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  1. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Universitäts- und Landesbibliothek Bonn
    2013/2675
    Ausleihe von Bänden möglich, keine Kopien
    Universitäts- und Landesbibliothek Münster
    3K 44393
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    Sprache: Englisch
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    ISBN: 9781571135490; 1571135499
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Literatur; Religion <Motiv>
    Weitere Schlagworte: German drama--21st century--History and criticism.; Religion in literature.; Theater--Religious aspects.
    Umfang: 168 S.
    Bemerkung(en):

    Includes bibliographical references and index

  2. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1894
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Weitere Schlagworte: Strauß, Botho (1944-): Groß und klein; Strauß, Botho (1944-): Die eine und die andere; Tabori, George (1914-2007): Mein Kampf; Fritsch, Werner (1960-): Wondreber Totentanz; Fritsch, Werner (1960-): Aller Seelen; Bärfuss, Lukas (1971-): Der Bus
    Umfang: 1 Online-Ressource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  3. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.319.93
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    ISBN: 1571135499; 9781571135490
    RVK Klassifikation: GN 1894
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Weitere Schlagworte: Strauß, Botho (1944-): Groß und klein; Strauß, Botho (1944-): Die eine und die andere; Tabori, George (1914-2007): Mein Kampf; Fritsch, Werner (1960-): Wondreber Totentanz; Fritsch, Werner (1960-): Aller Seelen; Bärfuss, Lukas (1971-): Der Bus
    Umfang: 168 S., 24 cm
    Bemerkung(en):

    Literaturverz. S. [147] - 160

  4. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Bayerische Staatsbibliothek
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     

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    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Deutsch; Drama; Religion <Motiv>
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

  5. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Religion <Motiv>; Deutsch; Drama
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

  6. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571135490; 1571135499
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German drama--21st century--History and criticism; Religion in literature; Theater--Religious aspects
    Umfang: 168 S.
    Bemerkung(en):

    Includes bibliographical references and index

  7. Religion and identity in Germany today
    doubters, believers, seekers in literature and film
    Beteiligt: Preece, Julian (Herausgeber); Finlay, Frank (Herausgeber); Crowe, Sinéad (Herausgeber)
    Erschienen: 2010
    Verlag:  Lang, Oxford

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  8. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781571135490
    RVK Klassifikation: GN 1701 ; GN 1873
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 168 S.
    Bemerkung(en):

    Includes bibliographical references and index

  9. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 1 Online-Ressource (168 S.)
  10. Anderson, Lisa Marie: German expressionism and the messianism of a generation [Rezension]
    Autor*in: Crowe, Sinéad
    Erschienen: 2012

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    Quelle: Online Contents Komparatistik
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift; Rezension
    Format: Druck
    Übergeordneter Titel: In: Canadian review of comparative literature; Edmonton : Canadian Comparative Literature Assoc., 1974-; Band 39, Heft 4 (2012), Seite 445-447

  11. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571135490
    Weitere Identifier:
    9781571135490
    RVK Klassifikation: GN 1873
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Strauß, Botho; Drama; Religion <Motiv>; ; Tabori, George; Religion <Motiv>; ; Fritsch, Werner; Drama; Religion <Motiv>; ; Bärfuss, Lukas; Drama; Religion <Motiv>;
    Umfang: 168 S., 23 cm
    Bemerkung(en):

    Literaturverz. S. [147] - 160

  12. Religion and Identity in Germany Today
    Doubters, Believers, Seekers in Literature and Film
    Beteiligt: Preece, Julian (Herausgeber); Crowe, Sinéad (Herausgeber); Finlay, Frank (Herausgeber)
    Erschienen: 2011
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

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  13. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
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    ISBN: 9781571135490
    RVK Klassifikation: GN 1701 ; GN 1873
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 168 S.
    Bemerkung(en):

    Includes bibliographical references and index

  14. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Universitätsbibliothek Augsburg
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    Quelle: Verbundkataloge
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    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 1 Online-Ressource (168 S.)
  15. Religion in contemporary German drama
    Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss
  16. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 910756
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    17.82/196
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    2013 A 3879
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    2014.01926:1
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1571135499; 9781571135490
    Weitere Identifier:
    9781571135490
    RVK Klassifikation: GN 9284 ; GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German drama; Religion in literature; Theater
    Umfang: 168 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 147-160) and index

    Introduction: Definitions and Themes -- The Relationship between Theater and Religion -- Religion in Modern European Theater and Drama -- "No One Wants to Get to God Anymore"? Botho Strauss's Grosse und Klein and Die eine und die andere -- Theological Farce: George Tabori's Mein Kampf -- "The Last Refuge for Metaphysics": Werner Fritsch's Theater Theory -- "The Feeling of Faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and Unbelief in the Twenty-first Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen).

  17. Religion and Identity in Germany Today
    Erschienen: 2011
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a... mehr

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    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German.

     

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    Quelle: Verbundkataloge
    Beteiligt: Finlay, Frank; Crowe, Sinéad
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300505
    Weitere Identifier:
    RVK Klassifikation: GN 1701 ; BB 1620 ; GN 1088 ; GO 16018
    DDC Klassifikation: Religion (200); Öffentliche Darbietungen, Film, Rundfunk (791); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Leeds-Swansea Colloquia on Contemporary German Literature ; 2
    Schlagworte: Deutsch; Literatur; Religion <Motiv>; Identität <Motiv>; Film; Religiöse Identität
    Umfang: 1 Online-Ressource
  18. Religion and Identity in Germany Today
    Doubters, Believers, Seekers in Literature and Film
    Beteiligt: Preece, Julian Ernest (HerausgeberIn); Finlay, Frank (HerausgeberIn); Crowe, Sinéad (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe

     

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German Contents: Julian Preece/Frank Finlay: Introduction – Mona Körte: ‘Ein bißchen Aleph’: Jüdische Religion und religiöse Praxis zwischen Renaissance und Musealisierung – Matthias Uecker: Belief, Ritual and Identity: Performances of Jewishness in Contemporary German Cinema – Andrea Reiter: Das ‘Ende der Nachkriegszeit’ im Werk von Anna Mitgutsch – Stuart Parkes: A Clear-Cut Case? Martin Walser and the Charge of Anti-Semitism – Stefan Neuhaus: ‘In dieser Gegend gibt es keinen Gott’: Religion in der ‘postmodernen’ Literatur am Beispiel von Helmut Krausser, Hape Kerkeling und Felicitas Hoppe – Axel Schalk: Gott heißt Elvis Presley: Zur religiösen Motivik in der zeitgenössischen deutschen Prosa – Robert Gillett: Snatching a Brand from the Burning: Possibilities of Transcendence in Thomas Rosenlöcher’s Flockenkarussell – Sinéad Crowe: ‘Das Gefühl des Glaubens’: Religion in the Theatre of Werner Fritsch – Keith Bullivant: That Old-Time Religion? Thoughts on Patrick Roth’s ‘Resurrection’ Trilogy – Monika Shafi: Constructions of Islam: Select Voices from Germany and the Netherlands – Mario Fuhse: ‘Meine Gläubigkeit hat einen Knacks bekommen’: Hubert Fichtes Der Platz der Gehenkten als empfindsamer Beitrag einer Korankritik – Frauke Matthes: ‘Authentic’ Muslim Voices? Feridun Zaimoglu’s Schwarze Jungfrauen – Julian Preece: Faking the Hadj? Richard Burton Slips between the Lines in Ilija Trojanow’s Der Weltensammler – Michael Hofmann: Interkulturalität und Religion in Deutschland: Der Streit um den geplanten Bau einer Großmoschee in Köln und die Diskussion um einen europäischen Islam

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Preece, Julian Ernest (HerausgeberIn); Finlay, Frank (HerausgeberIn); Crowe, Sinéad (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300505
    Weitere Identifier:
    9783035300505
    RVK Klassifikation: GN 1088
    Auflage/Ausgabe: 1st, New ed
    Schriftenreihe: Leeds-Swansea Colloquia on Contemporary German Literature ; 2
    Schlagworte: Deutsch; Literatur; Religion <Motiv>; Identität <Motiv>; ; Deutschland; Film; Religion <Motiv>; Identität <Motiv>; ; Deutschland; Religiöse Identität;
    Umfang: 1 Online-Ressource (260 p)
  19. Religion and Identity in Germany Today
    Doubters, Believers, Seekers in Literature and Film
    Beteiligt: Preece, Julian Ernest (Hrsg.); Finlay, Frank (Hrsg.); Crowe, Sinéad (Hrsg.)
    Erschienen: 2011; © 2010
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

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    Quelle: Verbundkataloge
    Beteiligt: Preece, Julian Ernest (Hrsg.); Finlay, Frank (Hrsg.); Crowe, Sinéad (Hrsg.)
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    RVK Klassifikation: BB 1620 ; GN 1088 ; GN 1701 ; GO 16018
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Identität <Motiv>; Religion <Motiv>; Literatur; Religiöse Identität; Deutsch; Film
    Umfang: 1 Online-Ressource (260 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 27, 2019)

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of '9/11'. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann's contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German

  20. ANDERSON, LISA MARIE - German Expressionism and the Messianism of a Generation
    Autor*in: Crowe, Sinéad
    Erschienen: 2012

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    Übergeordneter Titel: Canadian review of comparative literature; Edmonton : Canadian Comparative Literature Assoc., 1974-; Band 39, Heft 4 (2012), Seite 445-446

  21. Religion and identity in Germany today
    doubters, believers, seekers in literature and film
    Beteiligt: Preece, Julian (Hrsg.); Finlay, Frank (Hrsg.); Crowe, Sinéad (Hrsg.)
    Erschienen: ©2010
    Verlag:  P. Lang, Oxford

    The contributors address a range of issues, including the controversial building of a mosque in Cologne & pressure experienced by German Jews to reconnect with a religion that their forebears cast off sometimes more than a century ago mehr

     

    The contributors address a range of issues, including the controversial building of a mosque in Cologne & pressure experienced by German Jews to reconnect with a religion that their forebears cast off sometimes more than a century ago

     

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    Quelle: Verbundkataloge
    Beteiligt: Preece, Julian (Hrsg.); Finlay, Frank (Hrsg.); Crowe, Sinéad (Hrsg.)
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300505; 303530050X
    Schriftenreihe: Leeds-Swansea colloquia on contemporary German literature ; v. 2
    Schlagworte: Germany / Religion / 21st century / Congresses; RELIGION / History; TRAVEL / Special Interest / Religious; Religion / (OCoLC)fst01093763; Literatur; Religion <Motiv>; Identität <Motiv>; Film; Religiöse Identität
    Umfang: 1 online resource (252 pages)
    Bemerkung(en):

    Proceedings of a colloquium held in July 2008 in Swansea, Wales

    Print version record

    Includes bibliographical references and index

    Introduction / Julian Preece and Frank Finlay --, Ein bißchen Aleph': Jüdische religion und religiöse praxis zwischen renaissance und musealisierung / Mona Körte -- Belief, ritual and identity: performances of Jewishness in contemporary German cinema / Matthias Uecker -- Das, Ende der nachkriegszeit' im werk von Anna Mitgutsch / Andrea Reiter -- A clear-cut case? Martin Walser and the charge of anti-semitism / Stuart Parkes --, In dieser gegend gibt es keinen gott': religion in der, postmodernen' literatur am Beispiel von Helmut Krausser, Hape Kerkeling und Felicitas Hoppe / Stefan Neuhaus -- Gott heißt Elvis Presley: zur religiösen motivik in der zeitgenössischen deutschen prosa / Axel Schalk -- Snatching a brand from the burning: possibilities of transcendence in Thomas Rosenlöcher's Flockenkarussell / Robert Gillett -- 'Das gefühl des glaubens': religion in the theatre of Werner Fritsch / Sinéad Crowe -- That old-time religion? Thoughts on Patrick Roth's 'Resurrection' trilogy / Keith Bullivant -- Constructions of Islam: select voices from Germany and the Netherlands / Monika Shafi --, Meine gläubigkeit hat einen knacks bekommen': Hubert Fichtes Der platz der gehenkten als empfindsamer beitrag einer Korankritik / Mario Fuhse -- 'Authentic' Muslim voices? Feridun Zaimoğlu's Schwarze Jungfrauen / Frauke Matthes -- Faking the Hadj? RIchard Burton slips between the lines in Ilija Trojanow's Der weltensammler / Julian Preece -- Interkulturalität und religion in Deutschland: der streit um den geplanten bau einer großmoschee in Köln und die diskussion um einen europäischen Islam / Michael Hofmann

  22. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873 ; GN 9284
    Schlagworte: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Umfang: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  23. Religion and Identity in Germany Today
    Doubters, Believers, Seekers in Literature and Film
    Beteiligt: Preece, Julian Ernest (HerausgeberIn); Finlay, Frank (HerausgeberIn); Crowe, Sinéad (HerausgeberIn)
    Erschienen: 2011
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German Contents: Julian Preece/Frank Finlay: Introduction – Mona Körte: ‘Ein bißchen Aleph’: Jüdische Religion und religiöse Praxis zwischen Renaissance und Musealisierung – Matthias Uecker: Belief, Ritual and Identity: Performances of Jewishness in Contemporary German Cinema – Andrea Reiter: Das ‘Ende der Nachkriegszeit’ im Werk von Anna Mitgutsch – Stuart Parkes: A Clear-Cut Case? Martin Walser and the Charge of Anti-Semitism – Stefan Neuhaus: ‘In dieser Gegend gibt es keinen Gott’: Religion in der ‘postmodernen’ Literatur am Beispiel von Helmut Krausser, Hape Kerkeling und Felicitas Hoppe – Axel Schalk: Gott heißt Elvis Presley: Zur religiösen Motivik in der zeitgenössischen deutschen Prosa – Robert Gillett: Snatching a Brand from the Burning: Possibilities of Transcendence in Thomas Rosenlöcher’s Flockenkarussell – Sinéad Crowe: ‘Das Gefühl des Glaubens’: Religion in the Theatre of Werner Fritsch – Keith Bullivant: That Old-Time Religion? Thoughts on Patrick Roth’s ‘Resurrection’ Trilogy – Monika Shafi: Constructions of Islam: Select Voices from Germany and the Netherlands – Mario Fuhse: ‘Meine Gläubigkeit hat einen Knacks bekommen’: Hubert Fichtes Der Platz der Gehenkten als empfindsamer Beitrag einer Korankritik – Frauke Matthes: ‘Authentic’ Muslim Voices? Feridun Zaimoglu’s Schwarze Jungfrauen – Julian Preece: Faking the Hadj? Richard Burton Slips between the Lines in Ilija Trojanow’s Der Weltensammler – Michael Hofmann: Interkulturalität und Religion in Deutschland: Der Streit um den geplanten Bau einer Großmoschee in Köln und die Diskussion um einen europäischen Islam

     

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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Preece, Julian Ernest (HerausgeberIn); Finlay, Frank (HerausgeberIn); Crowe, Sinéad (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035300505
    Weitere Identifier:
    9783035300505
    RVK Klassifikation: GN 1088
    Auflage/Ausgabe: 1st, New ed
    Schriftenreihe: Leeds-Swansea Colloquia on Contemporary German Literature ; 2
    Schlagworte: Deutsch; Literatur; Religion <Motiv>; Identität <Motiv>; ; Deutschland; Film; Religion <Motiv>; Identität <Motiv>; ; Deutschland; Religiöse Identität;
    Umfang: 1 Online-Ressource (260 p)
  24. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, N.Y

    Despite claims that the twenty-first century has seen a sudden ""return"" of religion to the German stage, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades. Focusing on works... mehr

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    Despite claims that the twenty-first century has seen a sudden ""return"" of religion to the German stage, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s and asks whether the drama of the period succeeds in developing religious insights or is only quasi-religious, exploiting religious signs for aesthetic

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571135499; 9781571135490
    RVK Klassifikation: GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Religion in literature; Theater; German drama
    Umfang: Online-Ressource (168 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Introduction: Definitions and Themes -- The Relationship between Theater and Religion -- Religion in Modern European Theater and Drama -- "No One Wants to Get to God Anymore"? Botho Strauss's Grosse und Klein and Die eine und die andere -- Theological Farce: George Tabori's Mein Kampf -- "The Last Refuge for Metaphysics": Werner Fritsch's Theater Theory -- "The Feeling of Faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and Unbelief in the Twenty-first Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen).

  25. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873 ; GN 9284
    Schlagworte: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Umfang: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)