinian, Bruce Andrews, and the posthuman adamic -- Vanguard total index: conceptual writing, information asymmetry, and the data glut.
  5. Absence of clutter
    minimal writing as art and literature
    Autor*in: Stephens, Paul
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 102120
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a asl 490.6/310
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    14.45 2020
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 EC 6390 S834
    Fernleihe:
    keine Fernleihe

     

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art"--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043670
    RVK Klassifikation: EC 6390
    Schlagworte: Visual literature; Minimalism (Literature); Art and literature
    Umfang: 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  6. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: [2015]; © 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816694419; 9780816694396
    RVK Klassifikation: HU 1745 ; HU 8585 ; HU 1769
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: xvi, 240 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Literaturangaben und Index

    "Reading at it": Gertrude Stein, information overload, and the makings of AmericanitisBob Brown, "inforg": the "readies" at the limits of modernist cosmopolitanism -- Human university: Charles Olson and the embodiment of information -- "When information rubs/against information": poetry and informatics in the expanded field in the 1960s -- Paradise and informatics: Lyn Hejinian, Bruce Andrews, and the posthuman adamic -- Vanguard total index: conceptual writing, information asymmetry, and the data glut.
  7. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. ; London

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816694396; 9780816694419
    RVK Klassifikation: HU 1745 ; HU 1769 ; HU 8585
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature; Lyrik; Moderne; Modernismus; Information
    Umfang: XVI, 240 S. - Ill., 22 cm
  8. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: [2015]; © 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816694419; 9780816694396
    RVK Klassifikation: HU 1745 ; HU 8585 ; HU 1769
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: xvi, 240 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    Literaturangaben und Index

    "Reading at it": Gertrude Stein, information overload, and the makings of AmericanitisBob Brown, "inforg": the "readies" at the limits of modernist cosmopolitanism -- Human university: Charles Olson and the embodiment of information -- "When information rubs/against information": poetry and informatics in the expanded field in the 1960s -- Paradise and informatics: Lyn Hejinian, Bruce Andrews, and the posthuman adamic -- Vanguard total index: conceptual writing, information asymmetry, and the data glut.
  9. Absence of clutter
    minimal writing as art and literature
    Autor*in: Stephens, Paul
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art"--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780262043670
    RVK Klassifikation: EC 6390
    Schlagworte: Visual literature; Minimalism (Literature); Art and literature
    Umfang: 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  10. Absence of clutter
    minimal writing as art and literature
    Autor*in: Stephens, Paul
    Erschienen: [2020]
    Verlag:  The MIT Press, Cambridge, Massachusetts

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780262043670
    RVK Klassifikation: EC 6390
    Schlagworte: Kunst; Text; Minimal Art; Visuelle Poesie; Schrift; Konkrete Poesie
    Weitere Schlagworte: Visual literature / History and criticism; Minimalism (Literature); Art and literature
    Umfang: 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  11. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn.

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    angm780.s834
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816694396; 9780816694419
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: XVI, 240 S., Ill., 22 cm
  12. The Poetics of Information Overload
    From Gertrude Stein to Conceptual Writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have ...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816694419; 9781452944098 (Sekundärausgabe)
    Umfang: 258 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  13. The poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: 2015; © 2015
    Verlag:  University of Minnesota Press, Minneapolis, Minnesota ; London, England

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816694419; 9781452944098
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Lyrik; Moderne; Modernismus; Information
    Umfang: 1 online resource (258 pages)
    Bemerkung(en):

    Description based on print version record
  14. Poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: [2015]; © 2015
    Verlag:  University of Minnesota Press, Minnesota ; ProQuest Ebook Central, London

  15. Reading at it: Gertrude Stein, Information Overload, and the Makings of Americanitis
    Autor*in: Stephens, Paul
    Erschienen: 2013

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Twentieth century literature; Durham, NC : Duke Univ. Press, 1955-; Band 59, Heft 1 (2013), Seite 126-156; 23 cm

  16. Bob Brown, “Inforg”:The “Readies” at the Limits of Modernist Cosmopolitanism
    Autor*in: Stephens, Paul
    Erschienen: 2012

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Journal of modern literature; Bloomington, Ind. : Indiana University, 1970-; Band 35, Heft 1 (2012), Seite 143-164

  17. <<The>> poetics of information overload
    from Gertrude Stein to conceptual writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn.

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816694396; 9780816694419
    Schlagworte: American poetry; American poetry; Poetry, Modern; Literature and technology; Poetics; Modernism (Literature); Information technology in literature
    Umfang: XVI, 240 S. : Ill., 22 cm
  18. Poetics of Information Overload
    From Gertrude Stein to Conceptual Writing
    Autor*in: Stephens, Paul
    Erschienen: 2015; © 2015
    Verlag:  University of Minnesota Press, Minnesota

    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have been preoccupied with the effects of new media since the advent of modernism. He continues with the postwar writing of Charles Olson, John Cage, Bern Porter, Hannah Weiner, Bernadette Mayer, Lyn Hejinian, and Bruce Andrews, and concludes with a discussion of conceptual writing produced in the past decade.By reading these works in the context of information systems, Stephens shows how the poetry of the past century has had, as a primary focus, the role of data in human life

     
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  19. The Poetics of Information Overload
    From Gertrude Stein to Conceptual Writing
    Autor*in: Stephens, Paul
    Erschienen: 2015
    Verlag:  University of Minnesota Press, Minneapolis

    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has... mehr

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    Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816694419
    Schlagworte: American poetry ; 20th century ; History and criticism; American poetry ; 21st century ; History and criticism; Information technology in literature; Information technology in literature. American poetry; Literature and technology; Modernism (Literature) ; United States; Poetics; Poetry, Modern ; History and criticism; Electronic books
    Umfang: Online-Ressource (258 p)
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    Description based upon print version of record

    Cover; Contents; Preface: Stars in My Pocket Like Bits of Data; Introduction; 1. "Reading at It": Gertrude Stein, Information Overload, and the Makings of Americanitis; 2. Bob Brown, "Inforg": The "Readies" at the Limits of Modernist Cosmopolitanism; 3. Human University: Charles Olson and the Embodiment of Information; 4. "When Information Rubs/Against Information": Poetry and Informatics in the Expanded Field in the 1960s; 5. Paradise and Informatics: Lyn Hejinian, Bruce Andrews, and the Posthuman Adamic; 6. Vanguard Total Index: Conceptual Writing, Information Asymmetry, and the Data Glut

    Afterword. "Proliferating Raw Data": Robert Grenier in the Expanded Field of New Media PoeticsAcknowledgments; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z