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  1. Did Philologists write the Iliad? : Friedrich August Wolf's criteria of style and the demonstrative power of citation
    Autor*in: Mahler, Anthony
    Erschienen: 13.10.2011

    Friedrich August Wolf posits in his "Prolegomena ad Homerum" that, from the time of the first transcription of Homer's epics around 700 BC to the time of the Alexandrian editions, the Iliad and Odyssey underwent repeated revisions by a multitude of... mehr

     

    Friedrich August Wolf posits in his "Prolegomena ad Homerum" that, from the time of the first transcription of Homer's epics around 700 BC to the time of the Alexandrian editions, the Iliad and Odyssey underwent repeated revisions by a multitude of poets and critics. According to Wolf, the "unified" works that we know are the products of emendations by Alexandrian critics who attempted to homogenize the style of the epics and to return them to their "original" form. This paper argues that Wolf's narration of the history of these texts relies on and produces aesthetic claims, not historical ones. Wolf determines the dates and origins of passages based on intuitive judgments of style for which he cannot provide linguistic or historical evidence. And his conclusions that the "Iliad" and "Odyssey" were not written by Homer, but rather by a history of emendations and revisions, enthrones his work — the work of philologists — in place of the literary genius Homer. Thus philology becomes for Wolf an aesthetic discipline that produces canonical and beautiful works of literature. This aesthetic task is essential for philology to fulfill its educational and political responsibilities.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; Konferenzveröffentlichung
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Wolf, Friedrich August / Prolegomena ad Homerum; Philologie
    Lizenz:

    creativecommons.org/licenses/by/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Autor*in: Rößler, Philipp
    Erschienen: 13.10.2011

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes... mehr

     

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes us to reflect on our preconceptions concerning such fundamental issues as reading, meaning and understanding. Due to this very quality, the work has been a fertile intellectual stimulus for an illustrious band of thinkers of the ―post-projects. Its singularity has provoked and facilitated the further development of theoretical frameworks beyond the confines of literary theory proper. This essay will trace the elaborate theoretical responses of Umberto Eco and Jacques Lacan to Joyce's grand literary arcanum. Eco's concept of the openness of modern works of art and Lacan's elaboration of his psychoanalytic concepts of the symptom and of the Borromean knot were inspired by their study of Joyce. As an extreme instance of literariness, Finnegans Wake thus constitutes an ideal opportunity to consider the scope and boundaries of the scholarly study of literary texts more generally.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; Konferenzveröffentlichung
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Joyce, James / Finnegans wake; Lacan, Jacques; Eco, Umberto
    Lizenz:

    creativecommons.org/licenses/by/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. Hamburg's warehouse district in Martin tom Dieck's "hundert Ansichten der Speicherstadt"
    Autor*in: Iglesia, Martin de la
    Erschienen: 22.11.2011

    Most texts that deal with Martin tom Dieck’s black-and-white comic "hundert Ansichten der Speicherstadt" (Zürich: Arrache Cœur, 1997, French title: Vortex) claim that it depicts the eponymous warehouse district (Speicherstadt) in Hamburg. As this... mehr

     

    Most texts that deal with Martin tom Dieck’s black-and-white comic "hundert Ansichten der Speicherstadt" (Zürich: Arrache Cœur, 1997, French title: Vortex) claim that it depicts the eponymous warehouse district (Speicherstadt) in Hamburg. As this paper shows, this claim is inaccurate: although the architecture in tom Dieck’s drawings clearly refers to buildings in the warehouse district, the differences in the details are so obvious, that to speak of a straightforward depiction of the Speicherstadt is oversimplifying. After a brief comparison with Christoph Schäfer’s picture book "Die Stadt ist unsere Fabrik" (Leipzig: Spector Books, 2010), the paper concludes with a discussion of the depiction of urban environments in general and in tom Dieck's book in particular.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Konferenzveröffentlichung; Konferenzveröffentlichung
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Tom Dieck, Martin; Comic
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. The split of reason and the postcolonial backlash
    Autor*in: Ivekovic, Rada
    Erschienen: 23.11.2011

    Let’s not forget that 1492, one of the first landmarks of Modernity, was both the year of the conquest of the Americas and of the fall or of the Reconquista of Granada, both of inner and outer ethnic cleansing of the nation state; that the national... mehr

     

    Let’s not forget that 1492, one of the first landmarks of Modernity, was both the year of the conquest of the Americas and of the fall or of the Reconquista of Granada, both of inner and outer ethnic cleansing of the nation state; that the national state was a colonial state and is now a securitarian state, that colonialism was the very form of Western Modernity, that the French Revolution itself was colonial, that the leader of the first Black revolutionary independence movement, Toussaint Louverture (Haiti), died in a French prison though inspired by the French Revolution. - No-one has access to reason as whole: there is no such thing as the whole of Reason, or Reason as a whole, or the Totality of reason. Reason is patched up of disconnected bits and pieces that reside at different addresses.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Postkolonialismus
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  5. Cultural translation : a value or a tool? Let’s start with Gramsci!
    Autor*in: Wagner, Birgit
    Erschienen: 23.11.2011

    Ein Vordenker, der in der internationalen Diskussion um « cultural translation » so gut wie nie diskutiert wird, ist Antonio Gramsci. Der Philosoph aus Sardinien, von Kindes Tagen an in Zweisprachigkeit (Sardisch-Italienisch) geübt, hat ein feines... mehr

     

    Ein Vordenker, der in der internationalen Diskussion um « cultural translation » so gut wie nie diskutiert wird, ist Antonio Gramsci. Der Philosoph aus Sardinien, von Kindes Tagen an in Zweisprachigkeit (Sardisch-Italienisch) geübt, hat ein feines Sensorium für kulturelle Differenzen ausgebildet. In seinen Gefängnisjahren übersetzt er – als intellektuelles Training – aus dem Russischen und dem Deutschen ins Italienische, und in den Gefängnisheften setzt er sich wiederholt mit dem Begriff der traducibilità (Übersetzbarkeit) auseinander: Übersetzbarkeit von Sprachen, aber auch von Kulturen. Der Artikel geht den Linien nach, die von Gramscis Überlegungen zu der aktuellen Diskussion gezogen werden können, und diskutiert am Ende vergleichend die Positionen Homi K. Bhabhas und Gayatri Spivaks.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Gramsci, Antonio; Übersetzung
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess