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  1. Ein linguistischer Abschied von Günter Grass : 'Vonne Endlichkait' A linguistic farewell from Günter Grass: Vonne Endlichkait
    Erschienen: 05.10.2018

    In 2015, the last work of Günter Grass appeared: Vonne Endlichkait (On Finiteness). This offers the opportunity to recall the highly personal style of this great German author. The whole book can be described as an artistic triad, consisting of short... mehr

     

    In 2015, the last work of Günter Grass appeared: Vonne Endlichkait (On Finiteness). This offers the opportunity to recall the highly personal style of this great German author. The whole book can be described as an artistic triad, consisting of short prose pieces, poems and drawings, most of them dealing with old age and death. The following linguistic and literary aspects are dealt with: genres and text types, the semiotic relations between prose, poetry and drawings, allusions to poets and philosophers, the representation of spoken and dialect German, syntactic constructions, semantics, and especially metaphorical processes. Finally, the article discusses some stylistic features which are typical of Grass's writing.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Linguistik (410); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Vonne Endlichkait; Grass, Günter; Literarischer Stil; Intermedialität
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess

  2. Zunehmende Verhärtung : textlinguistische Vergleiche derselben Szene in Ernst Jüngers 'Kriegstagebuch', im Roman 'In Stahlgewittern' und in der Essaysammlung 'Der Kampf als inneres Erlebnis' An increasing spirit of violence : text-linguistic comparisons of the same scene in different war texts by Ernst Jünger: 'War Diary', the novel 'In Storms of Steel' and the essays 'Combat as an Inner Experience'
    Erschienen: 05.10.2018

    By juxtaposing parallel passages in Ernst Jünger's War Diary with those in his later works on World War I written during the 1920s, I aim to show that Jünger's concept of a soldier increasingly glorifies violence. mehr

     

    By juxtaposing parallel passages in Ernst Jünger's War Diary with those in his later works on World War I written during the 1920s, I aim to show that Jünger's concept of a soldier increasingly glorifies violence.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei