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  1. Studies in description
    reading Gertrude Stein's Tender buttons : objects, food, rooms
    Erschienen: [2016]; ©2016
    Verlag:  Talonbooks, Vancouver, British Columbia, Canada

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780889229617; 0889229619
    Schlagworte: Stein, Gertrude;
    Weitere Schlagworte: Stein, Gertrude (1874-1946): Tender buttons; Stein, Gertrude (1874-1946)
    Umfang: 399 pages, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 391-399)

  2. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: 1992
    Verlag:  Univ. of Massachusetts Press, Amherst

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.543.88
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    Universität Gießen, Bibliothek Anglistik
    F QF 1203
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    Universität Mainz, Zentralbibliothek
    166.097
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870237810
    RVK Klassifikation: HU 1761
    Schlagworte: Englisch; Prosagedicht
    Weitere Schlagworte: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons
    Umfang: IX, 246 S.
    Bemerkung(en):

    Literaturverz. S. 233 - 240

  3. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: c1992
    Verlag:  University of Massachusetts Press, Amherst, Mass

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... mehr

    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 058518674X; 9780585186740
    Schlagworte: Social norms in literature; American prose literature; American poetry; Prose poems, American
    Weitere Schlagworte: Ashbery, John (1927-): Poems; Stein, Gertrude (1874-1946): Tender buttons; Williams, William Carlos (1883-1963): Kora in hell
    Umfang: Online-Ressource (ix, 246 p)
    Bemerkung(en):

    Includes bibliographical references (p. 233-240) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

  4. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: ©1992
    Verlag:  University of Massachusetts Press, Amherst, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 058518674X; 0870237810; 9780585186740; 9780870237812
    Schlagworte: Prose américaine / 20e siècle / Histoire et critique; Poésie américaine / 20e siècle / Histoire et critique; Poèmes en prose américains / Histoire et critique; LITERARY CRITICISM / Poetry; Prosagedicht; Geschichte; American prose literature; American poetry; Prose poems, American; Social norms in literature; Prosagedicht; Geschichte; Englisch
    Weitere Schlagworte: Wilde, Oscar / 1854-1900; Williams, William Carlos / 1883-1963 / Kora in hell; Stein, Gertrude / 1874-1946 / Tender buttons; Ashbery, John / Three poems; Williams, William Carlos / Kora in hell; Ashbery, John; Stein, Gertrude / Tender buttons; Williams, William Carlos / 1883-1963; Stein, Gertrude / 1874-1946; Ashbery, John; Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-): Poems; Williams, William Carlos (1883-1963): Kora in hell; Ashbery, John (1927-2017)
    Umfang: 1 Online-Ressource (ix, 246 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 233-240) and index

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities

  5. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: 1992
    Verlag:  Univ. of Massachusetts Pr., Amherst

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... mehr

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     

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  6. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: c1992
    Verlag:  University of Massachusetts Press, Amherst

    Staats- und Universitätsbibliothek Bremen
    01.b.4428
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    94 A 5408
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870237810
    Schlagworte: American prose literature; American poetry; Prose poems, American; Social norms in literature; Dissenters in literature
    Weitere Schlagworte: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-2017)
    Umfang: ix, 246 p, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 233-240) and index

  7. Textual bodies
    modernism, postmodernism, and print
    Erschienen: 1994
    Verlag:  Bucknell Univ. Press u.a., Lewisburg

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  8. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: 1992
    Verlag:  Univ. of Massachusetts Pr., Amherst

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     

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  9. Studies in description
    reading Gertrude Stein's Tender buttons : objects, food, rooms
    Erschienen: [2016]; ©2016
    Verlag:  Talonbooks, Vancouver, British Columbia, Canada

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 998458
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    HU 8585 100
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780889229617; 0889229619
    Schlagworte: Stein, Gertrude;
    Weitere Schlagworte: Stein, Gertrude (1874-1946): Tender buttons; Stein, Gertrude (1874-1946)
    Umfang: 399 pages, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 391-399)

  10. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: 1992
    Verlag:  University of Massachusetts Press, Amherst

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 208501
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Bremen
    01.b.4428
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    94 8 41822
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    Universitätsbibliothek Freiburg
    GE 93/1812
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    94 A 5408
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870237810
    RVK Klassifikation: HU 1761 ; HU 1800
    Schlagworte: American prose literature; American poetry; Prose poems, American; Social norms in literature; Dissenters in literature
    Weitere Schlagworte: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons; Ashbery, John (1927-2017)
    Umfang: 246 S.
    Bemerkung(en):

    Includes bibliographical references (p. 233-240) and index

  11. A tradition of subversion
    the prose poem in English from Wilde to Ashbery
    Erschienen: 1992
    Verlag:  University of Massachusetts Press, Amherst, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other." At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 058518674X; 9780585186740
    RVK Klassifikation: HU 1761
    Schlagworte: Englisch; Prosagedicht
    Weitere Schlagworte: Williams, William Carlos (1883-1963): Kora in hell; Stein, Gertrude (1874-1946): Tender buttons
    Umfang: 1 Online-Ressource (ix, 246 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 233-240) and index

  12. Textual bodies
    modernism, postmodernism, and print
  13. Textual bodies
    modernism, postmodernism, and print
    Erschienen: 1994
    Verlag:  Bucknell Univ. Press [u.a.], Lewisburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 234031
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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