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  1. Gender and the superhero narrative
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2018
    Verlag:  University Press of Mississippi, Jackson

    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts...both in the creation of superhero media and in their critical and reader reception...need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change." ... Provided by publisher

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496818805; 9781496821102
    RVK Klassifikation: EC 7120 ; AP 53500 ; AP 50300 ; AP 88730 ; AP 88890
    Auflage/Ausgabe: First printing
    Schlagworte: Literary criticism / lcgft; Women superheroes; Sex role in mass media; Women in mass media; Comic; Superheld; Geschlechterrolle
    Umfang: XII, 292 Seiten, Diagramme, Illustrationen
  2. Printing Terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

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    Quelle: Verbundkataloge
    Beteiligt: Smith, Philip (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781526135926
    RVK Klassifikation: NK 4600 ; AP 88724 ; AP 88920
    Schlagworte: USA; Comic; Propaganda; Geschichte 1945-2020
    Umfang: xii, 311 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite [285]-307
  3. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s -- 'Confusion turns to fear' - race in the 1940s and 1950s -- Monster kids - bridging the pre- and post-CCA eras -- 'The war has done strange things to you' - trauma in the1960s and 1970s -- 'This isn't a dream! This is really happening!' - gender in the1960s and 1970s -- 'We are a species that fears itself most of all' - race in the1960s and 1970s -- Conclusion: appropriating white male fear -- Bibliography -- Index.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526135933
    RVK Klassifikation: AP 88740 ; HU 1814
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (324 Seiten)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  4. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2021 A 7575
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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  5. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s... mehr

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    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s -- 'Confusion turns to fear' - race in the 1940s and 1950s -- Monster kids - bridging the pre- and post-CCA eras -- 'The war has done strange things to you' - trauma in the1960s and 1970s -- 'This isn't a dream! This is really happening!' - gender in the1960s and 1970s -- 'We are a species that fears itself most of all' - race in the1960s and 1970s -- Conclusion: appropriating white male fear -- Bibliography -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526135933
    RVK Klassifikation: AP 88740 ; HU 1814
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (324 Seiten)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  6. Gender and the superhero narrative
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2018
    Verlag:  University Press of Mississippi, Jackson

    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche... mehr

    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Universitätsbibliothek Würzburg
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    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts...both in the creation of superhero media and in their critical and reader reception...need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change." ... Provided by publisher

     
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    Quelle: Verbundkataloge
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496818805; 9781496821102
    RVK Klassifikation: EC 7120 ; AP 53500 ; AP 50300 ; AP 88730 ; AP 88890
    Auflage/Ausgabe: First printing
    Schlagworte: Literary criticism / lcgft; Women superheroes; Sex role in mass media; Women in mass media; Comic; Superheld; Geschlechterrolle
    Umfang: XII, 292 Seiten, Diagramme, Illustrationen
  7. Superheroes and American self image
    from war to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: [2016]; © 2016
    Verlag:  Ashgate, Farnham, Surrey, England

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Signatur:
    BPN2175
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    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitätsbibliothek Siegen
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472435507
    RVK Klassifikation: EC 7120
    Schriftenreihe: The cultural politics of media and popular culture
    Schlagworte: Comic; Superheld; Zeithintergrund
    Umfang: x, 247 Seiten, Illustrationen
  8. Superheroes and American self image
    from war to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: 2017
    Verlag:  Routledge, London ; New York

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    OK280 G655
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    Standort:
    Universitäts- und Landesbibliothek Bonn
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138306462; 9781472435507
    RVK Klassifikation: EC 7120
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: The cultural politics of media and popular culture
    Schlagworte: Superheld; Comic; Zeithintergrund
    Umfang: x, 247 Seiten, Illustrationen (schwarz-weiß)
  9. Drawing the past
    comics and the historical imagination in the United States
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2022-
    Verlag:  University Press of Mississippi, Jackson

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Standort:
    Universität Mainz, Zentralbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    RVK Klassifikation: AP 88720 ; AP 88740 ; AP 88782 ; AP 88930 ; AP 88922
    Schlagworte: Comic; Literatur; Geschichtsbewusstsein; Geschichtsdarstellung
  10. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021; © 2021
    Verlag:  Manchester University Press, Manchester, [United Kingdom]

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    741.53164 GOO
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781526135926
    RVK Klassifikation: HU 1814 ; AP 88740
    Schlagworte: Comic; Literatur; Männlichkeit; Krieg; Tod; Angst; Horror; Politik; Weltkrieg <1939-1945>; Ost-West-Konflikt
    Umfang: xii, 311 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 285-307

    Hier auch später erschienene, unveränderte Nachdrucke
  11. Gender and the superhero narrative
    Beteiligt: Goodrum, Michael (HerausgeberIn); Prescott, Tara (HerausgeberIn); Smith, Philip (HerausgeberIn)
    Erschienen: 2018
    Verlag:  University Press of Mississippi, Jackson

    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 49322
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universität Freiburg, Romanisches Seminar, Bibliothek
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    Frei 23: La 5, 188 p
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 6156
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts--both in the creation of superhero media and in their critical and reader reception--need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change." -- Provided by publisher

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Goodrum, Michael (HerausgeberIn); Prescott, Tara (HerausgeberIn); Smith, Philip (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781496818805; 9781496821102
    RVK Klassifikation: AP 88890
    Schlagworte: Women superheroes; Sex role in mass media; Women in mass media
    Umfang: XII, 292 Seiten
    Bemerkung(en):

    Literaturangaben

    Mel Gibson: "Yeah, I Think There Is Still Hope" : Youth, Ethnicity, Faith, Feminism, and Fandom in Ms. Marvel

    Maite Urcaregui "I Was Never the Hero That You Wanted Me to Be" : Feminism and Resistance to Militarism in Marvel's Jessica Jones: Intersectional Feminism in Bitch Planet : Moving Comics, Fandom, and Activism beyond the Page

    Christina Knopf: The Queen of Burlesque : The Subtle (as a Hammer) Satire of Bomb Queen

    Lisa Perdigao: "Curiouser and Curiouser" : Revisiting "The Woman Question" in Batwoman: Elegy

    Christopher McGunnigle: Rule 63: Genderswapping in Female Superhero Cosplay

    Dorian L. Alexander -- From Princess to Protagonist: Redesigning the Video Game Superhero: Faces of Abjectivity : The Uncanny Mystique and Transsexuality
  12. Drawing the past
    Beteiligt: Alexander, Dorian L. (Hrsg.); Goodrum, Michael (Hrsg.)
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L. (Hrsg.); Goodrum, Michael (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Geschichte <Motiv>; Comic
    Umfang: 2 Bände
  13. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
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    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526135933; 1526135922
    Weitere Identifier:
    RVK Klassifikation: AP 88740 ; HU 1814
    Schlagworte: Cold War (1945-1989) in literature; Horror comic books, strips, etc; Masculinity in literature; Men in literature; Race relations in literature; Victims in literature; Criticism, interpretation, etc; Horror comic books, strips, etc; Cold War in literature; Race relations in literature; Men in literature; Masculinity in literature; Victims in literature
    Umfang: 1 Online-Ressource (xii, 311 Seiten), Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 285-307 und Index
  14. Superheroes and American self image
    from war to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: [2016]; © 2016
    Verlag:  Ashgate, Farnham, Surrey, England

    Standort:
    Universitätsbibliothek Duisburg-Essen
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Standort:
    Universitätsbibliothek Siegen
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472435507
    RVK Klassifikation: EC 7120
    Schriftenreihe: <<The>> cultural politics of media and popular culture
    Schlagworte: USA; Comic; Superheld; Zeithintergrund; Geschichte 1938-1975
    Umfang: x, 247 Seiten, Illustrationen
  15. Drawing the past
    Volume 1, Comics and the historical imagination in the United States
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold... mehr

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Siegen
    Signatur:
    11BPN3031-1
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    History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US.Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.Contributions by Lawrence Abrams, Dorian Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith.

     
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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496837165
    Weitere Identifier:
    9781496837165
    Übergeordneter Titel:
    Weitere Schlagworte: Literaturwissenschaft; Amerikanische Geschichte; Medienwissenschaften; Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur; History of the Americas; Media studies; Popular culture; Anthologies (non-poetry)
    Umfang: 260 Seiten, Illustrationen, 235 mm.
  16. Drawing the past
    Volume 2, Comics and the historical imagination in the world
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of... mehr

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
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    Standort:
    Universitätsbibliothek Siegen
    Signatur:
    11BPN3031-2
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    In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures.This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories.- The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe.Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.Contributions by Dorian Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A.- MacInnes, Malgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L. (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496837226
    Weitere Identifier:
    9781496837226
    Übergeordneter Titel:
    Weitere Schlagworte: Literaturwissenschaft; Weltgeschichte; Medienwissenschaften; Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur; General & world history; Media studies; Popular culture; Anthologies (non-poetry)
    Umfang: vii, 323 Seiten, Illustrationen, 235 mm.
  17. Gender and the superhero narrative
    Beteiligt: Goodrum, Michael (HerausgeberIn); Prescott, Tara (HerausgeberIn); Smith, Philip (HerausgeberIn)
    Erschienen: 2018
    Verlag:  University Press of Mississippi, Jackson

    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche... mehr

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    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts--both in the creation of superhero media and in their critical and reader reception--need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change." -- Provided by publisher

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Goodrum, Michael (HerausgeberIn); Prescott, Tara (HerausgeberIn); Smith, Philip (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781496818805; 9781496821102
    RVK Klassifikation: AP 88890
    Schlagworte: Women superheroes; Sex role in mass media; Women in mass media
    Umfang: XII, 292 Seiten
    Bemerkung(en):

    Literaturangaben

    Mel Gibson: "Yeah, I Think There Is Still Hope" : Youth, Ethnicity, Faith, Feminism, and Fandom in Ms. Marvel

    Maite Urcaregui "I Was Never the Hero That You Wanted Me to Be" : Feminism and Resistance to Militarism in Marvel's Jessica Jones: Intersectional Feminism in Bitch Planet : Moving Comics, Fandom, and Activism beyond the Page

    Christina Knopf: The Queen of Burlesque : The Subtle (as a Hammer) Satire of Bomb Queen

    Lisa Perdigao: "Curiouser and Curiouser" : Revisiting "The Woman Question" in Batwoman: Elegy

    Christopher McGunnigle: Rule 63: Genderswapping in Female Superhero Cosplay

    Dorian L. Alexander -- From Princess to Protagonist: Redesigning the Video Game Superhero: Faces of Abjectivity : The Uncanny Mystique and Transsexuality
  18. Printing terror
    American horror comics as Cold War commentary and critique
    Autor*in: Goodrum, Michael; Smith, Philip
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester

    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s... mehr

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    Front Matter -- Contents -- List of figures -- Acknowledgements -- Introduction -- 'The dead - the slain - the unavenged' - trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' - gender in the 1940s and 1950s -- 'Confusion turns to fear' - race in the 1940s and 1950s -- Monster kids - bridging the pre- and post-CCA eras -- 'The war has done strange things to you' - trauma in the1960s and 1970s -- 'This isn't a dream! This is really happening!' - gender in the1960s and 1970s -- 'We are a species that fears itself most of all' - race in the1960s and 1970s -- Conclusion: appropriating white male fear -- Bibliography -- Index.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526135933
    RVK Klassifikation: AP 88740 ; HU 1814
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (324 Seiten)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  19. Superheroes and American self image
    from war to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: 2017
    Verlag:  Routledge, London

    Standort:
    Universitätsbibliothek Bielefeld
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    Standort:
    Universitäts- und Landesbibliothek Bonn
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138306462; 9781472435507
    RVK Klassifikation: EC 7120
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: <<The>> cultural politics of media and popular culture
    Schlagworte: USA; Comic; Superheld; Zeithintergrund; Geschichte 1938-1975
    Umfang: x, 247 Seiten, Illustrationen (schwarz-weiß)
  20. Drawing the past
    Volume 1, Comics and the historical imagination in the United States
    Beteiligt: Alexander, Dorian L (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold... mehr

    Standort:
    Universitätsbibliothek Dortmund
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    Standort:
    Universitätsbibliothek Siegen
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    History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fuelling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US.Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.Contributions by Lawrence Abrams, Dorian Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith

     
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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496837165
    Weitere Identifier:
    9781496837165
    Übergeordneter Titel:
    Schlagworte: History of the Americas; Media studies; Popular culture; Anthologies (non-poetry)
    Weitere Schlagworte: Literaturwissenschaft; Amerikanische Geschichte; Medienwissenschaften; Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
    Umfang: 260 Seiten, Illustrationen, 235 mm
  21. Drawing the past
    Volume 2, Comics and the historical imagination in the world
    Beteiligt: Alexander, Dorian L (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of... mehr

    Standort:
    Universitätsbibliothek Dortmund
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    Standort:
    Universitätsbibliothek Siegen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures.This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories.- The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe.Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.Contributions by Dorian Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A.- MacInnes, Malgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Alexander, Dorian L (Herausgeber); Goodrum, Michael (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496837226
    Weitere Identifier:
    9781496837226
    Übergeordneter Titel:
    Schlagworte: General & world history; Media studies; Popular culture; Anthologies (non-poetry)
    Weitere Schlagworte: Literaturwissenschaft; Weltgeschichte; Medienwissenschaften; Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
    Umfang: vii, 323 Seiten, Illustrationen, 235 mm
  22. Gender and the superhero narrative
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Erschienen: [2018]; © 2018
    Verlag:  University Press of Mississippi, Jackson

    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche... mehr

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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Koblenz
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    "The explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts--both in the creation of superhero media and in their critical and reader reception--need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change." -- Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Goodrum, Michael (Herausgeber); Prescott, Tara (Herausgeber); Smith, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781496821102; 9781496818805
    Schriftenreihe: Comics studies / Gender studies / Popular culture
    Schlagworte: Women superheroes; Sex role in mass media; Women in mass media
    Umfang: XII, 292 Seiten, Illustrationen, Diagramme
    Bemerkung(en):

    Literaturangaben

    "Yeah, I Think There Is Still Hope": Youth, Ethnicity, Faith, Feminism, and Fandom in Ms. Marvel

    Intersectional Feminism in Bitch Planet: Moving Comics, Fandom, and Activism beyond the Page

    The Queen of Burlesque: The Subtle (as a Hammer) Satire of Bomb Queen

    "Curiouser and Curiouser": Revisiting "The Woman Question" in Batwoman: Elegy

    Rule 63: Genderswapping in Female Superhero Cosplay

    Faces of Abjectivity: The Uncanny Mystique and Transsexuality
  23. Superheroes and American self image
    from war to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: [2016]; © 2016
    Verlag:  Ashgate, Farnham

    The Second World War and before -- The end of the Second World War: what next for the us? -- The rise of McCarthyism: end of alternatives -- The "liberal consensus": comfort, not critique -- New left, new right, new comic books: superheroes and... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2016 A 3420
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    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Db.1.G.8
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    Universitätsbibliothek Leipzig
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    Signatur:
    500 EC 7120 G655
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    The Second World War and before -- The end of the Second World War: what next for the us? -- The rise of McCarthyism: end of alternatives -- The "liberal consensus": comfort, not critique -- New left, new right, new comic books: superheroes and unrest -- The changing of the code: origins, debate and effects -- Vietnam, Watergate and the end of consensus: What's a superhero to do?

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472435507; 9781472435514; 9781472435521
    RVK Klassifikation: HU 1821 ; EC 7120
    Schriftenreihe: The cultural politics of media and popular culture
    Schlagworte: Comic books, strips, etc; Superheroes in literature; Literature and society; National characteristics, American, in literature
    Umfang: x, 247 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seite [227]-238. Index.. - what next for the us? -- The rise of McCarthyism: end of alternatives -- The "liberal consensus": comfort, not critique -- New left, new right, new comic books: superheroes and unrest -- The changing of the code: origins, debate and effects -- Vietnam, Watergate and the end of consensus: What's a superhero to do?

    Erscheinungsjahr in Vorlageform:[2016]

    what next for the us? -- The rise of McCarthyism: end of alternatives -- The "liberal consensus": comfort, not critique -- New left, new right, new comic books: superheroes and unrest -- The changing of the code: origins, debate and effects -- Vietnam, Watergate and the end of consensus: What's a superhero to do?
  24. Printing Terror
    American Horror Comics As Cold War Commentary and Critique
    Autor*in: Goodrum, Michael
    Erschienen: 2021
    Verlag:  Manchester University Press, Manchester ; ProQuest, Ann Arbor, Michigan

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Smith, Philip
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526135933
    RVK Klassifikation: HU 1814 ; AP 88740
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Comic; Literatur; Männlichkeit; Krieg; Tod; Angst; Horror; Politik; Weltkrieg <1939-1945>; Ost-West-Konflikt
    Umfang: 1 Online-Ressource (324 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  25. Superheroes and American Self Image
    From War to Watergate
    Autor*in: Goodrum, Michael
    Erschienen: 2017
    Verlag:  Taylor and Francis, Florence

    Standort:
    Hochschulbibliothek Friedensau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317048404
    RVK Klassifikation: EC 7120
    Schriftenreihe: The Cultural Politics of Media and Popular Culture
    Umfang: 1 Online-Ressource (258 pages)