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Recherchieren Sie hier in allen Dokumenten, die auf CompaRe publiziert wurden.

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  1. Introduction : medieval openness
    Autor*in: Gragnolati, Manuele; Suerbaum, Almut
    Erschienen: 15.06.2022

    The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative... mehr

     

    The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative tension with forms of closure and can even be empowered by them. The chapters highlight the complex relationship between author, work, and text, but also explore several, often paradoxical, ways in which medieval culture mobilizes forms, practices, and experiences of openness without having a single abstract concept for it.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte Europas (940)
    Sammlung: ICI Berlin
    Schlagworte: Mittelalter; Offenheit
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. Openness and intensity : Petrarch's becoming laurel in "Rerum vulgarium fragmenta" 23 and 228
    Autor*in: Gragnolati, Manuele; Southerden, Francesca
    Erschienen: 27.06.2022

    Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into... mehr

     

    Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transformation into (23), or implantation with (228), the laurel tree that normally represents the poet's beloved, Laura. Bringing Petrarch's poems into dialogue with philosophical works that consider the nature of plant existence as a form of interconnectedness and porosity to the outside, we argue that the becoming tree these poems stage is a form of desire to be understood not as lack but as intensity.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-030-5
    DDC Klassifikation: Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
    Sammlung: ICI Berlin
    Schlagworte: Petrarca, Francesco; Canzoniere; Lorbeer; Pflanzen <Motiv>; Metamorphose; Liebe <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. Re-writing Dante after Freud and the Shoah : Giorgio Pressburger's "Nel regno oscuro"
    Autor*in: Gragnolati, Manuele
    Erschienen: 23.10.2019

    "Nel regno oscuro" is the first part of a planned trilogy inspired by the "Divine Comedy", integrating the Middle European style of Giorgio Pressburger's previous works with the attempt to engage with the first part of Dante's poem. The role of... mehr

     

    "Nel regno oscuro" is the first part of a planned trilogy inspired by the "Divine Comedy", integrating the Middle European style of Giorgio Pressburger's previous works with the attempt to engage with the first part of Dante's poem. The role of Virgil, Dante's guide in the "Inferno", is taken by Sigmund Freud, and the journey of the melancholic protagonist begins as psychoanalytic therapy to enable him to come to terms with the loss of his father and his twin brother, but soon turns into a journey through the realm of the dead which, like the "Divine Comedy", takes the shape of a series of encounters with the shades of historical figures. Thus Dante's descent to hell metamorphoses into a phantasmagoric voyage to the most intimate and obscure dimensions of the human psyche as well as a journey through the tragic events of history in the twentieth century - and the Shoah in particular. The combination of the personal, the collective, and even the universal is one of the most interesting aspects Pressburger takes from Dante's poem. In the following analysis Manuele Gragnolati explores how both Dante's "Divine Comedy" and Pressburger's "Nel regno oscuro" place personal and collective suffering at the centre of their own narratives and stage writing as a political, ethical, and possibly 'salvific' way to deal with this dual suffering, even as they differ in their concepts of identity and selfhood on the one hand and in their models of history on the other.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-85132-617-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Dante Alighieri; Divina Commedia; Rezeption; Pressburger, Giorgio; Psychoanalyse <Motiv>; Unbewusstes <Motiv>; Judenvernichtung <Motiv>; Geschichte <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Weathering the afterlife : the meteorological psychology of Dante's "Commedia"
    Autor*in: Crisafi, Nicolò; Gragnolati, Manuele
    Erschienen: 29.10.2020

    The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and their interrelation with the subjectivity of the dead in Hell, Purgatory, and Heaven. Examining how the dead weather the afterlife and how the elements... mehr

     

    The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and their interrelation with the subjectivity of the dead in Hell, Purgatory, and Heaven. Examining how the dead weather the afterlife and how the elements affect them, in turn, the essay takes the complex enantiosemy of the word 'weathering' as a conceptual guiding thread for the exploration of dynamics of exposure ('Inferno'), vulnerability ('Purgatorio'), and receptivity ('Paradiso').

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-009-1; 978-3-96558-010-7
    DDC Klassifikation: Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
    Sammlung: ICI Berlin
    Schlagworte: Dante, Alighieri; Divina commedia; Wetter <Motiv>; Meteorologie
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Aktive Passivität? : Spinoza in Pasolinis "Schweinestall"
    Autor*in: Gragnolati, Manuele; Holzhey, Christoph F. E.
    Erschienen: 10.03.2021

    Der Aufsatz von Manuele Gragnolati und Christoph F. E. Holzhey "Aktive Passivität?" über Pier Pasolinis Theaterstück und seinen gleichnamigen Film "Schweinestall" (Italien 1969) setzt an der Auseinandersetzung von Julian, dem Protagonisten mit dem... mehr

     

    Der Aufsatz von Manuele Gragnolati und Christoph F. E. Holzhey "Aktive Passivität?" über Pier Pasolinis Theaterstück und seinen gleichnamigen Film "Schweinestall" (Italien 1969) setzt an der Auseinandersetzung von Julian, dem Protagonisten mit dem ihm im Traum erscheinenden Spinoza an. In dem Gespräch mit Julian, das im Film nicht vorkommt, diesem jedoch zugrunde liegt, tritt Spinoza zunächst als eben jener rationalistische Philosoph auf, der für den bürgerlichen Rationalismus verantwortlich ist. In ihrer Lektüre zeigen Gragnolati und Holzhey, dass Pasolinis Auslegung von Spinozas Philosophie schließlich darin mündet, dass sie Julian ermutigt, sich seinen Affekten hinzugeben, die ihn zu den Schweinen ziehen, um sich von ihnen verschlingen zu lassen. Damit entwickelt Pasolini in seiner subtilen Abschwörung von Spinoza, wie Gragnolati und Holzhey argumentieren, avant la lettre eine queere Kunst des Scheiterns, in der Julian eine mögliche Form des Protestes und der Möglichkeit darstellt, sich der Teilhabe an der Macht zu entziehen.

     
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