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  1. Vereinnahmung von Geschichte und Literatur durch rumänische Kulturpolitik. Die Kronstädter Publikation "Karpatenrundschau" (1968-1970)
    Erschienen: 01.06.2019

    The present study takes two tendencies into account that have shaped the cultural contact between the Romanian culture and the culture of the German minority in Romania. On the one hand, the re-writing of history respectively of the historical... mehr

     

    The present study takes two tendencies into account that have shaped the cultural contact between the Romanian culture and the culture of the German minority in Romania. On the one hand, the re-writing of history respectively of the historical discourse according to cultural policy of the Romanian communist state is envisaged, on the other hand, the selection of articles on Romanian culture and literature published in the weekly Karpatenrundschau are analysed in order to trace tendencies cultural transfer.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070); Politikwissenschaft (320); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  2. Der ungarische Lebensbezirk im literarischen Schaffen von Emil Witting : ausgehend von einer neueren Veröffentlichung
    Erschienen: 01.06.2019

    The writer Emil Witting (1880-1952), known by German readers through the descriptions of the forests and pastures of the Carpathian Mountains, author of extensive relations dedicated to the bear (Frate Nicolae) and to deer (Scrimerul), conceives a... mehr

     

    The writer Emil Witting (1880-1952), known by German readers through the descriptions of the forests and pastures of the Carpathian Mountains, author of extensive relations dedicated to the bear (Frate Nicolae) and to deer (Scrimerul), conceives a novel dedicated to a painter connected to the Szekler’s world. Imre Nagy (1893-1976) served as a model for the main character. From this unfinished writing, three fragments were published. These have recently been translated into Hungarian, printed in Miercurea Ciuc in an illustrated edition containing Imre Nagy’s paintings and graphic works.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. Deutsch-rumänische Sprachinterferenzen bei Herta Müller und Balthasar Waitz

    Herta Müller’s leaning towards word for word transfer of Romanian set phrases in her texts can be explained by the environment in which she lived until her emigration to West Germany and this admittedly intensifies with the gradually increasing... mehr

     

    Herta Müller’s leaning towards word for word transfer of Romanian set phrases in her texts can be explained by the environment in which she lived until her emigration to West Germany and this admittedly intensifies with the gradually increasing general interest in multi-lingualism. The fact that the authoress speaks of the German-Romanian transfer in her acceptance speech on the occasion of the Nobel Prize award proves the important role, which Hertha Müller ascribes to this procedure. Also at the centre of the latest books by Balthasar Waitz stands the multicultural region of the Banat. The author seems to be gripped by the plurilingualism of the immediate surroundings of his homeland. Different forms of Romanian, from slang to everyday speech, but occasionally also Hungarian, Slovak and Serbian phrases find their way into the texts of the Banat author. In this manner just as with Hertha Müller, language images come into being, new light. Thus literary multilingualism in both writers enables one to have a novel access to the relation between literature and reality.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. Die Schwarze Kirche als Topos der kollektiven Identitätskonstruktion in der deutschen, rumänischen und ungarischen Lyrik der Zwischenkriegszeit
    Erschienen: 01.06.2019

    The Black Church, the largest sacral building in Transylvania, has been given a central role in the local identity narratives. As a historical place of remembrance, it mediates and mobilizes elements of historical knowledge, and at the same time... mehr

     

    The Black Church, the largest sacral building in Transylvania, has been given a central role in the local identity narratives. As a historical place of remembrance, it mediates and mobilizes elements of historical knowledge, and at the same time constructs a myth.The article examines how the Black Church in Brasov, one of the most important symbols of the Transylvanian Saxons, is poetically constructed as a place of cultural memory in the German, Romanian and Hungarian poems of the interwar period, how the concrete place is reinterpreted as a space for creating identity, while the ethnic dimension should not be ignored. It examines the question of what symbolic value it has for the German, Romanian and Hungarian populations and how this can be seen from the lyrical texts of the time.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Germanische Sprachen; Deutsch (430); Italienisch, Rumänisch, Rätoromanisch (450); Andere Sprachen (490)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. "Auch das Beständigste war nicht mehr von Dauer!" : die Darstellung des "Eigenen" und des "Gegenübers" in Andreas Birkners Roma "Die Tatarenpredigt"
    Erschienen: 01.06.2019

    The present study focuses on imagology. Starting from the theoretical aspects of the concepts self-image and hetero-image, the analysis ponders upon the imagological constructs of two ethnical groups in the novel of the Romanian German-language... mehr

     

    The present study focuses on imagology. Starting from the theoretical aspects of the concepts self-image and hetero-image, the analysis ponders upon the imagological constructs of two ethnical groups in the novel of the Romanian German-language author Andreas Birkner. In this analysis, the self image identifies with the one of the Transylvanian, and the image of the other is that of the Roma. The analysis of Birkner's novel leads to the conclusion that there have been certain mental images deeply rooted in historical reality and which can be, partly, explained by means of collective memory parameters. Stereotypes and prejudices should be considered in this context.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Deutsch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess