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Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Pirating Fictions
Ownership and Creativity in Nineteenth-Century Popular Culture -
Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work and home -
Pirating fictions
ownership and creativity in nineteenth-century popular culture -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work and home -
REVIEWS - Professional Domesticity in the Victorian Novel: Women, Work and Home
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The Paradox of Literary Commercialism in Trollope's Nina Balatka
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Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work and home -
Professional domesticity in the Victorian novel
women, work, and home -
Professional domesticity in the Victorian novel
women, work and home